All posts tagged: Sebs

SEBS is “Headvertising” in the Suburbs of Lisbon

SEBS is “Headvertising” in the Suburbs of Lisbon

An argument today from SEBS for the power of politically charged Street Art in the suburbs of Lisbon. He shares with us his new adaptation of a previous project on child labor called “Slaves ‘R’ Us.” This one is a consciousness raising campaign he’s calling “Headvertising”

SEBS. Headvertising. Lisbon. (photo © SEBS)

The mindless obeyance required by consumer advertising messages and PR firms that push disinformation has left the suburban landscape a disjointed, deactivated communities. We would argue it is about an eroding sense of responsibility toward preserving local culture, the pod-based life of traveling from location to location in automobiles, the lack of communal public spaces, and the seductive power of electronic media that demands us to sit passively and be entertained to death.

SEBS. Headvertising. Lisbon. (photo © SEBS)

In our cities, the vox populi is alive and well on the streets, and our Street Art reflects it with textural and visual critiques of politics, policy and culture. But SEBS (Mauro Carmelino) says that he’s creating and advertising for fictional products to encourage us to “use our heads” and think about the great problems of modern societies, such as consumerism, pollution or the misinformation. He talks about these humorous hand-painted pieces he’s been putting up to help people re-connect, and he tells us about the disconnection between the suburbs and the city and how he feels about populations whom he wants to reach.

“The geographical gap between the city and the suburbs is accentuated in the degree of information and even in education, particularly in older age groups and in the most economically fragile communities. This remoteness has a negative impact on the ability of suburban populations to be part of discussions that can lead to the decisions that alter the social fabric, which, like in a vicious cycle, aggravates their remoteness – turning it into a kind of endemic exclusion.” To tell the truth, this isolation happens everywhere.

SEBS. Headvertising. Lisbon. (photo © SEBS)

Today’s images come from the neighborhood of Reboleira, Damaia and 6 de Maio in Amadora city in the northwest of the Lisbon metropolitan area.

“These works are meant to be of satirical or subversive nature,” SEBS says, “with a light and sometimes even humorous approach. Advertising that usually sells products, brands and dreams of consumption is used to sell us structural social problems. I want the audience to turn from a passive consumption of reality to develop the critical thinking the world so badly needs to change.”

Here his message is conveyed through mass culture vernacular influenced by cartoons – the medium is brush and aerosol.

SEBS. Headvertising. Lisbon. (photo © SEBS)

SEBS. Headvertising. Lisbon. (photo © SEBS)

SEBS. Headvertising. Lisbon. (photo © SEBS)

SEBS. Headvertising. Lisbon. (photo © SEBS)

SEBS. Headvertising. Lisbon. (photo © SEBS)

SEBS. Headvertising. Lisbon. (photo © SEBS)

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SEBS Skewers Seductive Techniques of Consumer Ad Language in Portugal

SEBS Skewers Seductive Techniques of Consumer Ad Language in Portugal

Whether it’s the sarcastic stickers from MAD Magazine for Snarlamint cigarettes, Wacky Package trading cards for Crust toothpaste, or that first Saturday Night Live ad for Loggs, the pantyhose for tree-stumps, artists have been lampooning the misleading advertising culture that has fed rampant mindless consumerism for decades.

Early Street Art activists like the Billboard Liberation Front skewered cigarette makers for tying rustic masculinity to cancer-causing tobacco and Ron English liberated a number of billboards by making a humorous and direct link between fast food, children’s morning cereal and chronic obesity – eventually producing toys of commercial mascots in porcine proportions.

SEBS. Amadora, Portugal. July 2018. (photo © SEBS)

In the same spirit we find a few new satiric advertisements today by Street Artist SEBS, who created these colorful attacks on city walls in Loures City and Amodora City not far from Lisbon, Portugal.

“This work is a continuation of the ‘Slaves ‘R’ Us’ campaign that I have been doing,” he tells us. His particular targets this time are fat-free potato chips, the slowly creeping practice of the implantation of RFID electronic chips in people, and a slot machine where you play to win a disease.

SEBS. Loures, Portugal. July 2018. (photo © SEBS)

SEBS. Loures, Portugal. July 2018. (photo © SEBS)

SEBS. Amadora, Portugal. July 2018. (photo © SEBS)

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Sneak Peek “Concrete to Data” at Steinberg Museum

Sneak Peek “Concrete to Data” at Steinberg Museum

Curator and artist Ryan Seslow has pulled off an overview of art on the streets and the practices employed, minus the drama. So much discussion of graffiti, Street Art, and public art practice can concentrate on lore and turf war, intersections with illegality, the nature of the “scene”, shades of xenophobia and class structures; all crucial for one’s understanding from a sociological/anthropological perspective.

“Concrete to Data”, opening this week at the Steinberg Museum of Art on Long Island, gives more of the spotlight to the historical methods and media that are used to disseminate a message, attempting to forecast about future ways of communicating that may effectively bridge the gap between the physical and the virtual.

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Joe Iurato. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

Seslow has assembled an impressive cross section of artists, practitioners, photographers, academics, theorists, and street culture observers over a five-decade span. Rather than overreaching to exhaustion, it can give a representative overview of how each are adding to this conversation, quickly presenting this genre’s complexity by primarily discussing its methods alone.

Here is a sneak peek of the the concrete (now transmitted digitally); a few of the pieces for the group exhibition that have gone up in the last week in the museum as the show is being installed.

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Chris Stain. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Cake. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Lady Pink at work on her mural. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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John Fekner. Detail of his stencils in place and ready to be sprayed on. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Henry Chalfant. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Billy Mode. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Oyama Enrico. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

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Col Wallnuts. Detail. Concrete To Data. Steinberg Museum of Art. LIU (photo © Jaime Rojo)

 

CONCRETE to DATA will be exhibited at the Steinberg Museum of Art, Brookville, NY January 26th 2015 – March 21st 2015.

Opening Reception – Friday, February 6th  2015 6PM -9 PM 

Follow the news and events via – http://concretetodata.com

Follow @concretetodata on Instagram – #concretetodata

Curated by Ryan Seslow@ryanseslow

Museum Director – Barbara Appelgate

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“Slaves ‘R’ Us” : Advertising, Propaganda, and SEBS in Lisbon

“Slaves ‘R’ Us” : Advertising, Propaganda, and SEBS in Lisbon

The power of advertising and propaganda is undisputed, whether it is for toothpaste or war. We are being acted upon daily by people who would like us to do (or not do) something.  Usually it is to give money for a product or service, but more than ever it is to stand by and allow bombs to fall or laws to be eroded.

Artists have been parodying the methods of advertisement and our willingness to be swayed by it almost since it began, perhaps as a way of alerting us of the deleterious effects of unthinking consumerism in general, or to give us the tools to comprehend and analyze the methods that are effectively driving our behavior.  Invariably, our actions as individuals, citizens, and consumers are all folded into the critique.

 
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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

But whether it is the illustrated stickers of Wacky Packages  or the cereal killers and billboard takeovers of Ron English, many artists have found that humor and irony are effective ways to sweeten the lampoon of advertisers and our complicity – a spoonful of sugar to help the medicine go down, as Mary Poppins sang.

Street Artist Mauro Carmelino, who writes SEBS as his moniker, recently completed an entire campaign of his own that questions many things we do and wonders if we are even aware of the lines between citizenry and consumerism we traverse these days.

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

Entitled “Slaves ‘R’ Us”, this series of handmade works are on the walls of Ajuda, a civil parish in the municipality of Lisbon, Portugal. Bright and simple designs that are cheerful enough, even if they belie a less pleasant series of questions for pondering.

“Democracy, the environment, freedom, security, employment and corporatism are all portrayed as products of a ‘Progress’ that seems to reach the expiration date,” he says as he describes the various elements in the campaign. In Carmelino’s view, our free will is seriously in question today.  “We look back to past societies and feel we came a long way. Did we? Are we free when all our lives can be crunched into zeros and ones, somewhere on a server in California?”

The work looks welcoming and cartoonish on these aged walls and buildings, and if the artists intentions are realized, his greater messages will have an affect on the mind of the viewer. It helps that some of the locations of the walls provides a bit of context, like the silo-shaped building that has a warning about cow milk, “Some of these are inspired by the personal stories of people or are somehow related to the intervened walls,” says the artist.

Special thanks to the artist for providing these exclusive photos for BSA readers.

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

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SEBS, or Mauro Carmelino in Lisbon, Portugal. (photo © Mauro Carmelino)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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The 2014 BSA Year in Images (VIDEO)

The 2014 BSA Year in Images (VIDEO)

Here it is! Our 2014 wrap up featuring favorite images of the year by Brooklyn Street Art’s Jaime Rojo.

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Before our video roundup below here is the Street Art photographer’s favorite of the year: Ask Jaime Rojo, our illustrious editor of photography at BrooklynStreetArt.com , who takes thousands of photographs each year, to respond to a simple question: What was your favorite photo of the year?

For 2014 he has swift response: “The Kara Walker.” Not the art, but the artist posed before her art.

It was an impromptu portrait that he took with his iPhone when the artist unveiled her enormous sculpture at a small gathering of neighborhood locals and former workers of the Domino Sugar Factory, informal enough that Rojo didn’t even have his professional camera with him. Aside from aesthetics for him it was the fact that the artist herself was so approachable and agreed to pose for him briefly, even allowing him to direct her just a bit to get the shot, that made an imprint on his mind and heart.

Of course the sculpture is gone and so is the building that was housing it for that matter – the large-scale public project presented by Creative Time was occupying this space as the last act before its destruction. The artist herself has probably moved on to her next kick-ass project after thousands of people stood in long lines along Kent Avenue in Brooklyn to see her astounding indictment-tribute-bereavement-celebration in a hulking warehouse through May and June.

But the photo remains.

And Rojo feels very lucky to have been able to seize that quintessential New York moment: the artist in silhouette before her own image, her own work, her own outward expression of an inner world. 

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Jaime’s personal favorite of 2014; The site specific Kara Walker in front of her site specific installation at the Domino Sugar Factory in May of this year in Brooklyn. Artist Kara Walker. (photo via iPhone © Jaime Rojo)

Now, for the Video

And our holiday gift to you for five years running, here is the brand new video of favorite images of graffiti and Street Art by Brooklyn Street Art’s editor of photography, Jaime Rojo.

Of a few thousand these 129 shots fly smoothly by as a visual survey; a cross section of graffiti, street art, and the resurgence of mural art that continues to take hold. As usual, all manner of art-making is on display as you wander your city’s streets. Also as usual, we prefer the autonomous free-range unsolicited, unsanctioned type of Street Art because that’s what got us hooked as artists, and ultimately, it is the only truly uncensored stuff that has a free spirit and can hold a mirror up to us. But you have to hand it to the muralists – whether “permissioned” or outright commissioned, some people are challenging themselves creatively and still taking risks.

Once again these artists gave us impetus to continue doing what we are doing and above all made us love this city even more and the art and the artists who produce it. We hope you dig it too.

 

Brooklyn Street Art 2014 Images of the Year by Jaime Rojo includes the following artists;

2Face, Aakash Nihalani, Adam Fujita, Adnate, Amanda Marie, Andreco, Anthony Lister, Arnaud Montagard, Art is Trash, Ben Eine, Bikismo, Blek Le Rat, Bly, Cake, Caratoes, Case Maclaim, Chris Stain, Cleon Peterson, Clet, Clint Mario, Col Wallnuts, Conor Harrington, Cost, Crummy Gummy, Dain, Dal East, Damien Mitchell, Damon, Dan Witz, Dasic, Don’t Fret, Dot Dot Dot, Eelco Virus, EKG, El Sol 25, Elbow Toe, Etam Cru, Ewok, Faring Purth, Gilf!, Hama Woods, Hellbent, Hiss, Hitnes, HOTTEA, Icy & Sot, Jana & JS, Jason Coatney, Jef Aerosol, Jilly Ballistic, Joe Iurato, JR, Judith Supine, Kaff Eine, Kashink, Krakenkhan, Kuma, Li Hill, LMNOPI, London Kaye, Mais Menos, Mark Samsonovich, Martha Cooper, Maya Hayuk, Miss Me, Mover, Mr. Prvrt, Mr. Toll, Myth, Nenao, Nick Walker, Olek, Paper Skaters, Patty Smith, Pixel Pancho, Poster Boy, Pyramid Oracle, QRST, Rubin 415, Sampsa, Sean 9 Lugo, Sebs, Sego, Seher One, Sexer, Skewville, SmitheOne, Sober, Sonni, Specter, SpY, Square, Stay Fly, Stik, Stikki Peaches, Stikman, Swil, Swoon, Texas, Tilt, Tracy168, Trashbird, Vexta, Vinz, Willow, Wolfe Works, Wolftits, X-O, Zed1.

Read more about Kara Walker in our posting “Kara Walker And Her Sugar Sphinx At The Old Domino Factory”.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

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BSA Images Of The Week: 07.27.14

BSA Images Of The Week: 07.27.14

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Tragedy is grabbing world headlines again and we can’t help but be swayed by it as the downed passenger aircraft in Ukraine smells of a lawless future and the international community seems rather helpless to address it meaningfully. Simultaneously the Israeli / Palestinian crises flares for the seemingly millionth time along with international opinion, a fire now fed with large helpings of social media oxygen, buffeted by various marches in the actual streets around the world and here in NYC.

Our banner today is a relatively new collage/painting currently on view in the Italian Cultural Institute of New York by the Street Artist BR1, who depicts the strife in somewhat cartoonish exaggerated simplicity, flattening the complexity of history with two dimensional caricature. Comments some made when we ran it a couple of weeks ago for the opening of the show (before the current events had begun) made it clear that even art about the conflict seems radioactive.

Our top image this week is an actual street piece from Icy & Sot and it brought more comments on Instagram than most other photos, so strong are people’s reactions to it. As far as the Ukraine/Russia news, we haven’t seen any Street Art about that – except maybe for that Billi Kid caricature of Putin as a cowboy earlier in the year but you couldn’t really say it is directly related.

With this pall of strife filling screens and streets right now its no wonder the one image below of Ewok’s wall full of discontented people was shared so many times on our FB Fan Page this week. “Hey these grumpy faces make me happy,” said one commenter.

So anyway, here’s our weekly interview with the street, this week featuring Art is Trash, Atom, BustArt, Cold World, E.L.K., Ewok, False, GG, Gualicho, Icy & Sot, Kuma, Myth, Osch, Otto Schade, Post No Selfie, QRST, Sean9Lugo, Sebs, Sexer, Topaz, UFO907, Unvale, Wing, and Zaria.

Top Image >> Icy & Sot (photo © Jaime Rojo)

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EWOK (photo © Jaime Rojo)

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Sean9Lugo (photo © Jaime Rojo)

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Atom (photo © Jaime Rojo)

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Kuma . False (photo © Jaime Rojo)

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Sebs (photo © Jaime Rojo)

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BustArt, Zaria and Osch AKA Otto Schade . Detail. New collaboration in Amsterdam, The Netherlands. (photo © Bustart)

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BustArt, Zaria and Osch AKA Otto Schade . New collaboration in Amsterdam, The Netherlands. (photo © Bustart)

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E.L.K. for The Bushwick Collective. (photo © Jaime Rojo)

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The housing boom, now broke. Unvale. Bethlehem, PA (photo © Unvale)

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Wing (photo © Jaime Rojo)

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QRST (photo © Jaime Rojo)

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QRST (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

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Sexer is thinking perhaps you have to hit people over the head with love. At The Bushwick Collective. (photo © Jaime Rojo)

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Post No Selfie (photo © Jaime Rojo)

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Cold World (and Chena, Lily, and Yusef as well). Not sure what this is about. (photo © Jaime Rojo)

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UFO907 traced over UFO907 (photo © Jaime Rojo)

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Topaz (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Gualicho from Buenos Aires likes to merge organic with mechanic, natural with industrial, offering cross sections and diagrams from his imagination. This abstraction of a fish and water is in downtown Warsaw, Poland. (photo © Gualicho)

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Gualicho for Monumental Arts. Gdansk, Poland. (photo © Gualicho)

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GG spearing dinner for a nice fish barbecue. (photo © Jaime Rojo)

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Untitled. East River, NYC. July 2014 (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Images Of The Week: 07.14.13

We’re in the thick of summer now ya’ll, get out the lime popsicles and 40 SPF sunscreen and let’s ride our bikes out t0 Coney Island. New Yorkers don’t need those waves like Cali to be happy, we just like the sand and the crash of the waves and waft of french fries from up on the boardwalk. Check out that lady dragging the cooler up the beach inbetween all the towels and tanning babes and boys, “Budweisahhhh! “Ice cold beeaaah heeeah! Get ’em while their cold! Get ’em while I got ’em!”  Hey, wanna go in?

Here’s our weekly interview with the street, this week featuring ADB, Bisco203, Bishop203, Cake, Cern, ClassicB23, Foxx Face, Don John, Don Rimx, El Niño de las Pinturas, Elle, Emma Krahn, Gilf!, J. Meloy, KA, Leias203, LUTU, ND’A, Perk, Sebs, SenTwo, Sex, SKings Wanky, Stikki Peaches, and Vexta.

Top image Don Rimx. Sex. El Niño De Las Pinturas. (photo © Jaime Rojo)

Don Rimx. Sex. El Niño De Las Pinturas. 5Pointz, Queens. (photo © Jaime Rojo)

CERN (photo © Jaime Rojo)

Gilf! Malala Yousafzai. Malala was honored at the UN on Friday, which was renamed “Malala Day”, to draw attention to the importance of education for all children. This girl was shot in the head last October by the Taliban for being on a school bus and going to school. She has recovered miraculously and Friday in New York she turned 16. And she spoke at the United Nations. To view her speech click here. (photo © Jaime Rojo)

LUTU (photo © Jaime Rojo)

CAKE (photo © Jaime Rojo)

VEXTA (photo © Jaime Rojo)

Stikki Peaches (photo © Jaime Rojo)

Don John in Copenhagen (photo © Don John)

J. Meloy. 5Pointz, Queens.. (photo © Jaime Rojo)

SenTwo. ADB. 5Pointz, Queens. (photo © Jaime Rojo)

ELLE (photo © Jaime Rojo)

Foxx Face (photo © Jaime Rojo)

SKings Wanky (photo © Jaime Rojo)

Classicb23 (photo © Jaime Rojo)

From left to right: Sebs . KA . Bisco203 . Leias203 (photo © Jaime Rojo)

PERK. 5Pointz, Queens. (photo © Jaime Rojo)

Bishop203 . ND’A 5Pointz, Queens. (photo © Jaime Rojo)

Untitled. Verrazano Bridge. New York City. (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images of the Week 09.16.12

 

Here is our weekly interview with the street, this week featuring Cern, Dain, El Sol 25, ETAM, Hef, Ka TVT, Kosbe, Lae, Lucx, Meks, Never, Nice-One, Phetus, Pilot, Reyes, Rez, RONE, Sebs, Skewville, Such, Vers, Victor Reyes, and Yes One.

Dain (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Reyes. Click here for details on Reyes and Steel current show at Klughaus Gallery.  (photo © Jaime Rojo)

Nice One and Lucx Collaboration in Chicago (photo © Nice One)

HEF. Detail. (photo © Jaime Rojo)

Yes One, Hef, Ka TVT, Never, Phetus. Detail.  (photo © Jaime Rojo)

Yes One, Hef, Ka TVT, Never, Phetus, Vers, Such, Lae, Rez, Cern, Pilot, Such, Meks, Sebs Summer wall collab. (photo © Jaime Rojo)

Kosbe (photo © Jaime Rojo)

Etam painting in Vienna. (photo © Inoperable Gallery for BSA)

Etam in Vienna. (photo © Inoperable Gallery for BSA)

El Sol 25 new Ransom Letters Series. (photo © Jaime Rojo)

El Sol 25 new Ransom Letters Series. (photo © Jaime Rojo)

El Sol 25 new Ransom Letters Series. (photo © Jaime Rojo)

Artists Unknown (photo © Jaime Rojo)

RONE in San Francisco. Click here for details on RONE current show at the White Walls Gallery (photo © White Walls Gallery for BSA)

RONE in San Francisco. (photo © White Walls Gallery for BSA)

RONE in San Francisco. (photo © White Walls Gallery for BSA)

Vintage Skewville in a bit of urban archeology in NYC. (photo © Jaime Rojo)

Untitled. (photo © Jaime Rojo)

 

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