All posts tagged: Neuzz

An Unlikely Museum for Street Art? MUJAM is in the MX MIX : BSA X UN X Mexico City: Day 1

An Unlikely Museum for Street Art? MUJAM is in the MX MIX : BSA X UN X Mexico City: Day 1

This week BSA is in Mexico City in collaboration with Urban Nation Museum of Urban Contemporary Art (UN) to see what is steering the scene on the street, meet artists, visit artist compounds, museums, galleries, and studios – and of course to capture the wild and dynamic Street Art and graffiti scene here. Where Mexico City goes in art and culture makes big waves elsewhere in Latin America, and its Street Art scene has been quickly evolving in the last decade. Join us as we investigate the character and players in this modern/traditional city of more than 21 million people.

Not much happens in Mexico City’s modern Street Art scene that Roberto Shimizu Jr. doesn’t know about.

El Mac is in good company. MUJAM, Mexico City. (photo © Jaime Rojo)

With his namesake father at the helm of the Mexican Antique Toy Museum (MUJAM) since it opened in 2006, the younger Shimizu has organized 30 or so Street Art events, founded the All City Canvas program, worked with city and federal public art programs. He has also been a personal clearing house for some of the most recognized talents and new practitioners on the scene, inviting them to paint inside and outside this eclectic and curiously expansive, overwhelming museum of toys that span a century or so.

ROA. MUJAM, Mexico City. (photo © Jaime Rojo)

We spent hours with Roberto walking the floors of this imagination-provoking museum today – oggling an ocean of hand-made and mass produced items here that his father has collected for almost 60 years in every state of Mexico, only 5% of an estimated 5 million individual pieces in their collection. As the son of a voracious lifelong collector with a razor sharp eye and appreciation for positive energy Roberto Jr. has an omnivore’s appetite for Street Art, public art, graffiti.

So naturally since the museum first opened he’s been bringing in an eclectic array of aerosol/brush painters, wheatpasters, stencils, sticker slappers to hit up walls in the courtyard outside, on the roof, inside the museum, and on walls around the industrialized/residential neighborhood of Colonia Doctores.

Curiot. MUJAM, Mexico City. (photo © Jaime Rojo)

We’ll be telling you more about this ingenious genius and his heartfelt amor for toys and Street Art later, but we thought we’d just show you some excerpts of a large rolled canvas signed by the important artists, curators, sincere fans and occasional rock stars that he’s been amassing for the last few years.

Here you’ll find a number of the big names from today’s Street Art scene from before anyone really knew them – people to whom he personally gave opportunities and encouragement and materials and who later have landed in the collections of museums and collectors thanks to him giving them an opportunity, or two, or three. Also it was good for us to see names of the new kids on the block and a number of Latin American talents we all will be getting to know in the future.

Herakut. MUJAM, Mexico City. (photo © Jaime Rojo)

JAZ. MUJAM, Mexico City. (photo © Jaime Rojo)

Neuzz. MUJAM, Mexico City. (photo © Jaime Rojo)

Liqen. MUJAM, Mexico City. (photo © Jaime Rojo)

M – City. MUJAM, Mexico City. (photo © Jaime Rojo)

Luca Dalto. MUJAM, Mexico City. (photo © Jaime Rojo)


For more information about MUJAM click HERE

Read more

BSA Covers the Globe, Top Stories with HuffPost in ’12

BSA is not just Brooklyn, you know. Last year we brought you new Street Art from Atlanta, Arizona, Baltimore, Berlin, Boston, Bronx, Brooklyn, Brisbane, Bristol, Costa Rica, Chicago, China, Dominican Republic, The Gambia, Guatemala, Iceland, Ireland, Israel, Istanbul, Italy, Jamaica, Johannesburg, Kenya, Los Angeles, London, Mexico City, Miami, Mongolia, Nicaragua, Norway, NYC, Palestine, Panama, Paris, Perth, Queens, Reno, Spain, South Korea, Sweden, and Trinidad. And that is a partial, incomplete list. Remember that the next time someone says we cover just Brooklyn and New York. Not quite.

Also while we were surveying what we did in 2012, we were curious to see which were the top stories we covered for the Huffington Post, measured by hits, social sharing, and emails sent to us. Here are the top stories you liked the most of the 44 we cross-published with Huffington Post Arts & Culture in 2012. (A complete list at the end of the posting)

Baltimore Opens Its Walls To Street Art


MOMO. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Atlanta Hosts First All Female Street Art Conference 

Neuzz (photo © Wil Hughes)

OS Gemeos And “The Giant Of Boston” 

Os Gemeos “The Giant of Boston” at the Rose Kennedy Greenway at Dewey Square, Boston. This side of the van was with Graffiti Artist Rize. (photo © Geoff Hargadon)

(VIDEO) 2012 Street Art Images of the Year from BSA 

Slideshow cover image of Vinz on the streets of Brooklyn (photo © Jaime Rojo)

Mexico City: High Art in Thin Air

Escif (photo © courtesy of All City Canvas)

UFO Crashes at Brooklyn Academy of Music

UFO 907 and William Thomas Porter (photo © Jaime Rojo)

‘See No Evil’ in Bristol Brings Thousands to the Streets 

El Mac. (photo © Ian Cox 2012)

What’s New in Bushwick: A Quick Street Art Survey 

QRST in the wild. (photo © Jaime Rojo)

Sex In The City: Street Art That is NSFW

Anthony Lister in NYC (photo © Jaime Rojo)

NUART 2012: International Street Art Catalysts in Norway 

Ben Eine (photo © Ian Cox)

Springtime in Paris : Une Petite Revue of New Street Art

David Shillinglaw and Ben Slow (photo © Sandra Hoj)

Pulling Strings in Berlin; “Heinrich” The Public Marionette

Various & Gould “Heinrich” (photo © Lucky Cat)

“Poorhouse for the Rich” Revitalized by the Arts

Adam Parker Smith. “I Lost Of My Money In The Great Depression And All I Got Was This Room”, 2012. Installation in progress in collaboration with Wave Hill. (photo © Jaime Rojo)

Here is the complete list of BSA / Huffington Post pieces for 2012


Read more

Priceless Culture: Mexican Artist Neuzz in Atlanta For Living Walls 2012

Starting off the week we check in with Living Walls Atlanta for our fourth installment of 2012 and an inspirational installation by a Street Artist and painter from Mexico City named Neuzz.

Neuzz. Living Walls Atlanta 2012. (photo © Dustin Chambers)


Text by Alexandra Parrish
Photos by Dustin Chambers and Wil Hughes
Video by Dustin Chambers and Wil Hughes, edited by Dustin Chambers 

Like species, neighborhoods are named endangered. Places lose their value, their splendor and charm over time as shoddy development moves in. Sweet Auburn District, which was once a lively area decades ago, was recently named one of United States’ most endangered places.

The neighborhood that holds Sweet Auburn District, the Old Fourth Ward, has experienced a similar decline. Namely, Edgewood Ave, which is littered with empty buildings and Styrofoam trash. It’s easy to overlook the historic value of the district upon first glance, yet many have measured the significance of O4W in other ways.

Neuzz, aka Miguel Mejía, came to Atlanta to experience the city of grit that reminds him much of his own, Mexico City. The historical determination of Dr. Martin Luther King Jr. initially attracted Neuzz to Atlanta, where he would complete a wall located in King’s district. His four week stint allowed him to develop a richer understanding of the area; the social and economic congruence to his home city in Mexico inspired him to transform the “sad wall” into art through his rich, vibrant colors.

Neuzz. Living Walls Atlanta 2012. (photo © Wil Hughes)

His assistant, Keif Schliefer, guided him through the process of completing his largest mural as of yet. The subject matter and motif of the wall comes from his heritage; his style and methodology is derived from his modern understanding. The composition and coloring was entirely influenced by the community – any kind of trash he found, he used as a stencil. His sketch likened a traditional costume-dance to celebrate rain and agriculture (the very rain that prevented work for five days) and incorporated the bees he handled at Keif’s house. Aside from being an artist, architect, civil rights activist and a former firefighter, Keif is also Living Walls Projects’ Chief Engineer and Logistics Director.

Some people grid out their walls while others project, but Neuzz simply laid out a solid base. His work is very symmetrical, yet he entirely relies on his paintbrush and his own hands to serve as his unit of measurement. While he went back and forth on the lift often to ensure proportions, the reward was sweeter in the end – Keif and Miguel developed new techniques, new approaches, that he will take with himself beyond Atlanta.

Neuzz. Living Walls Atlanta 2012. (photo © Dustin Chambers)

While Neuzz incorporated elements into his wall, the community became stakeholders in the mural. Keif would invite people up onto the lift, where they’d take photos of the wall, the skyline, themselves. While working he’d talk to people, entertain them, learn their stories. Everyone had his or her own experience. Neuzz has the invaluable knack of building relationships despite cultural differences.

One woman told me as she walked by that the wall offered the area “priceless culture.” As artists like Neuzz continue to donate their time enhancing this endangered area, revitalization will take a new meaning.

Neuzz. Living Walls Atlanta 2012. (photo © Wil Hughes)

Neuzz. Living Walls Atlanta 2012. (photo © Dustin Chambers)

Neuzz. Living Walls Atlanta 2012. (photo © Wil Hughes)

Neuzz. Living Walls Atlanta 2012. (photo © Dustin Chambers)

Neuzz. Living Walls Atlanta 2012. (photo © Dustin Chambers)

Neuzz. Living Walls Atlanta 2012. (photo © Dustin Chambers)

Neuzz. Living Walls Atlanta 2012. (photo © Dustin Chambers)

Neuzz. Living Walls Atlanta 2012. (photo © Wil Hughes)

To learn more about Living Walls Altanta: The City Speaks and to make a donation to help this year’s conference click here. BSA thanks you for supporting this good work.


Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!






Read more
“The Sunrise of Edgewood”, GAIA & Nanook open Living Walls Atlanta 2012

“The Sunrise of Edgewood”, GAIA & Nanook open Living Walls Atlanta 2012

The 3rd Edition of Living Walls begins this spring and BSA is pleased to again partner with Monica Compana and her team to bring you the action in Atlanta for 2012. Supporting the ATL efforts since they popped in ’10, we’ll again bring you updates from the field as the artists converge in Atlanta to bring color, vibrancy and a dialogue with Street Art in the city.

Officially the 2012 conference begins in August but we’ll be bringing you a series of installations leading up to it. This years quality lineup will be a bit more international and focused with skillz on display from Gaia, Nanook, La Pandilla, Trek Matthews, Interesni Kazki, Everman, Neuzz, Pablo Gnecco, and Liqen.

So right now we want to give a huge shout out to our partners in non-crime, writer Alexandra Parrish, who is also Director of Communications for Living Walls, Charles Flemming, Living Walls Media team photographer and Albert Lebron, videographer who will all be BSA contributors to bring to you dispatches from the field. Thank you and welcome.

Gaia and Nanook

Text by Alexandra Parrish
Photos by Charles Flemming
Video by Albert Lebron

Gaia and Nanook (photo © Charles Flemming)

In terms of mural making, Gaia and Nanook believe public art has the ability to designate place. They are hardly strangers to the rich history layered in the gridded streets of Atlanta. Last weekend, Gaia and Nanook returned to the heart of the south to participate in Living Walls Concepts, a year-round conduit to the conference, which aims to create a more intimate relationship between the artist and the community.

The sketch came naturally – the wall, located on Edgewood Avenue in the heart of Old Fourth Ward sits firmly in the neighborhood Martin Luther King Jr. called home. Gaia and Nanook opted for an equivocal face to represent the street itself – and the passerby’s whom they interacted with regularly; Which is something I’m sure they revel, as Gaia took the time to explain what he was doing to anyone who cared to ask.

After three days and a stunted thunderstorm, Gaia and Nanook named their finished wall “The Sunrise of Edgewood.”

Gaia and Nanook (photo © Charles Flemming)

Gaia also sent us a description of the project:

“The collaboration that Nanook and I produced on Edgewood avenue is an observation on the neighborhood’s changing complexion. Historically, the Fourth Ward is considered in many regards as the epicenter of the Civil Rights movement so naturally creating Martin Luther King Jr’s face just down the block from the King Home seemed logical.

But rather we created a portrait that was more ambiguous, an everyman face that faded into a rising sun. This vibrant visage is surrounded by a turmoil of rope and vine forms that nanook created which is derived from one of his early street pieces. Now the mural is surrounded by a contentious area whose gentrification is imminent like the endless cycle of the sun.”

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

“The Sunrise of Edgewood” by Albert Lebron (VIDEO)



To learn more about Living Walls Altanta: The City Speaks and to make a donation to help this year’s conference click here. BSA thanks you for supporting this good work.

Read more

Images of the Week 01.08.12 Miami Special Part II

Here is the 2nd half of the Miami images we captured for you from the massive blocks long street installation party called Art Basel this year. Most of these pieces are legal, many are not. You can call them Street Art, but not all are actually on the street and many could also be classified as murals.

Now is a perfect window of opportunity to go see these as many will be buffed in the next few weeks and months, as property owners sell the buildings or decide they didn’t actually dig the art as much as they thought they would. Within a decade or so, this area in Miami will most likely be less enthused with and even hostile toward graffiti and Street Art in general, but the red carpet is laid out at the moment. Artists are flocking from all over the world to jockey for walls, hoping to be seen by potential fans and collectors, or at least to hang out with peers and make new friends. This is a moment on a timeline and, for right now, the colors, patterns, textures, messages and lucid dreams are pulsating on walls everywhere; a mountain of creativity set free.

So here are more than 50 images in our interview with the street, this week featuring 2501, Adjust, AM, Andrew Schoultz, Art Basel 2011, AWR, Bask, Ben Eine, Bik Ismo, Buff Monster, C215, Chris Stain, Clown Soldier, Col, Cope, Dabs&Myla, Des, Ema, Emo, Entes Pesimo, Ethos, Ever, Florida, Gaia, Interesni Kazki, Jade Uno, Jaz, Joe Iurato, Liqen, Miami, Michael DeFeo, Neuzz, Nomade, Nomads, Nunca, Pancho Pixel, Pez, PHD, Pi, el Pancho, Primary Flight, Remote, Retna, Roa, RONE, Shark Toof, Shiro, Smells, Spagnola, Stormie Mills, Vhils, Wynwood Walls, and Zed1.

With special thanks to all the people who helped us out, showed us around and provided insight and background, especially the good folks from Primary Projects and Wynwood Walls.

Liqen (photo © Jaime Rojo)

Liqen’s metaphoric mural of miserable corporate finance workers in a labyrinthine maze may have been the singular most powerful and timely image this year.   (photo © Jaime Rojo)

Liqen (photo © Jaime Rojo)

International star Vhils and crew created a few signature portraits using his very original method of destruction and creation, a low relief sculpture that emanates from the wall (photo © Jaime Rojo)

Rone’s model looked skyward from a few locations on the street. (photo © Jaime Rojo)

Shiro (photo © Jaime Rojo)

Now, why is that? Smells Like Junk (photo © Jaime Rojo)

ROA and Ben Eine hit up this little corner spot with Primary Flight. The unusual free-standing structure called “The Living Room” has played host to a number of graffiti, mural, and street artists over the last few years, and this year also featured a pop-up piano ensemble performance. (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

JAZ (photo © Jaime Rojo)

Neuzz (photo © Jaime Rojo)

Assume Vivid Astro Focus killed this wall last year and it still looks fresh. (photo © Jaime Rojo)

Famed duo Assume Vivid Astro Focus (photo © Jaime Rojo)

New Jersey’s Joe Iurato (photo © Jaime Rojo)

Jade Uno . Entes Pesimo (photo © Jaime Rojo)

Gaia and C215 appeared frequently with one another this year on the street. This one is bookended by some Nomade posters (photo © Jaime Rojo)

Gaia, C215 (photo © Jaime Rojo)

Bik Ismo, a custom hot rod, and of course a couple of appreciative dudes. (photo © Jaime Rojo)

Zed1 (photo © Jaime Rojo)

Despite relative domestic tranquility, sometimes Felix and Ana were not sure if they were seeing the same thing. Ever (photo © Jaime Rojo)

Retna stretched his alphabet tall, and tucked in many tributes to local friends. (photo © Jaime Rojo)


Interesni Kazki . Liqen (photo © Jaime Rojo)

Interesni Kazki and Liqen combined forces on this mural referencing the world wide web. (photo © Jaime Rojo)

Interesni Kazki . Liqen (photo © Jaime Rojo)

Interesni Kazki . Liqen (photo © Jaime Rojo)

Michael DeFeo lit up a desolate spot under the highway. (photo © Jaime Rojo)

Ethos (photo © Jaime Rojo)

Emo, PHD, Remote (photo © Jaime Rojo)

Emo (photo © Jaime Rojo)

Ema (photo © Jaime Rojo)

A killer repetition from Des (photo © Jaime Rojo)

Dabs & Myla collaboration with AWR (photo © Jaime Rojo)

Col on a bed of seafoam blue (photo © Jaime Rojo)

Chris Stain brought some friends from New York and Baltimore. (photo © Jaime Rojo)

This bull head popped out at discrete locations. Artist Unknown (photo © Jaime Rojo)

Bask bolted to a post. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Stormie Mills (photo © Jaime Rojo)

One of the few blatantly political pieces from Spagnola, with additional commentary added by a third party. (photo © Jaime Rojo)

This Shark Toof appears to be whispering something to Anthony Lister. (photo © Jaime Rojo)

Pixel Pancho kind of killed it.  (photo © Jaime Rojo)

Pez is on multiple surfaces everywhere. (photo © Jaime Rojo)

Nunca (photo © Jaime Rojo)

Nunca (photo © Jaime Rojo)

Cope crushed repeatedly. (photo © Jaime Rojo)

Clown Soldier stands guard at the gate. (photo © Jaime Rojo)

Buff Monster . Cope (photo © Jaime Rojo)

2501 (photo © Jaime Rojo)

Andrew Schoultz (photo © Jaime Rojo)

Andrew Schoultz (photo © Jaime Rojo)

AM (photo © Jaime Rojo)

Adjust (photo © Jaime Rojo)

Read more