Gallery

Throw Away Art At Curbs & Stoops’ Active Space Presents: “Stay Gold” Group Show During BOS 2011 (Brooklyn, NY)

Stay Gold

brooklyn-street-art-stay-gold-QRST-curbsandstoopsQRST (image courtesy of the gallery)

The Active Space will be pre­sent­ing “Stay Gold” dur­ing Bush­wick Open Stu­dios. The group exhi­bi­tion fea­tures Bush­wick artists Don Pablo Pedro, Nathan Pick­ett, QRST, Quel Beast and Vahge.

Stay Gold is a show­case of five exem­plary artists who are based in Bush­wick. The expres­sion “stay gold” derives from a Robert Frost poem but became widely known in pop cul­ture because its two short words deliver a sim­ple but pow­er­ful direc­tive: be true to your­self and your own char­ac­ter. The works in this show embody these local artists’ com­mit­ment to this prin­ci­ple. Each artist has devel­oped their own visual lan­guage to com­mu­ni­cate their ideas, and when the works are con­sid­ered together, a motif emerges that reflects the com­plex­i­ties of human expe­ri­ence. The work com­prises oil paint­ings, acrylic por­traits, nar­ra­tive mixed-​media works and collage.

Par­tic­i­pat­ing artists:

Don Pablo Pedro

There once was a beau­ti­ful nymph, an amaz­ing crea­ture with five heads and three vagi­nas. She was seduced by a mag­nif­i­cent satyr, a satyr who was revered as the great­est painter in the small port town in which both beings hid. The nymph bore two sons from this union, although both were extremely unusual. The first son was born with a lav­ish beard that reached down to the tips of his toes, and had a mys­te­ri­ous eye which resided on his sin­gle tes­ti­cle. The sec­ond son was born with a pussy for a face, and had an arm in place of his penis. In an epic bat­tle not long after birth, the long bearded boy killed and raped his muti­lated brother. This bearded son lives on today, as Don Pablo Pedro.

Nathan Pick­ett

Nathan Pickett’s non­lin­ear nar­ra­tives explore human expe­ri­ence and its inher­ent ten­sion and con­tra­dic­tions. In won­der­ing where our cul­ture is headed tomor­row, Pick­ett looks from present to ancient past in his exam­i­na­tion of the individual’s strug­gle to under­stand its self and its place in soci­ety. Pickett’s work includes sym­bol­ism that ref­er­ences uni­ver­sal truths embed­ded within arche­types that tran­scend the bound­aries of lan­guage, time and form. Through fine-​art paint­ing tech­niques, intri­cate paper-​cutting, sten­cils, pat­terns and line, and spray paint­ing, Pick­ett depicts our myths, fan­tasies and fears. His com­po­si­tions offer a per­spec­tive from which the viewer can con­sider the mul­ti­di­men­sional aspects of his work as a reflec­tion of the com­plex­ity and dichotomies of their own life experience.

QRST

The mys­te­ri­ous Brooklyn-​based QRST, for­merly the mys­te­ri­ous San Francisco-​based QRST, some­times makes paint­ings for inside and some­times makes paint­ings for out­side. QRST often paints ani­mals, but describes paint­ing a human as “sim­ply one more strange crea­ture with ques­tion­able moti­va­tions inhabiting…strange and bent places.” The artist says his paint­ings often focus on “the inter­sec­tion of mem­ory, wool-​gathering and dreaming.”

Quel Beast

Quel Beast cre­ates fig­u­ra­tive paint­ings which bal­ance emo­tion and ges­ture in a self-​created style that blends fine-​art and graf­fiti sen­si­bil­i­ties. His work toys with the dual moti­vat­ing forces that dis­tract us from ulti­mate death, while simul­ta­ne­ously cel­e­brat­ing these vulnerabilities.

Vahge

Vahge grew up in too-​quiet sub­urbs where neigh­bors with watch­ful eyes kept too-​perfect lawns. An iso­lated child with few friends, she with­drew to her imag­i­na­tion and began mak­ing col­lages that con­trast whim­si­cal and roman­tic with unset­tling aspects of real­ity. She incor­po­rates ele­ments of dreams, lit­er­a­ture, music, the­ater and clas­sic por­trai­ture, and draws heav­ily from Ger­man expres­sion­ism and Vic­to­rian cul­ture. Vahge often crafts her highly detailed works on a small scale, using lay­ers of paper to con­struct char­ac­ters and scenes with pre­cise pro­por­tion and depth. She often makes females her cen­tral char­ac­ters, expos­ing all their faults and unique beauty. In all her work, Vahge cel­e­brates odd­ity with elegance.

Open­ing party Sat­ur­day, June 4th, 7 – 10 PM

Open to the pub­lic dur­ing Bush­wick Open Stu­dios (June 3 – 5) and through July 5, 2011, by appoint­ment. Curbs & Stoops, 566 John­son Ave., Brook­lyn, NY

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Opera Gallery Presents: Logan Hicks “Pretty Ugly” (Manhattan, NY)

Logan Hicks

brooklyn-street-art-logan-hicks-opera-gallery-06-11Logan Hicks “Downward Spiral” (image courtesy of the gallery)

Opera Gallery New York presents Logan Hicks’ Pretty Ugly. Hicks is a New York-based stencil artist whose work explores the ever changing nature of the urban environment in which he lives. Through his imagery and masterful etching technique, Hicks’ goal is to create a perfect dichotomy whereby the granular nature of the spray paint expresses the deterioration of the city. Using layers of laser-cut, hand-sprayed stencils on board, acrylic and anodized aluminum, Hicks creates works that capture the sometimes mundane cycle of city life in a haunting, yet controlled aesthetic manner. In the past year, Hicks has participated in several notable projects including creating a forty foot mural for Art Basel Miami 2010 Wynwood Walls as well as contributing new artwork to the Martha Cooper: Remix exhibition at Carmichael Gallery in California. Opera Gallery is proud to present over thirty new works by Logan Hicks.
Logan Hicks’ Pretty Ugly.
June 3rd – June 24th
Free admission: 10:30 – 7:00 daily
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Arts in Bushwick Presents: Bushwick Open Studios 2011 (Brooklyn, NY)

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Bushwick Open Studios 2011

Happy BOS ’11: June 3-5, 2011 — it’s our 5th birthday!

We’re creating an open and inclusive event that benefits the neighborhood by sharing artistic projects and encouraging community interaction and dialogue. BOS brings the neighborhood’s thousands of artists and performers out into the streets and in view of each other, other community residents, and the general public.

About Arts in Bushwick

Our Mission

Arts in Bushwick is an all volunteer organization that serves and engages artists and other neighborhood residents through creative accessibility and community organizing. It is our goal to create an integrated and sustainable neighborhood, and to bring together all Bushwick residents and stakeholders to counter development-driven displacement.

Our History

Arts In Bushwick was founded in the fall of 2007, as a result of grassroots efforts to produce the 2007 Bushwick Open Studios festival.  The organization was founded by a group of roughly fifteen local artists and community organizers, most of whom were involved in planning the 2007 Bushwick Open Studios, and has continued to operate on an all-volunteer, non-hierarchical, break-even basis to today, the fifth annual Bushwick Open Studios we have produced.  Arts In Bushwick maintains a completely open structure, inviting all community members to bring their ideas and to participate in collaboratively producing the organization and its activities.

To learn more about all the events, participating artists and venues for BOS 2011 please click on the link below:

http://artsinbushwick.org/bos2011/

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Over Under “Building on Building” at XY and Z Gallery (PLUS NEW VIDEO)

Brooklyn based Street Artist Over Under opens his first solo show in “Building on Building” opening at XYandZ Gallery in Minneapolis, transporting his architectural fever dreams to Minnesota for a hot minute.  It’s all about relationships.

brooklyn-street-art-overunder-xyandz-gallery-3-webOver Under (detail of a piece for “Building on Building”) (photo © courtesy of the artist)

Artists who run in the streets of dense cities have a special relationship with buildings, seeing them as potential canvas, laboratory, love affair, and sometimes their perdition. In Over Under’s case, the very structures he was painting and pasting upon got recycled through his mind as worthy of caricature and portrait.

Approximately a year ago when the artist’s prolific output was hard to miss, his fascination with our built environment went on a full REM cycle with a continual metamorphose of architectural elements bending and bundled together with lyrically disembodied limbs. During his nearly two weeks in Minneapolis making work with his buddies Broken Crow, the arms and legs continue to poke into and out of roofs, windows and walls like so many orifices and protuberances entangled in one stately mass.

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Over Under (detail of a piece for “Building on Building”) features a painting of a figure spraying across the door way, clearly under a watchful eye. (photo © courtesy of the artist)

Passersby here are sometimes astonished, and filled with questions. Is he exploring the relationship between space and personal relationships or is he examining the construct/construction that creates inside and outside, or is he reacting to the ongoing overtaking of Williamsburg and Bushwick real estate by dullard developers? Or is he just in love?

And what about this iconic flying plane with a stream-of-consciousness line of haiku diary entry arching over it? Is it a bird? Is it graffiti, a tag, Street Art or vandalism? Maybe these questions are at play because Over Under is still playing with them, or maybe because there are not clear answers.  To us it’s all part of the conversation on the street, which never stops. Tonight, however, the conversation goes in through the doors as Over Under brings the buildings and bridges and foundations and superstructures and rolldown gates and lithe limbs inside for the night. We’ll see what sticks out.

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A recently completed large scale wall in Bushwick, Brooklyn by Over Under (photo © Jaime Rojo)

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Over Under (photo © Jaime Rojo)

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Over Under (photo © Jaime Rojo)

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Over Under (photo © Jaime Rojo)

A Video Completed Yesterday by Over Under

“BUILDING ON BUILDING”

Opening Reception Saturday May 28th 6p-10p
Runs through June 18th

XYandZ Gallery
3258 Minnehaha Ave South
Minneapolis, MN 55406

http://thexyandz.com/#/gallery

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Jonathan Levine Gallery Presents: Miss Van “Bailarinas” and Gaia “Succession” (Manhattan, NY)

JLG

brooklyn-street-art-Miss-Van_Bailarinas-jonathan-levine-galleryMiss Van “Bailarinas 5” (image courtesy of the Gallery)

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Gaia “Incredulity of Redevelopment” (image courtesy of the Gallery

Miss Van
Bailarinas

Gallery I
Solo Exhibition

May 26, 2011 through June 25, 2011

NEW YORK, NY (May 3, 2011) — Jonathan LeVine Gallery is pleased to announce Bailarinas, new works by French-born, Barcelona-based artist Miss Van, in what will be her second solo exhibition at the gallery and first solo show in New York in six years.

Miss Van’s signature aesthetic revolves around sultry female subjects, which she refers to as poupées (or dolls, in French), alluding to elements of fantasy and narrative in her work. Their direct gaze, pouty lips, voluptuous curves and erotic gestures have a provocative appeal—some playful, others dark—emotionally charged and empowered by uninhibited sexuality. ?Miss Van began painting these alluring figures in the streets of Toulouse, France, as a teenager nearly twenty years ago. The characters have since matured along with the artist who now works mainly in the studio, allowing time to refine her imagery through delicate pencil renderings on paper and loose brush strokes on canvas and wood. Recently, Miss Van was invited to participate in Art in the Streets, a major group exhibition currently on view at the Museum of Contemporary Art (MOCA) in Los Angeles, California.

Along with her ultra-feminine figures, Miss Van has been known to incorporate animal familiars such as deer, rabbits and foxes. These creatures have a pet-like relationship with the mysterious temptresses who wear doll-like princess dresses or ballerina-tulle skirts with hints of lingerie textures such as corsets, ruffles, lace and fishnet. The women frequently appear topless and often wear masquerade-style masks, as well. Recently, the masks have become less decorative and increasingly more animal-like, adding significance to the dialogue created by the character’s human-animal relationships by amplifying themes of identity, role-play, fetish, and freedom to express the wild (animalistic) side of natural human instinct.

The joie de vivre pleasure principle, innate in French culture, informs much of Miss Van’s body of work. In Bailarinas, a series of pastel works on paper portray isolated figures in nostalgic poses inspired by vintage erotic portraiture. Additional acrylic and mixed media works on canvas and wood panel feature subjects inspired by dancers, driven by the sensually liberating experience of self-expression through physical control and movement of the body. The performance aspect of dance and the act of putting on a seductive show for a viewer or audience reinforces themes of fantasy and desire while also offering an interesting parallel to the artist’s craft, as both are forms of visual storytelling.

Miss Van was born in 1973 in Toulouse, France and is currently based in Barcelona, Spain. In 1991, at the age of 18, the artist started painting the streets of Toulouse as one of the first female artists in the European street art scene. In 1993, Miss Van began to include poupée (doll) figures in her work, her own stylized interpretation of pin-up posed Manga-inspired characters, which would become her signature imagery. In 2003, she left France, re-locating to her current home in Barcelona, Spain. In the years since, her work has been widely published and exhibited in galleries and museums, worldwide.

Gaia
Succession

Project Room
Solo Exhibition

May 26, 2011 through June 25, 2011

NEW YORK, NY (May 9, 2011) — Jonathan LeVine Gallery is pleased to present Succession, new works by Gaia, in what will be the artist’s first solo exhibition at the gallery. ?Works in Succession—comprised of drawing, painting and various relief-cut printmaking techniques—will be incorporated into a site-specific installation in the gallery’s project room. Re-creating street scenes as a background setting for his work, Gaia will transform the space, bringing the texture and energy of his urban interventions into the white box environment.

The artist’s chosen pseudonym, Gaia, is a name taken from the primordial Greek goddess personifying the Earth, more universally referred to as Mother Earth or Mother Nature. While he has been known to create portraits of human faces, Gaia’s ambiguous imagery most often depicts totemic creatures with animal heads and human bodies as well as expressive hand gestures. He occasionally fuses the features of different animals together, forming imagined, amalgamated hybrids. These chimeric subjects are filled with Art History references, inspired by various sources including biblical figures, ancient mythology and mystical folklore.

Additional layers of symbolism and interpretation emerge as Gaia’s works are encountered within the context of the urban landscape. Like apparitions, they confront the viewer as oracles with a powerful capacity to address contemporary social and environmental issues concerning consumer culture, consumption and sustainability. The juxtaposition of wild animal imagery pasted onto man-made architecture was a significant choice for the artist because, in his own words: “Having lived most of my life in New York City, I personally felt like I never had a connection to nature; it was so distant and idealistic.”

ABOUT THE ARTIST
Born in 1988 in New York City, Gaia currently divides his time between Brooklyn, New York and Baltimore, Maryland. In 2007, as a senior in High School, Gaia became interested in the growing global street art movement. Drawing influence from contemporary artists such as Swoon and Elbow-toe, he began to paste his artwork on the streets of his native New York. After experimenting locally, it was only a few years before he would expand his imagery to urban spaces in other U.S. cities as well as International locations. In May 2011, Gaia received a BFA from Maryland Institute College of Art in Baltimore, Maryland, with a concentration in printmaking and sculpture. With sophistication beyond his years, the promising young artist’s studio work has been exhibited in galleries in New York, Los Angeles, San Francisco, and Washington, DC. His street art has been documented, followed widely online and published in a number of recent publications including Beyond the Street: The 100 Leading Figures in Urban Art.

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New Work from Specter in Chicago

New work from Specter speaks of his desire to not repeat himself, a quality distinguishing the New Guard of street artists, whose work is highly individual and hand made, from those of the recent past.

The Brooklyn based Street Artist generally denounces the culture of repetition in street art, and takes the practice of making multiples under careful consideration. His precise handmade wheat-pastes and paintings often highlight the individual, many of them regular folks he’s met on the street – and you will usually only see one of them.

brooklyn-street-art-specter-chicago-05-11-1-webSpecter. From “If I Saw You in Heaven” (photo courtesy © of the Artist)

Right now he’s been toying with retooling his work and recently in Chicago he created new stuff that appears to be a repetition of himself without really putting up the same piece twice.  The first piece is from his “If I Saw You in Heaven” series, and the second is from his “Window Project”. Says the artist “It plays with repetition in multiple ways, but on my own terms.”

To expand on the theme, his new show “Repeat Offender” at Pawn Works in Chicago continues the repetition, where he’s showing his work in new tints and configurations, sort of sidebusting himself.

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Specter. From “If I Saw You in Heaven” (photo courtesy © of the Artist)

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“99 bottles of beer on the wall, 99 bottles of beeeeeeer!  You take one down, pass it around, 98 bottles of beeeeeer! ” Specter. From “Window Project” (photo courtesy © of the Artist)

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Specter. From “Window Project” (photo courtesy © of the Artist)

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Specter. From “Window Project” (photo courtesy © of the Artist)

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Vladimir Restoin Roitfeld and Andy Valmorbida Present: RETNA: The Hallelujah World Tour at the Old Dairy (London, UK)

RETNA

brooklyn-street-art-retna-jaime-rojo-02-11-web-6RETNA (photo © Jaime Rojo)

RETNA: The Hallelujah World Tour

The Old Dairy, 7 Wakefield St, London, WC1N 1PB

9 June – 27 June 2011

Preview: Wednesday 8 June 2011, 6-9pm

An exhibition of new works by Los Angeles based artist RETNA will be presented by Vladimir Restoin Roitfeld and Andy Valmorbida at the Old Dairy, London, from 9 June until 27 June 2011. The Hallelujah World Tour represents RETNA’s first solo UK exhibition.

RETNA’s work draws on an array of influences including Asian calligraphy, Incan and Egyptian hieroglyphics, Hebrew and Arabic script, traditional UK gang style graffiti writings and the tagging and graffiti seen in Los Angeles since the 1970’s . Within these traditions he has created a distinct and innovative style. RETNA presents 30 new works fusing a variety of different mediums including drawing, painting and poetry.

Yielding an unmistakable aesthetic, he has emerged as one of the most prolific graffiti artists in the contemporary art world.  Since the mid-1990s RETNA has participated in over 30 international exhibitions, and his work was recently selected to feature in ‘Art in the Streets’, a major retrospective of street art at the Museum of Contemporary Art in LA. Gallery Director Jeffrey Deitch commented, ‘The approach to his work is so internalized that Retna doesn’t have to agonize, and think, what do I do next? He just starts in the upper left corner and moves across a surface. The only other artist that I know who was able to do that was Keith Haring.’

Retna was introduced to L.A.’s mural culture from an early age, and whilst still at school led one of the largest and most innovative graffiti art collectives in the city. He is best known for appropriating fashion advertisements and amplifying them with his unique layering, intricate line work, text-based style and incandescent color palette reflecting an eclectic artistic tradition.

Recent projects have included a solo exhibition, ‘Silver Lining’, during Art Basel Miami Beach at Primary Projects (2010); the world’s largest street level mural Installation, ‘Primary Flight’ (2010); a solo exhibition, ‘Desaturated’, at New Image Art Gallery, Los Angeles (2010); a mural for the Margulies Collection at the Warehouse in Miami, Florida (2009); and ‘Vagos y Reinas’ at Robert Berman Gallery (2009).

This exhibition represents the second part of a three stop world tour of RETNA’s work, in collaboration with Bombardier Business Aircraft and VistaJet. As part of the project, RETNA will create a unique work on the tail of one of VistaJet’s Global Express XRS aircraft. The tour began in New York in February 2011 and will conclude with an exhibition in Hong Kong later this year.

Andy Valmorbida comments, ‘At the age of 31, Retna is able to identify himself as a rising star within the international contemporary art world, and is one of the very few artists I have seen who is able to stand next to such artists as Keith Haring and Jean Michel-Basquiat in terms of identity, stroke and gesture and will hold a key place as one of the major forces in the new movement of fine Street Artists.’

The Old Dairy is open Tuesday to Saturday, 11am to 6pm. Admission is free.

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New Image Art Presents: “Twin” by Hush (West Hollywood, CA)

Hush

brooklyn-street-art-HUSH-todd-Mazer-05-11-web-12Hush new street installation in Los Angeles (photo © Todd Mazer)

OPENING SATURDAY MAY 21st

HUSH

“TWIN”

with musical performances by

COOL MOMS

&

THE NORIEAGA’S

HUSH / TWINS

Hush returns to Los Angeles with a new collection of work reflecting his unique blend of street

and cross-cultural aesthetics. Playing primarily with the idea of duality, the exhibition is a

carefully calibrated experience of Twin paintings-15 mixed-media works on canvas. Using the

symbolic subject matter of the female form, Hush has produced a large-scale installation in

which the gallery walls capture the essence of “action painting” and “pure expressionism” along

with traditional elements of fine art.

As a body of work, TWIN explores the nature of duality. By varying his approach to the same

image, Hush exposes nature’s inherent polarity. The juxtaposition of light and dark reveals the

complexity of conflict and unity-and dichotomies present within the human ego. TWIN is a

fascinating confrontation and debate on common conceptions of power, innocence, beauty and

sexuality. The collection also represents the blending of the street art aesthetic- as

simultaneously destructive and beautiful.


New Image Art is pleased to present TWIN, the highly anticipated solo show by UK-based artist HUSH.

May 21 – June 18, 2011

Opening Reception: May 21, 2011 (7 – 10pm)

Exhibition Runs: May 21 – June 18, 2011

New Image Art Gallery

7908 Santa Monica Blvd.

West Hollywood, CA 90046

323.654.2192

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Italian Street Artist Göla and His Fantastical Hybrids in Brazil

Italian Street Artist Göla is in Curitiba, Brazil working with Brazillian Paulo Auma as part of a public art / street art exhibition called “Hibrido”, or Hybrid. Engaging the children, adults, and walls with fantastic and glaring color drenched combinations of genetically modified animals, insects, food, and technological wonders is meant to be more than entertaining eye candy – while it clearly succeeds in doing that. As the French Street Artist Ludo does with his animal/techno fantasy combinations, this four month exhibit is an explicit call for us to think about the goals and results of our experimentation with the natural world, our ethics, and our blind obeyance to scientific endeavors for their own sake.

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Göla. Curitiba, Brazil (photo © Fernando Cesar)

“I try to ask about the relationship between man and all other living beings,”says Göla about the influences in his work.  With his painting and subject matter a meditation on the laws of nature, he warns of the dangers of messing with it. Fascinated with the hybrids that are coming about, his depictions profess affinity for the natural world.

As he name checks futurist artists like Eduardo Kac and Alexis Rockman , Göla explains “My work is influenced by an ever-present closeness with the animal sphere,” as your thoughts wander to discussions of trans-human futurism, fluorescent fish, all terrain dog-robots delivering bombs, and flying nano bugs watching you through the window while you drool over a Lady Gaga video.

brooklyn-street-art-gola-fernando-cesar-brazil-2011-1-webGöla. Curitiba, Brazil (photo © Fernando Cesar)

Heady stuff for Street Art you say? Not really when you consider that today’s generation of Street Artists is coming from a huge variety of backgrounds with a flood of abilities, carrying with it bags of tricks only imagined in the aerosol infused reveries of yesterdecade. Göla, for all of this heavy thinking, is a jubilant ombudsman of a hopeful future, bringing an extremely playful and childlike wonder to his work, making it all so much more engaging.

While in Brazil, Göla took time to explore the country and to get up in various towns big and small. Here is the product of his work and collaborations with some local artists.

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Göla. Curitiba, Brazil (photo © Fernando Cesar)

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Göla. Curitiba, Brazil (photo © Fernando Cesar)

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Göla, Paulo Auma “Hibrido” Curitiba, Brazil (photo © Fernando Cesar)

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Göla, Paulo Auma “Hibrido” Curitiba, Brazil (photo © Fernando Cesar)

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Göla, Paulo Auma “Hibrido” Curitiba, Brazil (photo © Fernando Cesar)

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Göla. “Hibrido” Curitiba, Brazil (photo © Fernando Cesar)

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Göla, Sao Paulo, Brazil (photo © Göla)

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Göla, Niguem Dorme  Sao Paulo, Brazil (photo © Göla)

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Göla, Milo, Tim Tchais, Dedo Verde.  Sao Paulo, Brazil (photo © Göla)

To experience Göla’s world click on his site:

http://www.golanimal.com/

“Hibrido” is on view from March 20-June 19, 2011.

To learn more about “Hibrido” click below:

http://www.hibridoart.net/

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