All posts tagged: James Prigoff

In Memoriam: Jim Prigoff 1927 – 2021

In Memoriam: Jim Prigoff 1927 – 2021

James Prigoff signed all of his emails with one word in Spanish: “Paz.” (peace)

It was deliberate, intentional, and with that one word, he created a tag for himself that spoke to his commitment to peace on the street and across the world. Looking over his decades of dedication to exploring and documenting, one sees a sincere commitment to understanding and identifying with other cultures and embracing others as brothers and sisters.

James Prigoff in front of a portrait by Brett Cook Dizney, and images from Blade, How & Nosm, and Ron English (© James Prigoff)
Jim with graffiti King Blade at LA MoCA “Art in the Streets” exhibition 2009 (photo © James Prigoff)

Known foremost in the graffiti world for being the co-author of Spray Can Art with Henry Chalfant in 1987, he captured 100,000 photographs worldwide over five decades. His professional sense of curiosity and self-education drove him to persevere in his documentation of the graffiti scenes of the Western US but eventually spread worldwide.

Today we recognize the personal sacrifice and pride that went into that publication or his subsequent publications and honor the dedication. With his efforts and others like him, the graffiti/street art/mural art cultures received much greater recognition and validation. Serious discussion of the contributions of these practices can be directly attributed to the massive platform his work provided the scene.  

Along with Subway Art by Chalfant and Martha Cooper, Spraycan Art is annually sighted as a powerful inspiration to thousands of artists worldwide who needed that encouragement to express themselves as artists. That alone is a reason to celebrate his life and be thankful for his work and deep dedication to the culture.

Spraycan Art by Henry Chalfant and James Prigoff and published by Thames & Hudson on September 1, 1987.
Jim Prigoff and Henry Chalfant at Chalfant’s retrospective Henry Chalfant: Art Vs. Transit, 1977-1987 at the Bronx Museum, 2019

It was in the early 1970s “I became fascinated with the political nature of the art in the streets,” Jim wrote in perhaps his last personally written essay and publication here on BSA Writer’s Desk just last month. The inaugural opinion/editorial of the monthly series provided him the opportunity to talk about his life, formal and street education, his observations of artists and movements in culture and politics during the last 7 of his 9-plus decades. A civil libertarian and champion of the rights for the equality of people across the spectrum, he was happy to make “good trouble” even suing the federal government over an unconstitutional surveillance program in the mid-twenty-teens.

An avid observer and analyst, we prized Jim as a friend and confidante because he knew how to connect the dots between larger socio-political movements and to put the art and artists within context. Astutely diplomatic and wise, he advised us on navigation and perspective in this vast creative world of graffiti, street art, and mural – lessons we will not forget. He also shared his theory about photographers being led by “the Graffiti Gods” with a smile and a glint in his eye.

Jaime Rojo, James Prigoff, Steven P. Harrington, 2015, NYC

His empathy was never far from any topic, despite his strident views and opinions. Even during this last year of Covid he wrote to check on us;

“Not an easy time to be shut down in NYC. Hope you are doing OK.”

Only two weeks ago Jim wrote to us with his concern that Gen Z was not getting vaccinated at the rate of the rest of the population and he wondered aloud if street artists were helping to reach out to them on the street.

Less able to travel as freely in recent years, he attended big exhibition openings near his home of Sacramento and Miami and New York – usually with one of his gentle and patient children pushing his wheelchair. Each time he was enthusiastic and opinionated and, well, joyful. Last summer, during Black Lives Matter protests across the country, he was thoroughly following events and their effects on art on the street. He was also eager to share what he found with the world.

In some 50 years of documenting public art, I have never seen such an outpouring of political images as I have personally witnessed in the streets of San Francisco, Oakland and Sacramento, ” he said in this piece we published last June.

He shot photos from the open window of a car driving through Oakland, eager to share what he found – which we published. Jim often commented on our daily postings to us in emails – and we are proud that he shared his writing and photos on several occasions with BSA readers. Always more interested in people than profit, Jim understood our platform and mission better than many.

Our hearts are sorrowful to bid goodbye to Jim Prigoff now, but we are comforted to believe that he is joining his dear Arline, with whom he spent 72 years as husband and wife. An absolute pillar in graffiti, street art, and mural history, documentation, and archiving – Jim was a scholar, an ardent peace activist, an author, lecturer, community activist, a fervent supporter of so many, and a kind person. Our deep condolences to his children, grandchildren, great-grandchildren, his graffiti/street art family, and his colleagues. We are grateful to have called him a friend.



Jim’s last published essay was on Brooklyn Street Art as the inaugural essay for BSA Writer’s Bench in March, 2021:

Portrait by Brett Cook aka Dizney, 2010.

“Graffiti Documenting and Divinity” by Jim Prigoff


Selected quotes from hundreds of social media commenters across Facebook and Instagram



“Jim’s good work is done, may he rest in peace.” Henry Chalfant


“Jim was so good to us. He allowed us access to hundreds of rare East Bay photos and couldn’t have been any more generous. Jim loved the East Bay and knew most of the writers by name. His only hope was that his photos would be seen and we intend to make that happen. Rest in peace to a great human being and true graffiti devotee. You will be missed. Much love, Will & Jake” from East Bay Archive


“The coverage Henry and Jim gave to Goldie in Spraycan Art provided a massive worldwide boost to his career and encouraged him to think globally.” Martin Jones


 “Pictures that meant so much to so many. Those pictures was part of so many people’s phase of growing up and becoming those who they are today. People such like myself. Thank you Jim.” Tatu Moisio


 “Spraycan Art was, is and will remain alongside Subway Art as the Bibles for anyone interested in graffiti. I’m from North-East Scotland, and it certainly had a huge influence in my life.

Not to mention being one of the most stolen books OF ALL TIME!😂

RIP Jim, and thank you.” Eddie Grady


 “A worldwide generation were introduced to a new breed of heroes who became a catalyst to our lives, and for those whose work was featured by Henry, Jim and Martha, their lives were forever changed. Take a moment to imagine a world where your work never existed… … that truly provides an awe-inspiring perspective. A life lived with huge contribution. Rest In Peace Jim!” Gordon Barrett



“We went on a 6 hour tour around Chicago together. Fascinating conversation about art and life, thru the years. Very enriching conversation for a youth of 17. A Gentleman and a Scholar truly. Risen In Perfection.” Tyr Dem


 “It’s so Strange. I was just going through Spraycan Art this morning.” Lars Skouboe


“I am saddened by the news of the passing of a champion of graffiti culture.” Gonzo 247


Spraycan Art introduced us to other graffiti legends in across the country and internationally.” Carlos Tiangco


“This guy gave us kids access to a culture that shaped us, our futures and our world. Thanks James / Jim Prigoff. 1927-2021.” Sunk One


The graffiti community lost an advocate and documentarian yesterday. Thanks for all your years of dedication to documenting us all Jim. He was one of a kind. I’m glad to have known him. Rest well.” Alan Ket


“Rest in Peace James Prigoff — Spraycan Art was the first book I ever looked thru as a teen to learn about graffiti. It is where I saw Lady Pink for the very first time!” Toofly


“This was our culture. What we offered the world. The birth of a culture. A culture that became a world wide phenomenon. Last night one of our documentarian passed. RIP James Prigoff. A great guy who shared with the world through his photos this culture we created. Yo James..

“AND WE DONT STOP!” TKid


“My Heart is still breaking from the passing of our friend and historian, author and photographer Jim Prigoff whom I was in constant communication with until 3 days ago.” Portia Gail McHenry-Ogburn



“This book changed the course of my life forever… as well as tens of thousands of youths across the world throughout the 80’s – 90’s. Thank you #JimPrigoff for your passion and dedication. #JimPrigoffForever.” Revok


“Saddened to hear of Jim’s passing, my condolences to his family and friends.” John “Crash” Matos


 “Wow. This is sad… he would stay at my dads house and do you Friday night slideshow sessions with popcorn when he would come to town.

Jim will would always remind me how lucky we are and to never throw food away. This has stuck with me to this day.” Carlos Rolon


“So sad to hear about the passing of one of the greatest – graffiti and street art photographer, author and peace activist Jim Prigoff.

I met him in Los Angeles where he took me on a tour to photograph graffiti. We shared a panel in the Museum of Contemporary Art (MOCA). He supported me so much with my books, contributed an amazing photo of female graffiti artist Reminisce to my Graffiti Woman book and even wrote a foreword for my last book Street Messages.

Through him I ate the American version of coleslaw for the very first time.

He was an amazing and inspirational person. He influenced the whole world with his book Spraycan Art (together with Henry Chalfant), that sparked a main flame for the widespread graffiti fire.

Thanks so much for all the time you shared with me, my thoughts are with your family and friends. May you rest peacefully.

Paz.”

Nicolas Ganz


“I have so many photos and emails from Jim from over the years. This man was a force and driver in the culture. If he was a kid when writing started he would have been a writer for sure. It’s nice to read all the stories about the him. This photo of me holding his book is from the beginning of 2020 when he had a showing in San Francisco. I told him i couldn’t believe after all these years i didn’t have a signed copy from him. He hooked it up in classic Jim style. I salute you to a full impactful life and thank you for helping a lot of writers careers one way or another. Rest in power” Apexer


“Yea man heavy hearts right now. That book man was the west coast bible!” Aaron De La Cruz

“Our dearest Jim.

When we last saw you two weeks ago you said the single most amazing technological advancement (in your opinion) was the ability for photographs to be shared via email. You said that you imagined that it was even more impressive to you than the automobile had been to your parents. Despite your awe of the invention of digital photography and email, you took on this miracle as you did all things you were passionate about, with gusto.

How lucky are we that you lived you in the era of the modern day camera. You took an art form that was inherently temporary (graffiti) and made it permanent. You took an art form that was the voice of an entire generation, who could not find a platform to be heard, and shared their voice with the world. You knew that “Art is power” and you never failed to use your privilege in this world to ensure that that power could be amplified for change.

You are a legend, who left the world a better place not only through your photographs but also simply through your presence on this planet.

To us however, you will always be our Grandpa Jim and our very small world will forever be just a bit sadder everyday now that you are no longer an email away.

We love you.” Trisha F.



Jim’s family invites you to write and post photos, videos, and audio on their webpage, your comments, and remembrances. https://www.forevermissed.com/james-prigoff/about



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Images Of The Week: 01.05.14

Images Of The Week: 01.05.14

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It’s been weeks since we had an “Images of the Week” posting with you, due to the end of the year spectacular we presented  for 13 days; a solid cross section of the talented photographers who are documenting this important moment before it passes.

As a collection 13 From 2013 exemplified the unique and eclectic character of Street Art and graffiti photography today. Each person contributed a favorite image and along with it their insight and observations, often personal, very individual, and with a real sense of authenticity. Each day we were sincerely grateful for their contributions to BSA readers and to see the street through their eyes.

Thank you again to Yoav Litvin, Ray Mock, Brock Brake, Martha Cooper, Luna Park, Geoff Hargadon, Jessica Stewart, Jim Kiernan, Bob Anderson, Ryan Oakes, Daniel Albanese, James Prigoff, and Spencer Elzey for 13 from 2013. Also if you missed it, that list kicked off just after our own 2013 BSA Year in Images (and video) were published here and on Huffington Post, all of which was also a great honor to share with you.

And so we bring back to you some documentation of moments before they passed – our weekly interview with the street, this week including $howta, Appleton Pictures, ASVP, BAMN, Chase, Dceve, Doce Freire, EpicUno, Hot Tea, Jerkface, Judith Supine, Leadbelly33, LoveMe, Meres, Olek, Rambo, Ramiro Davaro-Comas, Square, and Swoon.

This weeks top image is a reprieve from the winter we’ve been enduring – a small hand cut frog clinging to a verdant fern – created by Swoon and snapped during a visit to her studio over the holidays. (photo © Jaime Rojo)

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EpicUno (photo © Jaime Rojo)

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Rambo (photo © Jaime Rojo)

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Leadbelly33 (photo © Jaime Rojo)

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LoveMe (photo © Jaime Rojo)

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BAMN (photo © Jaime Rojo)

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Judith Supine (photo © Jaime Rojo)

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ASVP and Square (photo © Jaime Rojo)

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$howta (photo © Jaime Rojo)

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JerkFace (photo © Jaime Rojo)

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HotTea (photo © Jaime Rojo)

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Olek’s very latest piece completed on New Year’s Eve in Vancouver, Canada.  (photo © Olek)

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Olek. “Kiss the Future” detail. (photo © Olek)

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Meres has a message for Gerry. (photo © Jaime Rojo)

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Meres (photo © Jaime Rojo)

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Chase (photo © Jaime Rojo)

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Doce Freire in Sharjah City, UAE for the Al Qasba Festival. (photo © Doce Freire)

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Dceve (photo © Jaime Rojo)

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Appleton Pictures (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Ramiro Davaro-Comas (photo © Jaime Rojo)

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Untitled. Manhattan, December 2013. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 for 2013 : James Prigoff “Complexity of Apex in San Francisco”

13 for 2013 : James Prigoff “Complexity of Apex in San Francisco”

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Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

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Few people can claim to have the actual historical knowledge of the modern day graffiti age that James Prigoff does. To put it another way, he wrote to us a few months ago to tell us about a celebration he attended this year celebrating the 40th anniversary of Hip-Hop, a cultural movement that began when Jim was 46. 

An internationally respected photographer, artist, author, and lecturer on the subject of worldwide urban murals, his seminal 1987 book “Spraycan Art” with co-author Henry Chalfant is considered one of the the earliest published books on aerosol art, graffiti practices and street culture.

Asking Mr. Prigoff to chose just one image is like asking Paul McCartney to pick one song – the volume and depth of knowledge is hard to condense for today’s age of short-attention spans.  But he’s a champ and this one is his choice for 2013.

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Apexer. San Francisco, CA 2013 (photo © James Prigoff)

A complexity of styles in an Historic SF Location

~ James Prigoff

From a historical point of view, we must remember that modern day Graffiti started with the most rudimentary tags. Few, if any, of the writers had any sense of calligraphy. As more and more youth began to participate in street writing, style began to enter their thinking. Among the very early style masters, Daim from Germany and Ernie from Brooklyn began creating complex 3-D styles that made their hand writings as distinguishable as Impressionist artists like Monet and Matisse. 3-D styles have been adopted by many writers worldwide, but Apex has taken the creation to a new level of sophistication combined with an exceptional sense of color.

Also significant is the location of the painting, on the back of a large building, that is part of the Stephenson parking lots in San Francisco. This was the home of Psycho City for over ten years, before it was buffed and had been named for a great Dug One piece. Psycho City was a west coast “Hall of Fame” where writers would come from countries all over the world. It was also a non-permission venue. As times have changed, the two large pieces that are there now are part of a permission renaissance to upgrade the area through the use of Graffiti (Urban) Art … a la Wynwood in Miami and others.

Psycho City is a place of a thousand memories; The Zulu Nation event where the visiting policeman found his car completely tagged on returning to it, the celebration of “OAKLAND DREAM” one of the legendary names in west coast graff, Brett Cook’s “Dizney’s” political pieces, Nate and Omen’s (MPC) blockbuster walls, HEX (LA) and Omega’s piece that didn’t last eight hours before someone buffed it, ad infinitem.

I chose this photo because it is a fine example of the evolution from a very simple art form that has developed in many different ways to become a complexity of styles.

ARTIST: Ricardo Richey (Apex – Apexer) 2013

LOCATION: STEPHENSON PARKING LOT – COLUSA AT COLSON. – SAN FRANCISCO

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Apexer Photographed by Jim Prigoff

Apexer Photographed by Jim Prigoff

We’re counting down the last 12 days of 2012 with Street Art photos chosen by BSA readers. Each one was nominated because it has special meaning to a reader or is simply a great photograph from 2012 that they think is great. Our sincere thanks to everyone who shared their favorite images.

Our sixth entry comes from photographer, author, and lecturer James Prigoff, acclaimed for his extensive documenting of many aerosol art movements since he began shooting them worldwide in the 1960s. Not only do we dig his entry into our 12 Photos of ’12 because of it’s diverse, colorful, and celebratory nature, we’re honored because Jim doesn’t usually do this sort of thing.  “I have never sent a photo to any web site for publication and doubt that I will in the future. However, you fellows are doing such a diligent and excellent job in documenting the many forms of Graff and Street Art, that I decided to forward this very special piece of art,” he writes.

For his nomination, Prigoff chooses this 2012 piece by Apexer in the Haight-Ashbury district of San Francisco.  Some photographers may dive in for a detail shot of this vibrant work, but Jim says, “I believe in photographing the art in context to its location, not just a detail that could be anywhere. “

Our sincere thanks to him and and we wish a very Merry Christmas to those who are celebrating it today.

APEXER (APEX-RICARDO RICHEY) in San Francisco, CA (copyright ©2012  James Prigoff, Sacramento)

“Apex has been painting meticulously drawn, very colorful 3-D Images for a number of years. An early one appeared in my co-authored book ‘Walls of Heritage – Walls of Pride – History of African American murals’. His approach was quite different from the very early work of Daim and Ernie. Each year the work has shown increased sophistication. This image is by far the most unusual of his work thus far. It was exciting to discover it, ” says Prigoff.

 

To see a list of books authored by James Prigoff, click here.

 

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Check out the BSA Images of 2012 video here.

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Red Hot and Street: “Art in the Streets” Brings Fire to MOCA

brooklyn-street-art-banksy-jaime-rojo-moca-art-in-the-streets-huffpost-04-11-web-15Banksy’s Reliquary (photo © Jaime Rojo)

Yes, Banksy is here. The giant “Art in the Streets” show opening this weekend at the Museum of Contemporary Art in Los Angeles gives a patch of real estate to the international man of mystery who has contributed greatly to the worldwide profile of this soon to be, maybe already, mainstream phenomenon known as street art. A smattering of his pranksterism is an absolute must for any show staking claim to the mantle of comprehensive survey and an excellent way to garner attention. But “Streets” gets it’s momentum by presenting a multi-torch colorful and explosive people’s history that began way before Banksy was born and likely will continue for a while after.

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Os Gemeos Untitled. Detail  (photo © Jaime Rojo)

To continue reading about this exhibition go to The Huffington Post ARTS by clicking on the link after the image below.

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Direct link to article on HuffPost Arts

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Fun Friday 03.18.11

Fun-Friday

BKLN -> LNDN , Skewville is one of the High Rollers Now

If you lucky enough to be in London today, are looking for a good time, and are not afraid of possibly losing a limb go to High Roller Society and experience the art magic of Brooklyn Street Artist SKEWVILLE.

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Click on the link for more details http://www.brooklynstreetart.com/theblog/?p=19318
Also check out this delicious interview with Adam on Vandalog this week.

HIGH ROLLER SOCIETY 
10 Palmers Road 
LONDON E2 0SY

Fresh Stuff from Skewville, Catching Up With Skewville, An Introduction to Skewville, Skewville Shows Us How It’s Done

Vanna, I would like to Buy a Vowel for Ben Eine

Brooklyn-Street-Art-WEB-EINE-SF-ScreenStill-March2011Or maybe just a hyphen. Check out this new mini-vid following the progress of Mr. Eine by a certain Spencer Keeton Cunningham.

LA MOCA “Art In the Streets” Coming

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JR “The Wrinkles in the City 2011″  Photo Courtesy © MOCA

Apparently there is some kind of art show coming up on the west coast in April. Don’t know if you will be doing laundry or shopping for potted plants in the area at the time, but thought we’d let you know just in case you’re interested in this sort of thing.

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Barry McGee, Houston Street and the Bowery, New York, 2010, photo by Farzad Owrang courtesy MOCA.

Art in the Streets will showcase installations by 50 of the most dynamic artists from the graffiti and street art community, including Fab 5 Freddy (New York), Lee Quinones (New York), Futura (New York), Margaret Kilgallen (San Francisco), Swoon (New York), Shepard Fairey (Los Angeles), Os Gemeos (Sao Paulo), and JR (Paris). MOCA’s exhibition will emphasize Los Angeles’s role in the evolution of graffiti and street art, with special sections dedicated to cholo graffiti and Dogtown skateboard culture. The exhibition will feature projects by influential local artists such as Craig R. Stecyk III, Chaz Bojorquez, Mister Cartoon, RETNA, SABER, REVOK, and RISK.

More HERE

A special emphasis will be placed on photographers and filmmakers who documented graffiti and street art culture including Martha Cooper, Henry Chalfant, James Prigoff, Steve Grody, Gusmano Cesaretti, Estevan Oriol, Ed Templeton, Larry Clark, Terry Richardson, and Spike Jonze. A comprehensive timeline illustrated with artwork, photography, video, and ephemera will provide further historical context for the exhibition.

Os Gemeos With a Sharp Eye and Steady Hand and Dreamlike Imagination

Monica Canilao; You Light Up My Life

Have you ever found that perfect dinette set thrown away on the sidewalk, except that the veneer has been chipped off because the table was used as a vegetable cutting board, and two of the chairs are missing legs? Ever have a grandiose Aunt who sees the end coming and thinks that you would be the perfect recipient of her mid-century shlock loveseat or crusted poly lampshade? Ever explored a haunted house that is about to fall on you and crush you to death?

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A look at this chandalier by artist Monica Canilao just makes you happy. She has some ideas about what you might be able to do with those things you involuntarily have to drag home from the street. She and some friends made a cool chandelier that has an audio component when it is rotated.

Check out more of Monica’s work here.

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