NemO’s Bunches Heads Together Like Grapes in Roman Suburb

NemO’s Bunches Heads Together Like Grapes in Roman Suburb

This mural program is “maintaining a complete detachment from the speculation of the art system,” says Street Artist NemO’s of Muracci Nostri.

However he looks quite attached to this wall.

NemO’S. Primavalle, Rome. November 2016. (photo © Laura Lepera)

Rappelling down its’ side using a doubled rope coiled around the body and fixed at a higher point, NemO’s efficiently averts the complications of ladders or cherry pickers and gets right to work on this bunch of grapes.

NemO’S. Primavalle, Rome. November 2016. (photo © Laura Lepera)

“I have translated into an image what I perceive of this district,” he says of the Rome suburb of Primavalle, which he tells us has always had a populist, anti-fascist sentiment since it was formed in response to the gentrification of downtown.

“In the 1930s the people who lived in via della conciliazione, a street near San Pietro, were displaced from the centre of Roma and forced to move to the outskirts,” he says, as he describes this neighborhood that has hosted collectives and movements of the left wing historically.

NemO’S. Detail. Primavalle, Rome. November 2016. (photo © Laura Lepera)

Thus the collective nature of this bunch of grapes, one entity composed of a greater number. “A ‘bunch’ of grapes is a singular word, composed of many grapes,” he says. “I drew a leviathan where each grape has a face, a fragment of a district, an inhabitant of Primavalle.”

NemO’S. Primavalle, Rome. November 2016. (photo © Laura Lepera)

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Sebastien Waknine, Rubicon1, Mugraff “Journey of a Refugee” in Barcelona

Sebastien Waknine, Rubicon1, Mugraff “Journey of a Refugee” in Barcelona

As the world looks on and Americans are deciding which of the world’s refugee children to ban from the country, London-born Street Artist Sebastien Waknine has created a new work in Barcelona called “Journey of a Refugee” with Rubicon 1 and Mugraff.

Sebastien Waknine (0ld lady) in collaboration with Rubicon 1 (refugees) and Mugraff (letters) titled “Journey of a Refugee”.  Detail. Barcelona, Spain. (photo © Lluis Olive Bulbena)

One of the most active artists in the streets creating in a variety of styles of work that lean toward realism and sometimes tilt into fantasy and exaggerated caricature the London born Waknine decided to do this mural on Selva de Mar to speak to the pure human factors in a refugee crisis that grips much of the developed and developing world.

Sebastien Waknine (0ld lady) in collaboration with Rubicon 1 (refugees) and Mugraff (letters) titled “Journey of a Refugee”.  Detail. Barcelona, Spain. (photo © Lluis Olive Bulbena)

The new work captures the raw human emotions of fear, desperation and distress of people afloat on rough waters. Somehow Waknine also brings dignity to the harrowing scene and references classical painting, as he has on walls in his travels to countries like Mexico, France, Israel, Germany, and England.

As some societies open their doors to help those fleeing war and imminent danger it seems unthinkable to do anything less for the least of these.

Sebastien Waknine (0ld lady) in collaboration with Rubicon 1 (refugees) and Mugraff (letters) titled “Journey of a Refugee”.  Detail. Barcelona, Spain. (photo © Lluis Olive Bulbena)

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Trump Scares As Street Art-Inspired Magazine Covers

Trump Scares As Street Art-Inspired Magazine Covers

The bright pop pallet, the layered stencil flatness, the drips, the overspray.

These are some hallmarks of the modern Street Art style; evocative of free speech, underground activist missives, and pop culture soaked tongue-in-cheek satire.

And here they are popping up again on major magazine covers – still nailing the essence of the message with the simple statement of an icon. One look and you know what it’s saying, and in the case of Trump, the view from Europe scary.

Thought you would like to see these new covers and a few more that are published on NYMag this week; ample evidence that the illustrators among us know how to really go for the popular jugular.

The new cover of The Economist by artist Miles Donovan.

The cover art for Banksy’s book “Wall and Piece”.

The cover of the German magazine Der Spiegel by artist Edel Rodriguez.


 

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BSA Images Of The Week: 02.05.17

BSA Images Of The Week: 02.05.17


BSA-Images-Week-Jan2015

It’s surreal to be on the south side of the US border when Trump has just signed an executive order to build a wall, decides to try to pick a fight with the President of Mexico and drops a travel ban. Gosh, between giving away everything to his ultra-rich friends, loosening regulations on their companies, bringing Frederick Douglass back to life, skipping the Jews, and insulting some key strategic-historic allies it’s just a wonder that he has time to attack the press and say that everyone is lying except him.

As we looked for murals and graffiti in the warm winter sun on main street and back street walls and along rails and on freight trains, we got a taste for the clever wit and aerosol talents of Mexican Street Artists. It may help that they have the amazing muralist history of Mexico to call upon.

We start this week with a huge mural in downtown Chihuahua with their namesake dog who appears to have a peyote blossom on his mind, perhaps looking for an alternate reality to help process all the alternative facts coming from up north. Is surreality here to stay?

Here’s our weekly interview with the streets, this week featuring: Antonio Leon, ASET, DAOR, Daniel Montes, Disko, Nino Fidencio, Rick, SPK FUK, Sebastian Gallegos, SOER and Vera Primavera.

Daniel Montes, Nino Fidencio and Antonio Leon. Chihuahua Dog with Peyote blossom. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Sebastian Gallegos. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Rick. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

SPK FUK. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

ECK. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Paket and ?. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Aset . Daor. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Soer . ? Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist . Mes . Rest. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Wide . Ger . Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Vandals in the background. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Disko. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Disko. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Vera Primavera. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unititled. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

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Said Dokins & Lapiztola : Gentrification in Mexico City’s La Merced Market

Said Dokins & Lapiztola : Gentrification in Mexico City’s La Merced Market

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

The writing is on the wall. Can you read what it says?

 

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

“Social Cleansing” is a term used by Said Dokins and Lapiztola when describing the process of a gentrifying neighborhood in Mexico City where the enormous and historical public market called La Merced Market is now gradually disappearing, taking the people who made it possible with it.

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

Their new piece looks at the destroying of a native culture by the forces of development that feed on its unique energy and character to sell real estate and investment opportunity but in the process negate its very authorship, its right to its formidable historical place in community.

Their new wall contains the messages from Said Dokins within his particular calligraffiti style that is both communication and ornamentation. The composition also features a stencil from Lapiztola of the face of a girl, perhaps from Oaxaca, where her dress would be typical.

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

The states of Oaxaca and Chiapis have provided the life of La Merced for many decades – the market itself a jewel and historical institution in this neighborhood that has hosted commercial activities for more than five centuries.

“This mural was made within the project called WallDialogue2, which took place in a parking lot where several vendors from La Merced Market pass through everyday,” say the organizers of the program that took place January 20-22.

“The intentions of this project were to generate a discussion site focused on the relation between urban art and gentrification processes.”

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

Appropriately, we have a poem written by Natalia Saucedo when she was 12 and a girl from this community of the market.

My MERCED (Fragment)

Alert in my heart the market that saw me grow up
Cruelly falls little by little
My life runs here
I can’t let it go.

From here I hear the noise of machines
Little by little
My market destroyed

Ladies and gentlemen, without a job have been left

Be strong
Those who love the market crying inside,
Smiling outside

Withered heart
Traveling hope.

~ Natalia Saucedo

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

 

WALL DIALOGUE 2 – Nuestro Barrio Wall Painting Jam
ATEA Topacio 25, Centro Histórico, Mexico City
January 20 – 22
Featured Artists: Billy, Blo, Johannes Mundinger, La Piztola, Libre, Mernywernz, Nelio, Pao Delfin, Said Dokins 

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BSA Film Friday: 02.03.17

BSA Film Friday: 02.03.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. NEMCO, Three Stages: Primaticcio. Part I
2. NEMCO, Three Stages: Salento. Part II
3. NEMCO, Three Stages: Tetto. Part III
4. Run AKA Giacomo Bufarini: Time Traveller Artist Man
5. Saving Banksy
6. Berlin Kidz and Grifters Code 6: Über Freaks (Trailer)


bsa-film-friday-special-feature

BSA Special Feature: Three Walls by Nemco in Italy

Taking a break from the hype, here are three in a row straight up graffiti painting videos, each intriguing in their own way, from Italian writer Nemco. Unpretentious style, clean lettering, flexible concepts, and a bit of retro flavor that lets you know this is a way of life, not a pose to strike. Enjoy all three.

NEMCO, Three Stages: Primaticcio. Part I

 

NEMCO, Three Stages: Salento. Part II

 

NEMCO, Three Stages: Tetto. Part III

 

Run AKA Giacomo Bufarini: Time Traveller Artist Man

London based Italian Street Artist RUN has completed his first book of his work, a labor that he has been talking about since we met him a year ago in Morocco.

Tristan Manco describes it as “Part travelling diary, part monograph, Time Traveller Artist Man charts the triumphs and tribulations of an imaginative soul with a passion for travel, whose worldwide voyages have become a catalyst to create art that is elemental and playful, with the ultimate goal of engaging with people from all walks of life.”

We’ll show it to you once we get a copy! It is sure to be a fine work by a fine artist.

Opening in New York Tonight February 3rd

Saving Banksy

“We paint in the streets. That’s where it belongs”, says Street Artist Ben Eine in the new “Saving Banksy” film, and that’s where the debate originates. Of course that’s never where it ends.

For this weekend’s showtimes go to Cinepolis 

260 W 23rd St, New York, NY 10011
(212) 691-5519

Berlin Kidz and Grifters Code 6: Über Freaks (Trailer)

Good Guy Boris tells us that his new film Über Freaks is going to streamed live on Facebook February 8th! Of course you need to check your local times so you make sure you don’t show up to your computer with popcorn and its already over!

08 February 2017

20p.m. (GMT+1) [ Belgium / France / Germany / Italy / Netherlands / Spain timezones ]
US (EST – New York) – Wednesday 14p.m.
AUSTRALIA (AEDT – Sydney) – Thursday 06a.m.
Check your city timezone here.

Über Freaks takes place deep in the heart of Berlin, and chronicles what it’s like to be part of a close knit group, who get their kicks by roping down buildings with the barest of safety precautions, climbing buildings by way of their exteriors, and lock-picking their way through the whole of the city and its Metro stations. The film can be considered a joyride for the viewer, as they are finally granted a backstage pass to the exclusive and hectic lifestyle of the Berlin Kidz, being privy to a whole world of adrenaline and thrill seeking that occurs just outside their apartment windows.”

Also a new book release from The Grifters!

Find out more at grifterscode.thegrifters.org

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A Wall a Month : Contorno Urbano Launches “12+1” for 2017

A Wall a Month : Contorno Urbano Launches “12+1” for 2017

Walls get buffed all the time in many cities as the municipal anti-graffiti campaigns scour the streetscape for unapproved aerosol missives and get out the bucket paint or bring by the power washer.

Irene López León. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Fernando Alcalá Losa)

In one Spanish city they are doing it once a month, regardless of what’s up there. At least on one wall.

The second edition of “12 +1” by a small nonprofit organization named Contorno Urbano has planned for one new artist every month to paint this wall. The nonprofit says they are composed of local artists, a social worker and an architect – all in the city of L’Hospitalet de Llobregat, a municipality of a quarter million people to the immediate southwest of Barcelona in Catalonia, Spain – has been planning and executing murals for over a decade.

Irene López León. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Fernando Alcalá Losa)

With a rotating roster beginning this month, the organization says it is “in an open-air art gallery” in a commercial district of the city. In a description of the event they say it “seeks to question the way we exhibit street art, and the place of these artworks in the city.”

January brought Irene López León and today we show you her new piece that incorporates elements of geometry, playing with perspective, organic elements, and a certain hypnotic quality.

Planned artists for 2017 are Iker Muro, Hosh, Miedo 12, Miquel Wert, Pati Baztán, Elbi Elem, Fernando León, Edjinn, BYG and Laura González Llaneli.

 

Irene López León. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Fernando Alcalá Losa)

Irene López León. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Anton)

 

For more information about Contorno Urbano please click HERE.

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“Shoe” is His Middle Name: New Book by Niels Shoe Meulman

“Shoe” is His Middle Name: New Book by Niels Shoe Meulman

“They both see words as images,” says Shoe about graffiti writers and Medieval scribes in a 2013 interview with the BBC. His latest tome extrapolates this reverence for the letterform, an obsessive repetitive family of gestures, now often abstracted, that the artist first stumbled upon as a pre-teen in the late 1970s.  Since those days he became known as graffiti artist, painter, designer, writer, calligrapher. Here is where it comes together.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

“Shoe is My Middle Name” is the fourth publication by Niels Shoe Meulman and one that expands, amalgamates, solidifies his influences, mistakes, discoveries; forging a unique voice that is his own. Sometimes identified with Calligraffiti, but there is so much more to it; now the smudge and the smoke and the splatter has lead him in other directions, from supple and savvy wrist turning small scale to full-body massively immersive gestural painting.

Whether it is a push broom on a roof or a brush on mottled papyrus or the masterful swoop and turn of the squeegee, Shoe knows that there are no half steps once the liquefied pigment hits the surface. A commitment has been made.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

A large coffee table book with a unifying cerulean wash / black two-tone pointillist screen motif throughout, the story of his many exploits is moderated with poetry and outtakes of reviews by or observations by the artist. In one descriptive passage about his work “The Secret Ingredient”, the Amsterdam lifer who has traveled the world says it required “a perfect mix of intuition, imagination, courage and madness.”

Carlo McCormick writes in his essay, “We honor Shoe as the great cross-pollinator who came to New York City as a kid to meet the graffiti master Dondi and brought Wild Style back to Europe, but his strength remains just how far he can still can carry this immoderate load.” Based on his path and his evolution, we’ll consider this beautiful monster to be in a mid-career retrospective and some of his most masterful work is yet to come.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

“DID TUNNELS IN PARIS
THAT WALL IN BERLIN
DID ACID IN BROOKLYN
ALL WITHOUT SIN

DID ROOFTOPS IN LONDON
IN MUNICH SOME TIME
DID TRAMLINES AND STATIONS
NO LIFE WITHOUT CRIME

DID TRAINS IN THE BRONX
TAGS ON A PLANE
DID MURALS IN DELHI
ALL WITHOUT SHAME

DID LECTURES IN DUBLIN
GOT CHASED BY CHINESE
DID EXHIBITS DOWN UNDER
AND IN LOS ANGELES”

From “A Writer’s Song” by Niels Shoe Meulman

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

 

All photos of the book’s plates © Jaime Rojo


Niels Shoe Meulman “Shoe Is My Middle Name” is published by Lebowski Publishers / Overamstel. Amsterdam, 2016. Click HERE for more information.

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“Stars and Bricks” Go Up on a Berlin Wall from Various & Gould

“Stars and Bricks” Go Up on a Berlin Wall from Various & Gould

“Men build too many walls and not enough bridges.”

― Joseph Fort Newton, Southern Baptist minister from Texas (1876–1950)


And yet, talk again turns to the building of a contiguous wall along the southern border of the US.

Even though the wall is part of an Executive Order from President Trump, some say that in reality it is unlikely to happen because we still have in effect those complicating features of democracy where citizens actually disagree with one another and we are forced to reach a consensus. Not to mention the damage to relations with our 3nd largest trading partner with which goods and services traded totaled an estimated $583.6 billion in 2015.

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

It’s complete irony that the current Republican president is demanding a wall to be built when the nearly sainted architect of trickle-down small-government hands-off-the-corporations revolution, Ronald Reagan, is famous for having said to the then Russian president “Mr. Gorbachev: Tear down this wall” nearly 30 years. Likely Gorbachev has different opinions about the current president.

Berliners will tell you that their wall was incredibly damaging to the economies and more importantly, the people and the cultures who lived on both sides of it from 1961 to 1989. In fact the mayor of Berlin, Michael Müller said in a statement Friday, according to a translation by the Washington Post.

“We cannot simply accept that all our historic experiences are being thrown into disarray by the ones we have to thank most for our freedom: the Americans. I call on the U.S. President to not go down this wrong track of isolation and exclusion.”

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Which leads us to this new piece from Berlin based Street Artist duo Various & Gould, who have just wheatpasted a re-designed American flag with the red strips as bricks, partially eating into the stars.

“We made it straight from the guts after reading about Trump’s press conference on Jan. 11th. Among other things he was talking again about building the wall,” V&G tells BSA of the genesis for the new piece made in their studio and taken to the street.

“At first our design was just meant as sort of a visual web comment, but in the days following we decided to make a big poster of it and bring it to the streets,” they say.

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Anytime a nations flag is redesigned or reconfigured some may infer it is a sign of disrespect, but V&G say they are just extremely worried. “Needless to say – it’s not in any way anti-American. In the contrary we fear for the America we know and think of our friends in the US! Trump’s Twitter politics will have an impact on the whole world.”

The Israeli Prime Minister Netanyahu disagrees entirely and used Twitter to say so. “President Trump is right. I built a wall along Israel’s southern border. It stopped all illegal immigration. Great success. Great idea,” he tweeted. Freelance writer, author, film maker William Parry says in his opinion piece in Al Jazeera “Israel’s separation wall as an example of a valid security measure is based on gross ignorance, at best.”

So there will likely be ongoing disagreement. Certainly the world is watching and reacting.

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

V&G have created a downloadable version for you of their new design below. Just click on #StarsAndBricks.


This article was also published on The Huffington Post.

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Trump Street Art – Instantly There’s a Global Critique

Trump Street Art – Instantly There’s a Global Critique

Any US president can expect cartoons and visual commentary critiquing their performance and policies and persona and fashion and idiosyncrasies. This one has created a flood of it worldwide.

Teo_Vasquez photo ©Sameworld_project in Barcelona, Spain

The chaos that is the first ten days of this administration has only confirmed some peoples worst projections, yet its been filled with surprises as well – including in the street.

Thanks to the popularity of murals and the multitude of techniques artists use on the street today, critique of political/social matters on public walls has joined those of political cartoons in magazines and newspapers. Of course Trump and his spokespeople would probably call these “fake murals” or something.

Bailer ID in Melbourne, Australia photo© Gavin McLaughlin

The point is, you don’t have to like or agree with all of these expressions from “A Tremendous Roundup Of Street Art Ridiculing Donald Trump” – they range from witty and clever to childish and catty to horribly offensive and uncalled for – but that’s the nature of satire and free speech and it is also some measure of public sentiment.

We find it interesting because the pieces appear to be coming from all manner of people and the topics are spread wide. The one above from Melbourne includes a tag critical of more than Trump – “F*ck Clinton” for example.

Here are a just a few images of 40 from the article posted by Lee Moran of The Huffington Post, who says “from England and Austria to New York and Los Angeles, the writing is on the wall.” See the complete article HERE.

A painted electrical box in London. Photo ©littlewisehen 

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BSA Images Of The Week: 01.29.17

BSA Images Of The Week: 01.29.17

BSA-Images-Week-Jan2015

Here’s our weekly interview with the streets, this week featuring Able, Alexis Diaz, Bruno Smoky, Case Ma’Claim, Crash, Dan Flavin, Ernest Zacharevic, Inti, Jose Mertz, Kryptick, Logan Hicks, Maya Hayuk, Miro, Pichi & Avo, Santiago Rubino, Shalakattak, and Sipros.

First image above: Alexis Diaz. Wynwood, Miami. (photo © Jaime Rojo)

Able. Wynwood, Miami. (photo © Jaime Rojo)

Jose Mertz. Wynwood, Miami. (photo © Jaime Rojo)

Sipros. Wynwood, Miami. (photo © Jaime Rojo)

Miro. Wynwood, Miami. (photo © Jaime Rojo)

Santiago Rubino. Wynwood Walls, Miami. (photo © Jaime Rojo)

Kryptik. Wynwood Walls, Miami. (photo © Jaime Rojo)

Ernest Zacharevic in collaboration with Martha Cooper. Wynwood Walls, Miami. (photo © Jaime Rojo)

Inti. Wynwood Walls, Miami. (photo © Jaime Rojo)

Crash. Wynwood Walls, Miami. (photo © Jaime Rojo)

Maya Hayuk. Wynwood Walls, Miami. (photo © Jaime Rojo)

Case Maclaim. Wynwood Walls, Miami. (photo © Jaime Rojo)

Pichi  & Avo. Wynwood Walls, Miami. (photo © Jaime Rojo)

Logan Hicks. Wynwood Walls, Miami. (photo © Jaime Rojo)

Bruno Smoky and Shalakattak. Wynwood, Miami. (photo © Jaime Rojo)

Bruno Smoky and Shalakattak. Wynwood, Miami. (photo © Jaime Rojo)

Untitled. Dan Flavin. Chelsea, NYC. January 2017 (photo © Jaime Rojo)

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Alison Young Examines and Presents the “Street Art World”

Alison Young Examines and Presents the “Street Art World”

Contested space is a term accurately describing the Street Artists’ relationship with the world outside your door; a place where the aesthetics are up for grabs, autonomously determined, willfully exploited.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Drawing upon twenty years of empirical observation, scholarly study, and interviews with artists and experts throughout a constellation of cities where this art-making has flourished, “Street Art World” by Alison Young examines this contested space from every angle to present a balanced assessment for understanding our moment.

A professor of criminology at University of Melbourne, Young delivers her fourth volume on the topic of Street Art with a confidence and unique perspective that few can claim thanks to extensive travel and periodic, repeated and ongoing tracking of an evolving family of practices.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

With many points of departure, Young makes sure to ground the current movement in enough history and storytelling and informed analysis to allow even the casual reader many entry points for understanding what can at times be an enigmatic populist art subculture.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

That the movement is awkwardly gaining mainstream acceptance (sometimes against its will) is undisputed, and Young makes sure to examine its role in the gentrification of cities, its difficult relationship with its siblings graffiti and murals, its immigration into fine art and contemporary art, the dance with commercial galleries/interests, and the minx-like tacit embrace of large institutions. She even examines the difficulties that artist have in categorizing their own work and their ambivalence with labels – just one indicator of Young’s adept sensitivity to the finer shadings of a complex “scene”.

In our blurb for the book we wrote, “Alison Young understands the street art world as few people do.” Here’s the evidence.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

 

Alison Young Street Art World was published by Reaktion Books Ltd. London, UK. 2016

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