Ad DeVille and Pufferella Headline New Show of their latest hits at Factory Fresh
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More on DeVille Holiday Special Here
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More on DeVille Holiday Special Here
Then again, some people are driving from the East Coast to the West Coast in preparation for the big show in L.A. of Armsrock and Elbowtoe at ThinkSpace Gallery.
Other people are just getting up right here in Brooklyn. Brooklyn Pride, People!
Here’s a little nugget of goodness from Daniel Lahoda and the Jetset Crew, whom we salute!
Groupies will gather for both Elbowtoe AND Armsrock next week at ThinkSpace Gallery in L.A. Read more about the opening in our Calendar
I remember we used to have a chalkboard in the living room when I was a kid, and I liked to draw our dog and our cats on it all the time. It was a blast!
Ellis G. likes to draw his bicycle mainly – and when you see one on the sidewalk, all Robin’s Egg Blue chalk, and Banana Creme Pie Yellow chalk – your heart gets wings.
But EllisG. traces shadows of all kinds of things on the sidewalks. One time I found this outline of a giant leafy plant along Wythe Avenue near the Williamsburg Bridge, and I looked up to see this tropical looking bush climbing up the side of a brick house. His work draws your attention to things that you may not see, and in that way, draws you into his world. It’s a quiet, playful one.
Recently we’ve been seeing soldiers in the streets of Brooklyn, and it has tapped into fears of an encroaching military state. These troop movements always start out small, but eventually they could take over the borough entirely.
During a briefing on these developments at BSACom (Command Center), artist General Howe talked about his installations, their formations around suspicious objects, and how the ’08 election focused his maneuvers on the field this year.
Brooklyn Street Art: The recent US presidential campaign inspired a huge number of artists to get into the conversation. How did it affect your art?
General Howe: Before this year I never made political art. But this year was clearly going to be history in the making, for better or worse. For me, making political art during the presidential campaign was my own way of saying this is an important time for our country and we need to consider our future.
as a side note...
During my summer vacations in college, and for a brief time after college, I worked in the United States Senate. My position was very low on the totem pole, and I did not work for a specific Senator or party, but I was constantly around Senators. I would pass them in the hall ways, listen to them in the Senate chamber, and on occasion have small talk with them. I was around Obama, McCain, and Clinton and when they became popular in this election season, I reflected on this past experience. I don’t know them personally, but I do know them in a way that is not translated through popular media. It would be a missed opportunity without making some kind of art relating to my experience.
Brooklyn Street Art: What made you start merging the candidates with superheroes? Was it the outlandish budgets that are spent on these Hollywood productions?
General Howe: The media and campaigns portrayed senators like McCain, Clinton and Obama into fantastical characters from a movie. I saw so many parallels to the Batman movie that came out this past summer. They might as well have worn masks and capes to events and interviews.
Obama was raised to a hero-like status, Batman, the only one capable of stopping the enemy. When Clinton lost to Obama, it was speculated that she would try to ruin his chances at the presidency, becoming his nemesis, the Joker.
In some cases what was being portrayed was very true. I made John McCain into 2face because the John McCain on the campaign trail was very different from the guy I would watch in the Senate.
As a young man, Benjamin Franklin wrote under the pseudonym of Mrs.Silence Dogood. He poked fun at aspects of colonial America through his writings. My work is poking fun at how ridiculous the media portrays current events.
Brooklyn Street Art: Your other work, installations of colonial armies, is less often seen, maybe because it is so small…
General Howe: They are very small, each soldier is about an inch in height. When I have gone back to see the installations they are often gone, maybe one or two broken figures remain. I wonder what happens to the rest of them. Do people take them and keep them for them selves? I sometimes imagine rats taking them away to their layers as prisoners of a world street war.
Brooklyn Street Art: Who are these little soldiers and who are they fighting?
General Howe: These are British colonial soldiers sent by the king of England to stop the American Revolution. They are at a serious height disadvantage but make up for it with bravery and discipline.
Brooklyn Street Art: Is this Howe you got your name?
General Howe: Yes it is. General William Howe was Commander-in-Chief of British forces during the American revolution.
I also thought back to childhood, playing with toy soldiers or toy guns and assuming the role of some sort of a commanding leader or hero. Why would I be a Private when I can make my self a General.
Brooklyn Street Art: Is your battlefield historical fascination academic or fantastical?
General Howe: It is definitely academic and fantastical along with old fashion play. I’ve done a ton of research on locations of revolutionary war battles in Brooklyn. Most of the battle installations I have done are at sites where actual battles occurred. Once I get to these sites the fantasy begins. I play around with the soldiers trying out different formations and I come up with all kinds of scenarios that the soldiers could be in. A whole narrative may play out while setting up the soldiers.
For example, one of the first times I went out to install some soldiers I came across a used condom on the ground. At first I was disgusted, but then I thought, “what would mini British colonial soldiers from the 1700’s do if they stumbled upon a used condom?” So the condom became part of the piece. Since then I always hope the locations I go to will have interesting or weird objects to use with the battles.
Brooklyn Street Art: What would you like someone’s reaction to be when they stumble upon one of your installations?
General Howe: One time while I was setting up a battle a man walked by and toward my installation, made motions and sounds as if he were blowing up the soldiers, and then walked away laughing to himself. Upon seeing the installation, I think he immediately tapped into his childhood spirit of play and acted out what he would do with the soldiers in that situation. The reaction I would really like from anyone that sees one of my installations is to have the urge to play.
More pics on General Howe’s fickr
Morning Breath is Doug Cunningham and Jason Noto. In 1996, the two worked together on skateboard designs at Think Skateboards in San Francisco. There, they discovered they had similar tastes and influences, many of which were associated with the late 70s and early 80s. These included everything from sniffing glue and punk rock to racking paint and hip hop. Over the years, their collaborations have grown beyond skateboard graphics to include graffiti art, music packaging and more. And in 2002, Cunningham and Noto formalized their partnership with the creation of Morning Breath, a creative studio located in Brooklyn. Today, Doug and Jason split their creative energies and time between commercial and personal work. In 2006, their first book was published: The Early Bird – The Art and Design of Morning Breath.
For nearly 20 years the name CYCLE has been a fixture in graffiti in the United States. Although plenty difficult to make a substantial impact in New York City’s saturated graffiti scene, Cycle has managed to do so while even pulling off the same feat in both DC and San Francisco, as well as a gang of freight trains in between. Somegraffiti writers have followers who paint in their style. But CYCLE isn’t one of these. Rather, he sets a quiet example for younger graffiti writers with his consistency, woring equally in tags, throwups and pieces, all the while creating riveting work. The end result – despite such diverse style skills – is work that immediately announces CYCLE. CYCLE received his BFA from George Washington University in Washington DC and then his Masters from the Academy of Art University in San Francisco. Currently, he produces Fine Art, Illustration and Graphic Design for collectors, clients and companies all around the world.
Opening Reception: Friday, February 27th, 7-10pm
Feb 27th – Mar 22nd 2009
ZBIOK and REMED at Brooklynite
February 28 – March 22, 2009
Opening Reception
February 28th, 7 pm
But one of the Real Winners in ’08 was Mr. Obey, who can now lay claim to having created an Iconic image that transcends many categories and ends up in the history books. And let’s hear it for Community Organizing! – a term snarled from the stage of the puffy pasty convention. Shepard Fairey deserves praise for all the work he did with MoveOn.org and the Obama campaign to bring more diverse voices (many of them voting for the first time) into the big tent and help reclaim a sense of a government for the people by the people. How grand.
And there were many inspired versions of the original Red/Blue Change-Hope-Progress posters, sometimes with themes in direct opposition to Obama’s, sometimes so quirky and wacky that they wandered off the farm. There must have been hundreds – every kid with Photoshop and a smart-alecky wit did a version; maybe wheatpasting it, sometimes planting it on a t-shirt, more often emailing it- now that’s Democracy!

Dodged a Bullet on That One! These Were Up in Williamsburg for about a Week (frighteningprospect.com)
Shepard Fairey Obey: Supply & Demand : The Art of Shepard Fairey
Art Work by Pufferella &
Ad Deville of Skewville
December 5 – December 28, 2008
In the Front Room:
Ad Deville is the co-founder of Skewville, widely know for his street art and sneaker mission, “when dogs fly”. DeVille has been making art his whole life. From doing graffiti in the 80s, to graphic design in the 90’s then spending the last decade evolving the skewville style with sculpture, painting, stamping, silkscreening and mixed media . In this Show
Ad DeVille focuses on his personal work which portrays his urban lifestyle with the effects of living in brooklyn.
In the Back Room:
Pufferella has been making Fabric creations since 2002 and has been involved with the Skewville missions even longer. In the past, her work mostly focused on moving fabric sculptures. For this show she presents a new series of 2d fabric art pieces. Her work deals mainly with sexual relations and the afterthoughts.
For more info on Factory Fresh and it’s upcoming shows go to www.factoryfresh.net or email info@factoryfresh.net
Factory Fresh is located at 1053 Flushing Avenue between Morgan and Knickerbocker, off the L train Morgan Stop
A monterously good inside look at the wild world of Royce!
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Endless Love Crew
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