Gorgeous and haunting images today from photographer Roberto Conte of street artist/fine artist Gonzalo Borondo’s latest installation fo “Non Plus Ultra”, this time in the Salina Palace in Salamanca, Spain.

Testing the qualities of glass once again, the artist screen prints 56 pieces and installs them across 80 meters of space, evoking a chorus of forms, but who are these/is this forms/form.
Christ suspended from the cross comes to mind, so does the drama of an army of models marching down the stage.

“Transparency and hardness; fragility and resistance; protection and danger,” he reflects as Borondon considers what draws him again and again to glass as a canvas for screen print. All of these are applicable and yet his placement in this repetitive way strikes you as the ephemera of projection of image.

Other Articles You May Like from BSA:
A ubiquitous sight throughout large cities like New York, the graffiti covered box truck has inherited the all-city art mantle from the subway train cars of thirty years ago with eye-popping collabora...
B-MURALS PRESENTS TÀPIA BY AXEL VOID A Neo Muralist Movement. Is this what we’ll call it? Axel Void. TÀPIA at Nau Bostik with B-Murals in Barcelona. 2019. (photo © Fer Alcala) Artist/curator...
Graffitti artists like to talk about styles of their letter-based art form as if they contain individual DNA from the clans that the particular aesthetic, era or technique of rendering originated fr...
When Cole Porter wrote “I love Paris in the Springtime!” in 1953 he probably was thinking of showgirls and their suitors and the wickedness of the Montmartre dance halls in the 1890s, but when photogr...
Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and comm...