At the Vanguard: Bristol Opens Exhibition On Evolution of Global Movement of Street Art

This Saturday marks the opening of an outstanding exhibition in Bristol, England documenting the pivotal role the city has played in the formation of street art from the 1980s to today. Entitled Vanguard Bristol Street Art: The Evolution and mounted at the Global Movement Bristol Museum’s M Shed, the show presents the view of this worldwide movement as seen through the birth and growth of Bristol’s scene from the perspective of artists singular voices rising together in a crescendo that shook the arena of public self-expression with maverick ideas and activist ideals.

Bristol B-Boys head spinning in front of 3D’s and Z Boys’ Wild Bunch Rocit, 1983, photographic print on paper, Broadmead, Bristol, 21 x 29.7cm (8.2 x 11.7in) (photo ©Beezers Photos)

Vanguard positions itself as an examination of artists creative response to Bristol’s “pioneering underground scene throughout the UK’s turbulent social and political history” with a focus on driving social change – one that influenced subsequent street artists everywhere.

Among the Bristolian and UK artists featured will be new works by Adam Neate, Andy Council, Antony Micallef, Bill Posters, China Mike, Conor Harrington, Dale VMN Collins (Dale Marshall), Dicy, Eko, Feek, Filthy Luker, Inkie, Lucas Price, Lucy McLauchlan, Matt Small, Mau Mau, Mr Jago, Paris, Rowdy, Sickboy, Swoon, Will Barras, and Xenz.

Conor Harrington (Irish, b.1980) The Blind Exit, 2020, oil and spray paint on linen, SIGNED, 250cm x 200cm (98.5in x 78.5in) (Image credit: Conor Harrington)

A trove of documentation presents times that provide context and insight into the wild, wooley, and ingenious artist works that shaped what was to come – including a five minute edit of the seminal film Wild Style by filmmaker Charlie Ahearn, and a new seven-minute film by Scottish filmmaker Doug Gillen. Additionally presented are unseen and classic images specific to the Bristol graffiti and street art scene by Henry Chalfant, Matthew Smith, Carrie Hitchcock, Yan Saunders, and Beezer, along with projections by Kineta Hill and Karen Dew.

Carrie Hitchcock-Barton-Hill-Youth-Club-1990. (photo © Carrie Hitchcock)

Running through October 31st this year, the original works and memorabilia are key to understanding the events and socio/political arnarchistic framework that sparked and fueled what became known as the Bristol scene, replete with an accompanying book featuring worldwide academics, film directors, writers, artists, creatives and specialists and an exclusive album of tracks forming the roots of the Bristol Sound.

We’re pleased to offer a sneak peek of the show here today and we encourage you to make the trip to see what will undoubtedly be sited as an important exhibition – as we all continue our education about the pathways of the global evolution of street art.

Will Barras (British, b.1973), Blue Surfer, 2021, signed in bottom right corner, acrylic on canvas, 800mm x 800mm (31.5 x 31.5in) (Image Credit – Johnny Green)
Through the fence, Barton Hill Youth Club, 1990 (photo ©Carrie Hitchcock)

Vanguard | Bristol Street Art: The Evolution of a Global Movement is kindly supported by Vans. Vanguard | Bristol Street Art: The Evolution of a Global Movement M Shed, Bristol, BS1 4RN
Saturday 26 June 2021 – Sunday 31 October 2021
Admission £8 adult* / £7 concession* (*Tickets include £1 voluntary donation to Bristol Museums Development Trust)

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