Gallery

Ceilee Sitt Presents: TMNK Nobody “Modern Urbanisms” (Manhattan, NY)

Nobody
brooklyn-street-art-TMNK-nobody

TMNK aka “The Me Nobody Knows” – Artist
Profile and Interview
In occasion of the opening of TMNK aka “The Me Nobody Knows” exhibition in Milan, we contacted Nobody asking for an interview. Alessandro met him here in New York City and spent some time talking to him.

Check out his profile and interview. You can read TMNK’s blog and view his phenomenal and original artwork posted on his website.

Photographer, painter, music producer, tattoo artist, Nobody is an artist whose creative abilities defy pre-conceived labels.
He began his career as a talented fashion photographer, when he found himself in Paris photographing the designers’ collections for Essence Magazine. He has received national recognition for his digital editorial illustrations.

More interested in making art than making a name for himself, Nobody began his extraordinary artistic production outside the influence of the art galleries world.
Showing his poignant, provocative, and bold art under the moniker of “The Me Nobody Knows” or simply “NOBODY”, he deliberately used the pseudonym to emphazise his similarity with the other talented artists in this community ignored by the art
world.

In the great tradition of synergies among artists which reveals the desire of contaminating their art, the collaboration with his fellow street artists (Avone, Ski, 2Esae) has brought to life works of great intensity.

A Soho-born street factory that considers the Big Apple sidewalks as the only possible stage, these artists collaborate without ever losing their own individual perspective and their own creative message.

Nobody likes to refer to his unique paintings as urban hieroglyphics. Constructing, assembling, deconstructing, painting, and scratching on any surface he can find, his paintings are modern-day cave drawings, offering reflections, observations, and discussions that the viewer is invited to join.

Nobody’s mix media paintings have drawn the attention of international curators, collectors, celebrities and even other artists! Well-known raw artist Gus Fink had this to say: “I think your one of greatest out there.

I really think you’re work is superb. It’s brilliant…I can’t believe how wonderful your work is. A little bit of Warhol, Basquiat, Picasso and you of course.” (Art in America)

Nobody’s mix of symbols, abstract figurative drawings, words about the current socio-political background, defying any comparison, is uniquely irreverent and poetic at the same time, comprising all the strengths and the depth of the street art.

The artist and the Sosic group (Soho Street Ink Collective) have been invited in Feb 2008 to present their art at the event “Design and Elastic Mind Exhibit” at MOMA (Museum of Modern Art) of New York

AS: Do you often work together with other artists?
TMNK: Sometimes. I’m always open to learning from and working with other artists.

AS: How much are you influenced by New York and how much are you influencing New York?
TMNK: New York is the perfect place for an artist like me; its walls resemble the inside of my mind. A myriad of messages, thoughts, and images pervade the urban landscape. Somehow these impressions are  filtered out and onto the canvas by me in a way that some have connected with. Me Influencing New York? ! Hell yeah. But why thinking so limited. I hope I am influencing the world.

AS: What will be your next step in the art biz?
TMNK: That’s classified information. NOBODY KNOWS (wink). What I do know is that I am chasing Picasso.
That is to say, I am focusing on developing a workman’s like discipline. I hope one day, to have as many credible works as the maestro. But along the way I hope to have conversations with the world it won’t soon forget. My concern with business is only in as much as I need to make money to
survive. But as an artist, I think like Van Gough or Leonardo Da Vinci. I’m constantly looking inward and outward to see what  I can discover.

AS: Any comment about the new president Obama?
TMNK: The Book of American History has a new cover, it will be up to the hearts and souls of each of us to write new chapters of humanity, equality, and mutual respect.

AS: Hi Nobody, I know you are very very very busy. Could I ask you few questions?
TMNK: Please man.

AS: What is your philosophical viewpoint behind “Art is my weapon”?
TMNK: I try to find creative solutions to problems. In a world filled with so much hate, violence, and intolerance I use my art as a weapon against these manifestations of ignorance.
Yes, I am maybe nobody, but I am not powerless. I fight back through creative expression.

AS: You consider your paintings as “Modern-day cave drawings”. What is your message to people?
TMNK: Not so much a message, I am simply my sightings and experiences, and my interpretations thereof. I share stories about what I saw/experienced, but I also leave room for the viewer to interpret from their viewpoint. I hope my paintings make future generations think and ask questions. I would love to be a part of a future discussion on politics, economy, culture 100 years from now. I simply paint what’s  in my head and in my soul. I throw my pebble in the pond hoping it ripples outward a great distance, hoping someone  anyone is moved by this disturbance I’ve caused.

AS: Someone compares you to Picasso, Basquiat, and Warhol. What do you think about that?
TMNK: I’m honored, as I respect their work, their talent and their accomplishments. I laugh at those who say my work is just like Basquiat, as it shows their ignorance. They see the crown, and they say aha, he copies Basquiat. And to them I have left a message in my paintings “BDO Me,” Basquiat doesn’t own the crown symbol. But these things are the business of critics and curators.

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Joe Iurato Offers “Salvation” in Philadelphia

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Joe Iurato “Bulletproof” (photo © Joe Iurato)

The work for Street Artist and fine artist Joe Iurato uses stencil as it’s central technique, and the human figure and gesture as a means of expression. For his dual show with Shai Dahan opening tomorrow at Vincent Michael Gallery in Philadelphia, Iurato expresses a turbulent time in his recent life when he battled economic insecurity, deep rooted fears, and feelings of low self-esteem. For “Salvation” the artist contemplates his relationship with his religious faith, and he questions the strength of it’s foundation and his life.

As a gift to the BSA family, Joe speaks here about his development of the theme and offers a rare insight into the intersection of faith and creativity in an artists life, and the catharsis that can take place.

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Joe Iurato Installing his show “Salvation” at Vincent Michael Gallery (photo courtesy the artist)

“Salvation” addresses a personal struggle I’ve had during the past couple years. It’s a conflict that everyone, regardless of social status, will go through at least once in life. It’s about the struggle with faith and where we stand with our own beliefs. It’s easy to say “I believe in this” or “I don’t believe in that” when times are good.

brookln-street-art-joe-iurato-Ill_Take_Care_of_you_WebJoe Iurato “I’ll Take Care of You” (photo © Joe Iurato)

After I was laid off, like probably half of the people reading this, in 2008, I watched the job market crumble and I just fell apart with it. At the time, I was sole provider of a new family at home, and I just remember feeling the greatest sense of failure I’ve ever known. Pure defeat. Regardless of what I believed or didn’t believe prior to this, I went through all sorts of soul searching. I questioned everything. I was angry at somebody, but I didn’t know who. Sometimes I’d look up and question why, and sometimes I’d look down and place the blame on myself. It’s like you don’t know exactly where or what went wrong and suddenly these crutches appear – like if you leaned on them they’d save you. Looking back on it, it’s rather desperate and borderline silly. But, there’s no denying they were there. And it left me wondering. Now, I ponder the validity of it all.

brookln-street-art-joe-iurato-Rubble_WebJoe Iurato “Rubble” (photo © Joe Iurato)

You can interpret the paintings any way you like; religious, spiritual, desperate. I’m not saying any conclusions are right or wrong. Whatever you see will probably be a testament of your own faith and where you stand with it. For me the story begins with the struggle, leaps into the arms of faith, and ultimately ends with salvation.

brookln-street-art-joe-iurato-Nobody_WebJoe Iurato “Nobody” (photo © Joe Iurato)

About the work itself: I used some new techniques and ideas, especially with the concept of supports. I used glass and shadow boxes for depth with “local” wood harvested from Amish farms in Pennsylvania. I stayed away from being exact and clean, and got a little looser with my cuts and compositions. I’m hoping this segues into something new for me on walls outside, too. The works are primarily based on photos of me, since the topic of salvation is so personal. Carrying the theme a step further, I made an installation in this show using the coat and shoes I wore while creating these pieces; the rope, some torn stencils, unused wood scraps and cuts of paper. Guess it’s my way of retiring a critical time in my life and moving forward.

brookln-street-art-joe-iurato-Safety_Net_webJoe Iurato “Safety Net” (photo © Joe Iurato)

brookln-street-art-joe-iurato-Stranger_Coming_Home_WebJoe Iurato “Stranger Coming Home” (photo © Joe Iurato)

brookln-street-art-joe-iurato-Salvation_webJoe Iurato “Salvation” (photo © Joe Iurato)

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New Image Art Presents: David Ellis “Mola Salsa” (Los Angeles, CA)

David Ellis
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OPENING RECEPTION SATURDAY FEBRUARY 5, 2010

7 TO 10PM

Mola Salsa
David Ellis’s newest exhibition, Mola Salsa explores process with 15 new works on paper and a new motion painting. Reflecting on images from his childhood in rural North Carolina, David draws animals, trees, clouds and images dear to him. For this exhibition Ellis engages the idea of the animal spirit to depict his ideas of transformation. Ellis also makes imagery derived from plumes of smoke and steam originally inspired by witnessing an active volcano. These linear works he calls “flow” also describes rivers, both above and below the surface. This language embodies his belief that no condition is permanent.

In the project room Ellis will show his most recent motion painting “Animal.””Animal” is a 10-minute, high-definition, edition of 6, commissioned by Landmarks in Austin, Texas in 2010. Motion painting is a time based media technique that renders the process of painting into a cinematic experience.

In ancient Roman religion, mola salsa (“salted flour”) was a mixture prepared by the Vestal Virgins and used in every official sacrifice. It was sprinkled on the forehead and between the horns of animal victims before they were sacrificed, as well as on the altar and in the sacred fire. It was a common offering to the household hearth.[1]

In his explorations of movement, change, and rhythm David Ellis effectively combines his talent for visual representation. By utilizing various elements of music making-collaboration, improvisation, timing, and repetition- Ellis enlivens his creative process and thus his viewer’s experience through intricate experimental videos and complicated kinetic sound sculptures. David Ellis has exhibited at the Museum of Contemporary Art, San Diego, PS1, and the MOMA, New York to name a few. He looks forward to a forthcoming solo show this June in New York City, a solo booth project at Pulse, NY in March 2011, and an exhibition with Agnes B. before the end of 2011.

Tues – Sat / 1-6pm

New Image Art

7908 Santa Monica Blvd.
Los Angeles, CA 90046
323.654.2192
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Fifty24SF and Upper Playground Present: INSA “More” (San Francisco, CA)

“More”
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FIFTY24SF Gallery in Association with Upper Playground presents:
“MORE” – A collection of new work by INSA

SAN FRANCISCO, CA [1.28.11] — Upper Playground and FIFTY24SF Gallery are pleased to announce London-based graffiti, conceptual, and fine artist INSA’s first solo exhibition in San Francisco opening on February 3rd, 2011. The exhibition is appropriately titled, MORE.

Within the new body of work in MORE, INSA explores themes of aspiration and expectation, wants versus needs, and happiness versus success in his most comprehensive study to date. Using exaggerated symbols of sexuality representing the commodification of both everyday life and underground subcultures, INSA examines the illusions of seduction while employing his own iconic brand of aesthetic allure to draw the audience in. INSA’s new work revels in lurid excess, embracing the insatiability of consumerism and highlighting the duplicity of morality and enjoyment.

Followers of the artist will be familiar with some of the themes displayed in MORE. INSA, constantly involved in interesting new projects, recently gained worldwide attention for his piece “Anything Goes When It Comes To (S)hoes,” (more commonly referred to as his “Elephant Dung Heels”) which were exhibited at Tate Britain in London. He has also been a pioneer in the world of graffiti on the Internet with his visually stunning, labor intensive “Gifitti.” This is all in addition to INSA”s continuing insatiable need to cover any surface with his signature “Graffiti Fetish” pattern.

MORE will feature 9 new provocative works, with INSA utilizing media such as sculpture and lights adding to the “glamour” of his work. The exhibition will also feature an exclusive SF edition of INSA’s classic “Heel” print and a selection of photographic prints.

MORE will run at FIFTY24SF Gallery from February 3rd, 2011 – February 28th, 2011.

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FIFTY24SF Gallery Contact Information:
Gallery Hours: Wednesday-Sunday from 12-6 P.M. and by appointment
Address: 218 Fillmore Street, San Francisco, CA 94117
Contact: Amanda Krampf / Phone: (415) 252-9144 / Email: Amanda@UpperPlayground.com

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Onethirty3 Presents: TitiFreak One Night Only (Newcastle upon Tyne, UK)


onethirty3 \ \ \ \ \\

Artists Installation space
TitiFreak//////////
Thursday, 24th Feb. 2011
The Artist will be present /////// // // / Open to the public for one night only

EACH INSTALLATION SHOW WILL BE ACCOMPANIED BY ONE ORIGINAL PAINTING & LIMITED EDITIONS OF 33 SIGNED & NUMBERED PRINTS)

THE PLACES WILL BE LIMITED – email us with your name to get on the list. – info@onethirty3.com


ART / DRINKS / DJS / GOOD PEOPLE

6.30pm-9.30pm on Thursday, 24th Feb. 2011
Venue: Onethirty3, Unit 22, Hoults Yard, Newcastle upon Tyne, United Kingdom.


‘One thirty 3 – ‘Artists project space’ will host six innovative and exciting wall based painting installations a year.
The invited artists will create site-specific art installations which will provide a unique opportunity for visitors to experience large scale examples of the best in contemporary street & urban art from around the world.


2011 Roster: April/May: Sickboy/Word to Mother – June: Herakut – August: Retna – October: Gaia – December: Special Guest

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Musee Des Avelines Presents: “Jef Aérosol fait un carton à Saint-Cloud !” (Saint-Cloud, France)

Jef Aerosol
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“Jef Aérosol fait un carton à Saint-Cloud !”

Exposition / installation

Musée des Avelines

60 rue Gounod

92210 Saint-Cloud (France)

vernissage / opening : mercredi 26 janvier à 19h (entrée libre)

Le catalogue de l’exposition, préfacé par Ernest Pignon-Ernest, sera dédicacé le soir du vernissage.

The catalogue of the exhibition, with a foreword by Ernest Pignon-Ernest, will be signed by the artist during the opening.

Une série de 6 cartes postales sera également éditée / A set of 6 postcards will also be released.

pour en savoir plus (dossier de presse) / more details : http://www.saintcloud.fr/Media/File/dpjef.pdf

podcasts (interviews mp3 Jef Aérosol & Emmanuelle Le Bail) : http://www.saintcloud.fr/musee/

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Subliminal Projects and The Art Of Elysium’s Elysium Project Present: “The Big Picture” A Show Featuring Shepard Fairey and DEVO’s Mark Mothersbaugh

Subliminal Projects Gallery
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Exhibition Dates:
January 22 – February 19, 2011

Subliminal Projects and The Art of Elysium’s Elysium Project are pleased to present a two-person show featuring work by artist, pop culture icon, and DEVO frontman Mark Mothersbaugh and artist Shepard Fairey.  This exhibition focuses on their work as artists and philanthropists.

As artists, Mark and Shepard create work that demand the viewer’s attention, drawing them into a world where scale is pushed to the forefront.  From several feet back, Shepard’s work tells one story while, up close, the intricate patterning tells another.  The symbols in a Shepard print provide a contextual framework and the elaborate detailing reflects a careful attention to craft.  Mark’s creative process begins on a small scale.  His postcard-size illustrations and paintings often serve as the initial step in his creative process, from which he then pulls imagery for his larger work.  These highly personal postcards are created on an intimate scale and, once enlarged into large-format works, the viewer is invited to step into Mark’s whimsical world.  In both cases, it is the carefully thought out details that make The Big Picture.

These two artists are keenly aware of The Big Picture when committing to a charitable cause.  Their influential roles as tastemakers and cultural icons serve as a bright spotlight on the charity they choose to support.  Thanks to their dedication to The Art of Elysium, both artists help bring attention to the charity’s mission, thus enriching the lives of gravely ill children in the Los Angeles serviced by the charity.  Shepard Fairey, the 2010 Art of Elysium Visionary, and Mark Mothersbaugh, the 2011 Art of Elysium Visionary, are celebrated in this exhibition for their art and their charitable spirits.

“I am so thrilled that Shepard has opened his gallery for this extremely special collaboration.  This is the first collaboration between two of our VISIONARIES.  It is our hope that the people that have been asked to join our VISIONARY CIRCLE share in creative collaborations not only to benefit The Art of Elysium and all of its various programs but that their joint endeavors inspire change in the world at large.  That is the BIG PICTURE that we are hoping for.”

— Jennifer Howell, founder of The Art of Elysium

SUBLIMINAL PROJECTS GALLERY
1331 W Sunset Blvd
Los Angeles, CA 90026
E: info@subliminalprojects.com
P. 213.213.0078
F. 213.213.0077

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L.A. Art Machine Presents: “Vox Humana” A Large Scale Live-Art Installation (Los Angeles, CA)

LA ART Machine
brooklyn-street-art-LA-Art-machine-edward-walton-wilcox-andrew-helm-shark-toof-chor-boogie
The L.A. ART MACHINE is proud to present VOX HUMANA, a large-scale, live art installation by celebrated international artists Edward Walton Wilcox, Andrew Hem, Shark Toof,and Chor Boogie at the 2011 L.A. Art Show, January 19-23, 2011. Taking place over five days and covering more than 500 square feet of canvas, this unique art happening invites visitors into the esoteric world of the artistic creative process. You are cordially invited to join us for this special art happening.

Schedule:
January 19: 6:00 PM – 10:00 PM (VIP Opening)
January 20-22: 12:00 PM – 5:00 PM
January 23: 12:00 PM – 2:00 PM

Completion ceremony January 23, 2:00 PM Location:
Los Angeles Convention Center, West Hall
1201 S Figueroa St
Los Angeles, California 90015
map it

Presented in partnership with:

LeBasse Projects, FIND Art Magazine, Merry Karnowsky Gallery, Sister Cities Los Angeles, and Castelli Framing

for more information contact: voxhumana@laartmachine.com or 323.702.3594

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Mighty Tanaka Presents: “Permanently Temporary” Ellis G Solo Show (Brooklyn, NY)

Ellis G

brooklyn-street-art-ellis-g-mighty-tanaka-galleryEllis G Photo Courtesy of the gallery

Mighty Tanaka presents:

Permanently Temporary

A Survey of Works and Installation by Ellis Gallagher AKA Ellis G

Ellis Gallagher, AKA Ellis G, is the quintessential street artist, having created a highly unique and stylized interpretation of the City and its surroundings that New Yorkers take for granted.  Through tracing of shadows with sidewalk chalk, his artwork is the very definition of temporary, marking a specific time and place that few are lucky enough to stumble upon.  Mighty Tanaka is proud to bring you Permanently Temporary, A Survey of Works and Installation by Ellis Gallagher AKA Ellis G.

For the first time ever, original Ellis G shadow and chalk drawings will be made available to the public.  The installation for Permanently Temporary will double as a performance piece during the opening reception on Friday, January 21st, as he will create custom shadow and chalk artwork on site for the gallery visitors.  This special event translates an otherwise temporary form of art into an obtainable milestone of artistic interpretation.

Ellis Gallagher has paid his dues time and time again on the streets of NYC and throughout the world, as he has created an iconic technique that is recognized globally.

OPENING RECEPTION:

Friday, January 21st, 2011

6:00PM – 9:00PM

(Show closes February 4, 2011)

Mighty Tanaka

68 Jay St., Suite 416

Brooklyn, NY 11201

Email: alex@mightytanaka.com

Web: http://www.mightytanaka.com

(F Train to York St.)

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White Walls Gallery Presents: Eine “Greatest” (San Francisco, CA)

Eine
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Opening Reception: Saturday, March 12, 2011 7-11pm

Exhibition on view through April 2, 2011

San Francisco, CA-White Walls gallery is pleased to present, ‘GREATEST’ a solo exhibition by London-based artist, Ben Flynn a.k.a. EINE. The opening reception for ‘GREATEST’ will be held on Saturday, March 12, 2011 from 7-11 PM. The exhibition will be on view from March 12, to April 2, 2011 and is free and open to the public.

‘GREATEST’ is an art exhibition by the artist, Ben EINE, that will utilize both gallery and public space as a two-tiered platform for the artist’s visual expression. EINE’S work is a large-scale study of the shape and structure of the 26 letters found in the modern English alphabet in varied typefaces, color configurations and word arrangements. In the public spaces of San Francisco, EINE will be painting each letter of the alphabet on various walls around the city. A further ten canvases of his work using spray paint, acrylic, and glitter will be on display at White Walls gallery.

In an effort to engage the community through the creation of public artwork, EINE will be painting the entire alphabet throughout the city of San Francisco over the course of several weeks on walls and shutters. This public execution of street art aims to offer viewers a more participatory role in the observation and evaluation of artistic creation. All members of the community from collectors and appreciators to first-time viewers are invited to partake in the dynamic program of events that surround this ambitious undertaking. White Walls gallery will be producing a schedule of live installations, a continually updated map of works as they appear around the city, a public artist talk, and an evening of film screenings related to EINE’S art.

Rooted in the subcultural practice of graffiti, EINE moved into the more socially acceptable expression of street art in the early 2000s as a way to become a full time artist creating public works that were perceived as more legitimate. However, his fundamental art practice has essentially remained the same–he continues to paint words and letters on walls on the street. Letters either appear alone, on shutter fronts, or as words on walls such as ‘scary’, ‘vandalism’, and ‘monsters’ rendered in bright and amiable colors. In this way he turns negative words into positive ones. The contrast of jovial shapes and colors with dark sentiment is also a tongue-and cheek nod to the artist’s furtive and taboo origins as a graffiti writer.

The street art component of ‘GREATEST’ is complimented by a selection of works to be displayed inside the gallery. These works are part of EINE’s continual exploration of letters and words as his quintessential format for aesthetic inquiry. EINE’s studio process involves a layering of stencils onto the primed and painted canvas. Re-envisioning basic Victorian typographical structure, he begins with vintage hand-printed wood block fonts, reworking and refining them until he is inspired to cut the final stencil. This working methodology marks the continual evolution of the font by the artist’s hand.

In the early 2000s, EINE began a symbiotic collaboration with the street artist, Banksy. The artists worked and exhibited together for several years traveling to Australia, Berlin, Vienna and Denmark where Gallery V1 held the Banksy vs. EINE show in 2003. EINE also collaborated with Banksy on the famous Palestinian Wall project.

In 2010 the Prime Minister David Cameron presented President Barack Obama with a piece of EINE’s work as a gift. This diplomatic exchange between the world powers catapulted EINE’s work into the limelight on both sides of the Atlantic. GREATEST will be EINE’s first show in the US since his work was given to President Obama.

EINE is a London-based artist whose career started over 25 years ago when he tagged anything he could get his hands on. Although EINE’s work was initially illegal, he created a distinct typographical style that has made him one of London’s most ingenious and original street artists. His work has been exhibited in Los Angeles, New York, Toyko and throughout Europe. His painting commissions have also taken him worldwide with trips to Israel, Australia, South Africa and India. EINE was invited to take part in Banksy’s Cans show in London. After EINE worked with Banksy he joined ‘Pictures on Walls’ where he worked as their resident silkscreen artist and produced prints for their artists including Mode 2, and Banksy. He recently exhibited at The Carmichael Gallery of Contemporary Art in Los Angeles.

White Walls Gallery is the premiere West Coast destination for urban art. Combined with the Shooting Gallery just next door, this 4,000 sq ft space is one of the largest art galleries on the West Coast. Justin Giarla founded the gallery in 2005 with a commitment to furthering the urban art movement that stems from street art and graffiti art. Named for its plain white walls, we take a backseat to the real focus: the art.

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