All posts tagged: The Huffington Post

“Wrinkles” Revisted, Revealed : JR New Mini-Doc

A year ago on BSA and Huffington Post we brought you the new installation by French Street Artist JR on the streets of Los Angeles called “Wrinkles in the City”.

At the time the installation was still unveiling on walls across a swath of LA, greeting morning commuters and puzzling image-conscious plastic surgeons in the city of angelic youthfulness. The city was anticipating the soon-opening “Art in the Streets” exhibit at The Museum of Contemporary Art, and the artist himself had just garnered a TED prize.

Today we get a look at the new mini-documentary about the “Wrinkles” series and learn much more about the people featured in the gargantuan images plastered on walls everywhere. A sensitive portrayal of the subjects, the pacing of the doc allows stories to unfold before you. Following the video are images of the LA street show by Todd Mazer and Jaime Rojo.

JR Los Angeles (photo @ Jaime Rojo)

JR Los Angeles (photo © Jaime Rojo)

JR Los Angeles. LA Freewalls (photo © Jaime Rojo)

JR Los Angeles (photo © Jaime Rojo)

JR Los Angeles. LA Freewalls (photo © Todd Mazer)

JR Los Angeles (photo © Jaime Rojo)

See our article of JR “Wrinkles in the City” with great photos by Todd Mazer on the Huffington Post HERE

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BSA at LA MOCA for “Street Art Stories” Presentation and Panel

HuffPost Arts and The Museum of Contemporary Art, Los Angeles (MOCA) hosted a presentation and panel discussion presented by Brooklyn Street Art founders Steven P. Harrington and Jaime Rojo this past Saturday at the Ahmanson Auditorium with 150 guests. Five days after the closing of the record breaking “Art in the Streets” show at LA MOCA, which was seen by over 200,000 visitors, BSA charted some new ground going forward in the ever evolving graffiti and street art movement.

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Panelists having a lively discussion at “Street Art Stories” hosted by HuffPost Arts and LA MOCA at Ahmanson Auditorium at MOCA Grand in downtown Los Angeles. (photo © Carlos Gonzalez)

The panelists, who included HuffPost Arts Editor Kimberly Brooks and Street Art phenom Shepard Fairey, watched a presentation by Harrington and Rojo about a new storytelling direction that artists are bringing to the streets of New York and other cities around the world. With examples of relative newcomers not seen by many in the audience, they pointed to precursors from the last 40 years to this storytelling practice and questioned how its sudden growth may be evolving what we have been calling “Street Art” for the last decade.

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Steven P. Harrington talks about community murals and memorial walls to illustrate antecedents to the new movement of storytellers who engage passersby on a greater level than in the recent past.  Shown is a community mural by New York’s Tats Cru shot by and © of Martha Cooper.  (photo © Carlos Gonzalez)

After a conversation with panelists Brooks, Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno that covered topics like the paucity of females in the street art scene, the influence of the Internet on “getting up”, and the significance of personal engagement in the work of many of today’s new street artists, Harrington and Rojo opened the discussion up the auditorium. Here topics ranged from LA’s evolving approach to Street Art to include public and permanent art, the influence of money on street artists, and how a show like “Art in the Streets” effectively influences the next generations’ perception of street art.

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BSA’s Steven P. Harrington gestures toward the screen while panelists look on in the front row. (photo © Carlos Gonzalez)

The packed event was interesting enough to bring many audience members down to the stage after the show to continue the conversation and meet the panelists and LA MOCA Director Jeffrey Deitch, who took great interest in the presentation, talked with a number of people before taking off. Fairey, with his wife Amanda at his side and a healing black eye from his recent trip to Copenhagen (see his account for HuffPost Arts here) gamely took on questions from many and posed for pictures after the event and at the reception which HuffPost hosted afterward.

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During the presentation, Brooklyn Street Art talked about the use of Street Art as a way of addressing a variety of social and political issues, including this example of Shepard Fairey and the topic of peace. (photo © Carlos Gonzalez)

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BSA co-founder and Director of Photography Jaime Rojo introduces the panelists. (photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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Brooklyn Street Art Co-founders Jaime Rojo and Steven P. Harrington converse with esteemed panelists at “Street Art Stories”, hosted by HuffPost Arts and LA MOCA.

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Contemporary American Painter and the Founding Arts Editor of the Huffington Post, Kimberly Brooks next to street artist Shepard Fairey at “Street Art Stories” Panel at LA MOCA. (photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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Shepard Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno. (photo © Carlos Gonzalez)

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Marsea Goldberg, Director of New Image Art Gallery in West Hollywood, who since 1994 has launched or mobilized the careers of artists such as Shepard Fairey, Ed Templeton, Neckface, Faile, the Date Farmers, Judith Supine, and Bäst just to name a few. Next to Ms. Goldberg is Ken Harman, Managing Online Editor at Hi-Fructose Magazine, the owner and curator at Spoke Art Gallery in San Francisco, and the creator and editor of the the “Art of Obama” website. (photo © Carlos Gonzalez)

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Ethel Seno, Curatorial Coordinator for the MOCA exhibition “Art in the Streets” at the Geffen Contemporary at MOCA and the Editor of the book “Trespass: A History of Uncommissioned Urban Art” published by Taschen. (photo © Carlos Gonzalez)

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Shepard Fairey at “Street Art Stories” Panel at LA MOCA. (photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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Street art photographer Jaime Rojo of Brooklyn Street Art. (photo © Carlos Gonzalez)

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Edward Goldman, LA art critic, Huffpost blogger, and host of KCRW’s “Art Talk” for 20 years, poses a question on the effect of a big museum show like “Art in the Streets” on the new generation of would be street artists. (photo © Carlos Gonzalez)

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Seno and Harman (photo © Carlos Gonzalez)

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The Ahmanson Auditorium for “Street Art Stories” at LA MOCA (photo © Carlos Gonzalez)

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Thank you to Kimberly Brooks and our great panel. (photo © Carlos Gonzalez)

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Director of LA MOCA and co-curator of “Art in the Streets”, Jeffrey Deitch, talks with Shepard Fairey after the presentation and panel (photo © Carlos Gonzalez)


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SPECIAL THANKS TO:

MONICA ROACHE, JESSICA YOUN, CHRIS RICHMOND, DAVID BRADSHAW, JEFFREY DEITCH, LYN WINTER, PATRICK IACONIS, TANYA PATSAOURUS, TRAVIS KORTE, MELINDA BROCKA, TINA SOIKKELI, EUTH, ANDREW
HOSNER, CARLOS GONZALEZ, KIMBERLY BROOKS, MARSEA GOLDBERG, KEN HARMAN,SHEPARD FAIREY, ETHEL SENO, THE MOCA MUSEUM STAFF AND SECURITY,

THE HUFFINGTON POST, THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA), BROOKLYNSTREETART.COM, HI-FRUCTOSE, JUXTAPOZ,

IMAGES IN PRESENTATION BY JAIME ROJO WITH ADDITIONAL PHOTOS BY MARTHA COOPER, REVS PHOTO BY BECKI FULLER, and FAUXREEL PHOTOS BY DAN BERGERON

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Red Hot and Street: “Art in the Streets” Brings Fire to MOCA

brooklyn-street-art-banksy-jaime-rojo-moca-art-in-the-streets-huffpost-04-11-web-15Banksy’s Reliquary (photo © Jaime Rojo)

Yes, Banksy is here. The giant “Art in the Streets” show opening this weekend at the Museum of Contemporary Art in Los Angeles gives a patch of real estate to the international man of mystery who has contributed greatly to the worldwide profile of this soon to be, maybe already, mainstream phenomenon known as street art. A smattering of his pranksterism is an absolute must for any show staking claim to the mantle of comprehensive survey and an excellent way to garner attention. But “Streets” gets it’s momentum by presenting a multi-torch colorful and explosive people’s history that began way before Banksy was born and likely will continue for a while after.

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Os Gemeos Untitled. Detail  (photo © Jaime Rojo)

To continue reading about this exhibition go to The Huffington Post ARTS by clicking on the link after the image below.

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Direct link to article on HuffPost Arts

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“Marxist Glue” At Hold Up Art Gallery in LA

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The young Hold Up Gallery in the Japantown section of Los Angeles currently has a sleek and smart-alec show that shouts for attention.  Drawing a clear connection between today’s graphic design-savvy Street Artists and their anti-corporate fascist/ punk rock/ culture-jamming roots, this show is a delicious collection of disgusted discontent.  Thanks to its relative proximity to the Museum of Contemporary Art, which is assembling an inaugural Street Art spectacular next spring under it’s new director, Jeffrey Deitch, the show has an added dimension of interest. A collection of polished pungency, “Marxist Glue” heralds the smooth collection as a survey of current LA street artists.

Artist and Columnist Gordy Grundy says the show is “Sticky” in his Huffington Post article:

“Marxist Glue, a new street art show curated by Toks Shoyoye, redefines the Los Angeles community and challenges MOCA. Curator Toks Shoyoye has stomped his foot and the earth has quaked. Marxist Glue is a group show, actually a historical gathering, of 13 Los Angeles artists. This show covers an epoch and illustrates the motivations of a movement. Los Angeles street art shall be redefined”

Continue reading and see images of the show at Huffington Post Arts here…

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San Diego’s Streets Alive as “Viva la Revolución” Opens at MCASD

Opening night at MCASD's first Street Art Exhibition - a crushing crowd in two lines which formed an hour before the doors opened. (photo © Geoff Hargadon)
Opening night at MCASD’s first Street Art exhibition this weekend – a crushing crowd in two lines which formed an hour before the doors opened. (photo © Geoff Hargadon)

“Never Trust Your Own Eyes. Believe What You Are Told,” says the ironic slogan in the freshly wheat-pasted graphic piece by street artist Shepard Fairey on the side of a clothing store in San Diego, the town that chased him out for doing street art. One may believe Fairey’s politics to be Orwellian reference. Just as easily it could be applied to the academics, historians and would-be art critics struggling daily to describe with any authority what street art is and how it should be regarded. Luckily, we have been able to trust our eyes to make this analysis so far.

Read more (and leave your comments) on The Huffington Post

Invader and friends in San Diego (image © Geoff Hargadon)
Invader and friends in San Diego (image © Geoff Hargadon)

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