New York Street Artist Chris Stain is making some new pieces for his upcoming show at CAVE Gallery in LA with Street Artist Veng and Taka Sudo on February 11. The signature portraits, mounted on wood, of the everyday people Stain is known for depicting, are joined here by a new one one of the noted and celebrated American poet who passed in 2011, Gil Scott Heron.
Often you catch a piece by someone on the street or in a gallery, and you wish you knew the story behind it. Sometimes there isn’t much of a story – it’s more of an aesthetic exercise. In the case of Chris Stain, the work is frequently drawn directly from his ongoing study and observations of socio-economic conditions in American society. With his portraits he examines how people are deeply impacted by a system that they feel affected by but frequently unable to affect in a meaningful way. Other times they are simply meditations on being alive.Each piece is made from a hand-cut rubylith film that he burned onto a screen and then printed on wood and colored in by hand. Here are some detail photos, along with Chris’s words to describe them.
Gil Scott Heron by Chris Stain
Gil Scott Heron
For many years now I have gained inspiration from the music and writing of Gil Scott Heron. After his passing I thought it seemed fitting to create a piece in homage to the man and his achievements. If you know of Gil’s work and life you know that he struggled at times from addiction and the curve-balls that life threw at him. What I appreciate about him most is his ability to express his experiences in such a heartfelt way through music and writing.
“Skin Head Girl” by Chris Stain
When I was younger, in the mid 80’s, I was an avid disciple of hip hop culture. When I hit adolescents I was turned onto punk rock and skinhead culture. Obviously not the white power skins here people. There’s a good little video here explaining the history of Skinhead and where it came from.This piece is a throw back to those days and how it meant something to be a part of an alternative lifestyle.
“A Small Something” by Chris Stain
A Small Something
This piece looks back on the feeling of first riding off on a bike on your own. The first time you leave your neighborhood and explore; freedom, in a sense. As you get older it’s not such a big deal to adventure out alone. With this piece I further explore the use of handwritten text in the layout to see how it interacts with the image. However with any of the above pieces people will read into them whatever they want which is okay with me.
“What Holds Today” by Chris Stain
What Holds Today
The title is a play on words for what today holds. It’s about trying to make it through the day no matter what’s in store. Some days are easier than others and some days you just feel like giving up on everything. So What Holds Today means whats going to keep this day together when the shit hits the fan.
“Willem” by Chris Stain
Willem was a student I had in one of my printmaking classes last year. I photograph the kids as part of our self portrait project. When Willem stepped up in front of the camera with this pose I thought that there was no way I wasn’t using this picture for a piece of my own! I have painted this outside twice in NYC and once in Miami but this is the first time I made it as a finished piece for a gallery.
Find out more about CAVE Gallery Here:
Other Articles You May Like from BSA:
Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and comm...
How are things with you? Did you survive the snow/slush/sludge? Did you check out the launch of SOLD magazine this week? It's made by artists for artists, and straight out of Brooklyn - check out ...
Our weekly focus on the moving image and art in the streets. And other oddities. Now screening : 1. In Memory: Giulio Vesprini 2. "The Yarn" Trailer. 3. Michael De Feo: Crosstown Traff...
Illustrator, muralist, stop-motion animator, and co-founder of FURRR Studio in Barcelona, Elara Elvira gives us “No title” for her new piece for the community mural program Project 12+1. ...
The nascent voyage of ‘Nuart Journal’ comes slowly into view as a softly bound Street Art/graffiti cultural preservation document; its glossy cover is purple for issue Number 2, like a thick royal-co...