All posts tagged: Laurence Vallieres

“Trashplant” with Forest Dump Et Al : The Completed Installations – Part III

“Trashplant” with Forest Dump Et Al : The Completed Installations – Part III

Here at the Trashplant festival in Tenerife, the performance artist and eco-artivist Forest Dump re-added foliage to this new tree that once was a telephone pole that once was a tree. Then he jumped down off the fence.

For those who have been on the fence about their responsibility to the earth and our natural resources, many people in this new generation are making that jump as well.

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

“We have been building cities for years, replacing nature with concrete and steel,” he says in a recent Instagram post, “We tend to forget but our deepest roots are in Mother Nature and we truly need her to survive.”

Reminds us of all these online orders we’ve been placing lately for all kinds of household items, and the boxes that are piling high under the desk. Cardboard consumption had been reduced by manufacturers in recent years but now the world is consuming about 415 metric tons of paper and cardboard every year, and tons of water is involved in its production as well.

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

It’s something to think about when looking at the new Coruja owl that Montreal based artist Laurence Vallières has fashioned out of cardboard.

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Beginning with a small clay sculpture that she made for reference that is closer in scale to the diminutive size of the actual owl (usually about 8 inches, or 20 centimeters tall) she brought this one to life over the course of a few days while gazing out the studio window at the ocean. The new sculpture joins a long line of animals that the artist has made in the last few years using this same technique and material, at once impressive because of the volume of the work, then by it’s relative fragility.

Laurence Vallières. WIP shot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Portuguese artist Miguel Januário pokes at that corner of your consciousness that has stopped making connections through disuse. His new installations for Trashplant are in alignment with his ±MaisMenos± art project that is drawing attention to the connection between the natural internal environment and the natural external environment.

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

EMPHASEMA is translucently suspended in the air amidst a leafy wooded area that is always cleaning the air and aiding respiration. Similarly his intervention of the word CIRRHOSIS is afloat in the nearby surf where water brings to mind the role of your clean liver in all metabolic processes. As usual, the artist creates gently jarring messaged that may begin further inquisition and examination into our attitudes and behaviors.

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Trashplant as a project curated by Bordalo II is a potent reminder of the multiple functions that art can play in our daily intercourse and Street Arts’/Public Arts’ potential to reach larger cross sections of people who normally do not frequent galleries or museums. With the obvious, the subtle, and the conceptual at play, this festival takes a meaningful approach to the power of communication to a range of audiences.

Forest Dump has the last word here.

“No matter who you are, where you live, or what kind of life you lead, you remain linked to the natural world! Respect it before is too late!”


Our sincere thanks to photographer Luz Sosa for sharing these photos with BSA readers over the past three days of our coverage of Trashplant.


To learn more about Trashplant please go here: http://trashplantfestival.org/

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

 

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“Trashplant” in Tenerife Corralls Trash and Welds New Life : Process – Part II

“Trashplant” in Tenerife Corralls Trash and Welds New Life : Process – Part II

It’s our second day of sharing scenes from Trashplant and here we see Icy and Sot are bobbing and diving inside a colorful unnatural environment of plastic trash that is being corralled into a fenced cube, and musician and welder Diedel Klöver is crafting fish fins from corrugated metal fence posts.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

The German lawn sculptor from Varel on the North Sea is adding a blow-torched fish to his recent animal parade of a lion, a rhino, stingrays, and penguins. The Tenerife truckload of metal he selected at the scrapyard speed is being speed-welded in just four days, thanks to some help from his buddy Alex.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Curator Bordalo II watches artist Catarina Glam from a safe distance as she wields a power saw to form the wood pieces of a creature that is coming together when he’s not out in the yard with João piecing together what looks like it may be a penguin from the recycled trash they have collected.

The fact that much of the work here at Trashplant in Tenerife is made from recycled refuse is central to the exhibition and one that is easier to understand when we have the opportunity to see how it actually comes together.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Compound this with the realization that much of the human-made materials that we are using daily actually poison the water and air for these animals and of course our families… and you begin to think that the whole world is really just once enormous trash plant.

To learn more about Trashplant please go here: http://trashplantfestival.org/

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

 

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Artists + Trash as Activism at “Trashplant” in Tenerife: Process – Part I

Artists + Trash as Activism at “Trashplant” in Tenerife: Process – Part I

Art Activism (Artivism) in progress here this past weekend at the Trashplant Festival in San Cristobal de La Laguna, Tenerife, Canary Islands. A dozen artists have formulated installations directly in response to environmental issues at the invitation of the one of Street Art’s main trashmen himself, the street sculptor Bordalo II.

Today we have first phase installation shots of the artists preparing their new pieces thanks to photographer Luz Sosa, who shares these images with BSA readers. Included are ±MaisMenos±, Bordalo II, Catarina Glam,  Diedel Klöver, Forest Dump, Icy & Sot, and Laurence Vallieres.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

The garbage that we generate can also transform into art and the Trashplant Festival was born – an unparalleled event where a large group of the best plastic and urban artists from all over the world come together to carry out one of the greatest tasks of environmental awareness through art.

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordallo II tells us that the point is to draw attention to how we can reuse, recreate, and reflect on how we generate waste. It’s an obsession for many in this troupe of like minded artists, and guests observe and investigate their new figurative and conceptual pieces here while attending music concerts as well, hopefully “inoculating” them with awareness of the need for all us us to transform society to preserve the natural environment.

To learn more about Trashplant please go here: http://trashplantfestival.org/

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Icy & Sot. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

Forest Dump. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Laurence Vallières. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Diedel Klöver. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Catarina Glam. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

±MAISMENOS± Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

Bordalo II. Trashplant Festival. Tenerife, Canary Islands, Spain. June 2018. (photo © Luz Sosa)

 

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What’s on the Street in Madrid? A Quick Survey

What’s on the Street in Madrid? A Quick Survey

Today we have an opportunity to see some of the Street Art and gallery-related works on show in Madrid. Our sincere thanks to photographer and avid observer Fer Alcalá, who shares his findings with BSA readers today.


~Fer Alcalá~

I was lucky enough to meet and walk the streets of Madrid with Guillermo from MadridStreetArtProject a veteran actor in the local scene. His way of seeing and understanding the urban landscape is outstanding. He is one of the best hosts that you can find in Madrid.

Pro176.  Mind The Wall Project, curated by Swinton & Grant Gallery. (photo © Fer Alcalá)

Julieta XLF . Son3K for Arte al Cubo produced by MSAP. (photo © Fer Alcalá)

Elbi Elem for Arte al Cubo produced by MSAP. (photo © Fer Alcalá)

Ampparito at Lavapiés. (photo © Fer Alcalá)

Suso33 (photo © Fer Alcalá)

SM172 at Lavapiés. (photo © Fer Alcalá)

Brodbus portrait of Roy Ayers at Esto Es Una Plaza. (photo © Fer Alcalá)

SM172 at Esto Es Una Plaza. (photo © Fer Alcalá)

Esto Es Una Plaza (photo © Fer Alcalá)

Eltono (photo © Fer Alcalá)

Ron English. “Guernica” at Espacio Solo. (photo © Fer Alcalá)

Espacio SOLO is an EXPERIENCE, not only because of the mystery associated with the project, but for the feelings that you have once you are there. Surrounded by astonishing pieces of fine art, getting lost through alleys and rooms and at the same time, having the sensation of invading someone’s coolest home on Earth.

Laurence Valliéres at Espacio Solo. (photo © Fer Alcalá)

Kaws and Tim Biskup at Espacio Solo. (photo © Fer Alcalá)

 

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URVANITY 2018: 3 Days in Madrid

URVANITY 2018: 3 Days in Madrid

Today we go to the Urvanity New Contemporary Art Fair in Madrid to see some art inside and outside the fair and to hear about some of the programming happening there, courtesy of Fernando Alcalá Losa.


URVANITY New Contemporary Art Fair 2018

Or, “How we spent the whole weekend in Madrid enjoying art, friends and talks while censorship from the central Spanish government is choking the liberty of expression.”

The 2nd edition of Urvanity New Contemporary International Art Fair was our main focus of interest. With an exciting program including some of the most interesting galleries and artists from all over the world, 4 walls being produced in different areas of the Spanish capital and a more than attractive set of talks and lectures, we knew that we were going to make our weekend. But, of course, there was going to be more, much more…

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY ONE: Galleries

After sleeping a few hours, I started my little marathon outside the new Urvanity headquarters in the beautiful ME Madrid María Victoria Hotel for attending a round table about ‘Women in the cultural industry beyond feminist clichés’. With Alberto Aguilar from Urvanity moderating, I was excited to see what journalist Belén Palanco, gallerist Consuelo Durán and artist and friend Anna Taratiel had to say about all this arty world ‘dominated’ by men in these times when initiatives like La Caja de Pandora are rebelling against sexual abuse and the heteropatriarchy hegemony in the art world and fighting for visibility, justice and equality in working conditions and salaries.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Artists like Nuria Mora and Animalitoland, Sergio Bang, from Swinton & Grant Gallery, and Diana Prieto from MadridStreetArtProject were in the audience. Issues like education, quotes, discrimination, the toughness of being a female street artist, being out or inside the system, some critics to the female clichés and personal experiences were brought into the table. Being a heterosexual cis male, I don’t know if I’m the right person to say this, but I missed a more radical speech about the whole scenario and the role of women about making the necessary changes for reaching the place and conditions that they deserve.

Apart from this, Juncal Roig, Urvanity’s communication manager, had prepared a little gift with fellow artist Antonyo Marest. Last year, Marest had painted 4 walls in a nice courtyard inside the Hotel, so we did a small private shooting with the artist. It was fun, because we had to access the place through a window in one of the rooms. As Antonio said, imagine how ‘easy’ it was to move 6-floor wall scaffolding through that small ‘hole’. Watch out for Marest USA tour coming soon in the next months.

 

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

‘The Impact of Urban Creativity in Cities’, a talk, as I said before, by Contorno Urbano founders, was next. Ninoska’s and Esteban’s explanations about some of their most important projects and about how to work with students, neighbors, the local authorities and the artists themselves really got my attention, although I was already aware about the details of their work. The never ending growing 12+1 project and, of course, the soon to come ‘Mural Salut Wall’ by Escif were some of the top hits of the lecture, including the announce of the International Tortilla Competition held this last weekend at Sant Feliu de Llobregat’s La Salut square as a part of Escif art residence in the city. Hyper fun 3rd grade by the artist that caused lots of laughs between the audience. Looking forward to see what Escif will create in the next months here.

 

Long but full of experiences day. Beer time and back to our place where a bunch of young adults were waiting for us celebrating Miriam’s (our host) birthday, singing songs with ukuleles at 2am and drinking bourbon. Fuck me: I’m getting old…

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY TWO: The day of Walls.

Good morning Vietnam! Slept 4 hours, dizzy head (if you can’t fight the enemy, join him) and García in groundhog mode on. I was starting to feel kind of nervous, as I hadn’t seen a wall yet, so I had a mission going on. Being lucky enough to know one of the best hosts that you can find in Madrid, I met Guillermo, from Madridstreetartproject ‘MSAP’, had some quick breakfast and began walking by. Guille was one of the people taking care of the production duties of the Urvanity walls. A veteran actor in the local scene, his way of seeing and understanding the urban landscape is outstanding.

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

I had to leave Cranio’s wall for Sunday due to ‘logistic’ reasons. But, I was so glad to have the chance to shoot with Alexey Luka, as I had seen some photos about the WIP of his mural and I was loving it. After a small talk with the artist and the ‘formal’ presentations, I began shooting from the ground while Guille was struggling with drivers trying to not have them parking besides the crane.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then a little magical episode took place when Javier, a neighbor living in the building opposite to Luka’s wall, offered himself to give us access to the rooftop. Nicest human being ever, Javier told me that he was a military pilot and a great photography aficionado. It’s always surprising to me how people that don’t know you at all trust in you and open their houses to strangers like us, offering all the possible help because they are liking the project and/or the artists’ work.

Alexey’s wall was being a tough one to deal with. Guille, Rocío and the rest of the production team had to treat the wall twice with some special products because dust and sand were getting out from it. They lost 2 days because of this, but when I arrived there, everything had been solved and the artist was working hard. After dealing with a couple of issues, we head to the next wall… Before, I would love to say some words about Rocío here. We have just met maybe twice during all these years.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Working and collaborating with MSAP, Mula Fest and Asalto among others, it’s always interesting to listen to her clever thoughts and knowledge about the whole scene, how she approaches the tours that she guides in Madrid and get to know a little bit more about the kind of person that everyone would love to have in their teams. You can check Rocio’s blog here.

Maybe Jan Kaláb’s wall was the most popular one during the whole weekend. Pedestrians were loving the mix of nice colors and soft shapes – so selfies, stories and boomerangs were spreading as flu. I just tried to include some human traffic in the photo. Maybe I have a thing with old ladies… Just maybe…

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

Xavier Eltono’s talk was one of my top moments of the whole trip. Although I follow his career since years ago, I hadn’t got any deep thoughts about his work. After I heard what he had to say about his art and about how he connect his studio work with the skin of the cities where he had intervened, I understood a lot of things regarding his philosophy and the way he interacts with the city.

Another thing that got my attention during his lecture was the fact of how many respected artists were attending the talk. Names like Zosen, Mina Hamada, Aryz, Rocblackblock, Daniel Muñoz SAN, Kenor, Anna Taratiel, Suso33, Aleix Gordo, Vermibus…were there showing respect for Eltono’s art and explanations. The academic world was also represented nicely with awesome Fernando Figueroa and Elena Gayo.

Xavier Eltono. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Xavier told me by email that this talk had been very important for him, so I asked him why: ‘I’m used to give talks, I do a couple every year and I actually really enjoy it. Doing it in Madrid though was a very different exercise. Even if I’m not Spanish, I became an artist in Madrid, this is the city where everything started for me. Talking about my work in this city was very challenging to me because I knew a lot of friends and a lot of artists I admire would be listening to me. It’s very easy to talk about your work in front of an anonymous crowd but in front of people you know and you care about is totally different! I was very nervous, but, according to the feedback I received after the talk, it looks like no one noticed it!!!

Tina Ziegler of Moniker Art. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then, the main dish of the menu took place. ‘The Art Conference, by Urvanity’, hosted by Doug Gillen, from Fifth Wall TV and featuring some of the most important managers/curators/creative directors/promoters in the biz was meant to be the grand finale of Urvanity’s Saturday program. Tina Ziegler, Director of Moniker Art fair, Yasha Young, Creative Director of Urban Nation Museum, and Anna Dimitrova, Director of Montana Gallery, were adding some more girl power to the place.

Yasha Young of Urban Nation Berlin. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

FER: One of the most interesting things about the fair this year was the Talks Program. I couldn’t go to all of them because I would need to clone myself for attending everything, but was it intentional for you to enhance this side of the event? Do you think that these talks and lectures are useful for attracting a potential audience or are they more focused on an indoor point of view for people inside the art world? Why the 2 talks were the role and presence of women was more significant were moderated by a guy with a penis?

Sergio Sancho: For us the talk program it is a fundamental base within the fair. It is something that we want to keep on and give more importance and visibility. We think that the best way to understand this movement it’s from inside, giving voice and visibility to the main characters. About the moderator you are talking we think the gender its irrelevant. This year we wanted to give more visibility to women in a world where there is such an inequality and it has been casual that in the case of The Art Conference the moderator that Tina used it’s always a man and in the case of the talks opening program it has been Alberto the leader and we think it was the suitable person to do so.

 

Esteban Marin and Ninoska of Contorno Urbano Foundation. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

An impressive example of power, clear minds, commitment and, above all, tough work during several years in a penis based industry, these 3 forces of nature explained to us the main points of their careers, their way of working, their ethics, spoke about good practices and loyalty, some episodes about dealing with male chauvinism attitudes and how to get through all this without stepping forward.

Antonyo Marest. Madrid, Spain. February 2018. (photo © Fer Alcalá)

After personally meeting Ampparito and chatting a little bit with Octavi Serra and some other guys from Cúmul we ended the day talking and drinking beer in a relaxed atmosphere at some ‘Manolo’ bar in Madrid. Time to breathe, smile and relax.

DAY THREE: The art fair day.

And Sunday arrived. Keeping the military discipline of the whole weekend, woke up early, had some bad coffee while planning the morning and started my 3kms walk to check Cranio´s wall out. Sunday is ‘rastro’ day in Madrid, so some streets and squares of the area were flood with people that you had to avoid while trying not to kill yourself watching the screen of your mobile phone as it was compulsory for me to check the map and my old time friend Kini González was helping me out getting some invitations for colleagues.

Once of the few times that I was moving my head up, I almost crashed with some familiar guy. Rafa appeared suddenly in front of me with his eternal smile in the face. A friend from Barcelona, it had been years since we had seen each other, so it was a funny and nice coincidence to meet by chance 624kms away from our hometown. We continue our walk together speaking about life, anarchy, music and veganism and, at the same time, Guille was telling me the last news about Cranio´s work as we were all pendant of the keys of the crane for the final shot.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

As I was seeing that this wasn’t happening in the next few hours, I changed my plans and went to Luka’s wall as I wanted to take some photos from the crane. There it goes… Say bye to Rafa, put my stuff together and we went up for capturing some details.

As we were saying in Madrid, there’s a poker of photos that you should take while capturing, if possible, the whole process of painting a big mural: shots from the ground, shots from other buildings and rooftops, shots from the crane and the final shot. If you get decent photos from all these angles, you will come back home with a smile on your face… I missed Luka’s final photo, by the way, as he finished his work on Monday.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Once we had arrived to Urvanity’s headquarters I started to check all the artwork that galleries like Montana, SC, Ink and Movement, Stolen Space, Fousion, Plastic Murs, Swinton & Grant, Station 16, Ruarts or Pretty Portal were exhibiting. I liked to see some personal faves like Enric Sant, Isaac Cordal, Sixe, SAN, Herakut, Deih, Hyuro, She One, Dilka Bear, Kofie, Jaune, L’Atlas, Stikki Peaches, Anna Taratiel or Guy Denning, having in mind that you don’t always have the chance to admire all these people’s work in one place at the same time. I also enjoyed to discover other great artists that were kind of new for me like Gregory Watin, Marc C. Woehr, Solomostry, Spazuk, Jaime Molina or Morik Marat.

I also spoke with some of the gallerists who were quite happy about the sales and the whole experience in general. Okuda almost did a sold out, Taratiel sold her bigger piece for Durán gallery, veteran Henry Chalfant and Enric Sant were also selling for Adda & Taxie. Vicente, from Plastic Murs, was much happier with the sales this year than he was in 2017 after seeing how Deih and, above all, Vinz had been successful during the fair. Dilka Bear for Fousion gallery also saw how some of her works were going to some collector’s homes.

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

It was also interesting for me to know that Kofie ‘papers’ in Swinton & Grant had been sold even before than the fair officially started. Classic names of the scene like Gripface, Stikki Peaches, GR170 or Belin also sold in this year edition. On the opposite hand, Olivier, from Vroom & Varossieau, which exhibited one of the most powerful group of artists in the fair, told me that his sales had been better last year, maybe because of his high prices. As we say in Spain: ‘nunca llueve a gusto de todos’ (something like: not everyone likes when it rains).

I spent my last minutes at COAM trying to find Sergio, Juncal and Victoria from Urvanity’s team without success, as I wanted to say bye and thank them for the treat that they gave to us during the whole weekend. I really like when you get the chance of meeting personally people that you have spoken with by email and that you have interacted with on the social media, as it happened this time with Sergio and Victoria.

Okuda. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

So, this was it. We couldn’t leave Madrid without having a couple (a couple…yeah, right…) of vermouths with some old time friends and colleagues, feeling sad because of the ones that we missed and thinking about all the great moments and experiences that we had lived during the weekend.

Thanks A LOT to all of you who we spent some time with during those 3 crazy days, specially to Sergio, Juncal and Victoria, Miriam for sharing her home with us, Guille, Diana & Rocío for being there as always, Lara, Soledad and Rebekah, at Espacio SOLO, for being such great hosts and, of course, Audrey García for breathing and existing. ‘til next time Madrid…

Laurence Valliéres. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Laurence Valliéres. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Jaune. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Daniel Muñoz AKA SAN. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Guy Denning. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Augustin Kofie. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Herakut. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Hyuro. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Spok. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Henry Chalfant. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Isaac Cordal. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

JAZ. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Stikki Peaches. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Deih. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

URVANITY ART MADRID 2018

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Downtown Miami for the KOOL KIDS : Juxtapoz Clubhouse 2017

Downtown Miami for the KOOL KIDS : Juxtapoz Clubhouse 2017

Ahhhhh the sun! The sea! The cigarette butt stuck to my leg from last night.

Also, did I wear ONLY this swimsuit and shoes, or did I originally go out with more clothes?

Anyway this is Miami and the annual mural-street art-graffiti-gallery show-art fair-melee is afoot. Wherever you go in Wynwood you are bound to find Instagrammable moments and pretty things pontificating about this or that, but if you want to see good stuff we’re suggesting this year that downtown is the next Wynwood, beginning with the historic Walgreens Building on 200 East Flager Street. Its second iteration, the Juxtapoz Clubhouse feels more like an organically spawned environment; cognizant of the many tributaries from where this art scene evolved, with room for free thought, experimentation, and growth.

Take a trip to another part of Miami this year and see JUX’s many assorted exhibitions and exhibitionists. Here’s a few of the hits we hope you hit.

Juxtapoz Clubhouse Miami 2017

Juxtapoz Magazine is taking over a 3-story department store with art installations, activations, murals, and site-specific projects, featuring works by Conor Harrington, Jean Jullien, Faith XLVII with Inka Kendzia, Ron English, Laurence Vallières, Serge Lowrider, Low Bros, Zane Meyer, Jillian Evelyn, Alex Yanes.

Juxtapoz will also be releasing their new Quarterly edition at the Clubhouse along with editions of Shepard Fairey’s “The Damage Times” newspaper, created in conjunction with his Damaged solo show.

Juxtapoz is also showcasing projects from Jonathan LeVine Projects, Thinkspace, Corey Helford Gallery, Think Tank, Athen B Gallery, Good Mother Gallery, Superchief Gallery, First Amendment, Station 16 Gallery and Urban Nation.

Juxtapoz will also once again team up with Mana Contemporary on a special mural by Conor Harrington and a-soon-to-be revealed skate park project – remember the massive skate park with Mana and Andrew Schoultz in the Wynwood neighborhood.

Historic Walgreens Building
200 East Flager Street

December 7 – 10, 2017
Opening Reception: December 6, 4 – 9 pm

URBAN NATION BERLIN

From 7th to 10th of December URBAN NATION is part of the Juxtapoz Magazine CLUBHOUSE project @downtown Miami with Mimi Scholz Arts, #MateusBailon, Insane 51 and Nuno Viegas

JONATHAN LEVINE PROJECTS :

Prefab77 “Goddess & Groupies1”

Jonathan LeVine Gallery is pleased to present a group exhibition at the Juxtapoz Clubhouse featuring the following artists:

Adam WallacavageDavid Choong LeeHandiendan, Jeremy FishJim Salvati, Jim WoodringJoão RuasJosh TiessenJulia IbbiniKevin CyrKip OmoladePrefab77Radosław Liweń and Ronald Gonzalez.

OLEK “Playpen” With Corey Helford Gallery

Los Angeles-based Corey Helford Gallery is showing new stuff by OLEK as part of the Juxtapoz Clubhouse. Olek says “Playpen” is a witty and flirtatious series featuring three new sculptures and an impressive 20-foot installation of an 8-legged “Spider Woman,” adorned with motifs like eyes, lips, hearts and flowers.

Look out for sculptures that represent various fantasy objects — a “Cat Snail” playset, a classical-shaped “Woman Bust” and a potted “Cock Plant” — all of which come to life under the glow of black light. Initially inspired by her own play experience as a young girl, OLEK uses this series to explore concepts of womanhood, sexuality, and feminist ideals.

FIRST AMENDMENT

A collection of works by San Francisco based First Amendment gallery artists will be on the third floor, including:

Andrew Antonaccio
Ellen Rutt
Francesco Lo Castro
Hell’O Collective
Hoxxoh
Lena Gustafson
Mando Marie
Scott Albrecht

THINKSPACE

Jaune (photo © Jaime Rojo)

Thinkspace is 2 for 2 here at the Clubhouse during Art Basel week in Miami with James Bullough and Jaune on site leaving their unmistakable marks.

ATHEN B. GALLERY

A collection of works and installations by Athen B. artists will include
Brett Flanigan
Cannon Dill
Heather Day
Jet Martinez
Kate Klingbeil
Laura Berger
Maxwell McMaster
Meryl Pataky
Muzae Sesay
Nicolas Romero
Nicomi Nix Turner
Pastel
Troy Lovegates
Woodrow White
Zio Ziegler

SUPERCHIEF GALLERY

Superchief will feature works by Parker Day, Don Pablo Pedro, UFO 907, Yu Maeda, and Reginald Pean and will be screening Wastedland 2 on Thursday December 7th at 7pm. See our interview with the director here.

 

GOOD MOTHER GALLERY

Good Mother will feature Egle Zvirblyte & Jose Mendez

STATION 16 GALLERY

Laurence Valliérs. Detail. (photo © Jaime Rojo)

Station 16 will be featuring a new installation by Laurence Vallières

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“Urvanity” Fair Opens in Madrid, 68 Artists + Galleries + Walls + Panels

“Urvanity” Fair Opens in Madrid, 68 Artists + Galleries + Walls + Panels

You may not realize upon first glance through the series of modular white walled temporary gallery rooms, but this fine art on display all has origins in street practice.

Over the past long weekend Madrid’s Urvanity fair at The Palacio Neptuno showcased a sweeping cross-selection of crisply framed names – many of which are being identified as Street Artists en route to “Contemporary Artists”.

Banksy. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Hung at eye level, carefully spaced, and illuminated under tracked lighting, the studio work of nearly 70 Graffiti/Street/Urban artists went on this weekend in one of the first fairs dedicated entirely to this evermore emerging category.

With fresh works from artists like JonOne, Fin DAC, Pixelpancho, Miss Van, Jef Aérosol, Sixe Art, L Atlas, Stikki Peaches, and Ben Eine, it is a mostly Eurocentric roster of galleries you’ve come to know in the last decade or so from places like Amsterdam, Paris, Milan, Zurich, London, among others, and of course Madrid. Under the direction of Sergio Sancho, an advertising professional who has worked with major global brands, the fair calls the works on display New Contemporary Art and the program includes a companion mural campaign in Madrid streets featuring Eine, Jason Woodside, L’Atlas, PREF, MESA and Mohammed Lghacham.

Laurence Vallières. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

While receiving increasing support from serious press, museums, auctions, and festivals over the last decade and a half, it has been a great challenge for both commercial/social and historical/academic scholarship to agree on a moniker for these combined movements and makers – one that fairly encompasses the myriad motivations, styles of expression and intersecting cultures that have evolved from a half century of art on the streets.

Pro 176 . L’Atlas. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

With the inauguration of the Urvanity Mahou Talks Program during the fair, featuring again the artist Ben Eine and cultural curator Cedar Lewisohn, this topic and many more that continue to be raised can be examined and discussed in meaningful ways. At BSA we are finding that our participation in these panels, presentations, and discussions as well as being in the audience has furthered our understanding and appreciation for this natural and growing desire of scholarship.

The Urvanity program of conferences, debates and presentations here collect artists, curators and cultural managers with these purposes in mind and naturally will help collectors and fans contemplate these artists at the fair and better appreciate the bridge between the street and the fine art presented here. A strong first showing, you can expect to see Urvanity back again next year.

An outdoor mural from the Urvanity Instagram page. “We are excited to be able to be painting incredible murals in #Madrid. This one is by @oiterone on Calle de la Cebada!”

Miss Van . Peca. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Tilt . Moses & Taps. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Nano4814. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Vermibus . Jordan Seiler . OX. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Sixe Paredes . Suso33 Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

D*Face . Jason Woodside . Felipe Pantone . Pref . Okuda. Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Urvanity 2017. Madrid, Spain. February 2017. (photo © Alfonso Herranz)

Sergio Sancho and the Urvanity team outside the inaugural exhibition Palacio Neptuno.
Check out their Instagram here.

For more information please visit:

URVANITY
Palacio de Neptuno
Calle de Cervantes, 42. Madrid
From February 23rd 26th, 2017
www.urvanity art.com

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Clubhouse Chemistry in a Warehouse : BSA x UN BERLIN ART BASEL 2016: Dispatch 4

Clubhouse Chemistry in a Warehouse : BSA x UN BERLIN ART BASEL 2016: Dispatch 4

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One of the fantastic parts of Miami’s Art Basel / Wynwood craziness, aside from the colorful drinks and hair sculptures and accidental tripping over almost every Street Artist you have heard of (and many whom you haven’t) is the sheer amount of madhouse chemistry that explodes in your face because of new partnerships and events – like the Juxtapoz Clubhouse in Wynwood opening today.

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Olek. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

The premier contemporaty and underground magazine and cultural stew from the west coast teams up with New Jersey’s Mana Urban Arts and others this year to take over one of those previously run-down and neglected parts of the neighborhood to create an “immersive retreat”.

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Denis McNett. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

We got a behind-the-scenes peek at the installations and artworks in advance of today’s opening and were pleased to see that the quality is slammin’ –with sufficiently large installations to create an environment and to stand on their own as fully realized concepts.

So many of these artists can work larger, and many have: Dennis McNett stages fully performances and parades of characters pounding like warriors through streets, for example. Dude, the energy is good.

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Denis McNett. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

The mix of producers/collaborators at the Clubhouse is contemporary, theatrical, and somehow darkly comic –Jonathan Levine Gallery, Chandran Gallery, MILK Studios, ThinkSpace, and the 1xRun crew – a smartly flipped trip of heavy hitters that relies on the strangely symbiotic and the serendipitous to succeed.

Check out some of the work here and if you are in Miami go to 2400 NW 5th Avenue from December 1-4.

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Laurence Vallieres. Detail. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Ever at work on his installation. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Ever. Detail. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Fintan Magee. Detail. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

brooklyn-street-art-cern-jaime-rojo-miami-mana-urban-arts-juxtapoz-2016-web

Cern at work on his painting. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

brooklyn-street-art-cinta-vidal-jaime-rojo-miami-mana-urban-arts-juxtapoz-2016-web

Cinta Vidal. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Zio Ziegler. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

brooklyn-street-art-scott-campbell-jaime-rojo-miami-mana-urban-arts-juxtapoz-2016-web

Scott Campbell. This is is an interactive piece which will involve the public. Mr. Campbell is a tattoo artist and through a raffle willing participants will have the opportunity to have their arm tattooed but they will not know what the tattoo will be until completed. The participants will stick his or her arm, trough the hole in the middle of the installation and Mr. Campbell will be unseen, working on the tattoo on the other side of the wall. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Low Bros. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Swoon. Detail of her installation. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

brooklyn-street-art-swoon-jaime-rojo-miami-mana-urban-arts-juxtapoz-2016-web-2

Swoon. Detail of her installation. Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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brooklyn-street-art-adam-wallacavage-jaime-rojo-miami-mana-urban-arts-juxtapoz-2016-web

Adam Wallacavage. Jonathan LeVine Gallery x Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

brooklyn-street-art-dan-witz-jaime-rojo-miami-mana-urban-arts-juxtapoz-2016-web

Dan Witz. Jonathan LeVine Gallery x Juxtapoz Club House x Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

brooklyn-street-art-shepard-fairey-jaime-rojo-miami-mana-urban-arts-projects-2016-web

Shepard Fairey. Mana Urban Arts Projects/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Louis Masai. The Art of Beeing. Mana Urban Arts Projects x The Bushwick Collective/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

brooklyn-street-art-louis-masai-jaime-rojo-miami-basel-2016-web-2

Louis Masai. The Art of Beeing. Mana Urban Arts Projects x The Bushwick Collective/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Case Maclaim sketching his wall for Wynwood Walls/Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Please Do! Artist Unknown. Art Basel 2016. Wynwood, Miami. (photo © Jaime Rojo)

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BSA /Urban Nation Berlin “Picks for Miami Art Basel 2016”

BSA /Urban Nation Berlin “Picks for Miami Art Basel 2016”

It’s the annual peregrination from Brooklyn to Miami after the Thanksgiving holiday to see the sand, the surf, the aerosol masterpieces. For readers who have witnessed the growing spectacle of the Street Art scene in this city and are worried about the full-scale absorption of Street Art and graffiti culture into the larger Urban Contemporary Art rubric, this place is a tidal wave of evidence that the sub-culture/counter-culture is simply loved and adored by too many people.

Of course, tastes vary and not everyone is into the same aesthetic, message, style, technique, and there are still plenty of ruffians trying to stir sh*t up, thank God. But it’s probably psychologically healthy for artists and fans from the origins of this scene on the street to take some pride in the fact that this grassroots arts movement is producing some of the most compelling shows, exhibitions, and events – many rivaling what is happening inside the ART BASEL fair that all these events are associated with.

bsaxurban-nation-miami-art-basel-2016-740

All week starting this Monday we’ll be there on the ground hustling from the formal to the informal, sponsored to the D.I.Y. – to at least capture some of that energy and insight to bring to you. In partnership with UN – the Urban Nation Museum of Urban Contemporary Art in Berlin, BSA will bring you action and excitement on the streets – here are some highlight to help you with your planning:

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WYNWOOD WALLS MIAMI ART WEEK

An ongoing festival of murals begun in the late 2000s, Wynwood Walls’ theme for this year is “Fear Less” and the 12 new murals will for the double meaning of the expression. From the words of Jessica Goldman Srebnick, CEO of Goldman Properties, who are folks behind Wynwood Walls:

“Every year we choose a unifying theme and ask our artists to somehow address this in their work with the goal of pushing the narrative. This year, with everything going on in the world I felt it appropriate to advocate a message of courage, in the hopes that we can all embody courage in our everyday lives.   Street artists by vocation are some of the most fearless people I’ve met — and here in Wynwood, we’ve grown from a marginal area that many feared to explore – into one of the most desirable art-filled locations in the world. My father (Tony Goldman) always said, ‘Don’t give in to fear,’ and this year we’re honoring that sentiment.”

Fear Less will showcase the work of a varied mix of outstanding artists – some household names in the street art world, others up and coming. In addition to Hiratsuka, artists include AVAF (Brazil), Beau Stanton (CA, USA), Case (Germany)   Dasic Fernandez (Chile) David Choe (CA, USA), Faith47 (South Africa), Felipe Pantone (Spain), Findac (UK) , Okuda (Spain), Pixel Pancho (Italy,) Risk (CA, USA), Tatiana Suarez (FL, USA) . Artist Audrey Kawasak (USA) will be painting a mural at Goldman Properties’ The Hotel on South Beach. In addition to the murals artist Ken Hiratsuka will carve boulders in the style of his intricate carvings he did on the NYC streets during the 1980’s.

Artist Talk: Thursday December 1st. 6:30 PM at the Goldman Global Arts Gallery at Wynwood Walls. A panel discussion moderated by our own Co-Founder and Editor-in-Chief Steven P. Harrington with participating artists: Martha Cooper, Faith 47, Crash, Tristan Eaton and Pixel Pancho. This event is free and open to the public.

Goldman Global Arts Gallery Exhibition:

  • Featuring original works by the artists of the Wynwood Walls. Open Thursday December 1st, 2016 thru December 4th 2016 from 10AM-10PM and then 11AM-8PM thru February 2017, when the exhibit ends.

  • Wynwood Walls, Open to the Public during Art Basel Miami Art Week, Wynwood Walls is free and open to the public daily from 10 AM to Midnight.

Wynwood Walls is located at 2520 NW 2nd Avenue between 25th and 26th Streets.


 

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MANA URBAN ART PROJECTS X JUXTAPOZ MAGAZINE

This is an epic intersection that you’ve been waiting for – hi brow/low brow, East Coast raw with West Coast surreally pop, old skool graff with hyperreal, graphic, optic and pop-gold muralistas .

All of these people in bed together is going to make a lot of sweet love people – and babies, and possibly some communicable diseases. Can you imagine the mass of the swarming of creative bodies from Juxtapoz, Thinkspace, 1XRun, Mana Contemporary, Bushwick Collective, Jonathan Levine, and many unannounced guests? It’s a first date for many of these awkward actors but we are not missing this gorgeous clusterduck!

Details are still being ironed out in many cases – check Juxtapoz for Updates:

juxtapoz-web

Juxtapoz Clubhouse: 2400 NW 5th Entrance

Juxtapoz bookstore 1xRun

Installations by:

David Ellis / Swoon/ Fintan Magee / Zio Ziegler  / OLEK / Laurence Vallieres / Cey Adams / Velia De Iuliis / Ever Seipre / Franco Fasoli / Waeone Interesni Kazki / Chris Lux

MILK presents Scott Campbell: WHOLE GLORY.

Juxtapoz Clubhouse: 537 NW 24th Street Entrance

Along with Milk Studios , Juxtapoz is teaming up for this special two-day tattoo exhibition/interactive art installation/tattoo emporium. “Lucky recipients will be selected via a lottery on an hourly basis”

Juxtapoz Cafe/Cody Hudson

Dennis McNett installation

Jonathan LeVine Gallery “A Conversation Between Friends”

Jamie Adams / Brett Amory / James Bullough / Tristan Eaton / Dylan Egon / AJ Fosik / Ian Francis / Jeremy Geddes / Alex Gross / Handiedan / Haroshi / Andrew Hem / Hush / Erik Jones / Kehoe / Ludo / Eloy Morales / Tara McPherson / Dennis McNett / Joel Real / Shag / Ben Tolman / Adam Wallacavage / Martin Wittfooth Rostarr.

Juxtapoz Clubhouse Alley: 537 NW 24th Street Entrance

BASE 12 COLLECTIVE

BUSHWICK COLLECTIVE BLOCKPARTY

MANA X JUXTAPOZ  NW 2nd and NW 22nd, Lane Mana Convention Center

Andrew Schoultz INFINITY PLAZA

Juxtapoz X 1XRUN NW 2nd and NW 22nd  Lane Mana Convention Center

1xRun Mobile Print Shop

Installation mural by Shepard Fairey and OBEY


 

SCOPE MIAMI 2016 801 Ocean Drive Miami Beach

  • scope-2016-web

    Just to help you navigate, here are some of the exhibitors who will be showcasing Urban Artists and whom we intend to check out:

    Castle Fitzjohns Gallery – NYC
    FIFTY24MX / Art Gallery – Mexico City
    Graffik Gallery – London
    Inner State Gallery – Detroit
    NextStreet Gallery – Paris
    Samuel Owens Gallery – Greenwich, CT.
    Struck Contemporary – Toronto, CA
    Think Space Gallery – Los Angeles
    Macaya Gallery


 

X CONTEMPORARY ART FAIR Nobu Hotel, Miami Beach.

JONAS SUN 7 / Catherine Ahnell Gallery


SWOON – HELIOTROPE PRINTS MIAMI 2016

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Swoon and The Heliotrope Foundation are pleased to present a launch reception for the Miami 2016 Heliotrope Prints release, featuring Aidan Koch, Rashaad Newsome, Ebony G. Patterson, Emilio Perez, Kenny Scharf, and Anne Spalter.

Thursday, December 1, Downtown Miami

6 – 9 p.m. at The Dog (1306 North Miami Avenue)Heliotrope Prints are $50 limited-edition fine art prints with 100% of proceeds benefitting the Heliotrope Foundation, a 501(c)(3) founded by Swoon in order to streamline her three art-based community building initiatives in Haiti, New Orleans, and the Rust Belt town of Braddock, Pennsylvania.Learn more: www.heliotropefoundation.org

Buy prints: www.heliotropeprints.org

RSVP to reception: www.molly.nyc/miami2016

ABOUT THE HOST VENUE:
Curated by Christopher “Jillionaire” Leacock of Major Lazer, The Dog is a weeklong popup in Downtown Miami that will bring together a group of friends—comprised of acclaimed musicians and artists—to form a hub for inspired expression across the creative disciplines. The Dog is bar, dancehall, and art gallery rolled into one; a site-specific and immersive experience that bridges the gap between contemporary art, culture, and music. www.molly.nyc/thedog

MORE SWOON NEWS:

Swoon’s Pearly’s Beauty Shop with Chandran Gallery, Saturday, December 3, 2016. 7pm-late

 


 

Art Creates Water (Dec 1-4)

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Millerntor Gallery goes ART BASEL – MIAMI BEACH

Art with a social-environmental mission: ALL FOR WATER – WATER FOR ALL!

Artist Collective of LOW BROS, RAMBA ZAMBA, BOBBIE SERRANO und SEBASTIAN BIENIEK.

Mobile gallery shows works by BARBARA., BJÖRN HOLZWEG, BOBBIE SERRANO, FABIAN WOLF, FLYING FÖRTRESS, FROST, GUAPO SAPO, HEIKO MÜLLER, IT’S THE VIBE, JIM AVIGNON, JOBRAY WRITER, KLEBEBANDE, LOW BROS, MAXIMILIAN MAGNUS, NICO SAWATZKI, NILS KASISKE, PAPA SHABANI, PUSH, QUINTESSENZ, RAMBA ZAMBA, REBELZER, ROCKET & WINK, SADHUX, SASAN, SUTOSUTO, TASEK, TESE, ULI PFORR, WE ARE BÜRO BÜRO.

Millerntor Gallery goes Art Basel Miami Beach is supported by Hamburg Marketing GmbH.

ABOUT US

The Millerntor Gallery is a social business by and for Viva con Agua de Sankt Pauli. Our mantra is ”art creates water” – we use art as a universal language to inspire people and involve them in collective creative engagement. Revenues from art sales and donations are being transformed into clean water. The Millerntor Gallery came to life in 2011 as an art festival inside the stadium of the legendary football club FC Sankt Pauli. Growing rapidly it has already become a global cultural movement that blends individual creative energies into one collective force to change the world for the better. More than 1000 artists have contributed their talents, crafts and works for countless Millerntor Gallery art projects in many different countries.

 vivaconagua.org facebook.com/vivaconagua

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