Welcome to BSA Images of the Week. The masks are coming out this week, and not just for the ICE agents. Costumes will be everywhere, and cosplayers will suddenly blend into the crowd. Exaggerated lips, hair, and boobs will no longer be the exclusive domain of drag clubs and Mar-a-Lago parties. Thousands of mini-Spider-Men and a million princesses will be knocking on doors and turning up on Ring cameras across the land.
Here in New York, we’re accustomed to extremes in fashion and personality, despite the dulling effect of gentrification on so many neighborhoods. We like our graffiti and street artists to get in on the act, entertaining us with Halloween creatures, ad hoc horror stories, and colorful personalities on the street. It all adds to the buildup to next Saturday, when thousands will descend on the Village for the annual Halloween Parade.
Hope your days are crisp and sunny, and your nights are spooktacular.
Here is our weekly interview on the street, with Andre Trenier, BK Foxx, Chaz, IMK, NYC Kush Co, Optimo NYC, Ski, Too Fly, and Wooley Nick.
Trees are turning, politicians are jamming your phone texts with election slogans, Comic Con 20 is celebrating Coney Island, and hundreds of murals are in full effect this fall in every borough of New York City. We’ve been riding bikes through the streets to find new stuff and give you some of the best that makes this NYC.
Here is our weekly interview with the street, legal and otherwise, this week featuring Cram, Ejek98, El Cekis, Hektad, Jappy Agoncillo, Jim Power, MCY, Minhafofa, Mosaic Man, Motomichi Nakamura, OG King 157, Optimo NYC, and WC.
Mr. Power is a well known ceramic tiles artist whose work can be found primarily in the East Village neighborhood in Manhattan, NY. The Mosaic Man as he’s better known has been working on his installations in the East Village since the early 1980s creating a trail of tiles installations on urban furniture and the bases of street lamp posts. We were surprised that some of his work has been vandalized and in some cases completely destroyed. We can’t make any sense of why and who is responsible for the destruction of public art that contains an oral and visual history of the city and contributes to the dynamism of the city.
Welcome to BSA Images of the Week! Longest day of the year in the Northern Hemisphere today, so presumably we can see more with all this daylight. And yet, the view is somehow clouded from here. The machinations of the city, the state, our institutions, the financial industrial complex, the welfare state – all whir mysteriously before us and behind us. The new Fed Chair made his first public/opaque utterance, and there is some kind of new peace agreement between the US and Iran, yet new bombs explode in Lebanon. In other interesting and unrelated news items, investors gawped as SpaceX dropped 20 percent from its peak during its first week, New Yorkers are worried about videos of unknown people entering and exiting the sewers through manhole covers, and leaders from OpenAI, Anthropic, and DeepMind participated alongside elected world leaders at the G7 in closed-door meetings.
On the streets, the art, graffiti, and individual commentary tell a multitude of stories as well, including love, hope, fear, celebration, humor, frustration, mourning, and defiance. Here’s our weekly survey, including Arioh, Buttsup, CRKSHNK, Derek Fordjour, Funk, Homesick, JerkFace, Jocelyn Tsaih, Modomatic, Onur, Optimo NYC, Prez NCE, Stop Men, Werds, and ZimerNYC.
If you were in the room Friday night at The New School, you caught Matteo Pasquinelli throwing down ideas that lit up the crowd with his keynote “AI and Madness: On the Disalienation of the General Intellect.” It kicked off the Vera List Center Forum 2025: Matter of Intelligence—a weekend asking who gets to define intelligence and what happens when machines, bodies, and institutions all start claiming a piece of it. Later, over a community dinner, we met artists, curators, journalists, researchers, and assorted brainiacs who traded stories about neural nets, algorithms, kimchee, pulled pork, and tarot card readings that were available at many tables.
The rest of the weekend unfolded in forums with titles that could’ve doubled as concept-album tracks: “Embodied Intelligence: The Art of Sensing,”“Artificial Agency and Autonomy,”“Collective Intelligence and the Politics of Data,” and “Unlearning Intelligence.” If the weekend has a takeaway, it’s that intelligence isn’t something we own; it’s something we’re swimming in. Like all the street art and graffiti that city dwellers are surrounded by daily on walls, trains, doorways, and fences – it’s not exactly organized by algorithm, but patterns do emerge if you care to decode them.
So here’s our weekly interview with the street, this week featuring CKT Crew, Dain, Dmote, Dream, Famen, King157, KNOT!, Luch, Mr. Cenz, OptimoNYC, Phetus88, SHOCK, Skulz, Staino, Stevie Dobetter, and Sweater Bubble.
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family for your support in 2024. Picked by our followers, these photos are the heavily circulated and “liked” selections of the year – shot by our Editor of Photography, Jaime Rojo. We’re sharing a new one every day to celebrate all our good times together, our hope for the future, and our love for the street. Happy Holidays Everyone!
They say it takes a village. This photo pays homage to the community of writers and artists in New York and to tried-and-true, born-and-bred New Yorkers like Optimo NYC, who bring it to the street year after year with a lot of heart.
Societal norms and entertainment ethics change, sometimes radically, as time progresses. It would be fantastic if you could determine which era is more shocking and if its behaviors indicate a golden age or a declining one. Just look at New York history at Coney Island, which may seem barbaric and beyond the pale by today’s standards, alongside oddly similar occurrences in contemporary Western society.
On Friday night, during the opening ceremonies of the Paris 2024 Olympic Games, X was all atwitter with self-proclaimed Christians expressing outrage over a small segment of the three-and-a-half-hour show that featured a few well-known French drag performers doing a campy modern homage to The Last Supper paintings of the Renaissance. Decades of austerity budgets have starved our education system, and it shows, as many were scandalized by this portrayal of ‘Sodom and Gomorrah’ and other ‘disgusting’ scenes referencing French history, such as the French Revolution, the Enlightenment, World War I and II, the Industrial Revolution, and the Cultural Renaissance. And that depiction of Marie Antoinette holding her head under her arm? There’s a story behind that.
And here is our weekly interview with the streets, this week featuring Aiko, Adam Fujita, Homesick, Degrupo, Optimo NYC, Werds, DEK2DX, Lee Holin, Snoeman, NAY 281, Bogus, EXR, Uwont, Jacob Thomas, Chido, Smooth, Kasio, Wild West, JDI, and FAQ COP.
How’s your summer been so far? Many people say that Memorial Day unofficially begins Summer, so this week was the first one. Indeed! Baseball, soccer, and kickball are in the park, and movies or cocktails are on the roof. Lifeguards are on the beach, and kids are throwing up on the Cyclone at Coney Island or throwing frisbees on Central Park grass. The air in some neighborhoods smells like lilac bushes, urine, french fries, marijuana, or aerosol paint. Or all of it at once. When it all swirls around you, it is a heady mix. Cute girls in short shorts and cute boys on skateboards may not fall in love given these circumstances, but they might!
This week, 45 was found guilty on 34 counts in court. We New Yorkers, who have known him for years, are unsurprised.
Here is our weekly interview with the street, this week featuring Specter, Alice Pasquini, Degrupo, Optimo NYC, Enzo, Nite Owl, Miki Mu, NYC Kush Co., Klonism, Max Grax, Friz, KMG, Agent Decay, Jare, SYE5, Benny Cruz.
The first time artist Specter painted this memorial for Yusuf Hawkins in Brooklyn was in 2011. He’s restored it and added more to the environment of the mural, two times since then. This is the second restoration that he did in the past few weeks.
“Art is not a mirror held up to reality, but a hammer with which to shape it.”
– Bertolt Brecht
Welcome to BSA Images of the Week!
Our current reality appears quite bent, and maybe art has the power to straighten it out, but you won’t see a lot of political stuff on the streets right now ironically. Here and there, yes, but as the US stirs the embers of resentment into a third world war in the Middle East that will possibly metastasize with other warring regions, it appears that we collectively look again at our belly buttons.
Brooklyn is booming with some fresh work this week, with a winter snowstorm that left us with a white blanket to augment the freshest street art and graffiti. This week, Barcelona’s KRAM shows up in BK with their eclectic styles interplaying. Sice is nice, QUAZAR climbs up, and Toney crosses, and Parisian/Londoner/Brooklyn-based Oscar Nett is hyperrealistic and geometrically dramatic, giving us some Li-Hill vibes, no?
Here is our weekly interview with the street: this week featuring Obey, Cost, Jason Naylor, Degrupo, Optimo NYC, Kram, Hek Tad, Muebon, Slomo, Oscar Lett, Konozco, Toney, Mishka Bobisha, Rack, Klash, QUAZAR, Trip, Sice.
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family for your support in 2023. Picked by our followers, these photos are the heavily circulated and “liked” selections of the year – shot by our Editor of Photography, Jaime Rojo. We’re sharing a new one every day to celebrate all our good times together, our hope for the future, and our love for the street. Happy Holidays Everyone!
In Manhattan, at the corner of Houston Street, the Bowery Wall has reclaimed its voice in the visual dialogue of the streets this year. Marked by a vibrant array of characters, letter styles, and slogans, the wall has transformed from just another graffiti-covered surface to a vehicle for promotion and commerce, a vociferous platform for protest and argument, a landmark of artistic expression that is with and without permission. Originating in past decades as one in a sea of graffitied walls, it served as a laboratory for many artists, including the famously renowned Keith Haring.
During the go-go 2010s, the wall underwent a change that shook and reshaped its character. Owners and real estate champions of the arts Tony Goldman and later his daughter Jessica, transformed it into a more formally curated showcase. This shift occasionally sparked controversy among local graffiti enthusiasts due to its blend of artistic and commercial interests, attracting a surge in bombers and detractors.
This year, with a relaxed approach to curation, the wall has witnessed a resurgence of street-led creativity. The result is an ever-evolving, organic display of visual artistry – a dynamic and eye-popping chaotic showcase that continually engages the New York audience. A notable figure in this artistic whirlwind is Optimo NYC, a native talent often seen at the forefront, almost like a de facto Mayor of New York, complete with his signature top hat and tails.
The war rages again in Gaza, and the street art in New York reflects the cultural response with more pieces every week. New York’s Fifth Avenue will be closed on three Sundays this month to allow more foot traffic to enjoy the holidays and avert car deaths now that the tree and skating rink are open at Rockefeller Center. Our esteemed New York politicians keep doing us proud this week, with George Santos getting expelled from Congress, and Trump being forced to face criminal charges like everyone else. We say goodbye to the first female Supreme Court Judge Sandra O’Connor, and to a person whom most of the world’s press contend was one of the biggest international war criminals responsible for millions of deaths, Henry Kissinger. Remarkable for some that Jimmy Carter outlived him.
Here is our weekly interview with the street: this week featuring Optimo NYC, Kram, Gats, Eternal Possessions, Muebon, El Hase, Stay Busy, Words on the Street, Alex Itin, Madison Storm, Jocelyn Tsajh, Homer, Siomo, Clams, Celeb, and Under Control.
How are feeling? Did you have a good Thanksgiving day, and did you see the crowds and balloons and marching bands along the parade route and the still intact orange and yellow leaves on the trees on Central Park West? Did you see Dolly Parton dressed as a Dallas Cowboy cheerleader singing at the halftime game, and did you see your girl Ava from up the block with her vintage vest and platform boots when grandma sent you out for a can of whipped cream for the pumpkin pies?
“Have you kept pace with the latest revelation in the art world? A remarkable BBC interview with Banksy, dating back two decades, has recently surfaced, sparking renewed excitement. These are indeed vibrant times for art enthusiasts and creators alike. Take, for instance, the Brooklyn Museum’s current showcase. It features an engaging Spike Lee exhibition alongside the innovative ‘Copy Machine Manifesto.’ This zine exhibition is a deep dive into five or six decades of subcultural and counter-cultural movements. It highlights a diverse range of self-published works, including gossip magazines, graffiti newspapers (a nod to David Schmidlapp and Phase 2), and expressions from queercore to hardcore. The exhibit is an eclectic mix of self-aware conceptual art, original fashion, explorations of sexual desire and confusion, comix, handmade collage, and expressions of nihilism, ennui, satire, humor, and lamentation. It’s a vivid reflection of art and expression – and inspirational to any artist who wants to have a voice.
We’re going back for a second helping.
Here is our weekly interview with the street: this week featuring Stikman, Cosbe, Below Key, No Sleep, Huetek, Optimo NYC, Jay Shells, Tatyana Fazlalizadeh, OH!, Muebon, Humble, Jappy Agoncillo, Jeff Roseking, Hu, Manual Alejando, Deter, Jason Shelowitz, and KIR.
G. James Daichendt. Robbie Conal: Streetwise: 35 Years of Politically Charged Guerrilla Art. Schiffer, 2020. Reprinted from the original review. …Read More »
A vast aquatic landscape painted on the pavement becomes a collective artwork and an open-air playground.Artistic direction by Andrea Conte …Read More »