All posts tagged: Y Te Fuistes

Street Art And The Day Of The Dead

“Dia de los Muertos”

Skulls are everywhere on the street today, and here is a collection to mark The Day of the Dead. The commemoration of people who have passed is observed nation-wide in Mexico every year at this time. Although it is not a national holiday, the strictly religious and cultural observance is revered and, depending on the region, it varies in the ways in which the holiday is marked.

The cultural aspect of this holiday has inspired many artists, filmmakers and poets. Here we have selected images of Street Art culled from our library to mark the Dia de Los Muertos, focusing on the most prominent symbol used to represent this holiday: “Las Calaveras” or skulls.

PeruanaAnaperu (Photo © Jaime Rojo)

PeruanaAnaperu (Photo © Jaime Rojo)

Imminent Disaster. Detail (Photo © Jaime Rojo)

Imminent Disaster. Detail (Photo © Jaime Rojo)

Mexico’s  “Dia de los Muertos” or “Day of the Dead” takes place every year on November 2 to coincide with the catholic holiday of “El Dia de los Santos” or “All Saints Day”. The Day of the Dead is not the Mexican equivalent of Halloween. The Day of the Dead in Mexico is a celebration of Death and it does not carry any of the connotations of fear, fantasy and gore that Halloween does.

El Sol 25 (Photo © Jaime Rojo)

El Sol 25 (Photo © Jaime Rojo)

This religious and cultural holiday can be traced as long ago as 3000 years. Before the conquest of what’s now modern Mexico in the pre-Hispanic era the indigenous cultures celebrated death, rebirth and their ancestors by displaying human skulls as memento mori.

Gaia Channels Mexican Artist Jose Guadalupe Posada (Photo © Jaime Rojo)

Gaia Channels Mexican Artist Jose Guadalupe Posada (Photo © Jaime Rojo)

Booker (Photo © Jaime Rojo)

Booker (Photo © Jaime Rojo)

Elbow Toe (Photo © Jaime Rojo)

Elbow Toe (Photo © Jaime Rojo)

When the Spanish missionaries arrived more than 500 years ago they tried without success to eradicate such pagan and sacrilegious celebrations that seem to mock death while converting the indigenous people to Christianity. To the Spaniards death was the end of life but to the Aztecs it was a continuation of a journey not yet completed. The Aztecs embraced death and they celebrated it for the entire month of August, the ninth month of the Aztec Calendar, and the festivities were presided by the goddess Mictecacihuatl or “Lady of the Dead” presumed to have died at birth.

Spazmat/Skullphone (Photo © Jaime Rojo)

Spazmat/Skullphone (Photo © Jaime Rojo)

The Spaniards were met with fierce resistance in their attempts to vanish the rituals so in frustration they sought and found a common ground with the natives by moving the pagan rituals to coincide with the Catholic holiday of “El Dia de los Santos” or “All Saints Day” on November 2.

Hellbent (Photo © Jaime Rojo)

Hellbent (Photo © Jaime Rojo)

Modern Mexicans remember their friends and family members that have departed from life by honoring them with extravagant festivities that, depending in the region might include lavish offerings or “ofrendas” in private altars in the cemeteries at the tombs of their loved ones and/or at home. It is a day of celebration and many people elect to stay overnight at the cemetery for prayer, and remembrance but partying, eating and drinking is encouraged and expected always following the norms of respect and decorum for the defunct.

Look at that Bunny! (Photo © Jaime Rojo)

Look at that Bunny! (Photo © Jaime Rojo)

Ludo (Photo © Jaime Rojo)

Ludo (Photo © Jaime Rojo)

These “ofrendas” or gifts include the most favored dishes, foods and beverages that their loved ones enjoyed while alive. They also include photos and other personal mementos of the deceased ones. The “ofrendas” are meant to be eaten and shared by the relatives and friends of the departed and sometimes they are very elaborate five course dinners. Other times the relatives might choose to have a daytime picnic at the cemetery and return to their homes at dusk. The “ofrendas” are believed to nurture and help the souls of the dead while in their journey to heaven.

Some people use this day to just take their customary once a year trip to the cemetery to clean and maintain the tomb of their loved ones.

Y The Fuiste (Photo © Jaime Rojo)

Y Te Fuistes  (Photo © Jaime Rojo)

Regardless of the singular cultural distinction of each region two symbols are common throughout the country: “La Calavera” or The Sugar Skull and “La Catrina” or The Skeleton Lady. The Skulls can be made of sugar and chocolate and often are inscribed with the recipient’s names and are gifts to both the living and the dead. There is also “El Pan de Muertos” or “Bread of the Dead” which Mexicans give as gifts to the visiting relatives for their journey back home.

It is said that Mexicans not only celebrate death they also eat it.

Sweet Toof (Photo © Jaime Rojo)

Sweet Toof (Photo © Jaime Rojo)

Dr. Hoffman (Photo © Jaime Rojo)

Dr. Hoffman (Photo © Jaime Rojo)

Smilee (Photo © Jaime Rojo)

Smilee (Photo © Jaime Rojo)

Faile (Photo © Jaime Rojo)

Faile (Photo © Jaime Rojo)

PMP (Photo © Jaime Rojo)

PMP (Photo © Jaime Rojo)

Matt Siren (Photo © Jaime Rojo)

Matt Siren (Photo © Jaime Rojo)

Viki (Photo © Jaime Rojo)

Viki (Photo © Jaime Rojo)

Main Banner image credit: Jose Guadalupe Posada “Gran Calavera Eléctrica” Courtesy Library of Congress.

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Year in Images 2008

Year in Images 2008

Paradigm Shifting and Cave Writings

Looking back at the powerful changes in ’08,

it’s not hard to see their reflection on the Brooklyn streets, which may serve as tea leaves revealing the messages swirling around us and in us. Each individual act of creating is of significance, yet it is the cumulative effect of the groundswell of new participants that seems so powerful, so hopeful in it’s desire.

Naturally, at the beginning of this selection of images from 2008, we are featuring the most visible street art piece of the year by Shepard Fairey, which appeared here on the streets of Brooklyn and transcended mediums to reach millions of people. Shepard’s graphic design style and his images of the man who would be president helped many to quickly glimpse the character and message of Barack Obama.

A Winning Campaign (Shepard Fairey) (photo Jaime Rojo)

A Winning Campaign (Shepard Fairey) (photo Jaime Rojo)

The image was replicated, adopted, adapted, transformed, re-formed, lampooned even. It became an icon that belonged to everyone who cared to own it, and a symbol of the change the man on the street was looking for. Like street art, Obama’s message was taken directly to the people, and they responded powerfully in a way that brought a historic shift; one that continues to unfold.

Elsewhere on the street we saw themes from topical to fantastical; crazy disjointed cultural mash-ups, celebrity worship or destruction, Big Brother, icons, symbols, death, war, economic stress, protest, dancing, robots and monsters and clowns and angels, and an incredible pathos for humanity and it’s sorry state… with many reminders of those marginalized and disaffected. We never forget the incredible power of the artist to speak to our deepest needs and fears.

The movement of young and middle-aged artists off the isle of pricey mall-ish Manhattan and into Brooklyn is not quite an exodus, but boy, sometimes it feels that way. The air sometimes is thick with it; the creative spirit. The visual dialogue on the street tells you that there is vibrant life behind doors – studios, galleries, practice rooms, loft parties, rooftops.

Even as a debate about street art’s appropriate placement on public/private walls continues, it continues. From pop art to fine art, painterly to projected, one-offs to mass repetition, Brooklyn street art continues to grow beyond our expectations, and our daily lives are largely enriched by it.

This collection is not an exhaustive survey – the archival approach isn’t particularly stimulating and we’re not academics, Madge. The street museum is always by chance, and is always about your two eyes. Here’s a smattering, a highly personal trip through favorites that were caught during the year.

[svgallery name=”Images of Year 2008″]

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