64% of Americans are living paycheck-to-paycheck, China and Russia are buddying up, BRICs countries are looking for new members, and the Bankers in your life are again looking toward their gilded escape bunkers.
We are transfixed by the first indicted US president, and gloating about having a system of democracy and justice. Now he is positioning himself as an “outsider,” a martyr. A billionaire outsider. We’re just waiting for these crowds outside Trump Tower to materialize. Where are they? Honestly, Fifth Avenue is more interested in the Easter Bonnet Parade that is coming.
But it’s a circus on the national tabloid news, which is unfortunately all of the news now. Our best minds are being entertained by 24 hour sports channels, Netflix and Tic Toc, and it’s not an accident. People are chided into fighting each other over trans-woke-snowflake-abortion-race-laptop-AR15-centered-drag-readings. Look! A squirrel!
Meanwhile, the daffodils are blooming everywhere in anticipation of Easter Week. People were cramming subways, buses, and sidewalks yesterday because of the warm sunny spring weather – and Smorgasborg opened this weekend in Brooklyn. NYTimes calls it “the Woodstock of eating,” due to its variety of incredible food choices – but of course, you can have just as much fun with a bag of chips or a slice of pizza sitting on a stoop watching the parade of New Yorkers march/sashay/stride by.
We had a great time at the Bronx Museum yesterday, catching the John Ahearn/ Rigoberto Torres retrospective and seeing both the artists in person during a panel discussion with artist Abigail DeVille – with fans rushing the stage for an autographed exhibition book afterward. These guys have championed everyday New Yorkers through their painted sculptures for four decades. It is revelatory and heartwarming to see this very large collection of works never shown together before. Make sure to check out “Swagger and Tenderness: The South Bronx Portraits” until April 30.
Here’s our weekly interview with the street, this week featuring: Stikman, Zimer, Subway Doodle, A Lucky Rabbit, Qzar, Optimo NYC, Sekt, AMMO, CEYNYC, Toeflop, Early Riser NYC, Julia Cocuzza, and Miki Mu.
Welcome to BSA Images of the Week! Optimo NYC on the Houston wall yo! Born and bred, a true New Yorker, and deserving of this wall after paying dues for years. Why does this wall sometimes look better when curated by the street? The holy chaos that reigns here is the pure DNA of the city, unbossed and unbought.
This week the street art is fresh! Never mind the proxy wars, the exploding trains, the 30% YOY drop in 401Ks, the transitory inflation that wasn’t, the Chinese spy balloons that weren’t, the Nordstream 2, the effort to privatize Social Security, the polarization that is encouraged by the media, and the increasing difficulty of New Yorkers to pay the bills… we still have a lot of extraordinary artists, and they are profligate! Also, we have Flaco, the Central Park owl fugitive, and his adorable ear tufts.
Here’s our weekly interview with the street, this week featuring: Shepard Fairey, Sticker Maul, Modomatic, Bad Brains, NYC Kush Co, Optimo NYC, Pest AC, Valentin Vewer, Holly Sims, Eternal Possessions, Cloudy is Here, and Gosup.
This time of the year, many people become nostalgic, remembering earlier times that seemed simpler, bathed in sepia tones. Walking into the Pop International Gallery a couple of weekends ago – fresh from a Swoon talk with Jeffrey Deitch and on the way to the opening of Graffiti Kings at HOWL – it was a surprise trip to the mid-2000s of New York streets when the graffiti scene was adjusting to a fleet of new street art kids on the block.
Fernando “SKI” Romero was one half of a graphic team called UR New York at the time with co-writer 2Easae, and they were making their own transition from the street to the studio. In the new show at Pop called WON FOR ALL!, Mr. Romero takes us back to see a cluster of youth who were in his orbit, and if you were walking on the streets of Brooklyn and Manhattan, probably yours.
“I’ve known these artists for years,” he says, “Many of us came up together in the art world. They are my friends and family.”
Born and raised in New York, Romero is very familiar with the graffiti scene that made the city famous, even recently curating a show of some graffiti-writers-turned-artists who originally inspired him, like CRASH, DAZE and Tats Cru. After attending Parsons School of Design and selling his own stuff on the street in SoHo for six years, he took a decade to dedicate himself to developing his own deconstructed letter style for the gallery.
Now SKI is reflecting on a golden age for his own development as an artist with WON FOR ALL and shows solidarity with a small cluster of talents who have pursued their professional careers that were supercharged by their experiences on the street and around the culture. Here’s Dark Clouds with his patterned and swooping pockets of rain, alongside the graphic output of Matt Siren that hints at superheroes and graphic novels.
Elsewhere the bright font-centric Queen Andrea evokes 1980s teen mag optimism, while Gigi Chen’s formal painting techniques venture into fantasy and photo-realism. In the main window on the Bowery is perhaps the most recognizable top-hatted character, Optimo, another true born and bred New Yorker whose love for the culture is evidenced by a prodigious mass of street stickers incorporated into one of his canvasses. Partnered perhaps in their historical reverence for graffiti writers are SKI, with his sideways blown layers of bright letterforms and gritty graphic cityscapes, and Cerns’ omnivorous forays across realities – anchored by colorful characters that may remind some of the train writers during the 1970s.
“I chose these people because of talent, skills, and dedication,” he says. “During the pandemic, these artists were the ones who kept me sane and motivated during a time when I felt alone. This show is a way to bring them all together to say ‘Thank You”.
WON FOR ALLI FEATURED ARTISTS include Queen Andrea Dark Cloud Gigi Chen Matt Siren Optimo NYC Victor Ving Emilio Martinez Cern Chris Boss
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
