All posts tagged: WK Interact

Images of the Week 10.14.12

This week we saw pumpkins piled at the corner deli, the Yanks pushing on toward the series, Streisand returning at 70 to sing again in Brooklyn, that Rasta MC goin’ hard over his stack of speakers outside the barbershop on a sunny cool day, Christopher Columbus as a giant  sculpture in somebody’s living room, and we can confirm that underground art parties are now moving to Bed Stuy, bypassing Bushwick.  Stranger things will undoubtedly keep happening because Halloween is on Wednesday this year; pretty much guaranteeing a solid week of sexy horror on the street because people won’t know when to party, and you’re going to see at least 3 mock boxing fights between two guys dressed up as Obama and Romney with gloves because the Presidential election is 11/6. The actual 2nd match-up of the candidates is this Tuesday in Long Island to debate. Are the Yankees playing that night?

So here’s our weekly interview with the street, an eclectic trip that takes us to Brooklyn, Paris, Baltimore, and Russia with Cern, Overunder, Philippe HÉRARD,  Lili Luciole,  Concrete Jungle,  Hot Tea,  Love Child, Dain, Sorta,  and Cynthia von Buhler.  We start of with this faux neighborhood painted by Concrete Jungle on a building in Vladivostok.

Concrete Jungle in Vladivostok, Russia. (photo © Concrete Jungle)

Concrete Jungle in Vladivostok, Russia. Detail. (photo © Concrete Jungle)

Concrete Jungle in Vladivostok, Russia. (photo © Concrete Jungle)

Concrete Jungle in Vladivostok, Russia. (photo © Concrete Jungle)

As the temperature is dropping to the 40s – 50s in October, it’s good there is some Hot Tea to keep the chill off.  (photo © Jaime Rojo)

Hot Tea (photo © Jaime Rojo)

Hot Tea (photo © Jaime Rojo)

Love Child (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

A new portrait of Bob Marley and Haile Selassie via SORTA in Baltimore (photo © SORTA)

WK Interact is scaling a wall, possibly breaking in. (photo © Jaime Rojo)

Cynthia von Buhler “Speakeasy Dollhouse” (photo © Jaime Rojo)

Cynthia von Buhler “Speakeasy Dollhouse” (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Cern. Detail of a fast moving truck. (photo © Jaime Rojo)

Overunder (photo © Jaime Rojo)

Philippe HÉRARD in Paris. (photo © Sandra Hoj)

Philippe HÉRARD in Paris. (photo © Sandra Hoj)

Philippe HÉRARD in Paris. Detail. (photo © Sandra Hoj)

Philippe HÉRARD in Paris. (photo © Sandra Hoj)

Lili Luciole in Paris. (photo © Sandra Hoj)

Untitled (photo © Jaime Rojo)

Thank you to BSA Collaborator Sandra Hoj for her Parisian Report.

Thank you to Concrete Jungle for exclusive images for BSA of their sick mural in Vladivostok, Russia.

Thank you SORTA for keeping us up on Baltimore developments.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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A Roof With a View : Looking at Art Up Above

Climbing up on a roof during the sultry city summer can be liberating, and it turns out to be a prime place for painting too.  Away from the cacophony of the sweaty streets, the breeze up here is a little cooler and stronger and aside from the occasional potted tomato plant or sun-tanning waitress, you are on your own. You may not own any personal real estate, but right now this is all yours, this sweeping urban vista of grand, glassy, grimy, gawdy, and gutted.

For years graffiti writers and Street Artists have sought these undiscovered spots as a kind of refuge, an urban backyard for hanging out and going big, often collaboratively. You could say that rooftop spots even have a certain lore, a place to tell stories about and revel in. In a hard-knock nasty city that sometimes seems to swallow people whole, on this rooftop with a view you can do a huge piece and feel like you are holding it all down. Not to mention the bragging rights you can claim for hitting a high profile location that grabs eyeballs and raises the stakes. As for the city dweller, the work, as ever, is subjectively reviled, ignored, or celebrated. No one can truthfully deny its affect on the character of the cityscape.

Here are some choice roof shots by photographer Jaime Rojo across New York, LA, Chicago, and Boston to give you a birds eye view of some art from on high.

Rime, Dceve, and Toper in Chinatown, Manhattan. (photo © Jaime Rojo)

Rime, Dceve, and Toper in Chinatown, Manhattan. (photo © Jaime Rojo)

ROA on the water tower and Chris Stain and Billy Mode on the wall. Williamsburg, Brooklyn. (photo © Jaime Rojo)

News in DUMBO, Brooklyn. (photo © Jaime Rojo)

JR in Hunts Point, The Bronx as part of Inside Out – A Global Art Project. (photo © Jaime Rojo)

JR in Hunts Point, The Bronx as part of Inside Out – A Global Art Project. (photo © Jaime Rojo)

Bare, Hert, Gable, Deth Kult, TVEE in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Rodeo, ILS, Bare, Hert, Gable, Deth Kult, TVEE in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Swoon. The Central Street Roof in Cambridge, MA. (photo © Jaime Rojo)

Anarkia Boladona in Hunts Point, The Bronx. (photo © Jaime Rojo)

Sweet Toof in Bushwick, Brooklyn. (photo © Jaime Rojo)

Deeker, Armer, Lister and Judith Supine in Bushwick, Brooklyn. (photo © Jaime Rojo)

Various & Gould in Bushwick, Brooklyn. (photo © Jaime Rojo)

Shepard Fairey in Los Angeles, Arts Disctric for LA Freewalls Project. (photo © Jaime Rojo)

Jaz and Cern in Greenpoint, Brooklyn. (photo © Jaime Rojo)

Ludo in Chicago with Pawn Works Gallery. (photo © Jaime Rojo)

At Large, Nekst, Rusk in Williamsburg, Brookklyn. (photo © Jaime Rojo)

Take No Action, Hellbent, Sweet Toof in Willimsburg, Brooklyn. (photo © Jaime Rojo)

Swampy in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Tats Cru in Hunts Point, The Bronx. (photo © Jaime Rojo)

Staino in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Jeff Aerosol in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Gaia in Chicago with Pawn Works Gallery. (photo © Jaime Rojo)

Love Me, Screw Sacer in China Town, Manhattan. (photo © Jaime Rojo)

Veng, Royce Bannon, Werds in Williamsburg, Brooklyn. (photo © Jaime Rojo)

Staino, Sefu and RTF at the High Line Park in Manhattan. (photo © Jaime Rojo)

I Spy in Williamsburg, Brooklyn. (photo © Jaime Rojo)

WK Interact in The Lower East Side, Manhattan. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Memorials on the Street

The US officially remembers service members who died in wars today. War touches every aspect of our daily lives whether through loss or gain, impacting our individual and group psyche, economy, memory, liberty, history.  Street Artists sometimes grapple with  war and related themes in their work for everyone who passes to see. Here are a few examples.

Gilf! replaces bombs with hearts (photo © Jaime Rojo)

General Howe places bones and other sculptural installations on the street in historical locations where war was waged and life was lost in Brooklyn, particularly during the “Battle of Brooklyn”. (photo © Jaime Rojo)

JC2 Army of One uses this image from a Diane Arbus photograph to draw attention to the children who are victims of adults wars. (© Jaime Rojo)

Street Artist General Howe placed grave markers in historical locations a few years ago, including this one featuring President Obama and Iraq war veteran Tammy Duckworth. (photo © Jaime Rojo)

Street Artist Ludo creates bio-techno military machines that merge the natural world with the man-made world. (photo © Jaime Rojo)

Street Artist WK Interact created a series of installations with American service personnel called “Bring Me Back” (photo © Jaime Rojo)

A piece on the street in Los Angeles (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Me Collectors Room Berlin Presents: “At Home I’m A Tourist” The Collection of Selim Varol (Berlin, Germany)

Selim Varol

“my collection, that’s me –
my childhood, my friends, my heroes, my role models, what i enjoy, what moves me. pictures from my journey: ‘at home i’m a tourist’” (Selim Varol)

From 26 May to 16 September 2012, me Collectors Room Berlin will be presenting the collection of Selim Varol. The exhibition will thus mark a return to an essential leitmotif of the foundation: the theme of collecting and the passion of the collector. The 39-year-old collector from Düsseldorf with Turkish roots has been collecting toys since his childhood and owns one of the largest collections of figurines in Europe, numbering some 15,000 pieces. A further focus of his collection lies in works by artists who trace their origins back to street art and ‘Pop Surrealism’. One characteristic shared by all the works in this collection is the close link between art and the everyday, as well as their often playful and humorous or subversive character.

The world of toys, most of which are produced in Asia, is a world full of plastic and vinyl. The figurines are detailed miniature sculptures that have variously emerged from the imaginations of contemporary urban artists and designers, or from politics and current events (Andy Warhol, Fidel Castro, Hitler), the dream factory of the film industry (Batman, Superman, Rambo and many others) or comics and manga. Many works in this collection are well-known due to their presence in public spaces. Shepard Fairey helped create a groundswell for Barack Obama with his iconic ‘HOPE’ poster during the United States presidential race in 2008. And JR, the current TED Prize winner, attracted international attention in 2008 with his film ‘28 millimètres: Women Are Heroes’ in the favelas of Rio de Janeiro, where he mounted giant images of female residents on the façades of houses in order to raise awareness about their life stories and give these women a voice. The New York artist KAWS (Brian Donnelly) is another artist who has exerted a major influence on Selim Varol’s collection, with Varol’s first acquisition of his work in 1999. KAWS first made a name for himself in 1998 with his alienated images on bus stops, phone boxes and billboards (for instance the ‘Christy Turlington Calvin Klein Ad Disruption’). He is represented in this

exhibition with more than 160 works. The exhibition includes a total of 3,000 works by more than 200 artists & designers from over 20 countries.

Plans are under way to enable artists involved in the exhibition to paint or paste designated facades in the area around the venue.

The exhibition will be accompanied by an extensive catalogue of the collection that will include a text by Jeffrey Deitch.

Events:

Saturdays, 3 p.m.: Public guided tour

01.06.2012, 6.30 p.m.: Expert talk with Selim Varol

September: Reading with Autonama & Participation in “Internationales Literaturfestival Berlin”

Children’s Programme: For schools and kindergartens (upon agreement); scavenger hunt (anytime)

Pop-Up Shop: In collaboration with Toykio, a selection of designer toys and exclusive editions will also be on offer in our shop.

Prior registration is required for all events. Programme details are available on our website: www.me-berlin.com

List of artists:

123Klan, Rita Ackermann, Adam5100, Chiho Aoshima, Giorgio Armani, Suki Bamboo, Banksy, Garry Baseman, Bäst, Beast Brothers, Beejoir, Andrew Bell, Biff, Bigfoot one, Tim Biskup, Blek le Rat, Blu, Bob Dob, Bountyhunter, Randy Bowen, Brin Berliner, Bshit, Buffmonster, Milton Burkhart, Thomas Campbell, Case, James Cauty, Mori Chack, Henry Chalfant, Chip Kidd, David Choe, Luke Chueh, Coarse, Martha Cooper, Harmony Corine, Matias Corral, Robert Crumb, Dalek, Date Farmers, Dehara, Delta, Devilrobots, Dface, DJ Shadow, Dolce & Gabbana, Dolk, Doma Dr.Romanelli, Dran, Dust, Tristan Eaton, Eelus, Ben Eine, El Mac, Ron English, F.C .Ware, Fafi, Faile, Shepard Fairey, Ferg, Jeremy Fish, Florian Flatau, Sam Flores, Flying Fortress, Pete Fowler, Glen E. Friedman, Friends with you, Phil Frost, Daniel & Geo Fuchs, Hiroshi Fujiwara, Futura, Rene Gagnon, John Galliano, Jean Paul Gaultier, Huck Gee, Os Gemeos, Doze Green, Sadi Güran, Eric Haze, Evan Hecox, Herakut, Jean-Louis Dumas Hermes, Jamie Hewlett, Damien Hirst, David Horvath, David Horvath & Sun-Min Kim, Marc Jacobs, Todd James, Jamungo, James Jarvis, Oliver Jeffers, JR, Nathan Jurevicius, Alex Katz, Rei Kawakubo, Audrey Kawasaki, KAWS, Peter Kennard, Josh Keyes, K-Guy, Margaret Kilgallen, Dave Kinsey, Jeff Koons, Frank Kozik, Charles Kraft, Curtis Kulig, Kurt Vonneggut & Joe Petro III, Christian Lacroix, Lady Aiko, Karl Lagerfeld, Helmut Lang, Michael Lau, Joe Ledbetter, Karin Lehmann, Matt Leines, Michael Leon, Paul Leung, Anthony Lister, Livingroom Johnston, London Police, Robert Longo, Lunartik, MAD*L, Herman Makkink, Mantis, Martin Margiela, Marok, Mars 1, Ben Mathis, Barry Mcgee, Lucy McLauchlan, Bill Mcmullen, Dennis Mcnett, Tara McPherson, Alexander McQueen, Eugenio Merino, Mexxer, Anthony Micallef, Donny Miller, Miss Bugs, Miss Van, Mist, Brendan Monroe, Polly Morgan, Mr. Clement, Takashi Murakami, Scott Musgrowe, Muttpop, Yositomo Nara, Caleb Neelon, Nigo, Tim Noble & Sue Webster, Steve Olsen, Katsushiro Otomo, Tony Oursler, Jose Parla, Paul Insect, Marion Peck, Perks & Mini, Stefano Pilati, Ricky Powell, Miuccia Prada, Rob Pruit, Pure Evil, Pushead, Oliver Räke, Jamie Reid, Retna, Terry Richardson, Rocketworld, Jermaine Rogers, Rolitoboy, Ryca, Mark Ryden, Saber, Erick Scarecrow, Todd Schorr, Semper Fi, Since, Jason Siu, Sket-one, Skewville, Skullphone, Hedi Slimane, PaulSmith, Hajime Sorayama, Jeff Soto, Space Invader, Spanky, SPQR, SSUR, Jeff Staple, Stash, Static, Tyler Stout, Stefan Strumbel, Suckadelic, Superdeux, Judith Supine, Swoon, Tado, Gary Taxali, Osamu Tezuka, Tilt, Tokidoki, Touma, Tim Tsui, Nasan Tur, Unkl, Urban Medium, Usugrow, Valentino, Gee Vaucher, Mark Dean Veca, Donatella Versace, Viktor & Rolf, Amanda Visell, Nick Walker, Vivienne Westwood, Dondi White, Kehinde Wiley, WK interact, Jim Woodring, Word to Mother, Bubi Au Yeung, Zevs

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Kosbe: Under the Radar and in the Studio

Kosbe: Under the Radar and in the Studio

Why One Brooklyn Stick Up Kid is Worth Watching

Sometimes on the street you get an inkling of the future. It could be an overheard excerpt from a cell-phone conversation about a club show the night before, or the color and texture of woman’s blouse as it flutters around her while she reads on a park bench, or the sight of the 3rd food truck this week selling spicy meatballs. Something tells you that you just got a glimpse of the future. And while it doesn’t completely reveal itself in it’s fullness, you can see a nascent potential, a storyline developing that may go far beyond it’s current self. Sometimes when you see a Kosbe sticker on a paper box, it feels that way too. In fact, each time you see one of his pieces on the street, it grabs you from above the fray. Yet it seems like he’s been under the radar. He may not stay there much longer.

Kosbe (photo © Jaime Rojo)

In the ebb and the flow of the Street Art conversation in New York, you keep seeing Kosbe’s wacky characters popping up in doorways and paper boxes. They aren’t tossed off little marker drawings done while watching TV – they’re intense petite character studies. Packed into one slapped on sticker is a lot of cacophonic kineticism; near crazed city characters with primitive wild eyes staring or blinkered, with tight jaws and teeth squarely gritted. The folk faces and forms are framed by an ardent prose, non-sequitors of angst and inside jokes. “What’s the guy saying?” you could ask. And why is he yelling? “Is he okay, is he mocking me? It’s the bundled rage and cryptic cleverness of the court jester.  Layers of reapplied color and repeated lines trap multiple actions on one non-static figure. This is not simple tagging, it’s a stationary tornado.

Kosbe (photo © Jaime Rojo)

Street Artist Kosbe has put in two good decades of practice, and has learned some lessons the hard way. He’s been hitting up New York for a half decade but he comes from a long graffiti history as a kid in his native Chicago. Now a practicing artist readying a solo gallery show for fall, he grew up in a very young single-parent home where his mom created a small studio for the boy in the back of their apartment. “My mom was really supportive of me as an artist. When I was a kid she gave me this little back room that she allowed me to use like a painting studio. So I was always grabbing stuff off the street and bringing it in there, painting it. I was very secretive with my stuff. A lot of people would come over and see my stuff and they were like, ‘Dude, I didn’t know that you painted’. I was very protective of it.”

That hasn’t changed. He still likes to use found materials as canvasses, as he shows us around his small studio hidden in a warehouse in New York. “I’m always using things that I find in the streets. Like this is an old grading book from 1919,” he says as he pulls out a tattered tome with pages ripped out.  “It has all these people’s signatures. I found this outside a high school in Brooklyn. It’s really cool. So that’s what I’ve been using for my drawings.”

Kosbe (photo © Jaime Rojo)

Kosbe (photo © Jaime Rojo)

Tough times at home got him in trouble at school and with the police as a youth. Describing himself as hard headed, he talks about running away as a young teen to San Francisco for a while in the early 90s, where he spent a lot of time on the street admiring a new kind of character-based and tattoo influenced graffiti on the street by people like Twist (Barry McGee), Mike Giant, and Reminisce. “I went out and there were these Reminisce horses everywhere and they were great because you were going down the street and you would see this horse like galloping down the street. This stuff really blew me away. So I think the same time this stuff was going on there, over here in NY you had like Cost and Revs posting bills and doing rollers. And back then there wasn’t the internet.”

Kosbe (photo © Jaime Rojo)

Years later here in this fluorescent lit studio filled with his drawings, paintings, books, ‘zines, assorted ephemera, a desk, and a loveseat, his excited retelling of stories reveals how much those childhood escapades running Chicago streets and exploring San Francisco formed his view of Street Art and prepared him for moving to New York eventually in the 2000s. A self-schooled student of graffiti, fine art, and street art, Kosbe can recount names of writers and crews, timelines, styles; drawing etymologies and stylistic connections and talking about migrations. With much fanfare he’ll also tell you the  stories about the famed Chicago “buff” – a citywide anti graffiti campaign in the mid-late 1990s that he says whitewashed the city’s history.

Kosbe (photo © Jaime Rojo)

But now he’s an artist on his own, and his practice is daily. “Now I’ve learned more that the only way, as an artist, that you can kind of grow and come up with new ideas is you gotta keep giving them away. So that’s why street art is kind of funny. I have friends who are painters that have become painters because of me. They are like ‘Dude, I was totally influenced by your drawings’ and stuff like that.” But the practice of Street Artists putting fully formed works out on the street still confuses some of his peers, “They say ‘Dude you give all your art away’ – you know, they don’t understand the concept.”

His new work on the street and in this studio now bends toward abstract expressionism and his years of comic book reading enlivens that rawness with a furtively bombastic character-driven personality. Almost every piece he does has some sort of commentary- a sort of helpful therapeutic narrative to explain what the character is thinking or feeling at the moment. “I like being bad for the sake of being bad”, “Tupac!”, “deathy”, “not good”, “astro zombie”,”power to the people”,“Kosbe don’t cry”.

Kosbe (photo © Jaime Rojo)

Kosbe also credits the street as his formative and evolutionary art instructor. “When I took an oil painting class, my teacher was like, ‘Dude you already know how to paint. How did you learn this?’ and I was like, ‘graffiti.’ ” Even though graffiti still attracts him and captures his imagination, Street Art and fine art have occupied his efforts lately and the combined synthesis of a lifetime studying art on the street and plenty of experimentation is coming together very strongly aesthetically. Combine that individual vision with the maturity that hits a person in their 30s and you may think that you are seeing a sudden glimpse of the future.

Brooklyn Street Art: I want to talk about you and your art and your influences. What are these characters? Where did they come from?
Kosbe: I don’t know. I’ve been drawing since I was real young.  It’s always something that comes naturally. I don’t do any sketches, I don’t plan anything out. I just – for me it’s more a guttural, more natural thing. It’s good and bad.

Brooklyn Street Art: What’s the bad part?
Kosbe: The bad part is that I don’t focus on it, you know? I just have been doing it so long and I really enjoy it.

Kosbe (photo © Jaime Rojo)

Brooklyn Street Art: Is your experience kind of like a faucet that you turn on and it all comes flowing out and then you decide, “Okay I better turn it off”?
Kosbe: Exactly, right. So the thing with me is, I try to also look for other outlets. So I’m really into other things. Like I like music, photography, writing, all that stuff. But that stuff doesn’t come as naturally to me like this does. But it’s a great outlet for me and I feel really kind of lucky to have something like that – to be able to express myself in that form and manner. It’s helped me out tremendously to kind of learn how to communicate with people. Every year I realize new things – like this is how I communicate with people. Is it bad? Is it bad that I think that this is the only way I think that I can talk to people? Maybe I’ve gotta learn how to become better with talking with people verbally or something.

Brooklyn Street Art: You don’t seem to have great difficulty communicating verbally. But I’m interested in understanding a little more about how you think of this work and this practice as communication.
Kosbe: There is definitely a lot of emotional stuff in my work, you know,

Brooklyn Street Art: There is! Despair, anger …– you use a lot of descriptive words, verbal narratives throughout – whether it’s a sticker or a wheat paste.
Kosbe: Yeah it’s whatever is always popping into my head and so there are a lot of things that are on my mind and hopefully this is a good way to have an outlet for it. I’m trying to not be so negative anymore. And some people are like “Man, it’s so dark”. You know I use a lot of bright colors now, which has been phenomenal. That has really changed my work. Here you can see some of my earlier stuff and it’s really brown, dark. Actually this is beginning where I started experimenting with more color. And then as I got to New York, more and more color started getting into my stuff.

When you do graffiti you learn the fundamentals of color theory, you know. You learn what works.

Kosbe (photo © Jaime Rojo)

Brooklyn Street Art: You know WK Interact talks about New York being a violent city
Kosbe: I love that guy! You know when I first moved to New York he had that little shop on the Lower East Side and you’d walk in and it was like a locker, a desk, and some Japanese kids standing around. And it would be like, “What is this? Is this a store? Is this a studio?”

Brooklyn Street Art: What made me think of him was I was interested in how you describe the city because WK has said that when he makes work on the street, if it is violent in nature and people walk by it, they sometimes give him the thumbs up! And it runs longer. But if he were to paint a pink bunny it would get crossed out because New Yorkers don’t really respond to positive cheerful stuff.
Kosbe: Oh yeah, and New York has definitely had a profound impression on me in that sense because my work before I got here still had that weird dark edge but it was a little cutesy-er. But like as time has progressed I just think I have kind of matured a bit more, becoming more of an adult and my stuff is getting more serious. But with me everything’s gotta be fun. I think it’s supposed to be fun.

Kosbe (photo © Jaime Rojo)

Kosbe (photo © Jaime Rojo)

Kosbe (photo © Jaime Rojo)

Kosbe (photo © Jaime Rojo)

Kosbe (photo © Jaime Rojo)

Kosbe (photo © Jaime Rojo)

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Art Basel Miami 2011 : BSA Picks

Miami is basically “South Brooklyn” starting right about now, minus the bagels, the B62 bus, and the compulsive habit of cutting you off mid-sentence.  Artists, galleries, fans, party girls and boys, djs, – they all head south the first few days of December for the big fair and all the little ones.

It already seems a little quieter here because Fountain took the weirdos, Wynwood Walls took the Soho softshoes, and The Underbelly collected the hardcore characters just long enough to sign a book and scarf some pizza before looking for a tunnel somewhere. Art Basel is a feast and the draw of Street Art and graffiti continues apace this year, with entrants from all the strata looking for a wall, and maybe a party, and a honey to go skinny dip with.

We picked a few Street Art related gems here that you might want to hit, but even if you show up in Miami this week with no plans, you’ll easily find some trouble to get into, we trust. Do your best.

Underbelly Project

Photo © Ian Cox courtesy of The Underbelly Project

After a full year underground, The Underbelly Project is coming to Miami during Art Basel. A pop up gallery, the show will feature original artwork from many of the 103 international artists who participated in the hidden subway project in New York. The exhibition will feature a video piece of multiple installations happening simultaneously, as well as new pieces by many of the artists. Additionally a book signing of the first volume to come out about the project, published by Rizzoli, will take place on December 2nd. Artists participating in the signing include: Dabs & Myla, Rone, Gaia, Lister, Eric Haze, Joe Iurato, Adam Feibleman, Know Hope, Jeff Stark, Jason Eppink, Jim and Tina Darling, The London Police, Dan Witz, Specter, Surge and other surprise artists.

Included in the show are street, graffiti and fine artists alike. The full line-up includes: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Eric Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.

THE UNDERBELLY SHOW
29 November – Press Preview 5pm/ Private View 7pm
30 November – Collector’s Preview 7pm
1 December – Secret Wars US vs. UK 6pm
2 December – General Opening 5pm and Artist Book Signing 6pm
The show will take place in the heart of Wynwood at 78NW 25th Street

SCOPE


Jonathan Levine Gallery At Scope with WK Interact, Aakash Nihilani, Olek, and Jason DeCaires Taylor

“Placing a focus on public art for this program, the gallery will present a series of works that highlight a diverse range of distinct styles, cultural perspectives and unconventional mediums. Each of the four artists selected represent fresh directions in creating work in public space through their innovative vision and inventive use of materials. Photography documenting their interventional imagery, sculpture, and performances convey the transformative effect their work has on its surrounding

Aakash Nihalani with Jonathan Levine (photo © Jaime Rojo)

Olek with Jonathan Levine (photo © Jaime Rojo)

WK Interact with Jonathan Levine (photo © Jaime Rojo)

:SCOPE-Miami, Booth E09
NE 1st Avenue @ NE 30th Street, Miami, FL 33127

November 29—December 4, 2011
Tues 11/29, 4—8pm | Wed 11/30—Sat 12/3, 11am—7pm | Sun 12/4, 11am—6pm

Mallick Williams Gallery at Scope with Skullphone and Curtis Kulig

Skullphone + Curtis Kulig will be showing work from their recent collaborations this fall.

Skullphone with Mallick Williams and New Image Art  (photo © Jaime Rojo)

New Image Art Gallery at Scope

This year New Image Art is proud to present Retna, Cleon Peterson, Paul Wackers, and Maya Hayuk at Scope Miami 2011.

Check out Retna with New Image Art (photo © Jaime Rojo)

White Walls Gallery at Scope

White Walls will be hosting four booths at SCOPE, situated in the center of Miami’s Wynwood Gallery Arts District, featuring a MTN Colors Group show with APEX, Neon, Estria, Vogue, Blek le Rat, HUSH, Kofie and Chor Boogie, a White Walls Group show with Casey Gray, Ben Eine and Greg Gossel, and solo shows for both ABOVE and ROA. APEX, Eine, Kofie, ABOVE, ROA and Chor Boogie will also be painting at the Kohn compound on 24th street.

Ben Eine with White Walls (photo © Jaime Rojo)

ROA with White Walls  (photo © Jaime Rojo)

Chor Boogie and Augustine Kofie (photo © Jaime Rojo)

For a full listing of exhibitors and events click here SCOPE

Wynwood Walls

Wynwood Walls is premiering 7 new Street Art murals and 16 new pieces at Wynwood Doors and walls outside.

Debuting in tandem with the new murals and installations during Art Basel this year on Tuesday, November 29, 2011, the “Shop at the Walls” the first Wynwood Walls Pop Up gallery space that will offer artworks and the new Wynwood Walls book.The book has interview with Street Artists and photography by Martha Cooper.

Artists include Retna, The Date Farmers, How and Nosm, Gaia (USA), Saner and Sego (Mexico), Liqen (Spain), Neuzz (Mexico), Nunca (Brazil), Vhils (Portugal), Interesni Kazki (Ukraine), Faile (USA) and b. (Greece)Kenny Scharf is expected to augment his existing wall, and remaining work from the last two years from Nunca, Shepard Fairey, Aiko, Ryan McGinness, Stelios Faitakis and avaf will be on display.

Walls Outside the Wynwood Walls, encompassing key locations outside of the actual art park itself and in the surrounding neighborhood, will be created by Friends With You (USA), avaf (Brazil and France), Nunca, and Interesni Kazki (Ukraine); joining works previously completed by Swoon and Barry McGee.

Location:
Wynwood Walls and the Pop Up Shop are located at NW Second Avenue – between Joey’s Italian Café on 25th Street and the art-filled Wynwood Kitchen & Bar on 26th Street – and are open to the public free of charge.

HERE COMES THE NEIGHBORHOOD: WYNWOOD (Video)

Fountain Art Fair

“Our preferred punk rock lopsided Anti-Fair.” —Brooklyn Street Art

This year Fountain Miami’s signature on-site street art installation is curated by Samson Contompasis, director of Albany’s The Marketplace, and will feature over 150 feet of work Street Artists including Sharktoof, Chris Stain, Olek, Hugh Leeman, Chor Boogie, OverUnder, White Cocoa, Army of One, Clown Soldier, Joe Iurato, CAKE, Tip-Toe, Elle, Ian Ross, Know Hope, Depoe, and Zero Cents.

Gilf! at Fountain  (photo © Jaime Rojo)

Brooklyn’s own Mighty Tanaka Gallery is showing at Fountain Participating artists include: Adam Void, Alexandra Pacula, Alice Mizrachi, ChrisRWK, Ellen Stagg, Gigi Chen, Hellbent, Hiroshi Kumagai, JMR, John Breiner, Max Greis, Mike Schreiber, Robbie Busch, Skewville, TooFly, URnewyork, VengRWK & Miguel Ovalle

Hellbent with Mighty Tanaka (photo © Jaime Rojo)

Skewville with Mighty Tanaka   (photo © Jaime Rojo)

For a full listing of events and schedules click here Fountain Art Fair

December 1–4, 2011
2505 North Miami Avenue (at the corner of 25th St) | Miami, FL 33137
General Hours: 12pm–7pm daily
Tickets: $10 daily / $15 weekend pass. All tickets sold at door.

Primary Projects

 

 

A new exhibit debuting during Art Basel Miami Beach 2011

Thursday, December 1
Opening Reception
7:00 to 10:00 p.m.

RETNA, Jessy NITE, Stormie MILLS, Evan ROBARTS, Lena SCHMIDT, Luis PINTO, Andrew SCHOULTZ, Karen STAROSTA-GILINSKI, Kenton PARKER, TM SISTERS, Samantha SALZINGER, Emmette MOORE, Anthony LISTER, Charles KRAFFT, Tatiana SUAREZ, Edouard NARDON, Andrew NIGON, Johnny ROBLES and Lawrence GIPE.

For further information regarding this event click Primary Projects

Primary Projects
4141 NE Second Avenue
Suite 104
Miami, FL 33137

 

 

Living Walls is working with with Primary Flight, one of the original graffiti and Street Art mural projects, to create 3 new murals in the Wynwood District.

Participating Artists:

JAZ (Buenos Aires, Argentina) (photo © Jaime Rojo)

Know Hope (Tel Aviv, Israel) (photo © Jaime Rojo)

PULSE Fair

 

Andrew Edlin Gallery at Pulse with Elbow Toe

Brian Adam Douglas AKA Elbow Toe (photo © Jaime Rojo)

Joshua Liner Gallery at Pulse with Stephen Powers

Stephen Powers (photo © Jaime Rojo)

For a complete list of exhibitors and schedules of events click here PULSE

 

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BOO! Monstrous BSA Halloween Photo Essay

Happy Halloween to all you good boys and ghouls lurking behind heavy closed doors with frogs in your pockets and bats in your hair. Do you dare venture out this All Hallows Eve? What will you see tonight in the cold black air?

“What beckoning ghost along the moonlight shade
Invites my steps, and points to yonder glade?”

Alexander Pope: To the Memory of an Unfortunate Lady
 

We know that BSA fans dig Halloween more than many holidays. Almost more than your birthday, but not quite, but almost. From his year round collecting of images, here’s a monstrous 39 photo essay from photographer Jaime Rojo of werewolves and vixens and frankenfreaks and zombies and ghosts just for you today.

Judith Supine (photo © Jaime Rojo)

D*Face (photo © Jaime Rojo)

Skullphone (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

Dust Lust (photo © Jaime Rojo)

Sweet Toof (photo © Jaime Rojo)

Kid Zoom (photo © Jaime Rojo)

Ghost (photo © Jaime Rojo)

General Howe (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Tristan Eaton (photo © Jaime Rojo)

Steiner (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Ludo (photo © Jaime Rojo)

Charm (photo © Jaime Rojo)

Cfer (photo © Jaime Rojo)

WK Interact (photo © Jaime Rojo)

Jennier Catron and Paul Outlaw (photo © Jaime Rojo)

Jennifer Catron and Paul Outlaw (photo © Jaime Rojo)

Untitled from a David Barton Ad (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Royce Bannon (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Lichiban  (photo © Jaime Rojo)

Ms. Klu (photo © Jaime Rojo)

Cake (photo © Jaime Rojo)

Kid Zoom (photo © Jaime Rojo)

Krisna (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Flower Face Killa (photo © Jaime Rojo)

Miss Bugs (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

Mark Jenkins (photo © Jaime Rojo)

Kriest (photo © Jaime Rojo)

Casper (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Haculla (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

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WK Interact Honors NYC Firefighters with Block Long Mural

Veteran New York Street Artist WK Interact has been depicting the rush and clamor and violence of the streets of New York since the 80s. With stark black and white imagery that captures and distorts the action layered with precise mechanical renderings and computerized symbology, WK creates a portrait of the kinetic chaos of the life on the street and delivers it back.

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WK Interact (photo © Jaime Rojo)

His new project installed in Brooklyn on 9/9/11 commemorates the events marked citywide 2 days later, when WK watched our streets convulse. With 10 years distance, the memory is just as close as ever for some, including firefighters who plunged themselves into the disaster instead of running from it. While WK is highly gifted verbally, he is most powerful when he uses his Street Art to talk about the impact of that day and pays tribute here to those firefighters while looking at the disaster. “Project Brave” is not his work in solitary – WK did this in partnership with the Yonkers Fire Department and the support of the Fire Commissioner Anthony Pagano and his Deputy Chief William Fitzpatrick and other firefighters in the city.

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WK Interact (photo © Jaime Rojo)

The huge installation expanse alludes to the overwhelming nature of the events and gives viewers the opportunity to contemplate the loss of firefighters and the people they left.  Without musty museum stilted pomp, this modern depiction casts the events in a contemporary context fitting for the times; one more example of the contribution that Street Art can make to the culture and life of the city.

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

(all photos copyright Jaime Rojo)

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See our 2 part interview from September 2009 with WK Interact;

The 25 Year War: WK Interact in New York, Part 1 : Brooklyn Street Art

The 25 Year War: WK Interact in New York, Part 2 : Brooklyn Street Art

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BSA at LA MOCA for “Street Art Stories” Presentation and Panel

HuffPost Arts and The Museum of Contemporary Art, Los Angeles (MOCA) hosted a presentation and panel discussion presented by Brooklyn Street Art founders Steven P. Harrington and Jaime Rojo this past Saturday at the Ahmanson Auditorium with 150 guests. Five days after the closing of the record breaking “Art in the Streets” show at LA MOCA, which was seen by over 200,000 visitors, BSA charted some new ground going forward in the ever evolving graffiti and street art movement.

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Panelists having a lively discussion at “Street Art Stories” hosted by HuffPost Arts and LA MOCA at Ahmanson Auditorium at MOCA Grand in downtown Los Angeles. (photo © Carlos Gonzalez)

The panelists, who included HuffPost Arts Editor Kimberly Brooks and Street Art phenom Shepard Fairey, watched a presentation by Harrington and Rojo about a new storytelling direction that artists are bringing to the streets of New York and other cities around the world. With examples of relative newcomers not seen by many in the audience, they pointed to precursors from the last 40 years to this storytelling practice and questioned how its sudden growth may be evolving what we have been calling “Street Art” for the last decade.

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Steven P. Harrington talks about community murals and memorial walls to illustrate antecedents to the new movement of storytellers who engage passersby on a greater level than in the recent past.  Shown is a community mural by New York’s Tats Cru shot by and © of Martha Cooper.  (photo © Carlos Gonzalez)

After a conversation with panelists Brooks, Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno that covered topics like the paucity of females in the street art scene, the influence of the Internet on “getting up”, and the significance of personal engagement in the work of many of today’s new street artists, Harrington and Rojo opened the discussion up the auditorium. Here topics ranged from LA’s evolving approach to Street Art to include public and permanent art, the influence of money on street artists, and how a show like “Art in the Streets” effectively influences the next generations’ perception of street art.

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BSA’s Steven P. Harrington gestures toward the screen while panelists look on in the front row. (photo © Carlos Gonzalez)

The packed event was interesting enough to bring many audience members down to the stage after the show to continue the conversation and meet the panelists and LA MOCA Director Jeffrey Deitch, who took great interest in the presentation, talked with a number of people before taking off. Fairey, with his wife Amanda at his side and a healing black eye from his recent trip to Copenhagen (see his account for HuffPost Arts here) gamely took on questions from many and posed for pictures after the event and at the reception which HuffPost hosted afterward.

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During the presentation, Brooklyn Street Art talked about the use of Street Art as a way of addressing a variety of social and political issues, including this example of Shepard Fairey and the topic of peace. (photo © Carlos Gonzalez)

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BSA co-founder and Director of Photography Jaime Rojo introduces the panelists. (photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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Brooklyn Street Art Co-founders Jaime Rojo and Steven P. Harrington converse with esteemed panelists at “Street Art Stories”, hosted by HuffPost Arts and LA MOCA.

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Contemporary American Painter and the Founding Arts Editor of the Huffington Post, Kimberly Brooks next to street artist Shepard Fairey at “Street Art Stories” Panel at LA MOCA. (photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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Shepard Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno. (photo © Carlos Gonzalez)

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Marsea Goldberg, Director of New Image Art Gallery in West Hollywood, who since 1994 has launched or mobilized the careers of artists such as Shepard Fairey, Ed Templeton, Neckface, Faile, the Date Farmers, Judith Supine, and Bäst just to name a few. Next to Ms. Goldberg is Ken Harman, Managing Online Editor at Hi-Fructose Magazine, the owner and curator at Spoke Art Gallery in San Francisco, and the creator and editor of the the “Art of Obama” website. (photo © Carlos Gonzalez)

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Ethel Seno, Curatorial Coordinator for the MOCA exhibition “Art in the Streets” at the Geffen Contemporary at MOCA and the Editor of the book “Trespass: A History of Uncommissioned Urban Art” published by Taschen. (photo © Carlos Gonzalez)

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Shepard Fairey at “Street Art Stories” Panel at LA MOCA. (photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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Street art photographer Jaime Rojo of Brooklyn Street Art. (photo © Carlos Gonzalez)

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Edward Goldman, LA art critic, Huffpost blogger, and host of KCRW’s “Art Talk” for 20 years, poses a question on the effect of a big museum show like “Art in the Streets” on the new generation of would be street artists. (photo © Carlos Gonzalez)

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Seno and Harman (photo © Carlos Gonzalez)

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The Ahmanson Auditorium for “Street Art Stories” at LA MOCA (photo © Carlos Gonzalez)

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Thank you to Kimberly Brooks and our great panel. (photo © Carlos Gonzalez)

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Director of LA MOCA and co-curator of “Art in the Streets”, Jeffrey Deitch, talks with Shepard Fairey after the presentation and panel (photo © Carlos Gonzalez)


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SPECIAL THANKS TO:

MONICA ROACHE, JESSICA YOUN, CHRIS RICHMOND, DAVID BRADSHAW, JEFFREY DEITCH, LYN WINTER, PATRICK IACONIS, TANYA PATSAOURUS, TRAVIS KORTE, MELINDA BROCKA, TINA SOIKKELI, EUTH, ANDREW
HOSNER, CARLOS GONZALEZ, KIMBERLY BROOKS, MARSEA GOLDBERG, KEN HARMAN,SHEPARD FAIREY, ETHEL SENO, THE MOCA MUSEUM STAFF AND SECURITY,

THE HUFFINGTON POST, THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA), BROOKLYNSTREETART.COM, HI-FRUCTOSE, JUXTAPOZ,

IMAGES IN PRESENTATION BY JAIME ROJO WITH ADDITIONAL PHOTOS BY MARTHA COOPER, REVS PHOTO BY BECKI FULLER, and FAUXREEL PHOTOS BY DAN BERGERON

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Images Of The Week 02.13.11

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010This week Revok was in town and hit up a wall with Tats Cru; a new mural entitled “The Quiet Before the Storm”, providing the Lower East of Manhattan with some much need color. We also re-visited a couple of BSA favorites like the Shepard Fairey’s piece on the Cooper Square Hotel and a few WK Interacts scattered around LES. It’s great to see and photograph these pieces when imbued with February’s cold gray and blue light.

And now our weekly interview with the street, this week including Bio, BG183, GS, How & Nosm, Invader, Revok, Shark Toof, Shepard Fairey, Spazmat, Tats Cru, TMNK and WK Interact. Update. Thank you RJ at Vandalog for sending out the tweet abut the Mel Kadel (on the no loitering sign) sticker and helping our readers with the artist’s name.

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Revok and Tats Cru “The Quiet Before the Storm” (photo © Jaime Rojo)

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Revok and Tats Cru “The Quiet Before the Storm” Detail (photo © Jaime Rojo)

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Revok and Tats Cru “The Quiet Before the Storm” Detail (photo © Jaime Rojo)

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Revok and Tats Cru “The Quiet Before the Storm” Detail (photo © Jaime Rojo)

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Shepard Fairey (photo © Jaime Rojo)

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Shepard Fairey. Detail (photo © Jaime Rojo)

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TMNK (photo © Jaime Rojo)

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A poppy colored veil for Spazmat so you can’t read lips while he’s on the phone. Wait, he doesn’t have lips. (photo © Jaime Rojo)

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Invader (photo © Jaime Rojo)

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Minotaur Stencil (photo © Jaime Rojo)

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Mel Kadel..You heard it! (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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Seems like people are in such a rush these days, doesn’t it? WK Interact (photo © Jaime Rojo)

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“For the last time, this is not 1C and I did not order a pizza!” Vintage WK Interact (photo © Jaime Rojo)

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“Forgive me Father for I….erm, uh, too late buddy.  (photo © Jaime Rojo)

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Home of the golden mustache ride! GS in Miami Art Basel 2010 (photo © Jaime Rojo)

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This photo was shot mere seconds before Invader was eaten in Miami!  (photo © Jaime Rojo)

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Brooklyn Street Art: 2010 Year In Images (VIDEO)

We’re very grateful for a wildly prolific year of Street Art as it continued to explode all over New York (and a lot of other places too). For one full year we’ve been granted the gift of seeing art on the streets and countless moments of inspiration. Whether you are rich or poor in your pocket, the creative spirit on the street in New York makes you rich in your heart and mind.

To the New York City artists that make this city a lot more alive every day we say thank you.

To the artists from all over world that passed through we say thank you.

To our colleagues and peers for their support and enthusiasm we say thank you.

To the gallery owners and curators for providing the artists a place to show their stuff and for providing all of us a safe place to gather, talk, share art, laugh, enjoy great music and free booze we say thank you.

To our project collaborators for sharing your talents and insights and opinions and for keeping the flame alive we say thank you.

And finally to our friends, readers and fans; Our hearts go out to you for lighting the way and for cheering us on. Thank you.

Each Sunday we featured Images of the Week, and we painfully narrowed that field to about 100 pieces in this quick video. It’s not an encyclopedia, it’s collage of our own. We remember the moment of discovery, the mood, the light and the day when we photographed them. For us it’s inspiration in this whacked out city that is always on the move.

The following artists are featured in the video and  are listed here in alphabetical order:

Aakash Nihalani,Bansky, Barry McGee, Bask ,Bast, Beau, MBW, Bishop ,Boxi, Cake, The Dude Company, Chris RWK, Chris Stain, Dain, Dan Witz ,Dolk ,El Mac, El Sol 25, Elbow Toe, Faile, Feral,  Overunder, Gaia, General Howe, Hellbent, Hush, Imminent Disaster, Jeff Aerosol, Jeff Soto, JMR ,Judith Supine ,K-Guy ,Labrona, Lister, Lucy McLauchlan, Ludo, Armsrock, MCity, Miso, Momo, Nick Walker, Nina Pandolfo, NohjColey, Nosm, Ariz, How, Tats Cru, Os Gemeos, Futura, Pisa 73, Poster Boy, QRST, Remi Rough, Stormie Mills, Retna, Roa, Ron English, Sever, She 155, Shepard Fairey ,Specter, Sten & Lex, Samson, Surge I, Sweet Toof, Swoon, Tes One, Tip Toe, Tristan Eaton, Trusto Corp, Typo, Various and Gould, Veng RWK, ECB, White Cocoa, Wing, WK Interact, Yote.

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Images Of The Week 12.19.10

Images Of The Week 12.19.10

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Our weekly conversation with the street, this week featuring Alec, C215, Cash4, DestroyRebuild, Egypt, Katsu, Kid Zoom, Kouka, KR, NohJColey, ROA, Samson, and WK Interact.

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ROA had a brief stopover in Brooklyn from LA before returning home, and he had a moment to leave us a gift on the driveway gates at Factory Fresh in Bushwick (photo © Jaime Rojo)

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Cash4, Egypt (photo © Jaime Rojo)

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Katsu DestroyRebuild (photo © Jaime Rojo)

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Alec does Twiggy, Andy, and Graffiti (photo © Jaime Rojo)

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C215 with Monkeys (photo © Jaime Rojo)

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KR at Monster Island (photo © Jaime Rojo)

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Kouka (photo © Jaime Rojo)

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NohjColey enters the street as a sculptor for the first time.  (photo © Jaime Rojo)

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A Holidays sentiment, and the case for Collective Consumption. (photo © Jaime Rojo)

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Here’s a nice lollipop.  (photo © Jaime Rojo)

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This WK Interact piece has been on this wall for a long time. This time I liked the late Autumn light and the play between the climber and the stair case shadows against the white wall. (photo © Jaime Rojo)

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The mighty Samson has finished his mural in Bushwick (photo © Jaime Rojo)

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Kid Zoom’s Bear and Hands currently on view at the Opera Gallery Pop Up Shop in The Meat Packing District of Manhattan (photo © Jaime Rojo)

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