All posts tagged: Jeffrey Deitch

BSA Film Friday: 11.09.18

BSA Film Friday: 11.09.18

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. GAIA “Still Here”
2. Jorge Rodriguez Gerarda at DEN Culture Space in Barcelona
3. INO – BOMBER in Łódź
4. TrumpRat by Jeffrey Beebe courtesy of BravinLee Offsite.

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BSA Special Feature: GAIA “Still Here”

“The ability to paint realistically is magical. And so it is nice to possess a little bit of magic,” says Street Artist, muralist, social observer, citizen anthropologist, lecturer GAIA as he talks about his new mural project in Providence, Rhode Island.

A student and avid practitioner of multi-sectionalism the 30 year old Baltimorian researched the area and its history long before he began the project in September. Invited by Avenue Concept and its residency manager Nick Platzer, the artist partnered with the Tomaquag Museum in Exeter and artist Lynsea Montanari, a member of the Narragansett tribe, who is depicted in the mural holding a picture of Princess Red Wing, a Narragansett elder who founded the museum in the 1950s.

Follow the process, and hear GAIA speak about the path in “Still Here.”

 

Jorge Rodriguez Gerarda at DEN Culture Space in Barcelona

Cuban-American contemporary artists and large-scale terrestrial public artist Jorge Rodríguez-Gerada has worked in culture jamming and degrees of détournement on billboards in the street but is featured here today for his recent project with the tender ephemeral charcoal drawings many know him for. Part of an initiative with the JET8 Foundation the artist is receiving an art and technology grant to be used to support social and artistic projects. More on that later, but in the mean time, here is his mural of his friend Desislava Staneva, a Barcelona based art curator.

INO – BOMBER in Łódź

A quick flick of INO’s “Bomber” wall that he did with Urban Forms in Łódź, Poland. Whose the bomber, you ask? Atlas of course.  Look out below!

TrumpRat by Jeffrey Beebe courtesy of BravinLee Offsite.

The midterms are over, but Trump is still great TV! The corporate media loves him and hates him and is absolutely hooked on him because he keeps bringing them advertising money. Don’t worry, they’ll quit him in 2024. Promise!

Democracy? That is a different matter.

Trump Rat and Democracy at Jeffrey Deitch “Protest Factory”


 

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Trump Rat and Democracy at Jeffrey Deitch “Protest Factory”

Trump Rat and Democracy at Jeffrey Deitch “Protest Factory”

Halloween comes to a close after what seemed like a week-long series of events and celebrations thanks to it occurring on Wednesday and no one knowing when to have a party or go trick or treating.

TrumpRat by Jeffrey Beebe courtesy of BravinLee Offsite. (photo © Jaime Rojo)

One thing that many agree on this year is that the guy who is haunting the White House is trying to scare the bejesus out of everybody – and apparently its working! But like most good thrillers, it’s the stuff that’s happening behind curtain backstage that is the most sinister – like lowering the tax rates on the rich to pre-Depression era levels. Because that worked out so well in the 1920s, right?

A few blocks from the East Village parade last night at Jeffrey Deitch on Wooster Street, Downtown For Democracy hosted a pop up exhibition titled “Protest Factory”. A lot of hot air sent Jeffrey Beebe’s TrumpRat to a soaring height and suitably spooked a number of guests in costume who milled around the opening show.

TrumpRat by Jeffrey Beebe courtesy of BravinLee Offsite. (photo © Jaime Rojo)

In addition to the satirically bloated man-mouse, curious onlookers got to see a number of new works and in-person interactions, including artist and activist Marilyn Minter screen-printing her own Trump Plaques, alongside photographer and activist Nan Goldin and her group P.A.I.N. which is addressing the opioid crisis and those who may profit from it, Richard Hell signing custom T-shirts, and Ryan McGinley taking Polaroids.

TrumpRat by Jeffrey Beebe courtesy of BravinLee Offsite. (photo © Jaime Rojo)

Downtown For Democracy is a PAC founded by creatives to “Transform cultural influence into political power and to put the power of art and creative expression to work for democracy”

The Protest Factory event will remain open to the public with talks, workshops and interviews with some of the participating artists until November 6th.

TrumpRat by Jeffrey Beebe courtesy of BravinLee Offsite. (photo © Jaime Rojo)

TrumpRat by Jeffrey Beebe courtesy of BravinLee Offsite. (photo © Jaime Rojo)

Marlyn Minter (photo © Jaime Rojo)

Marilyn Minter at work on her Trump plaques which she has also printed as posters and wheat pasted on the streets of NYC. (photo © Jaime Rojo)

Marlyn Minter (photo © Jaime Rojo)

Protest Factory (photo © Jaime Rojo)

Nan Goldin/SacklerPain (photo © Jaime Rojo)

Protest Factory (photo © Jaime Rojo)

Richard Prince. 18 & Stormy This work is based on a composite image constructed of photographs of the eighteen women who have accused President Donald Trump of sexual misconduct, plus Stormy Daniels. (photo © Jaime Rojo)

Protest Factory (photo © Jaime Rojo)

Paul Chan (photo © Jaime Rojo)

Protest Factory (photo © Jaime Rojo)

Protest Factory (photo © Jaime Rojo)

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Coney Art Walls : 30 Reasons To Go To Coney Island This Summer

Coney Art Walls : 30 Reasons To Go To Coney Island This Summer

The gates are open to the new public/private art project called Coney Art Walls and today you can have a look at all 30 or so of the new pieces by a respectable range of artists spanning four decades and a helluva lot of New York street culture history. We’ve been lucky to see a lot of the action as it happened over the last five weeks and the range is impressive. These are not casual, incidental choices of players lacking serious resumes or street/gallery cred, but the average observer or unknowing critic may not recognize it.

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How & Nosm (photo © Jaime Rojo)

By way of defining terms, none of this is street art. These are murals completed by artists who are street artists, graffiti writers, fine artists, and contemporary artists. In the middle of an amusement park, these are commissioned works that respond in some way to their environment by thirty or so local and international heavy hitters and a few new kids on the block comprising a 40+ year span of expertise.

Open to many strata of the public and fun-seekers who dig Brooklyn’s rich cultural landscape, this outdoor show will surely end up as backgrounds for selfies — while perhaps simultaneously elevating a discourse about the rightful place of graffiti/street art/urban art within the context of contemporary art. Okay, maybe not such loftiness will result, but let’s not rule it out entirely.

 

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How & Nosm (photo © Jaime Rojo)

It should come as no surprise that it is the dealer, curator, perennially risk-taking showman Jeffrey Deitch who is the ringmaster of this circus, or that the genesis of this cultural adventure is perplexing to some who have greeted his newest vision with perplexity and derision. His Deitch Projects and related activities in the 2000s regularly presented and promoted the street-inspired D.I.Y. cultural landscape, having done his due diligence and recognizing that new life springs from the various youth movements always afoot. The Jeffrey-conceived “Art Parade” itself was a street-based all-inclusive annual panoply of eye candy and absurdity; inflicting humor, sex, gore, fire, glitter and possibility into the minds of Manhattan sidewalk observers.

As MOCA Los Angeles director Deitch also flipped the script with his “Art In The Streets,” organizing a vast survey of a half-century of the modern grassroots genres including graffiti/street art/urban art/tattoo/punk/hip-hop/skater culture that far surpassed anyone’s predictions for audience attendance and public engagement. Aside from tripping wires and a public misstep here and there, the show earned critical praise, pinched art-school noses, and pushed skeptical institutions and patrons to question their prejudices. It also gave voice to a lot of people.

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Daze (photo © Jaime Rojo)

Notably, that MOCA exhibit drew a little over 200,000 attendees in four months. Coney Island beach and boardwalk gets about 14 million annually. Even if the Smorgasbord pop-up village food trucks feed a fraction of that number, there will be more folks viewing art and interacting with it here than, say, the Four Seasons dining rooms, which also display street artists and contemporary artists in the restaurants’ artistic programming. Side by side comparisons of Smorgasbord/Four Seasons diners ethnic diversity, income, age, education level, museum board membership or real estate investments were not available at press time. But neither can be fairly described as exploitative to artists or audience without sounding patronizing.

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Daze (photo © Jaime Rojo)

These multicolored and monochromatic murals illustrate a wide and balanced smorgasborg of their own; examples of myriad styles are at play with some engaging in activism and local politics and Coney Island history. From original train writer Lady Pink to aerosol drone sprayer Katsu, from eL Seed’s lyrical Arabic calligraffiti to Retna’s secret text language to graffitist-now-collagist Greg Lamarche, from Shepard Fairey’s elegant Brooklyn salute to polluters and blasé consumerism to Tatyana Fazlalizadeh’s spotlight on current Coney Island neighbors, from urban naturalist ROA’s monochrome marginalized city animals to How & Nosm’s eye-punching and precise graphic metaphors, you are getting a dizzying example of the deep command Deitch has of this multi-headed contemporary category that is yet to settle on a moniker to call itself.

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Crash (photo © Jaime Rojo)

Coney Art Walls assembles world travelers from NYC and LA and Miami and internationally; Belgium, Barcelona, Brazil, Paris, Tunisia, London. Some are 80s Downtown NYC alumni, others were train writers in the 70s or big crew graff heads and taggers from the decades after. Some are considered historical originators of a form and cross-genre risk takers pushing beyond their comfort zone. Take a close look and you’ll find names that are in major collections (private, institutional, corporate) and that go to auction.

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Crash (photo © Jaime Rojo)

Some are regularly showing in galleries and are invited to street art festivals, exhibited in museums and discussed in academia and print. Others have studio practices spanning three decades, are lecturers, panelists, authors, teachers, community advocates, art stars, reality TV personalities, film actors, product endorsers and art product makers working with global brands. One or two may be considered global brands themselves. A handful have been painting on the streets for 40 years. Monolithic they are not.

One more notable aspect occurred to us as we watched this parade making its peregrination to these summer walls – either because of Deitch or the romance or history of Coney or both; When you are looking at the range of ages and ethnicities and family configurations and listening to the variety of accents and opinions expressed and seeing the friendly but tough-stuff attitudes on display — you might guess you were in Brooklyn. You are.

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Futura (photo © Jaime Rojo)

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Futura (photo © Jaime Rojo)

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Shepard Fairey (photo © Jaime Rojo)

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Shepard Fairey (photo © Jaime Rojo)

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Jesse Edwards (photo © Jaime Rojo)

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Jesse Edwards (photo © Jaime Rojo)

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Irak (photo © Jaime Rojo)

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Lady Pink (photo © Jaime Rojo)

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Lady Pink (photo © Jaime Rojo)

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Ben Eine (photo © Jaime Rojo)

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Ben Eine (photo © Jaime Rojo)

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Ben Eine (photo © Jaime Rojo)

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Maya Hayuk (photo © Jaime Rojo)

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Maya Hayuk (photo © Jaime Rojo)

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Lady Aiko (photo © Jaime Rojo)

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Lady Aiko  (photo © Jaime Rojo)

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Buff Monster (photo © Jaime Rojo)

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Buff Monster (photo © Jaime Rojo)

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Miss Van (photo © Jaime Rojo)

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Miss Van (photo © Jaime Rojo)

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Jason Woodside (photo © Jaime Rojo)

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Jason Woodside (photo © Jaime Rojo)

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Ron English (photo © Jaime Rojo)

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Ron English (photo © Jaime Rojo)

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AVAF  (photo © Jaime Rojo)

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eL Seed (photo © Jaime Rojo)

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eL Seed with Martha Cooper (photo © Jaime Rojo)

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Kenny Scharf (photo © Jaime Rojo)

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Mister Cartoon (photo © Jaime Rojo)

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Jane Dickson (photo © Jaime Rojo)

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Jane Dickson (photo © Jaime Rojo)

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Skewville (photo © Jaime Rojo)

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Skewville (photo © Jaime Rojo)

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Marie Roberts (photo © Jaime Rojo)

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Marie Roberts (photo © Jaime Rojo)

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Tatyana Fazlalizadeh (photo © Jaime Rojo)

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Tatyana Fazlalizadeh (photo © Jaime Rojo)

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Greg Lamarche (photo © Jaime Rojo)

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Gregg Lamarche (photo © Jaime Rojo)

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Katsu (photo © Jaime Rojo)

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Retna (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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ROA (photo © Jaime Rojo)

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Kashink (photo © Jaime Rojo)

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Kashink (photo © Jaime Rojo)

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Kashink (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Kaves (photo © Jaime Rojo)

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Lauren Halsey (photo © Jaime Rojo)

Our previous weekly updates track the installation period of Coney Art Walls:

Coney Art Walls: First 3 Completed and Summer Begins

DEITCH Masters, Coney Art Walls Part 2 : Coney With a Twist

Eine, Hayuk: A Riot of Color at Coney (Update III)

Coney Art Walls: Gypsies, Stallions, Mermaids, and Pop Optics! Update IV

Coney Art Walls Opens for the Mermaids! Update V

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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This article is also published on The Huffington Post

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Happy New Year 2015 – BSA Readers Choice Top 10

Happy New Year 2015 – BSA Readers Choice Top 10

Happy New Year to All! Thank you for inspiring us to do our best and to those of you who continue to support our personal art project / cultural examination, we extend our gratitude more than ever.

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Begun as an enthusiastic discovery of what was happening in a few neighborhoods in New York, we continued to expand our view into more cities around the world last year and into the history and future of the scene. We also aimed to provide you with a critical platform for examination of the street art/ graffiti / public art/ contemporary art continuum with interviews with artists, curators, collectors, organizers, observers and thinkers in the street, studio, gallery, and museum – trouble makers and taste makers alike.

In the end, it’s your observations and the conversations on the street that are most important. As we begin the year with over 300K fans, friends, and followers on social media platforms and 225 articles on the Huffington Post (thanks HuffPost team!), we feel like we get a valuable good survey of current opinions heading our way daily.

With in-depth interviews, investigative articles, opinion infused examinations, plain celebratory reverie, occasionally silly non-sequitors, and public appearances where we get to meet you, we get a good analytical look at an ever-evolving movement, glittery polish and warts and all.

As the new year begins we take a look back at the top stories chosen by BSA Readers in the last 12 months. Among them are two takeover pop-up shows in soon-to-be demolished buildings, a story about commercial abuse of artist copyrights and the effort to fight back, a street art community’s response to the sudden death of an activist street artist, a Street Art tourist trip, and a few inspirational women, men, and Mexican muralists.  Even though we published at least once a day for the last 365 days, these are the most popular pieces, as chosen by you, Dear BSA Reader.

10. Exploring Lisbon as a Street Art Tourist

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Os Gemeos / Blu (photo © Stephen Kelley)

9. Kara Walker and Her Sugar Sphinx at the Old Domino Factory

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Kara Walker. The artist portrait in profile with her sugary sphinx in the background. (photo via iPhone © Jaime Rojo)

8. Women Rock Wynwood Walls at Miami Art Basel 2013

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Fafi (photo © Martha Cooper for Wynwood Walls)

7. A Sudden Secret Street Art House Party in Manhattan

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Icy & Sot (photo © Jaime Rojo)

6. Niels Shoe Meulman Balancing “Unearthly” Paintings

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Niels “Shoe” Meulman. Process shot. (photo © Adele Renault)

5. It’s All the Rage, Street Artists Filing Lawsuits Left and Right

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4. Shok-1 Street Art X-Rays Reveal a Unique Hand at the Can

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Shok-1 (Photo © Jaime Rojo)

3. 12 Mexican Street Artists Stray Far from Muralism Tradition In NYC

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Sego (photo © Jaime Rojo)

2. Army Of One, Inspiration To Many : Jef Campion

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Army Of One AKA JC2 (photo © Jaime Rojo)

1. Graffiti and Street Art Lock Up “21st Precinct” in New York

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Pixote in action. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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A Calligraffiti Journey Through Tunisia with eL Seed

A Calligraffiti Journey Through Tunisia with eL Seed

A Travelogue Through Familiar Land Leads the Aerosol Writer Along New Routes

eL Seed took a trip to discover his country and his roots and in the process learned about authentic and storied history, local culture, the generosity of strangers, and the strangeness of Darth Vader in the desert.

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eL Seed “Los Walls” (photo © Jaime Rojo)

“There is no separation between form and language in eL Seed’s work. His images embody language to the extent that the line and the subject become one, and the flow of the line is part of the meaning. The viewer does not have to understand Arabic to sense the poetry of the message,” says Jeffrey Deitch in the preface to Lost Walls, A Calligraffiti Journey Through Tunisia, and the seamless integration of intent, inquiry and inspiration carries throughout this country-wide journey.

Choosing walls, blocks and buildings to leave his visual poetry is not an act of graffiti as much as it is a weaving of this modern moment with historical heritage and public art as he discovers and shares his observations and conversations in this travelogue of towns and communities.

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

“I wake up to the full light of day. The city, it seems, is up well before me. From the window of my room, I can see a wall in shambles. It calls out to me. I leave quickly to find out its history and who owns it,” he writes of El Kef, one of about 20 towns and cities he visits and paints while exploring history and perspectives of neighbors. Spurred on by his near life-changing experience painting a verse from the holy Quran on a minaret in his ancestral home of Gabes, the revelations about how people reacted to his work illuminated his impressions of himself as well as others, eL Seed took on a path of inquisition and the discovery of new places to leave his mark.

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

The book is richly illustrated, heavily essayed, and openly spoken. The physical journey accompanies and internal one; a full spectrum of issues, ideas and quandaries that propel his ride through this small northern African country bordering the Mediterranean. While essayist Wassim Ghozlani examines the role of public art in the democratization of society, Amel Djait contemplates the role of cultural tourism to the future of the country. As a corollary to both threads eL Seed quizzically studies the semi-preserved site of a Star Wars movie filmed here in the desert and finds a sort of Western incursion that trivializes the heritage and struggle of the people, even as “music from the film resonates in my mind”.

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

Seeing these freestanding pieces of calligraffiti in the midst of monochromatic and sun bleached scenes baked in clay and sand is surprising and singular, a clarion call to the past using tools of the present. eL Seed has his unique perspective as he observes and acts, questions and listens, and finally as he blends what he learns into his gestural and stately script. If there is a way forward for the tribes and the traditions of such storied lands, it will be perhaps by a new third party who gains the trust and respect of the old and the new. By trekking carefully along many a cultural fine line containing myriad curves and turns, eL Seed is creating his own path forward in his home land while others are doing the same.

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

 

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eL Seed constructed this wall by hand, before dismantling it in “Los Walls” (photo from the book © Jaime Rojo)

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

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eL Seed “Los Walls” (photo from the book © Jaime Rojo)

eL Seed “Lost Walls” A Calligraffiti Journey Through Tunisia. From Here To Fame Publishing. Berlin, Germany 2014

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Women Rock Wynwood Walls at Miami Art Basel 2013

Women Rock Wynwood Walls at Miami Art Basel 2013

An international team of heavy hitting women in Street Art are the centerpiece of the Wynwood District this weekend as Jeffrey Deitch returns to Miami to co-curate Women on the Walls. Reprising a more central role for Wynwood Walls that he played when Tony Goldman first established this outdoor mural playground, Deitch says he is reserving center stage exclusively for the women this year as a way of highlighting their history and growing importance in the graffiti/street art scenes around the world.

“It’s to correct the historical imbalance,” says Deitch as he talks about the new wall murals painted this week and the accompanying gallery exhibition showcase that celebrates the contributions of outstanding women artists in a scene that, with a few notable exceptions, has been primarily run by the guys.

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Miss Van at work on her wall. (photo © Martha Cooper for Wynwood Walls)

“After this historical imbalance there was something that needed to be addressed about the misperception that graffiti is just a boys club,” says the enthusiastic bespectacled curator who shares the role for this show with the team of Janet Goldman, Jessica Goldman Srebnick, Meghan Coleman, and Ethel Seno.

As with the Living Walls Atlanta festival on the streets in 2012, this show gives full voice to women in a holistic and powerful way that rather redefines the context of a graffiti/street art/tattoo/skater scene which sometimes veers too close to being overtly sexist, if not outright misogynist in it’s depiction of women and their roles.

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Miss Van at work on her wall. (photo © Martha Cooper for Wynwood Walls)

Maybe it’s the scene itself – much of the graff / Street Art scene has always had partially skewed perceptions about the gals because they were traditionally populated almost exclusively by males.  Since work on the streets is a mirror that reflects society back to itself, it makes sense that we’re looking at a funhouse on the walls sometimes. But you don’t have to accept the narrative entirely and shows like this argue for greater authorship of the visual dialogue. Right now in civic life you’ll see strong positive images as more women are assuming more history-making leadership roles than ever, but there are also a lot messages in media and pop culture that portray women as little more than one dimensional giggly jiggly sex toys.

For Parisian artist Fafi, a show with this theme could not be more timely.

“The atmosphere about women these days is really fucked up, especially towards younger ones,” says the street artist as she relates the sentiment of conversations at a late dinner she recently had with co-participants Miss Van and Maya Hayuk.

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Miss Van (photo © Martha Cooper for Wynwood Walls)

“There’s something in the air that’s telling us we absolutely need to talk about empowering women in our female artist life,” she explains as she describes the condescending and denigrating attitudes she still encounters from some men even after she has been painting on the streets and in studio for more than two decades.

Fafi says that there are still some who tell her and her female peers that what they do is cool “for a woman”, and more worryingly, “it’s something that comes up more and more often nowadays.”

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Maya Hayuk at work on her wall. (photo © Martha Cooper for Wynwood Walls)

“It seems like in 2013 it is almost a passé sort of gesture that a bunch of women would have to get together to make a statement when we’ve all been doing this for so long,” says Maya Hayuk, whose bright geometric patterns were on the forefront of a current Street Art fascination with the abstract. “Hopefully in the future we don’t have to do ‘all women’ or ‘all men’ or ‘all anything’ shows,” she says sort of wistfully, “We can do shows on ‘all awesome’.”

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Maya Hayuk (photo © Martha Cooper for Wynwood Walls)

So perhaps Deitch and Co. are rebalancing much more than they realize by creating this environment that values the contributions of artists who also happen to be women.  Whether it was their original intention or not, the experience this week for many participants has been about empowerment – and networking. The complexity of the list itself speaks to the varied and unique stylistic influences that are now brought to the street by women and a certain validation of these voices is reflected in the fact that many here have had commercial success on their own terms.

“I think it’s a great privilege to be here with these women artists, to be in a show with them, and to create this work in a public space,” says the Polish born Brooklynite Olek, who has made a singular name for herself on the street in the last handful of years by covering bicycles, shopping carts, public sculptures, even people with her hand-crocheted pink and purple camouflage.  We have called her the Christo/Jeanne Claude of the streets, which gives an apt sense of the skin-like quality of her wrapping as well as the interventionist instinct she follows, but it doesn’t quite tap the personal level of involvement Olek has with her pieces.

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Olek at work on her installation. (photo © Martha Cooper for Wynwood Walls)

For Wynwood she has been hand-crocheting covers for the large heavy boulders that dot the inner grounds of the complex in a blunt and rugged manner. “Of course I love these rocks because I like to highlight things in the existing environment and to give them a new life, a new beginning,” she says while sitting on the grass joining the pieces of her new coverings by hand.

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Olek at work on her installation. (photo © Martha Cooper for Wynwood Walls)

Does she think the energy and atmosphere here is positive? “All the girls are really wonderful and I love working with them – we are all just working here, eating, talking, and I think we have made some friendships that will last a very long time.”

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Olek at work on her installation. (photo © Martha Cooper for Wynwood Walls)

So why does Deitch think it is important to create a show that specifically draws attention to women artists at this time?

“It’s a very simple thing,” he says, “The first reason is that some of the major talents in Street Art are women.” He then speaks about the individual contributions and talents of some of the participants this week before he comes to Lady Pink, the NYC graffiti artist who painted trains in the 70s and who went on to serve as an active role model to girls and young women around the world, giving them confidence to assert and explore their creative talents.  “We wanted to celebrate Lady Pink, whose work is better than ever.”

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Lady Pink at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Lady Pink. Her sketch for her wall. (photo © Martha Cooper for Wynwood Walls)

Speaking of the 70s, the other woman in the show whose work extends back to those times is photographer Martha Cooper, who shares her work here for this article and whose images of the new walls will be projected in the gallery show tonight.  Deitch can not be more pleased with the results of the work from this new collection of artists, and traffic on the streets from fans has been thick and exuberant, whether it is for South Africa’s Faith 47 or London’s Lakwena.

“These walls by Maya Hayuk, Miss Van and Sheryo are outstanding and as fresh as ones that many male street artists are doing now,” he says as he talks about the new collection of work this year.

Singapore’s Sheryo, who also spends much of her time in Brooklyn, says that her walls actually reflect the extended two year aerosol “spraycation” around the world that she’s been on with her male cohort The Yok (her assistant this week). “We have been chasing summer weather, we love warm weather!” she says as she looks up at her wall.  “My characters are seen painting, surfing, drinking rum coconuts and chilling out around palm trees and lush forest environments, which is what we usually do on our vacations.”

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Sheryo at work on her wall. (photo © Martha Cooper for Wynwood Walls)

As with many of the women in Women on Walls Sheryo has been in a number of these Street Art festival type of events as well as numerous ad hoc painting sessions on roofs, climbing fences, hitting walls, all primarily with men. How does the environment change when all this female energy hits the streets? Not to trash the guys, but Sheryo’s response is very similar to women we spoke with here and at Atlanta’s Living Walls last year.

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Sheryo at work on her wall. (photo © Martha Cooper for Wynwood Walls)

“It is a whole lot of fun! Girls are way more caring and there are a lot more hugs going down, which I love.” To be fair, boys probably give good hugs too.

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Sheryo at work on her wall. (photo © Martha Cooper for Wynwood Walls)

For Fafi, the motivation is also simple for her and many of the solid talents involved in this show, “We felt it’s the time now more than ever for more “Girl Power”. The goal of all this is to inspire younger girls to do the best they can, to search for new ideas, and to come up with something new and different as soon as it gets too easy and comfortable. I want them to be inspired.”

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Fafi at work on her installation. (photo © Martha Cooper for Wynwood Walls)

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Fafi at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Fafi (photo © Martha Cooper for Wynwood Walls)

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Aiko at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Aiko (photo © Martha Cooper for Wynwood Walls)

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Kashink at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Kashink at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Kashink (photo © Martha Cooper for Wynwood Walls)

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Lakwena at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Lakwena at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Lakwena at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Faith 47 at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Faith 47 at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Faith 47 at work on her wall. (photo © Martha Cooper for Wynwood Walls)

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Some male alumni of previous Wynwood Walls shows gather with many of the Women on the Walls crew for a group shot here by Martha Cooper. Front row from left to right: Kashink, Janet Goldman, Lady Pink, Miss Van, Aiko and Maya Hayuk,. Second row from left to right: Shepard Fairey, Olek, Jessica Goldman, Sheryo, Lakwena, Jeffrey Deitch, Faith 47 and Dal East. Back row from left to right: Ron English, Fafi, Myla and Kenny Scharff. Wynwood Walls. Miami, Florida. December 2013. (photo © Martha Cooper for Wynwood Walls)

 

Women on the Walls is on display in the Wynwood District of Miami. For more on Wynwood Walls click here.

Artists included are Aiko, Claw Money, Fafi, Faith 47, Jess & Katie, Kashink, Lady Pink, Lakwena, Martha Cooper, Maya Hayuk, Miss Van, Myla, Olek, Shamsia Hassan, Sheryo, Swoon, and Too Fly.

With Special Thanks to Ethel Seno.

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BSA Film Friday: 08.02.13

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Dylan on Deitch: Reinventing the Experience of Art, and SANER MXDF .

BSA Special Feature: Dylan on Deitch:
Reinventing the Experience of Art

“The best art re-invents art for the next generation, but in addition, it references the long tradition that goes before.”

Jeffrey Deitch for President! In this new video interview with the departing director of Museum of Contemporary Art, Los Angeles (MOCA), film maker Jesse Dylan (yes) creates a warm and human six minute re-iteration of Deitch’s core appreciation for the magnificence of art and its power to transform. The video, popping somewhat out of nowhere a week after his announced cordial departure, is not quite “A Town Called Hope”, but you can imagine this running over a bed of thoughtfully plinking piano keys just before soaring with the eagles and the candidate emerging onto a starkly lit stage to the swelling of applause.

A polarizing figure in the art world for people who questioned his appointment there from the beginning and the appropriateness of a commercially successful gallery owner/showman taking over the helm of such an institution, from this perspective it looks like Deitch has stayed true to one of his core interests – exposing new work to new audiences and challenging conventional wisdom on how to engage, and who with. Much of our own abiding love for Street Art and graffiti is based on the concept that traditional purveyors of wisdom or art criticism have no place in its curation whatsoever.

Art in the Streets”, although obviously a programmed exhibition, succeeded in mowing down the protests of many who steadfastly resisted giving such formal recognition to the impact and backstory of graffiti and Street Art on the culture and accepted canons of art. Everyone knew it would be a messy endeavor, and given the entrenched classism, racism, and gatekeeping that tripped wires for months, it succeeded on many levels nonetheless. So, this marriage didn’t work out, and in this country more than half of them end. No one will deny his unique vision and given his comfort with discomfort and curiosity for how people can engage with art, only a fool would think Deitch won’t be breaking new ground for exploration in the future.

“Art creates community experience, spiritual experience. The best art absolutely affects the way people see, understand the world and builds a sense of tolerance, openness, appreciation for different points of view.”

– Jeffrey Deitch

Top image: Screenshot of Jeffrey Deitch combined with a partial derivation of a piece by Fernand Léger (image © Jesse Dylan)

 

SANER MXDF – Mexico City

And in that same vein, prepare to be blown away by Mexican artist Saner, who embodies the true sense of inquisitive engagement and reverence for history while exploring new ways to connect. Through his own observations and study and romance with the Mexican mural art tradition, graffiti, Street Art, and his sense of magic realism, Saner shows us how to be fully engaged and question our own motivations.

In the translation here he says, “If you do not know what you are doing, or don’t have something to tell or say; a piece of yourself, a gift to the people, then what you are doing is cold, lifeless.”

Directed & Edited By Colin M Day, shot by Colin M Day & Kapta, additional footage by Gral Treegan & Jasso. Shout out to Ethel Seno and John Toba – excellent work.

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Me Collectors Room Berlin Presents: “At Home I’m A Tourist” The Collection of Selim Varol (Berlin, Germany)

Selim Varol

“my collection, that’s me –
my childhood, my friends, my heroes, my role models, what i enjoy, what moves me. pictures from my journey: ‘at home i’m a tourist’” (Selim Varol)

From 26 May to 16 September 2012, me Collectors Room Berlin will be presenting the collection of Selim Varol. The exhibition will thus mark a return to an essential leitmotif of the foundation: the theme of collecting and the passion of the collector. The 39-year-old collector from Düsseldorf with Turkish roots has been collecting toys since his childhood and owns one of the largest collections of figurines in Europe, numbering some 15,000 pieces. A further focus of his collection lies in works by artists who trace their origins back to street art and ‘Pop Surrealism’. One characteristic shared by all the works in this collection is the close link between art and the everyday, as well as their often playful and humorous or subversive character.

The world of toys, most of which are produced in Asia, is a world full of plastic and vinyl. The figurines are detailed miniature sculptures that have variously emerged from the imaginations of contemporary urban artists and designers, or from politics and current events (Andy Warhol, Fidel Castro, Hitler), the dream factory of the film industry (Batman, Superman, Rambo and many others) or comics and manga. Many works in this collection are well-known due to their presence in public spaces. Shepard Fairey helped create a groundswell for Barack Obama with his iconic ‘HOPE’ poster during the United States presidential race in 2008. And JR, the current TED Prize winner, attracted international attention in 2008 with his film ‘28 millimètres: Women Are Heroes’ in the favelas of Rio de Janeiro, where he mounted giant images of female residents on the façades of houses in order to raise awareness about their life stories and give these women a voice. The New York artist KAWS (Brian Donnelly) is another artist who has exerted a major influence on Selim Varol’s collection, with Varol’s first acquisition of his work in 1999. KAWS first made a name for himself in 1998 with his alienated images on bus stops, phone boxes and billboards (for instance the ‘Christy Turlington Calvin Klein Ad Disruption’). He is represented in this

exhibition with more than 160 works. The exhibition includes a total of 3,000 works by more than 200 artists & designers from over 20 countries.

Plans are under way to enable artists involved in the exhibition to paint or paste designated facades in the area around the venue.

The exhibition will be accompanied by an extensive catalogue of the collection that will include a text by Jeffrey Deitch.

Events:

Saturdays, 3 p.m.: Public guided tour

01.06.2012, 6.30 p.m.: Expert talk with Selim Varol

September: Reading with Autonama & Participation in “Internationales Literaturfestival Berlin”

Children’s Programme: For schools and kindergartens (upon agreement); scavenger hunt (anytime)

Pop-Up Shop: In collaboration with Toykio, a selection of designer toys and exclusive editions will also be on offer in our shop.

Prior registration is required for all events. Programme details are available on our website: www.me-berlin.com

List of artists:

123Klan, Rita Ackermann, Adam5100, Chiho Aoshima, Giorgio Armani, Suki Bamboo, Banksy, Garry Baseman, Bäst, Beast Brothers, Beejoir, Andrew Bell, Biff, Bigfoot one, Tim Biskup, Blek le Rat, Blu, Bob Dob, Bountyhunter, Randy Bowen, Brin Berliner, Bshit, Buffmonster, Milton Burkhart, Thomas Campbell, Case, James Cauty, Mori Chack, Henry Chalfant, Chip Kidd, David Choe, Luke Chueh, Coarse, Martha Cooper, Harmony Corine, Matias Corral, Robert Crumb, Dalek, Date Farmers, Dehara, Delta, Devilrobots, Dface, DJ Shadow, Dolce & Gabbana, Dolk, Doma Dr.Romanelli, Dran, Dust, Tristan Eaton, Eelus, Ben Eine, El Mac, Ron English, F.C .Ware, Fafi, Faile, Shepard Fairey, Ferg, Jeremy Fish, Florian Flatau, Sam Flores, Flying Fortress, Pete Fowler, Glen E. Friedman, Friends with you, Phil Frost, Daniel & Geo Fuchs, Hiroshi Fujiwara, Futura, Rene Gagnon, John Galliano, Jean Paul Gaultier, Huck Gee, Os Gemeos, Doze Green, Sadi Güran, Eric Haze, Evan Hecox, Herakut, Jean-Louis Dumas Hermes, Jamie Hewlett, Damien Hirst, David Horvath, David Horvath & Sun-Min Kim, Marc Jacobs, Todd James, Jamungo, James Jarvis, Oliver Jeffers, JR, Nathan Jurevicius, Alex Katz, Rei Kawakubo, Audrey Kawasaki, KAWS, Peter Kennard, Josh Keyes, K-Guy, Margaret Kilgallen, Dave Kinsey, Jeff Koons, Frank Kozik, Charles Kraft, Curtis Kulig, Kurt Vonneggut & Joe Petro III, Christian Lacroix, Lady Aiko, Karl Lagerfeld, Helmut Lang, Michael Lau, Joe Ledbetter, Karin Lehmann, Matt Leines, Michael Leon, Paul Leung, Anthony Lister, Livingroom Johnston, London Police, Robert Longo, Lunartik, MAD*L, Herman Makkink, Mantis, Martin Margiela, Marok, Mars 1, Ben Mathis, Barry Mcgee, Lucy McLauchlan, Bill Mcmullen, Dennis Mcnett, Tara McPherson, Alexander McQueen, Eugenio Merino, Mexxer, Anthony Micallef, Donny Miller, Miss Bugs, Miss Van, Mist, Brendan Monroe, Polly Morgan, Mr. Clement, Takashi Murakami, Scott Musgrowe, Muttpop, Yositomo Nara, Caleb Neelon, Nigo, Tim Noble & Sue Webster, Steve Olsen, Katsushiro Otomo, Tony Oursler, Jose Parla, Paul Insect, Marion Peck, Perks & Mini, Stefano Pilati, Ricky Powell, Miuccia Prada, Rob Pruit, Pure Evil, Pushead, Oliver Räke, Jamie Reid, Retna, Terry Richardson, Rocketworld, Jermaine Rogers, Rolitoboy, Ryca, Mark Ryden, Saber, Erick Scarecrow, Todd Schorr, Semper Fi, Since, Jason Siu, Sket-one, Skewville, Skullphone, Hedi Slimane, PaulSmith, Hajime Sorayama, Jeff Soto, Space Invader, Spanky, SPQR, SSUR, Jeff Staple, Stash, Static, Tyler Stout, Stefan Strumbel, Suckadelic, Superdeux, Judith Supine, Swoon, Tado, Gary Taxali, Osamu Tezuka, Tilt, Tokidoki, Touma, Tim Tsui, Nasan Tur, Unkl, Urban Medium, Usugrow, Valentino, Gee Vaucher, Mark Dean Veca, Donatella Versace, Viktor & Rolf, Amanda Visell, Nick Walker, Vivienne Westwood, Dondi White, Kehinde Wiley, WK interact, Jim Woodring, Word to Mother, Bubi Au Yeung, Zevs

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BSA at LA MOCA for “Street Art Stories” Presentation and Panel

HuffPost Arts and The Museum of Contemporary Art, Los Angeles (MOCA) hosted a presentation and panel discussion presented by Brooklyn Street Art founders Steven P. Harrington and Jaime Rojo this past Saturday at the Ahmanson Auditorium with 150 guests. Five days after the closing of the record breaking “Art in the Streets” show at LA MOCA, which was seen by over 200,000 visitors, BSA charted some new ground going forward in the ever evolving graffiti and street art movement.

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Panelists having a lively discussion at “Street Art Stories” hosted by HuffPost Arts and LA MOCA at Ahmanson Auditorium at MOCA Grand in downtown Los Angeles. (photo © Carlos Gonzalez)

The panelists, who included HuffPost Arts Editor Kimberly Brooks and Street Art phenom Shepard Fairey, watched a presentation by Harrington and Rojo about a new storytelling direction that artists are bringing to the streets of New York and other cities around the world. With examples of relative newcomers not seen by many in the audience, they pointed to precursors from the last 40 years to this storytelling practice and questioned how its sudden growth may be evolving what we have been calling “Street Art” for the last decade.

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Steven P. Harrington talks about community murals and memorial walls to illustrate antecedents to the new movement of storytellers who engage passersby on a greater level than in the recent past.  Shown is a community mural by New York’s Tats Cru shot by and © of Martha Cooper.  (photo © Carlos Gonzalez)

After a conversation with panelists Brooks, Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno that covered topics like the paucity of females in the street art scene, the influence of the Internet on “getting up”, and the significance of personal engagement in the work of many of today’s new street artists, Harrington and Rojo opened the discussion up the auditorium. Here topics ranged from LA’s evolving approach to Street Art to include public and permanent art, the influence of money on street artists, and how a show like “Art in the Streets” effectively influences the next generations’ perception of street art.

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BSA’s Steven P. Harrington gestures toward the screen while panelists look on in the front row. (photo © Carlos Gonzalez)

The packed event was interesting enough to bring many audience members down to the stage after the show to continue the conversation and meet the panelists and LA MOCA Director Jeffrey Deitch, who took great interest in the presentation, talked with a number of people before taking off. Fairey, with his wife Amanda at his side and a healing black eye from his recent trip to Copenhagen (see his account for HuffPost Arts here) gamely took on questions from many and posed for pictures after the event and at the reception which HuffPost hosted afterward.

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During the presentation, Brooklyn Street Art talked about the use of Street Art as a way of addressing a variety of social and political issues, including this example of Shepard Fairey and the topic of peace. (photo © Carlos Gonzalez)

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BSA co-founder and Director of Photography Jaime Rojo introduces the panelists. (photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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Brooklyn Street Art Co-founders Jaime Rojo and Steven P. Harrington converse with esteemed panelists at “Street Art Stories”, hosted by HuffPost Arts and LA MOCA.

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Contemporary American Painter and the Founding Arts Editor of the Huffington Post, Kimberly Brooks next to street artist Shepard Fairey at “Street Art Stories” Panel at LA MOCA. (photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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Shepard Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno. (photo © Carlos Gonzalez)

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Marsea Goldberg, Director of New Image Art Gallery in West Hollywood, who since 1994 has launched or mobilized the careers of artists such as Shepard Fairey, Ed Templeton, Neckface, Faile, the Date Farmers, Judith Supine, and Bäst just to name a few. Next to Ms. Goldberg is Ken Harman, Managing Online Editor at Hi-Fructose Magazine, the owner and curator at Spoke Art Gallery in San Francisco, and the creator and editor of the the “Art of Obama” website. (photo © Carlos Gonzalez)

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Ethel Seno, Curatorial Coordinator for the MOCA exhibition “Art in the Streets” at the Geffen Contemporary at MOCA and the Editor of the book “Trespass: A History of Uncommissioned Urban Art” published by Taschen. (photo © Carlos Gonzalez)

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Shepard Fairey at “Street Art Stories” Panel at LA MOCA. (photo © Carlos Gonzalez)

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(photo © Carlos Gonzalez)

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Street art photographer Jaime Rojo of Brooklyn Street Art. (photo © Carlos Gonzalez)

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Edward Goldman, LA art critic, Huffpost blogger, and host of KCRW’s “Art Talk” for 20 years, poses a question on the effect of a big museum show like “Art in the Streets” on the new generation of would be street artists. (photo © Carlos Gonzalez)

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Seno and Harman (photo © Carlos Gonzalez)

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The Ahmanson Auditorium for “Street Art Stories” at LA MOCA (photo © Carlos Gonzalez)

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Thank you to Kimberly Brooks and our great panel. (photo © Carlos Gonzalez)

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Director of LA MOCA and co-curator of “Art in the Streets”, Jeffrey Deitch, talks with Shepard Fairey after the presentation and panel (photo © Carlos Gonzalez)


<<<>>><><>>><<<<>>><><>>><<<<>>><><>>><<<<>>><><>>><<<<>>><><>>><

SPECIAL THANKS TO:

MONICA ROACHE, JESSICA YOUN, CHRIS RICHMOND, DAVID BRADSHAW, JEFFREY DEITCH, LYN WINTER, PATRICK IACONIS, TANYA PATSAOURUS, TRAVIS KORTE, MELINDA BROCKA, TINA SOIKKELI, EUTH, ANDREW
HOSNER, CARLOS GONZALEZ, KIMBERLY BROOKS, MARSEA GOLDBERG, KEN HARMAN,SHEPARD FAIREY, ETHEL SENO, THE MOCA MUSEUM STAFF AND SECURITY,

THE HUFFINGTON POST, THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA), BROOKLYNSTREETART.COM, HI-FRUCTOSE, JUXTAPOZ,

IMAGES IN PRESENTATION BY JAIME ROJO WITH ADDITIONAL PHOTOS BY MARTHA COOPER, REVS PHOTO BY BECKI FULLER, and FAUXREEL PHOTOS BY DAN BERGERON

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BSA in LA (Update) – Walls Underway in Prep for MOCA Show

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“Art In the Streets” has begun exactly where it started – outside on walls. The number of people in Los Angeles this week to mark Sunday’s opening of the show at the Museum of Contemporary Art grows by the hour and there are more walls in progress than a housing boom. Just in the last couple of days we’ve seen commissioned and non-commissioned new murals, pieces, tags, and installations freshly dripping by people like How & Nosm, Lee Quinones, Shepard Fairey, Blade, Cern1, JR, Augustine Kofie, Invader, Os Gemeos, Nomade, Saner, and many others.

brooklyn-street-art-lee-quinones-jaime-rojo-MOCA-LA-04-14-web-12Lee Quinones takes a break on “Birds of a Feather”, the wall collaboration he’s directing that features  Futura, Risk, Able, Seno, Push, Loomit and Cern1. The new installation is on the wall that was previously installed by Italian artist Blu but was buffed soon after by the museum a few months ago – a subject still on the minds and lips of people here. (photo © Jaime Rojo)

Futura says it’s like Summer camp and others have likened it to a family reunion, which makes us think of lawn chairs, cheap beer, barbecue, and crazy old uncle Jed sitting on a picnic table rubbing egg salad into his hair and talking about the Republicans. But yeah, right now in this little part of LA there is a feeling of a camp that is headed maniacally toward total circus.

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Cern 1 workinfg on “Birds of a Feather” wall collab with Lee Quinones, Futura, Risk, Able, Seno, Push, Loomit and Cern1  (photo © Jaime Rojo)

The show itself, which we’ve seen in it’s entirety, is an audacious and colorful endeavor to bring about 50 years of Graffiti and Street Art history and a number of it’s influencers and influences under one roof. Engaging and educational, visitors will have the opportunity to learn how certain tributaries lead to this river. No show on this worldwide phenomenon could ever hope to include everyone, and Curator Jeffrey Deitch, along with associate curators Roger Gastman and Aaron Rose have chosen touchstones and flashpoints that push their individual visions of how the story unfolded. While it doesn’t break much brand new ground, only the Bittersons (or Jealousinskis) will find sufficient cause to try to mug this solid, entertaining and participatory show full of surprises. But for a scene that never sought permission in the first place, it won’t matter.

Here are a collection of images on the museum grounds itself. Previews from the show tomorrow.

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“Birds of a Feather” (detail) wall collab with Lee Quinones, Futura, Risk, Able, Seno, Push, Loomit and Cern1  (photo © Jaime Rojo)

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“Birds of a Feather” (detail) wall collab with Lee Quinones, Futura, Risk, Able, Seno, Push, Loomit and Cern1  (photo © Jaime Rojo)

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“Birds of a Feather” (detail) wall collab with Lee Quinones, Futura, Risk, Able, Seno, Push, Loomit and Cern1  (photo © Jaime Rojo)

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“Birds of a Feather” (detail) wall collab with Lee Quinones, Futura, Risk, Able, Seno, Push, Loomit and Cern1  (photo © Jaime Rojo)

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“Birds of a Feather” (detail) wall collab with Lee Quinones, Futura, Risk, Able, Seno, Push, Loomit and Cern1  (photo © Jaime Rojo)

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In this photo by Martha Cooper, Futura lends a hand to Cern1 to complete the collaborative mural on the side of Geffen Contemporary in time for the opening.  (photo © Martha Cooper)

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“Birds of a Feather” wall collab in progress with Lee Quinones, Futura, Risk, Able, Seno, Push, Loomit and Cern1  (photo © Jaime Rojo)

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Barry McGee (Twist) finished this wall before heading indoors to reprise an installation he did in 2000 with ESPO and REAS called Street Market.  Roger Gastman says of the new installation that was still being finished as of yesterday afternoon, “This is another version ten years later, basically on crack. They brought in a number of other great artists to help work with them on it. Now it includes Alexis Ross, Dan Murphy, Jeff Flynn and a few others.” (photos tomorrow)

(photo © Jaime Rojo)

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This Blade wall in progress is a direct reference to the famous Martha Cooper photo of one of his burners on an MTA train in the 70s.  It was begun after the museum washed off a fresh new Katsu fire extinguisher tag that appeared suddenly a few days earlier. (photo © Jaime Rojo)

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Blade. Finish wall (photo © Jaime Rojo)

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Os Gemeos cube in progress will contain something quite special that is being prepared in a garage nearby.  It actually looks like it could hold a dozen go-go dancers if that other thing isn’t finished in time for the opening. (photo © Jaime Rojo)

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Os Gemeos cube in progress (photo © Jaime Rojo)

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Os Gemeos cube in progress (photo © Jaime Rojo)

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Os Gemeos with mini-train painted by Blade (photo © Jaime Rojo)

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Blade painting the Os Gemeos mini-train (photo © Martha Cooper)

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Os Gemeos mini-train opposite side (photo © Jaime Rojo)

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Sullivan takes off (photo © Jaime Rojo)

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Invader’s “Blue Invasion” of the museum starts outside. Or is that BLU invasion? (photo © Jaime Rojo)

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Risk (photo © Jaime Rojo)

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Fab 5 Freddy speaking on today’s press conference in front of bus by Risk (photo © Jaime Rojo)

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Not all brows are unfurrowed for the impending opening of “Art In the Streets”, as in these by French Street Artist JR (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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Fun Friday 03.18.11

Fun-Friday

BKLN -> LNDN , Skewville is one of the High Rollers Now

If you lucky enough to be in London today, are looking for a good time, and are not afraid of possibly losing a limb go to High Roller Society and experience the art magic of Brooklyn Street Artist SKEWVILLE.

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Click on the link for more details http://www.brooklynstreetart.com/theblog/?p=19318
Also check out this delicious interview with Adam on Vandalog this week.

HIGH ROLLER SOCIETY 
10 Palmers Road 
LONDON E2 0SY

Fresh Stuff from Skewville, Catching Up With Skewville, An Introduction to Skewville, Skewville Shows Us How It’s Done

Vanna, I would like to Buy a Vowel for Ben Eine

Brooklyn-Street-Art-WEB-EINE-SF-ScreenStill-March2011Or maybe just a hyphen. Check out this new mini-vid following the progress of Mr. Eine by a certain Spencer Keeton Cunningham.

LA MOCA “Art In the Streets” Coming

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JR “The Wrinkles in the City 2011″  Photo Courtesy © MOCA

Apparently there is some kind of art show coming up on the west coast in April. Don’t know if you will be doing laundry or shopping for potted plants in the area at the time, but thought we’d let you know just in case you’re interested in this sort of thing.

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MCGEE

Barry McGee, Houston Street and the Bowery, New York, 2010, photo by Farzad Owrang courtesy MOCA.

Art in the Streets will showcase installations by 50 of the most dynamic artists from the graffiti and street art community, including Fab 5 Freddy (New York), Lee Quinones (New York), Futura (New York), Margaret Kilgallen (San Francisco), Swoon (New York), Shepard Fairey (Los Angeles), Os Gemeos (Sao Paulo), and JR (Paris). MOCA’s exhibition will emphasize Los Angeles’s role in the evolution of graffiti and street art, with special sections dedicated to cholo graffiti and Dogtown skateboard culture. The exhibition will feature projects by influential local artists such as Craig R. Stecyk III, Chaz Bojorquez, Mister Cartoon, RETNA, SABER, REVOK, and RISK.

More HERE

A special emphasis will be placed on photographers and filmmakers who documented graffiti and street art culture including Martha Cooper, Henry Chalfant, James Prigoff, Steve Grody, Gusmano Cesaretti, Estevan Oriol, Ed Templeton, Larry Clark, Terry Richardson, and Spike Jonze. A comprehensive timeline illustrated with artwork, photography, video, and ephemera will provide further historical context for the exhibition.

Os Gemeos With a Sharp Eye and Steady Hand and Dreamlike Imagination

Monica Canilao; You Light Up My Life

Have you ever found that perfect dinette set thrown away on the sidewalk, except that the veneer has been chipped off because the table was used as a vegetable cutting board, and two of the chairs are missing legs? Ever have a grandiose Aunt who sees the end coming and thinks that you would be the perfect recipient of her mid-century shlock loveseat or crusted poly lampshade? Ever explored a haunted house that is about to fall on you and crush you to death?

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A look at this chandalier by artist Monica Canilao just makes you happy. She has some ideas about what you might be able to do with those things you involuntarily have to drag home from the street. She and some friends made a cool chandelier that has an audio component when it is rotated.

Check out more of Monica’s work here.

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New Puppy Gallery Presents: “Sniffin’ Glue” A Group Show (Los Angeles, CA)

Sniffin’ Glue
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Who better than Nomadé, Eddie Colla, ABCNT, and Cryptik to poke the MOCA institutional bear smack in the nose on April 16th with their new explosive show “Sniffin’ Glue.”

Armed with intense imagery and a collective history of street credibility, this fierce

foursome dare to not only provoke but stand in front of MOCA’s

institutional tank, refusing to allow Jeffery Deitch be the only street

art voice heard on this night.

“Sniffin’ Glue” is a collective display of power from four of the most

provocative west coast street artists – ABCNT, Nomadé, Cryptik and Eddie Colla.

It is a manifestation of a street art revolution that cannot be ignored.

The themes of their work span from power, peace, individualism to protest.

Fueled by revolution, ABCNT’s work pierces into the heart of our deepest political establishments. Cryptik’s art comes from a place of spirituality and his zen visual mastery.

Nomadé are the warriors of creation, not powered by weapons but by intensity and a powerful visceral style. The world of Eddie Colla captures the consciousness of the individual and the relationship to the ever-growing environmental challenges to conformity.

“Sniffin’ Glue”

New Puppy Gallery

2808 Elm Street Unit #1

Los Angeles, CA 90065

323.439.3355

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