All posts tagged: Maya Hayuk

The 2014 BSA Year in Images (VIDEO)

The 2014 BSA Year in Images (VIDEO)

Here it is! Our 2014 wrap up featuring favorite images of the year by Brooklyn Street Art’s Jaime Rojo.


Before our video roundup below here is the Street Art photographer’s favorite of the year: Ask Jaime Rojo, our illustrious editor of photography at , who takes thousands of photographs each year, to respond to a simple question: What was your favorite photo of the year?

For 2014 he has swift response: “The Kara Walker.” Not the art, but the artist posed before her art.

It was an impromptu portrait that he took with his iPhone when the artist unveiled her enormous sculpture at a small gathering of neighborhood locals and former workers of the Domino Sugar Factory, informal enough that Rojo didn’t even have his professional camera with him. Aside from aesthetics for him it was the fact that the artist herself was so approachable and agreed to pose for him briefly, even allowing him to direct her just a bit to get the shot, that made an imprint on his mind and heart.

Of course the sculpture is gone and so is the building that was housing it for that matter – the large-scale public project presented by Creative Time was occupying this space as the last act before its destruction. The artist herself has probably moved on to her next kick-ass project after thousands of people stood in long lines along Kent Avenue in Brooklyn to see her astounding indictment-tribute-bereavement-celebration in a hulking warehouse through May and June.

But the photo remains.

And Rojo feels very lucky to have been able to seize that quintessential New York moment: the artist in silhouette before her own image, her own work, her own outward expression of an inner world. 


Jaime’s personal favorite of 2014; The site specific Kara Walker in front of her site specific installation at the Domino Sugar Factory in May of this year in Brooklyn. Artist Kara Walker. (photo via iPhone © Jaime Rojo)

Now, for the Video

And our holiday gift to you for five years running, here is the brand new video of favorite images of graffiti and Street Art by Brooklyn Street Art’s editor of photography, Jaime Rojo.

Of a few thousand these 129 shots fly smoothly by as a visual survey; a cross section of graffiti, street art, and the resurgence of mural art that continues to take hold. As usual, all manner of art-making is on display as you wander your city’s streets. Also as usual, we prefer the autonomous free-range unsolicited, unsanctioned type of Street Art because that’s what got us hooked as artists, and ultimately, it is the only truly uncensored stuff that has a free spirit and can hold a mirror up to us. But you have to hand it to the muralists – whether “permissioned” or outright commissioned, some people are challenging themselves creatively and still taking risks.

Once again these artists gave us impetus to continue doing what we are doing and above all made us love this city even more and the art and the artists who produce it. We hope you dig it too.


Brooklyn Street Art 2014 Images of the Year by Jaime Rojo includes the following artists;

2Face, Aakash Nihalani, Adam Fujita, Adnate, Amanda Marie, Andreco, Anthony Lister, Arnaud Montagard, Art is Trash, Ben Eine, Bikismo, Blek Le Rat, Bly, Cake, Caratoes, Case Maclaim, Chris Stain, Cleon Peterson, Clet, Clint Mario, Col Wallnuts, Conor Harrington, Cost, Crummy Gummy, Dain, Dal East, Damien Mitchell, Damon, Dan Witz, Dasic, Don’t Fret, Dot Dot Dot, Eelco Virus, EKG, El Sol 25, Elbow Toe, Etam Cru, Ewok, Faring Purth, Gilf!, Hama Woods, Hellbent, Hiss, Hitnes, HOTTEA, Icy & Sot, Jana & JS, Jason Coatney, Jef Aerosol, Jilly Ballistic, Joe Iurato, JR, Judith Supine, Kaff Eine, Kashink, Krakenkhan, Kuma, Li Hill, LMNOPI, London Kaye, Mais Menos, Mark Samsonovich, Martha Cooper, Maya Hayuk, Miss Me, Mover, Mr. Prvrt, Mr. Toll, Myth, Nenao, Nick Walker, Olek, Paper Skaters, Patty Smith, Pixel Pancho, Poster Boy, Pyramid Oracle, QRST, Rubin 415, Sampsa, Sean 9 Lugo, Sebs, Sego, Seher One, Sexer, Skewville, SmitheOne, Sober, Sonni, Specter, SpY, Square, Stay Fly, Stik, Stikki Peaches, Stikman, Swil, Swoon, Texas, Tilt, Tracy168, Trashbird, Vexta, Vinz, Willow, Wolfe Works, Wolftits, X-O, Zed1.

Read more about Kara Walker in our posting “Kara Walker And Her Sugar Sphinx At The Old Domino Factory”.



Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!


This article is also published on The Huffington Post


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Maya Hayuk Colorfully Cross Hatches With Rollers In Toronto

Maya Hayuk Colorfully Cross Hatches With Rollers In Toronto

New images today from Toronto where muralist Maya Hayuk completed an enormous multi-part kaleidoscopic piece at the Landsdowne Street underpass. Reprising the color palette you may most recently have seen for her “Chem Trails” composition on the Houston Street wall in New York, Hayuk rolled out the eye popping plaid for fall (and winter), a welcome contrast to the cold grey skies that are coming, and which will hold no power here.


Maya Hayuk at work. (photo © Jeremy Jansen)

“It’s about 300 feet long and more than 20 feet high at the tallest parts,” she says. Completed entirely by hand with cans and rollers Maya gives this stretch a lot of angular, drippy,  jarring color to alert the senses and make your brain come alive.


Maya Hayuk at work. (photo © Jeremy Jansen)


The full expanse. Maya Hayuk in Toronto (photo © Jeremy Jansen)


Maya Hayuk in Toronto (photo © Jeremy Jansen) brooklyn-street-art-Maya-Hayuk_Jeremy-Jansen-toronto-10-14-web-5

Maya Hayuk in Toronto (photo © Jeremy Jansen) brooklyn-street-art-Maya-Hayuk_Jeremy-Jansen-toronto-10-14-web-6

Maya Hayuk in Toronto (photo © Jeremy Jansen) brooklyn-street-art-Maya-Hayuk_Jeremy-Jansen-toronto-10-14-web-7

Maya Hayuk in Toronto (photo © Jeremy Jansen) brooklyn-street-art-Maya-Hayuk_Jeremy-Jansen-toronto-10-14-web-8

Maya Hayuk in Toronto (photo © Jeremy Jansen)

This project was done in cooperation with Cooper Cole Gallery in Toronto.


Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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It’s All the Rage, Street Artists Filing Lawsuits Left and Right

It’s All the Rage, Street Artists Filing Lawsuits Left and Right

In what could be charitably described as a sign that Street Art has entered a new phase of cultural acceptance and appropriation, some creators of art in the public sphere are attempting to lay legal claim to the profit-making that they didn’t necessarily sign on to. In just the last few months a handful of artists from New York, Los Angeles, and Buenos Aires have discovered their murals have been used in fashion, music, and cinema to great effect, but sadly, they say, without their knowledge or permission.


Of course this sort of inspiration/appropriation has been going on for years – if you want to meet models on the sidewalk just move to Bushwick, Brooklyn and you’ll probably accidentally end up in a fashion spread yourself. Here is where countless fashion shoots, video shoots, movie scenes all happen continuously and money is exchanging hands to make it happen – just not for the artists. Usually they are essentially unpaid, uncredited backdrop artists for the edgy “street” fantasies of stylists.

The courts ultimately will have to decide the relevance of these recent claims but the topic does raise fascinating questions about public space, intellectual property, copyright, and the reasonable expectations of the artists once their work is set free into the streets.  In these cases the artists had permission and encouragement to create their works and perhaps thousands of images of the works are in existence since the work is made public. The concern here is raised once those images are privatized or pass into the purely commercial world of selling product.

More interesting will be to see if these lawsuits will extend in the future to include the unsanctioned, un-permissioned, acts of vandalism that appear on private property as well. Will artists seek protection from a legal system they actively transgressed? Can the pieces of art placed illegally be re-claimed by the artist when the work is found printed on a lycra bodysuit or embossed on a wallet? If so, how will the artist claim ownership?

Here are just three recent examples of lawsuits reportedly being filed by artists laying claim to the benefits of their work.

Maya Hayuk

Street Artist and fine artist Maya Hiyuk is reportedly suing pop star Sara Bareilles, Sony, and Coach for using her Houston Street wall in New York as a back drop to sell their products.


Hayuk on the left, the wall used in a campaign on the right (Screenshot from New York Post, Page Six)


A detail from the Houston street wall by Maya Hayuk (photo © Jaime Rojo)

Revok, Reyes and Steel

MSK crew members Revok, Reyes and Steel have filed a claim saying that designer Roberto Cavalli was a little more than just inspired by their collaborative mural in San Francisco when designing a line for his “Graffiti Girls” collection sold through the website. A quick Google search shows that the line extends to clothing, accessories, sneakers, even a phone case and is sold at stores like Nordstom, Neiman Marcus, and online giant Amazon.


Worse, says the claim, “Sometimes, Cavalli added what appears to be a signature, creating the false impression that Roberto Cavalli himself was the artist.”



An view of the original wall by Revok, Reyes and Steel (image © MSK) and a screenshot of one of the dresses for sale at Cavalli’s website.

See more about this at Mass Appeal.

Jaz, Ever, and Other (aka Troy Lovegates)

Street Artists and muralists Jaz, Ever, and Other are suing for copyright infringement because the newest Terry Gilliam (Twelve Monkeys, Brazil) film The Zero Theorem allegedly featured a mural that looks startlingly similar to one they painted together in Buenos Aires about four years ago.

You can actually still see a number of stills from it it on The Zero Theorem Facebook page right now if you like.


See a pdf of the lawsuit here.


From Other’s Flickr page, the original mural in progress (image © Other)


Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!


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Tagging Somebody’s Painting : Two Walls Interrupted

Tagging Somebody’s Painting : Two Walls Interrupted

Whose voice gets to be heard, and at what cost? It’s an ongoing battle with companies and politicians and citizens fighting to control the radio airwaves, broadcast television, cable providers, news outlets, the Internet. In the conversations that take place on walls in public, the struggle is just as strong and often as vehement. We just aren’t happy when somebody else gets the mic if we can’t grab it and rock it too.


Maya Hayuk. Detail. Houston Wall, NYC. (photo © Jaime Rojo)

A couple of recent visual disruptions of Street Art installations have us thinking about the need to be heard at the expense of an artist’s work mostly because we learned about them both within a few days of each other.  Maybe it was the amount of time and labor that went into the walls, or maybe it’s because it can still be shocking even when you know it goes along with the rules of the street.

It’s always been part of the game; once you put it on the street you must be prepared to let it go, even though you secretly hope it will ride a while. Without doubt it will be buffed, slashed, ripped, taken, crossed out, tagged over, and deteriorated by the elements. If you’re going to play, you might get played and most artists know it and accept it.


Maya Hayuk. Houston Wall tagged while the artist was in the process of completing her work. (photo © Jaime Rojo)

The Houston Street wall in Manhattan has become a touchstone for many a graffiti and Street Artist over the last few decades thanks to its early beginnings as a canvas for artists like Keith Haring and Kenny Scharf and because as Soho and the Bowery gentrified most available walls disappeared. Now its an honor to get chosen to do your thing on the wall, even as it often provides a stage for the the still breathing battle between some graffiti writers and the rest of the Street Art making world.

Before the latest painter finished her piece last week, Maya Hayuk found her eye crossing color jam geometry had some unexpected collaboration. It’s not the first time Street Artists have been hit by graffiti on this wall; Shepard Fairey’s installation famously got hit so heavily that holes were literally punched into the wall, and Swoon’s community collabo with the Groundswell kids got wrapped with a thick belt of throwies last fall.


Maya Hayuk. Completed and restored. Houston Wall. Manhattan, NY (photo © Jaime Rojo)

Hayuk tried to shrug it off like a champ and uttered a few terse words – but ultimately recovered her poppy patterning and finished the wall victorious.

The new tagging on Hayuk’s wall brought a fussilade of opinions, wizened philosophical observastions and bromides on social media, including this sampling from Instagram:

“Ever since Banksy month these toys having been running rampant” @phillip_s

“We love your work. Forget the jealous ones” @christianguemy

“It sucks that the work wasn’t even finished buuuut you paint something on the street you run the risk of it getting dissed/painted over. End of story” @jaackthebeard

“That’s too bad, but sadly part of the life of a work on the street. Still an absolutely beautiful piece though.” @denverstreetart

“Someone who wants pristine work that persists is always free to paint privately on canvas. The chaos and struggle of the image on the street is part of what makes graffiti awesome. This doesn’t strike me as a spoiler bomber and their throwie looks great on the piece. There are no tears in street art. I know what its like to have someone hit up your piece. You can get good with it, go over it, or move on.” @zoharpublishing

“Wow. What is wrong with people” @erromualdo

“So rude! It’s just takes one a/hole. Looking great anyway” @lisakimlisakim

After completing the new wall and taking a bow, it was hit again. This time harder.

The tags are mostly unreadable to the average public passerby, but it is not those people who these additions are usually speaking to but rather to their peers. So the collaboration is insistent, and in some way perfectly New York.


Maya Hayuk. Houston Wall tagged once more after the original was restored and completed. (photo © Jaime Rojo)

The other sanctioned wall we’ve been thinking about is in Rochester – still in New York State, but close to the border of Canada and near Lake Ontario. Faring Purth took a long time to finish this long limbed lady throughout the autumn months, enduring wayward comments, praise and  sometimes harsh words from this upstate community who liked yelling things out their car (and school bus) windows as they drove by. “I received equally supportive and hostile attention from the public while I was painting her. It was a new experience in more ways than I can count,” she says of the mural that measures 12 feet high by 125 feet long,


Faring Purth. Detail. Wall Therapy. Rochester, NY. (photo © Faring Purth)

Ultimately the religious contingent who had badgered previous visiting artists in Rochester over perceived thematic threats to family values tagged the face of her “Etty” and put a rudimentary cross in her hand when Faring had gone a way. This was a different sort of diss. It wasn’t a turf battle, it was a theological one and more broadly, it was about community norms. As in the case of Hayuk, the aerosol writer may not even have been addressing the artist or even known who she was. They may have been just striking a victory for the Lord against the evil of the art. Who knows?

Also like Hayuk, Ms. Purth decided to repair her work.

“I fixed her. Or rather, changed her, before hitting the road. She’s different now, it taught me a great deal. So finally, stitches and all, here she is.”


Faring Purth. Restored. Detail. Wall Therapy. Rochester, NY. (photo © Faring Purth)

There is no real end or summation to this story and these two recent examples are merely a fraction of the works that get tagged or crossed out every day. It is interesting to note that although the motivations were different for the people who defaced the mural art, the aerosol tool used to express their opinion was the same.  Additionally let’s all recognize the sublime irony that we are perilously close to using the word “vandalism” in this article.

But in a way, it is still about having a voice and using it, however edifying or injurious. The continuous cycle of constructive and destructive, adorning and scarring, speaking and silencing, is likely to continue as long as artists create in the street.  As long as people have a need to be heard, they are going to find a way to get their voice out there.


Faring Purth. Detail. Wall Therapy. Rochester, NY. (photo © Faring Purth)


Faring Purth. Restored. Detail. Wall Therapy. Rochester, NY. (photo © Faring Purth)


The complete piece Faring Purth for Wall Therapy in Rochester, NY. (photo © Faring Purth)

For more on Faring’s wall please see

Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
This article also appears on The Huffington Post



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Images Of The Week: 02.09.14

Images Of The Week: 02.09.14



Maya Hayuk on the Houston Wall this week got tagged mid-job, took a moment and repaired and continued on to completion in signature glowing dripping geometrically teXt-driven style, Ben Eine ISHued a jab at entertainment culture, and QRST made a reappearance with a hand-rendered reminder of temporality on a bus stop, saw his shadow and went back into a hole.

Here’s our weekly interview with the street, this week featuring Alice Pasquini, Ben Eine, Bone, Bradley Theodore, Ellis G., Issa, Jilly Ballistic, Maya Hayuk, and QRST.

Top Image >> Fashion profiler Bradley Theodore depicts Diana Vreeland as social x-ray (photo © Jaime Rojo)


Maya Hayuk. Houston Wall. Detail. (photo © Jaime Rojo)


Maya Hayuk. Houston Wall. Detail. The beginning. (photo © Jaime Rojo)


Maya Hayuk. Houston Wall. Process shot. (photo © Jaime Rojo)


Maya Hayuk. Houston Wall. Process shot. (photo © Jaime Rojo)


Maya Hayuk. Houston Wall. (photo © Jaime Rojo)


Maya Hayuk. Houston Wall. (photo © Jaime Rojo)


QRST. Bus shelter ad takeover. (photo © Jaime Rojo)


Issa and Jilly Ballistic collaboration in a MTA subway platform. (photo © Jaime Rojo)


Ben Eine. “Thats Entertainment. ish” (photo © Jaime Rojo)


Ben Eine. “Thats Entertainment. ish” (photo © Jaime Rojo)


Ben Eine (photo © Jaime Rojo)


BONE (photo © Jaime Rojo)


Yes, it does seem rather harsh. Ellis G. THR (photo © Jaime Rojo)


Justin in time for Valentine’s Day, this smashed bouquet of flowers. Serge Miquel. “Yummy” (photo © Jaime Rojo)


Alice Pasquini at work on her piece in Barcelona, Spain for ÚS Festival. (photo © João Gordicho)


Alice Pasquini in Barcelona, Spain for ÚS Festival. (photo © João Gordicho)


Untitled. Manhattan, NYC. February, 2014. (photo © Jaime Rojo)



Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Women Rock Wynwood Walls at Miami Art Basel 2013

Women Rock Wynwood Walls at Miami Art Basel 2013

An international team of heavy hitting women in Street Art are the centerpiece of the Wynwood District this weekend as Jeffrey Deitch returns to Miami to co-curate Women on the Walls. Reprising a more central role for Wynwood Walls that he played when Tony Goldman first established this outdoor mural playground, Deitch says he is reserving center stage exclusively for the women this year as a way of highlighting their history and growing importance in the graffiti/street art scenes around the world.

“It’s to correct the historical imbalance,” says Deitch as he talks about the new wall murals painted this week and the accompanying gallery exhibition showcase that celebrates the contributions of outstanding women artists in a scene that, with a few notable exceptions, has been primarily run by the guys.


Miss Van at work on her wall. (photo © Martha Cooper for Wynwood Walls)

“After this historical imbalance there was something that needed to be addressed about the misperception that graffiti is just a boys club,” says the enthusiastic bespectacled curator who shares the role for this show with the team of Janet Goldman, Jessica Goldman Srebnick, Meghan Coleman, and Ethel Seno.

As with the Living Walls Atlanta festival on the streets in 2012, this show gives full voice to women in a holistic and powerful way that rather redefines the context of a graffiti/street art/tattoo/skater scene which sometimes veers too close to being overtly sexist, if not outright misogynist in it’s depiction of women and their roles.


Miss Van at work on her wall. (photo © Martha Cooper for Wynwood Walls)

Maybe it’s the scene itself – much of the graff / Street Art scene has always had partially skewed perceptions about the gals because they were traditionally populated almost exclusively by males.  Since work on the streets is a mirror that reflects society back to itself, it makes sense that we’re looking at a funhouse on the walls sometimes. But you don’t have to accept the narrative entirely and shows like this argue for greater authorship of the visual dialogue. Right now in civic life you’ll see strong positive images as more women are assuming more history-making leadership roles than ever, but there are also a lot messages in media and pop culture that portray women as little more than one dimensional giggly jiggly sex toys.

For Parisian artist Fafi, a show with this theme could not be more timely.

“The atmosphere about women these days is really fucked up, especially towards younger ones,” says the street artist as she relates the sentiment of conversations at a late dinner she recently had with co-participants Miss Van and Maya Hayuk.


Miss Van (photo © Martha Cooper for Wynwood Walls)

“There’s something in the air that’s telling us we absolutely need to talk about empowering women in our female artist life,” she explains as she describes the condescending and denigrating attitudes she still encounters from some men even after she has been painting on the streets and in studio for more than two decades.

Fafi says that there are still some who tell her and her female peers that what they do is cool “for a woman”, and more worryingly, “it’s something that comes up more and more often nowadays.”


Maya Hayuk at work on her wall. (photo © Martha Cooper for Wynwood Walls)

“It seems like in 2013 it is almost a passé sort of gesture that a bunch of women would have to get together to make a statement when we’ve all been doing this for so long,” says Maya Hayuk, whose bright geometric patterns were on the forefront of a current Street Art fascination with the abstract. “Hopefully in the future we don’t have to do ‘all women’ or ‘all men’ or ‘all anything’ shows,” she says sort of wistfully, “We can do shows on ‘all awesome’.”


Maya Hayuk (photo © Martha Cooper for Wynwood Walls)

So perhaps Deitch and Co. are rebalancing much more than they realize by creating this environment that values the contributions of artists who also happen to be women.  Whether it was their original intention or not, the experience this week for many participants has been about empowerment – and networking. The complexity of the list itself speaks to the varied and unique stylistic influences that are now brought to the street by women and a certain validation of these voices is reflected in the fact that many here have had commercial success on their own terms.

“I think it’s a great privilege to be here with these women artists, to be in a show with them, and to create this work in a public space,” says the Polish born Brooklynite Olek, who has made a singular name for herself on the street in the last handful of years by covering bicycles, shopping carts, public sculptures, even people with her hand-crocheted pink and purple camouflage.  We have called her the Christo/Jeanne Claude of the streets, which gives an apt sense of the skin-like quality of her wrapping as well as the interventionist instinct she follows, but it doesn’t quite tap the personal level of involvement Olek has with her pieces.


Olek at work on her installation. (photo © Martha Cooper for Wynwood Walls)

For Wynwood she has been hand-crocheting covers for the large heavy boulders that dot the inner grounds of the complex in a blunt and rugged manner. “Of course I love these rocks because I like to highlight things in the existing environment and to give them a new life, a new beginning,” she says while sitting on the grass joining the pieces of her new coverings by hand.


Olek at work on her installation. (photo © Martha Cooper for Wynwood Walls)

Does she think the energy and atmosphere here is positive? “All the girls are really wonderful and I love working with them – we are all just working here, eating, talking, and I think we have made some friendships that will last a very long time.”


Olek at work on her installation. (photo © Martha Cooper for Wynwood Walls)

So why does Deitch think it is important to create a show that specifically draws attention to women artists at this time?

“It’s a very simple thing,” he says, “The first reason is that some of the major talents in Street Art are women.” He then speaks about the individual contributions and talents of some of the participants this week before he comes to Lady Pink, the NYC graffiti artist who painted trains in the 70s and who went on to serve as an active role model to girls and young women around the world, giving them confidence to assert and explore their creative talents.  “We wanted to celebrate Lady Pink, whose work is better than ever.”


Lady Pink at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Lady Pink. Her sketch for her wall. (photo © Martha Cooper for Wynwood Walls)

Speaking of the 70s, the other woman in the show whose work extends back to those times is photographer Martha Cooper, who shares her work here for this article and whose images of the new walls will be projected in the gallery show tonight.  Deitch can not be more pleased with the results of the work from this new collection of artists, and traffic on the streets from fans has been thick and exuberant, whether it is for South Africa’s Faith 47 or London’s Lakwena.

“These walls by Maya Hayuk, Miss Van and Sheryo are outstanding and as fresh as ones that many male street artists are doing now,” he says as he talks about the new collection of work this year.

Singapore’s Sheryo, who also spends much of her time in Brooklyn, says that her walls actually reflect the extended two year aerosol “spraycation” around the world that she’s been on with her male cohort The Yok (her assistant this week). “We have been chasing summer weather, we love warm weather!” she says as she looks up at her wall.  “My characters are seen painting, surfing, drinking rum coconuts and chilling out around palm trees and lush forest environments, which is what we usually do on our vacations.”


Sheryo at work on her wall. (photo © Martha Cooper for Wynwood Walls)

As with many of the women in Women on Walls Sheryo has been in a number of these Street Art festival type of events as well as numerous ad hoc painting sessions on roofs, climbing fences, hitting walls, all primarily with men. How does the environment change when all this female energy hits the streets? Not to trash the guys, but Sheryo’s response is very similar to women we spoke with here and at Atlanta’s Living Walls last year.


Sheryo at work on her wall. (photo © Martha Cooper for Wynwood Walls)

“It is a whole lot of fun! Girls are way more caring and there are a lot more hugs going down, which I love.” To be fair, boys probably give good hugs too.


Sheryo at work on her wall. (photo © Martha Cooper for Wynwood Walls)

For Fafi, the motivation is also simple for her and many of the solid talents involved in this show, “We felt it’s the time now more than ever for more “Girl Power”. The goal of all this is to inspire younger girls to do the best they can, to search for new ideas, and to come up with something new and different as soon as it gets too easy and comfortable. I want them to be inspired.”


Fafi at work on her installation. (photo © Martha Cooper for Wynwood Walls)


Fafi at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Fafi (photo © Martha Cooper for Wynwood Walls)


Aiko at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Aiko (photo © Martha Cooper for Wynwood Walls)


Kashink at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Kashink at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Kashink (photo © Martha Cooper for Wynwood Walls)


Lakwena at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Lakwena at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Lakwena at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Faith 47 at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Faith 47 at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Faith 47 at work on her wall. (photo © Martha Cooper for Wynwood Walls)


Some male alumni of previous Wynwood Walls shows gather with many of the Women on the Walls crew for a group shot here by Martha Cooper. Front row from left to right: Kashink, Janet Goldman, Lady Pink, Miss Van, Aiko and Maya Hayuk,. Second row from left to right: Shepard Fairey, Olek, Jessica Goldman, Sheryo, Lakwena, Jeffrey Deitch, Faith 47 and Dal East. Back row from left to right: Ron English, Fafi, Myla and Kenny Scharff. Wynwood Walls. Miami, Florida. December 2013. (photo © Martha Cooper for Wynwood Walls)


Women on the Walls is on display in the Wynwood District of Miami. For more on Wynwood Walls click here.

Artists included are Aiko, Claw Money, Fafi, Faith 47, Jess & Katie, Kashink, Lady Pink, Lakwena, Martha Cooper, Maya Hayuk, Miss Van, Myla, Olek, Shamsia Hassan, Sheryo, Swoon, and Too Fly.

With Special Thanks to Ethel Seno.

Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!


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The High Line Loft Presents: “The Future Is Now” A Group Exhibition (Manhattan, NYC)

The Future is Now

The Future Is Now
Opening Reception: Thursday August 1st, 2013 4-11pm
Friday August 2nd, 2013 10 am-11pm
Saturday August 3rd, 2013 10 am-11pm
Sunday August 4th, 2013 10 am-6pm

The Highline Loft
508 W. 26th Street
New York, NY 10001

We are pleased to present “The Future Is Now” at The Highline Loft, NYC’s renowned gallery located on The Highland Park in Chelsea, NYC.

This unique Invitational brings together a curated selection of prolific street and urban contemporary artists and musicians for a weekend of cutting edge art, music, technology and performance. The Future Is Now serves as the blueprint for the 21st Century’s Multimedia art experience.

Please join us while we make history together.

Roster of Artists:

Jordan Betten, John Breiner, Ross Brodar, Allison Buxton, Garrison Buxton, John Arthur Carr, Cern, Deedee Cheriel, Chip Love, Steve Cogle, Joseph Conrad- Ferm, COPE2, Spencer Keeton Cunningham, Cycle, CYRCLE, Dalek, Adam Dare, Katrina Del Mar, ELLE DEAD SEX, Brian Ermanski, John FeknerEric Foss, Mike Fitzsimmons, Ellis Gallagher, Mike Giant, Maya Hayuk, Hellbent, David Hochbaum, David Hollier, Michael Holman, Ben Horton, Kimyon Huggins, INDIE 184 , Ian Kuali, Dave Kinsey, Koralie, Kool Kid Kreyola, Nick Kuszyk, Greg LaMarche, Craig LaRotonda, Don Leicht, Chip Love, Adam Ludwig, Joe Lurato, Tara McPherson, Alice Mizrachi, Billy Mode, Morning Breath, NDA, NOBODY, OLEK, David Ortiz, William Quigley, Leon Reid, Skewville, Specter , Beau Stanton, Chris Stain, Swoon, Nick Taylor, Thundercut, , Chris Uphues, Michel Bellici, Andrea Von Bujdoss, Kennedy Yanko, Deborah Yoon.

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Images Of The Week: 06.02.13

Stoop sales, hula hoops, fire hydrants, ladders and paint. Get me one of those ices from that guy with the cart on the corner, will ya?

Here’s our weekly interview of the street, this week featuring A1one, Chris Stain, Creepy, Elbow Toe, Essen, Foxx Face, Icy & Sot, LMNOP, Maya Hayuk, Mr. Toll, Rubin, Sexer, Werds, You Are Beautiful, and Zimad.

Top image > Sexer and Zimad at work on the brand new mural for Bushwick Collective. (photo © Jaime Rojo)

Elbow Toe (photo © Jaime Rojo)

Foxx Face (photo © Jaime Rojo)

Brooklyn’s Maya Hayuk just completed this new work in Cologne, Germany (photo © Maya Hayuk)

Icy & Sot (photo © Jaime Rojo)

Icy & Sot. What could they have been playing with? (photo © Jaime Rojo)

Creepy (photo © Jaime Rojo)

Chris Stain completed his second mural at Bushwick Collective. (photo © Jaime Rojo)

A1one at work on his new mural on Essen, Germany. (photo © A1one)

A writer who has used Arabic lettering since 2003, A1one just completed this new piece and translates it for us. “The word is Love (Ishq). In all the Middle East they can understand the meaning of this word… It refers to the divine or clean kind of love,” says A1one.

A1one  (photo © A1one)

You Are Beautiful  abbreviates the sentiment this time. (photo © Jaime Rojo)

LMNOP (photo © Jaime Rojo)

LMNOP (photo © Jaime Rojo)

Rubin at work on his wall for Bushwick Collective (photo © Jaime Rojo)

Rubin. Detail. (photo © Jaime Rojo)

Rubin (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Mr. Toll (photo © Jaime Rojo)

Werds (photo © Jaime Rojo)

Untitled. Manhattan, NYC (photo © Jaime Rojo)


Please note: All content including images and text are ©, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!



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Maya Hayuk “Melt the Guns” Mural in East London

Artist Battles Stylistic Demons and the Coldest March on Record … And Wins!!!

From Street Artist and fine artist Maya Hayuk comes this new mural “Melt the Guns” in her signature style on the exterior of Pictures On Walls in East London.

While she had a good time doing the new work, she noted the horrendous weather conditions (” ‘the coldest March on record’ they kept saying”) and the fact that her work had to be nearly completely painted over because it veered out of control due to stylistic demons that took it over.

More on demonic occupation in a minute but first can we address the topic of surprisingly miserable weather: Didn’t we already establish that this was a painting taking place in London? Okay, any other questions?

Maya Hayuk “Melt the Guns” London, UK. March, 2013. (photo © Maya Hayuk)

And now, about the repainting – Even the most experienced Street Artists will tell you that sometimes your painted wall plans can go awry, and Ms. Hayuk needed to take a little more time to paint this one over till she got it right. “I don’t plan out my paintings before I start,” she says of her process, and you realize that reversals and re-painting may also come from her desire to be in the moment.

Hard to imagine and hilarious to hear about, but Maya actually feels like she has to steer clear of certain stylistic influences that may crop up unannounced in her paintings. In fact during her creation of “Melt the Guns” a number of these unwelcome styles were simply lurking, ready to insinuate themselves into her compositions.

Maya Hayuk “Melt the Guns”. Detail. London, UK. March, 2013. (photo © Maya Hayuk)

Herewith is a shortlist of the marginal, cliché, nauseating, or “very scary” influences that can take over her mind-melting color palette and lead her astray if she is not vigilant:



Burning Man

Renaissance Fair (not always bad she says)

Head Shop (which also can be sometimes ok)

Bagel Shop/ College Campus Café

Tim Burton

Nightclub (Roller Disco/ Bowling Alley influences notwithstanding)

Maya Hayuk “Melt the Guns”. Detail. London, UK. March, 2013. (photo © Maya Hayuk)

During this ornery install, Maya says, a combination of many of these stylistic third rails shocked her fluorescently. “Unfortunately, somewhere along the way on this particular painting I WENT THERE,” she laments with some humor in her voice, “I spent days re-painting in a massive un-doing process. Underneath all of the black and white stripes is another entire mural that I painted that included elements from my list and beyond.”

Want to see a picture? “No – I didn’t photograph it! I just ‘black and whited’ over it.”

Maya Hayuk “Melt the Guns” London, UK. March, 2013. (photo © Maya Hayuk)




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Stolen Space Gallery Presents: “Write & Repeat” Group Exhibition. (London, UK)

‘Write & Repeat’ Group show
21.02.13 – 10.03.13

A visually compelling show formed solely from text and pattern based pieces, Write and Repeat is a modern exploration of the two much celebrated forms.

Patterns are all around us. The repetition of shapes and colours form our environment, our natural and manmade landscapes. Even the landscape of our minds are built upon patterns and repetition; the habits and rituals, the ‘rites’ that we perpetuate.

 The use of text in art has drastically evolved over time, and has been used as a purely visual element, as a more direct form of artistic expression, a political tool, and as an art form in its own right. From blatant slogans to seemingly meaningless shapes, text in art offers a unique opportunity for expression.
By combining the two exclusively, we hope to create a visually and mentally captivating collection for January 2013.
Arth Daniels, Charlie Anderson, Chloe early, Cyrcle, D*Face, David Bray, Eelus, EINE, Hayden Kays, Jim Houser, Josie Morway, Julie Impens, Kai & Sunny, Lucas (Cyclops), Maya Hayuk, Mobstr, Nylon, Pete Fowler, Ryca, Sylvia Ji, Shepard Fairey, Tilt, Usugrow, Will Barras, Word To Mother and more.
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Best Miami Street Art: BSA Picks Awesomest for Basel ’12

BSA Recommends: Where to Hit for the Best Street Art

Art Basel is set to whip Miami into a sea-foamy art-star laden froth this weekend, but art on the street is the unofficial engine that will be keeping it real. No one can doubt that the wave of Street Art, this first global grassroots peoples art movement, is sort of everywhere now, haters be damned.

The ugly streets of the Wynwood District easily get as much traffic as the big commercial art fairs even though there is no guest list or ticket price. It feels remarkably different to see the marbled horde exploring art in the public realm, posing for photos with each other in front of pieces, talking with the artists as they paint, sharing their favorite discoveries on Instagram.  This is the art of this moment, and there is just something more democratic about it all.

Our list, in no particular order, doesn’t even include the main fair actually. Hit the streets!

1. Wynwood Walls
2. Fountain Art Fair
3. The Factory Art Show
4. Scope Fair
5. Pulse
6. Miami Project Art Fair
7. Context
8. Primary Projects
9. BLADE at Adjust Gallery
10. A Box Truck Caravan from Klughaus
11. Snyder “Urban Pop Up Gallery”

We have sifted through the offerings in Miami for 2012, and made some selections to help you see Street Art inside and outside, by brand new artists and some with 40 years in the game.  Take your camera, take your sneakers, and take your love of the creative spirit.

Wynwood Walls

Arguably one of the main reasons that Street Artists began pouring into Miami in the late 2000s, Wynwood Walls opened the streets to the gallery world and increasingly galleries are opening doors to these artists from street. Wynwood Walls founder Tony Goldman would have wanted it that way and is credited by many artists as the first guy to give their art a chance to be seen.

WW doesn’t stop this year even as the recently departed real estate developer will be on many minds, not the least because of the huge wall installation by Shepard Fairey honoring him as a benefactor of the arts.

A well mixed list of internationally known and emerging names are featured on a slightly shorter list this year including: How & Nosm, MOMO, DAZE, Shepard Fairey, Jesse Geller (Nemel, IRAK), Faith47, Daleast, Santiago Rubino, POSE and Kenny Scharf. The out door walls are complemented with an indoor exhibition featuring new works on canvas by AIKO, Logan Hicks, How & Nosm and Futura.

How & Nosm. Wynwood Walls 2011. (photo © Jaime Rojo)

For more information about wall locations and all the artists click here.

Fountain Art Fair

A loosely spun ball of misfits and future art stars, Fountain Art Fair always flies just under the radar of it’s more tony neighbors with its somewhat haphazard staging and the kind of unpretentious collaborative punk flophouse environment that gives rise to many Street Artists on the scene today. If you don’t need your art spoon-fed, you’ll find a link to the future here in the motley D.I.Y. parade. Also, a few really strong talents. As usual Fountain is making certain to spill outside the white box, onto the streets and onto the walls. This year line up of Street Artists painting the Fountain Wall include:

Rone, Australia | LNY, New Jersey | PLF, Atlanta | Trek Matthews, Atlanta | Jaz, Argentina | Elian, Argentina | Ever, Argentina | Dal East, China | Faith 47, South Africa | Molly Rose Freeman, Tennessee | Dustin Spagnola, North Carolina | Pixel Pancho, Italy | Never 2501, Italy | Sam Parker, Atlanta | GILF!, NYC | EnMasse, Canada | Lauren Napolitano, Oakland CA | Joe Iurato, NJ | Anne Preece, LA | Nobody, NYC | Pastel, Argentina | Hec One Love, Miami.

RONE. Wynwood Arts District, Miami 2011 (photo © Jaime Rojo)

For more information and schedule of events for Fountain Art Fair click here.

The Factory Art Show

A little more on the commercial tip, Juxtapoz Magazine and its minion are leaders in blasting open minds to help you enjoy delicious tattoo art, graffiti art, Street Art, pop surrealist and dark pop, erotic art, and of course hypnotically animated gifs. Here Jux teams up with Mixed Media Collective to bring you an indoor and outdoor exhibition featuring a left coast imbued view of the street with national and international artists including: 131, Abstrkt, Alex Yanes, Myla (of Dabs & Myla), DALeast, Evoca1, Faith47, Jose Mertz, Lebo, Tatiana Suarez, Toofly, and La Pandilla among others.

Tatiana TATI Suarez at The RC Cola Factory in The Wynwood Arts District of Miami, 2009. (photo © Jaime Rojo)

For more information about THE FACTORY art exhibition click here.

Scope Fair

Scope Art Fair is a few steps removed from the street, even as it deeply mines that vein and packages it for sale. Big sale. Usually high quality and undoubtedly commercial, the fair aims for deeper pockets and the art trade while still trying to maintain the accessible, challenging works that accomplished GenX collectors are looking for.  Not surprisingly, artists once known exclusively as Street Artists are all up in there too.

Scope’s roster of galleries includes many that represent Street Artists from around the world including:  Cory Helford Gallery from Culver City, CA will be presenting D*Face and Buff Monster. Galerie Swanström from NYC will be presenting Gilf!  White Walls Gallery from San Fransico, CA. will be presenting C215, Herakut, Augustine Kofie, Logan Hicks and Niels Shoe Meulman. Andenken Gallery / The Garage from Amsterdam, Spoke Art Gallery from San Francisco and Thinkspace from Culver City, CA will also have booths at Scope. Scope Art Fair includes a large variety of programs along with their main exhibition including Red Bull Curates with artists Cosbe and Claw Money among others and Anthony Spinello curates TYPOE.

Buff Monster at Wynwood Arts District, Miami. 2011 (photo © Jaime Rojo)

For a full listing of exhibitors, programs and other details click here.


Pulse Art Fair insists on paring works on canvas with art installations as a way to engage the public and make the art viewing experience (and hopefully the art buying experience) far less clinical and more accessible. Detailed, immaculate, and approachable, Pulse is always a must to visit if you are doing the fair circuit. This year as in previous years Pulse has included some of the most important art galleries representing and promoting the work of internationally established Street Artists. Some examples: LeBasse Projects from Culver City, CA will be presenting Herakut, The Joshua Liner Gallery from NYC will be presenting Stephen “ESPO” Powers, and The Jonathan LeVine Gallery from NYC will be presenting a solo exhibition by French Street Artist and tilest INVADER.

Invader. South Beach, Miami. 2010 (photo © Jaime Rojo)

For a full listing of exhibitors, programs and other details click here.

Miami Project Art Fair

One to watch, The Miami Project Art Fair originates from peeps in Williamsburg, Brooklyn and has about 70 galleries in its inaugural showing with contemporary and modern art offerings.  We expect this fair to provide the already charged air with an extra bolt of energy. One worth hitting is the Cooper Cole Gallery from Toronto, Canada will be presenting Brooklyn’s own Maya Hayuk.

Maya Hayuk. Monster Island, Brooklyn, NYC. November, 2009. (photo © Jaime Rojo)

For a full listing of exhibitors, programs and other details click here.


Context is one of the newest fairs, and will feature French Street Artists RERO and Speedy Graphito, represented by the Fabien Castanier Gallery from Studio City, CA.

Speedy Graphito “Urban Dreamer” (photo courtesy of the gallery)

For a full listing of exhibitors, programs and other details click here.

Primary Projects

Honorable mention here for the originators of the Wynwood outdoor graffiti (and Street Art) exhibitions that pre-date the official Wynwood Walls and were run on a shoelace budget and lots of hustle, Primary Flight. This year as a gallery project they have refocused their scope and present a full installation by multidisciplinary artist Kenton Parker. He is planning to bring his “Taco Shop” to the 8th floor of the Soho Beach House in Miami Beach.

Kenton Parker. “Las Lucky’s” Taco Shop. (photo © Peter Vahan)

From the Primary Flight press release: “How do you encapsulate the underground, past-midnight culture of Los Angeles into a single structure? For multimedia artist Kenton Parker, his establishment stationed outside the fashionable Las Palmas nightclub brings the beautiful people back to their basic needs; everyone pays the same dollar for the same after-party, hangover fare. Sharply crafted from tile mosaic, Parker’s standalone shop offers patrons everything from sodas to recovered fake Louis Vuitton wallets, from spray paint to Nerds candy boxes”

For a full listing of Primary Projects exhibitions and other details click here.


In addition to the perhaps 100 or so Street Artists participating this year in the established art fairs and galleries, there will be dozens of installations outside the sanctioned venues. So far Miami is still in love with it all – both legal and illegal installations provide the essential ethos of an art world invasion. Without these artists and independent stagings away of the glitzy openings and glare of cameras, these art fairs and  just feel like “commerce”.  Some other gigs to check out :

BLADE at Adjust Gallery

Adjust Gallery in Miami will be hosting an exhibition of legendary Graffiti New York artist BLADE. Vernissage: December 6 from 4:00 p.m. to 9:00 p.m. at Adjust Gallery Miami, 150 NW 24th Ave (305) 458-2801.

Blade in MoCA Los Angeles for Art in The Streets. (photo © Jaime Rojo)

A Box Truck Caravan from Klughaus

Klauhhaus Gallery has been mounting some of the best graffiti/Street Art/tattoo/low brow shows in NYC since the gallery opened in Chinatown in 2011. We give it up for these ruggedly smart idea people who will be making their inaugural trip to Miami. With a caravan of box trucks parked strategically in the Wynwood Arts District their artists will be live painting on the trucks and the trucks will parade around showcasing a mobile gallery as the trucks will in fact be moving canvases. The trucks will feature art by: RIME, TOPER, DCEVE, WANE, SP, CES, OBLVN, STAE2, GOREY among others.

Rime . Dceve . Toper (photo © Jaime Rojo)

For more information about live painting schedule and locations click here.

Snyder “Urban Pop Up Gallery”

And finally there is Snyder, who is just one of the intrepid D.I.Y. artists who inspire you with their will to succeed – even without being plugged in to the scene. From the artist’s press release: “Snyder, a Southern California based street artist, will be installing his ‘Urban Pop Up Gallery’ in the streets of Miami. With no contacts, no pre-arranged walls, no assistants and in a city never previously visited, Snyder attempts to install 30+ pieces of art in the streets of Miami over a 7 day period, ultimately curating his 2nd large scale ‘Urban Pop Up Gallery”.



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Street Art Barocks the Vote. It’s Your Turn Now.

Today in the US we are electing a President. Exercise your right to VOTE.  Otherwise we don’t want to hear one single complaint out of you, okay?

We endorse President Barack Obama for a second term. Here’s why:

In four years Obama has proved to have the character and integrity to lead us out of financial ruin and build some good things for our future. They drove the car into the ditch and drunkenly tossed Brother Barry the keys – what he inherited was a country on the verge of financial collapse with a growing bad reputation in the neighborhood. With steady hands and determination he managed, without much help from the Republicans in Congress, to slowly rebuild our nation and make it stronger. Sure he didn’t do everything he promised he would. But he accomplished a lot, despite unrelenting attacks on him every time he drew a breath.

Me (photo © Jaime Rojo)

Let’s call it like it is – racist hatred came out in full force over the last four years like sewage from an overflowing septic tank. We’re getting better at this racism thing, but we still suck at it. And Obama faced it with honor and grace. People reversed their own positions completely – just so they could fight him, box him out, sandbag him, or try to put him in his place. Some of these people would have mowed down their own grandma with an SUV if Obama was helping her across the street. Regardless of who captures this race for the next four years, Obama has made us proud with his style of steadily fighting for what he believed was good for the country – without trashing other people in the process. That’s a style of American we can support.

Billi Kid (photo © Jaime Rojo)

There are a lot of people who will be affected by your vote for Obama/Biden:

Artists: If you are an artist and care for the arts in this country or if you have an artist friend or relative, Obama is your man. Romney promises to gut the National Endowment for the Arts, National Public Radio, the Public Broadcasting System, and to put Big Bird on the Thanksgiving dinner table.

Teachers: If you are a teacher and care for our schools and our kids education or if you have a teacher friend or a relative, Obama’s got your back. He has also been on the side of most working people in general, and supports union people and families, fire fighters, car workers, the whole enchilada.

GLBT folks: Dude was a little slow at first, but eventually O and Biden have proven to be torch bearers in one of the most important civil rights issue of our time. If you are not gay but you have friends or relatives who are, voting for Obama will help make sure that LGBT aren’t stripped of their rights again. It’s rough to go back in the closet once you are out, and you really should have the same rights as everybody else.

BAST (photo © Jaime Rojo)

Social Service workers: Only Obama and the Democrats are committed to help funding our social safety net – This prevents people from falling into despair and poverty when they are old, sick, unemployed, hungry, disabled. It’s what we are supposed to do – take care of our people. Millions of families are poorer now than ever before and Money Bags Mitt and his friends will happily shred the safety net if they can make another buck. Social Services workers deal with individuals who have special needs and who need special care too – these are true heroes of our communities. If you have a family member or friend who is mentally ill or physically challenged, you know who are the people who work with them to treat them and care for them with dignity. Obama and Co. will work to make sure that they keep getting what they need to do God’s work, instead of figuring out ways to cut budgets for food, travel, medical treatment, rehabilitation.

Immigrants: If you know a friend or a relative who is a decent human being, a hard worker and a value to our society who cannot secure a safe position in the community due his or her legal status in this country you will help them to achieve their dreams by casting a vote for Obama. Scapegoating people who have consistently contributed great things to society is kind of sick. Keeping people afraid and economically insecure is so below us.

Artist Unknown (photo © Jaime Rojo)

Women: Lilly Ledbetter Fair Pay Act was Obama’s first – giving women the right to sue after they realize they’ve been getting paid less than men. He also put two women on the Supreme Court by the way. Mitt and his buddies may have binders full of women but the ugly truth is they have been totally busy rolling back the clock on women’s rights to the 1950s, or 1850s.  If you are a woman or love one, support women’s right to live in the 2010s.

People who breathe air and drink water: Not that he’s been the best, and Obama’s still giving up too much to the oil / goal / gas lobbies – but Romney will just hand over everything, including public lands, and will decimate any pretense at protecting our land, water, and air.

People who get sick: About 30 million more people will be able to get healthcare now than 4 years ago. Obamacare isn’t going to be perfect because he gave into the insurance companies too much during negotiations, but it’s a Hell of a lot better now than four years ago – and we can build on this plan. Pre-existing medical condition? – You can’t get dropped like a hot potato anymore. You can also stay on your parents’ health insurance till your 25. That didn’t exist 4 years ago. Mitt wants to scrap the whole thing.

Rocksmith (photo © Jaime Rojo)

Old People and Future Old People: Just like the Bush-Cheney people before them, when it comes to Social Security and healthcare, Romney and Ryan want to slice and dice that shit, and play it on the horses. If we had let George put Social Security into investments in the stock market like he wanted to, your grandma would be starving right now. That would have crashed in ’09.  Social Security, Medicare, Medicaid – that’s yours baby. Social Security is the most successful program in human history that has helped prevent millions of old people from falling through the cracks . Don’t let them slice and dice it away. You are gonna need it later. No kidding.

The President and the First Lady have endured a lot since the day they moved into the White House and in a lot of ways they have made us proud and sometimes full of admiration. Keeping them there is an excellent way to tell the haters how bad their behavior has been – And that the first time we elected him wasn’t a fluke.

Okay we’ve said our piece. It’s not about Street Art, really, and we’re not strictly thought of as political analysts.  But you know, this blog is about you and people who follow this ongoing conversation that artists have on the street. Politics, sex, love, money, power, social issues; Somehow it’s all related. Most importantly you should probably just vote your conscience, and thanks for your time and support.

Artist Unknown (photo © Jaime Rojo)

Vote Honky (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Spagnola (photo © Jaime Rojo)

HeadHoods (photo © Jaime Rojo)

Maya Hayuk did this new one just this week. Next day it was marred by what some might call an attempt at Voter Suppression. (photo © Jaime Rojo)

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