All posts tagged: Jaime Rojo

Racing Character : Jim Avignon in Palestine, Greece, Italy, Germany, Peru

Racing Character : Jim Avignon in Palestine, Greece, Italy, Germany, Peru

A constantly accelerating world is hard to document in a static mural, but Berlin’s Jim Avignon has been racing around the world to do it for quite a while. His bending neo-pop-comic illustration style cleverly points to his concerns about social, political and behavioral ills, as well as the communication and the technological race that appears to be outstripping our ability to adjust to it.

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Jim Avignon. Ramallah, Palestine. (photo © Jim Avignon)

Travelling to Ramallah with the Goethe Institute last month, Jim created walls that are metaphorical, including one figure holding his own brain painted on the Separation Wall. Examine the figures and the symbols – sometimes they are simply attractive, while other times they have more developed meanings. With ongoing rhetoric in many countries about building walls to keep people in or keep people out – while business and trade walls continue to evaporate, Avignon may soon be lampooning walls on a wall.

Here are some more recent walls painted by artist Jim Avignon.

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A collaborative piece by Jim Avignon and Sabea Senftenborg. Ramallah, Palestine. (photo © Jim Avignon)

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Jim Avignon. Athens, Greece. (photo © Jim Avignon)

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Jim Avignon. Lima, Peru. (photo © Jim Avignon)

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Jim Avignon. Marina di Ravenna, Italy. (photo © Jim Avignon)

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Jim Avignon. Berlin, Germany. (photo © Jim Avignon)

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Jim Avignon. Tagesspiegel, Berlin. (photo © Jim Avignon)

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BSA Film Friday: 11.11.16

BSA Film Friday: 11.11.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Panmela Castro: “Porquê?”
2. Louis Masai: The Art Of Beeing – Detroit. From Wheres-Kong
3. Low Bros from their #sweet15s series. Episode 8
4. Low Bros from their #sweet15s series: Episode 7


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BSA Special Feature: Panmela Castro: “Porquê?”

“Porque?” is a question that many people have asked in the wake of this years’ presidential election – and Panmela Castro’s performance captured here addresses a few of the fundamental assumptions about women’s roles in society, the artifice of fashion, the debilitating, disfiguring power of fashion that defines gender.

“Why are there still cultural and legal constraints on women to enjoy their right to sovereignty of their lives?,” asks Castro.

We do not want to overlay our interpretation of the presentation and performance because the artist deserves to let the work speak for itself.

Louis Masai: The Art Of Beeing – Detroit. From Wheres-Kong

Checking in with the touring master of beeing, Mr. Louis Masai. Be sure to follow him on BSA as we continue to follow him through more American cities on the “Art of Beeing” tour.

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Low Bros from their #sweet15s series. Episode 8

And now here are sweets from the chocolate box to remind you about the Low Bros and their latest work. Have two, you never know what’s in them.

Low Bros from their #sweet15s series: Episode 7

 

 

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The Singular Voice Retains Power : Small Stencils on the Street

The Singular Voice Retains Power : Small Stencils on the Street

The small singular voice.

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

Contesting public space only takes a modest act of conscience or creativity, or both. Hand cut one color stencils can have as much impact as a large colorful mural. Well chosen words scrawled with a marker can have the intensity and impact greater than that of a massive missive, but requires less resources or bombast.

BSA has always made sure to listen for that small singular voice on the street to see what is being said. Often it is an indicator of our collective state of mind or a direction that we are going in, here brought to our attention on a small scale by often anonymous authors.

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

While it can be thrilling an exhilarating to see the huge murals and large installations by the international Street Art names that travel from festival to festival, we always remember the emerging and the unidentified, the scrawler, stencillist, hand-rendered wheat-paster.

Here are some recent small stencils found in Dresden Germany and some from the US. Clearly there is much to say on the street today.

 

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. This of course isn’t a stencil but it accompanies the sentiment on the stencil above. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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A. Jersey City, NJ. (photo © Jaime Rojo)

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Crisp. Welling Court, Queens. NYC. (photo © Jaime Rojo)

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#IFEELLIKEHILLZ. Brooklyn, NYC. (photo © Jaime Rojo)

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Unidentified Artist. Brooklyn, NYC. (photo © Jaime Rojo)

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Asalto 2016 In Zaragoza

Asalto 2016 In Zaragoza

For the 11th annual Asalto Festival in northern Spain’s Zaragoza the public art portion of cultural celebration is anything but assaulting in its content and style. In fact, the works can be compelling, and agreeable.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

The juried selection from a large number of applicants is carefully chosen and more integrated in the architecture and the city’s environment than most “Street Art” themed festivals. The murals are often designed to be site specific, appear far removed from the concepts of activism or protest and from accounts in local media, make people very happy.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

For example the remarkable mural by Aryz and SAN (Daniel Muñoz) on a historic chapel transforms its appearance while carefully staying within the bricked perimeters of other framing aspects of the original design, Elian’s conversion of steps into colorful abstract shapes is very decorative and agreeable, and Erica con C. Asalto’s “Rhinos in Love” piece is gently cute and completed with a heart.

Borondo’s multi-framed poolside piece really opens the conversation and imagination of viewers and invites you to imagine what he is seeing through those open doors.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Erica con C. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz . San. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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San. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

 

We thank photographer Lluis Olive Bulbena for sharing these recent photos from Lluis Olive Bulbena for BSA readers.

For more on the Asalto Festival see http://www.festivalasalto.com/

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Opiemme, The Alphabet, Migrants and a Kindergarden Mural

Opiemme, The Alphabet, Migrants and a Kindergarden Mural

Yup, that’s what kids need to help them learn their ABC’s – a mural that combines a poem inside a hybrid of flamingo, stork, crane, heron, and cormorant.

Also, it is good to have smaller animals carrying letters across the wall to the door one at a time.

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Opiemme. L’Apperto 2016. Roccavignale, Italy. October 2016. (photo © Opiemme)

The mural is in Roccavignale, a small village in the mountain between Piedmonte and Liguria with 750 inhabitants and hosts 20 migrants. Like many Street Artists these days, immigration is a theme that has captured Opiemme’s attention and has always been in love with the written word, with the the majority of her works spread across Italy.The outlines of this multi-bird body contain a poem about migration outside the main entrance of this Kindergarden/nursery school in Fenigruottero Cirogna,

“I am a migrant, I don’t have a nation, I don’t feel borders.

I follow the moon, I live between sky and lands, between trees and stars”

~ Opiemme

The mural is part of a public poetry project called L’Aperto and is courtesy of  Comune di Roccavignale, Sv (Italy)

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Opiemme. L’Apperto 2016. Roccavignale, Italy. October 2016. (photo © Opiemme)

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Opiemme. L’Apperto 2016. Roccavignale, Italy. October 2016. (photo © Opiemme)

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Opiemme. L’Apperto 2016. Roccavignale, Italy. October 2016. (photo © Opiemme)

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Louis Masai: Onward Ho! To San Francisco with “The Art Of Beeing”

Louis Masai: Onward Ho! To San Francisco with “The Art Of Beeing”

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Onward Ho! We are Bioneers of the brave new world!

The “Art of Beeing” Tour has made it to San Francisco, and London muralist and Street Artist Louis Masai has met some bee keepers, painted some Island Foxes, and talked at the Bioneer Conference. He also held a “Bee Hotel and Seed Bomb Workshop”, as you do…

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Louis Masai The Art Of Beeing. Honey Bee. Painted for Ko the beekeeper at Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

“It was amazing for the opportunity to meet really interesting powerful and provocative thinkers,” he tells us. That news is not surprising considering the conference website says that organizers are interested in “growing this movement of movements for ecological restoration, justice and social transformation to turn them into lasting systemic change.”

If this sounds somewhat ethereal, euphoric, suspiciously emotionally touching and outlandishly possible, that’s because you have landed in San Francisco, people, so relax. There’s still “hippie” DNA here, it’s just small-batch brewed and slow dripped and costs 3 times what it should.

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Louis Masai The Art Of Beeing. Honey Bee. Painted for Ko the beekeeper at Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

“We learned a lot at this conference about how fragile the environment really is and the power that my images can have as a way to communicate with a whole demographic of people that might not be so willing to accept information from scientists,” Louis says. We agree. Art has the power to transform situations, people, and lives and art on the street is having a big impact on communities – including the illegal stuff.

Although not all of his previously agreed on walls came through, he did get to paint a few bees and some Island Foxes. These foxes, as you may have guessed, are facing extinction. Good news is their numbers have been increasing due to human efforts, so that is something to cheer for. Check out Friends of the Island Fox to learn more.

Overall, San Francisco appears to have blown Louis’ mind a little bit, which is reassuring to know.

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Louis Masai The Art Of Beeing. Honey Bee. Ko the beekeeper at Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

“We met some amazing beekeepers in San Francisco that really opened up this idea that nature and the engagement with nature can definitely start to generate a sense of love for oneself and the environment,” he says.

“Bees really are the planets’ little helpers, maybe they can cure depression too, who knows?”

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Honey Bee. Jetty extracts Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Honey Bee. Jetty extracts Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Honey Bee. Jetty extracts Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Honey Bee. Jetty extracts Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

Click http://louismasai.com/projects/the-art-of-beeing/ to learn more about the project.

 

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BSA Film Friday: 11.04.16

BSA Film Friday: 11.04.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. OFICIO: Short Documentary. Kosovo Gallery. Cordoba, Argentina
2. Kris Kim Takes a Walk Along Tracks in Washington, DC.
3. Bebo in Oaxaca for the 2nd Stencil Festival

 

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BSA Special Feature: OFICIO: Short Doc from Cordoba, Argentina

This week we have a short documentary showing the development of an artists residence in the city of Cordoba, which housed several artists from different cities. Done in cooperation with Kosovo Gallery, the mural projects objective is to develop a series of murals in two districts of the city. Here in Spanish the artists talk about their experiences and the interaction with the communities that they are working within – whom will live with the works once the artists have departed.

Artists who participated in OFICIO: Zosen, Mina Hamada, Elian, Pedro Perelman, Pum Pum, Joao Lelo, Pesk, Martin Ferreyra, Mariano Antedoménico and Pixel Pancho.

 

 

Kris Kim. Aerosoul 16′. Washington, DC.

New Yorker Chris Kim takes a walking adventure to see what kind of wild and wooly art works are growing along the CSX railroad scene outside the DC area and he documented what he saw there with his camera. “I really enjoy the scenic walk in the woods with just a train track to help me not get lost.”

A home made video sure, and the up close captures of graffiti on a passing train can be taxing in the quick blur, but the videographer also does some playful cuts and overlays a large portion of the graffiti discovering with a soundtrack of apocalyptic dread. Enjoy with us the sounds of MF Doom featuring Charles Bukowski adding cheerful narrative interludes like, “there will be open and unpunished murder in the streets” and “radiated men will eat the flesh of radiated men” against a backdrop of random shots of railside graffiti.

Also, a surprise ending.

 

Bebo in Oaxaca

In the Mexican state of Oaxaca the experimental stencilist Bebo furtively sketches his strokes with an aerosol can through the hand cut cardboard to create his new mural for the second annual Stencil Festival there.

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BCN Transit Walls Festival during La Mercè in Barcelona

BCN Transit Walls Festival during La Mercè in Barcelona

Cultural organizations and lifestyle brands often pool together their resources and coordinate events to capitalize on foot traffic. It’s like punk kids organizing a skate event – with bands, djs, graffiti jams, tattooing… You can catch some air, catch a great show, catch a tag, and hopefully catch secret kisses behind some old rusty freight train all on one perfect Saturday.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

During the La Mercè Festival in Barcelona in September the organizers for “BCN Transit Walls” brought to life a former ‘hall of fame’ stretch of wall and captured the attention of a lot of folks who were in town for the concerts, fireworks, drummer parades, wine festivals, projections, human acrobat towers – and many other events marking the end of the summer. Organizers brought many artists together to paint live on the wall at Passeig de Circumval·lació; the incredibly long wall that surrounds the Barcelona Zoo at the edge of the Estació de França train tracks.

Lluis Olive Bulbena was there with his camera and he shares some of the walls here with BSA readers.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal . Lucas Milart. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Lucas Milart . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Uriginal . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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SPOGO. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Aleix Gordo. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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BToy. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

The Spanish Street Artist Hyuro again features the uncovered breast of a female form in her public mural.

The news here in Barcelona is that it is not news.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Four years ago at a mural festival in Atlanta, Georgia the Argentinian artist was embroiled in a local “controversy” for painting a mural that depicted the nude female form. The monochromatic film-frame presentation across a long wall showed the incremental metaphorical shedding of wolves clothing to that of a human, then back to a wolf – or something like that. It’s open to your interpretation and not painstakingly explained by the artist, as is often the case.

Most viewers didn’t find it to be an eroticized presentation and some thought it had religious undertones actually. Alexandra Parrish, a principal organizer of the mural explained to the Huffington Post at that time that it was “a portrait of transformation, the mural reflects the teachings of the church.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Regardless, the high-minded Atlantans who rallied to have that painting destroyed could only see that the mural presented naked lady parts parading in public, which could potentially light loins afire. Presumably none of those people were in attendance with more than 50,000 Beyonce fans this September at Atlanta’s Georgia Dome, since it was essentially two hours of women strutting in high heels and highly revealing, even erotically inspired, costumes across enormous screens for everyone in attendance, including children, to ogle.

Here in Barcelona Hyuro doesn’t report any negative commentary coming her way for this mural painted with BCN Transit Walls in conjunction with La Mercè, Barcelona’s largest cultural, musical arts and communities festival. Named after the Virgin of Grace (Mare de Déu de la Mercè), the patron saint of the Archdiocese of Barcelona, you may think that the vision of a bared breast may cause a firestorm here.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Like many of her public pieces the Hyuro’s mural is a series of frames that collectively can create a sense of motion when viewed in quick succession. This series depicts a woman opening her garments to expose her breast and give it to her nursing infant.

These are not erotic images but in a society that again is increasingly equating women’s worth with their their physical appearance and sexual availability, devaluing their intellects, and otherwise objectifying and sexualizing them in media and advertising imagery, a simple loving and nurturing act like this can be perversely, stunningly, misinterpreted.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

We often say that Street Art and Public Art are a mirror; a reflection of a society back to itself. Our extensive experience observing art in the streets has taught us that certain images are allowed by the greater culture to stay up while others are destroyed quickly. It is a fair measuring device for the opinions, mores, political leanings, and popular tastes of a locality.

Spanish passersby at this transit hub do not appear to find objection with this mural, but Hyuro might have to think twice about a mural like this in many American cities, where reports of shaming and bullying of breastfeeding mothers are still common.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Not surprisingly perhaps, the candidate for the highest office in the US this year whom has not been a mother reportedly told an attorney that she was “disgusting” for requesting a break to breast-pump milk for her baby. She also may have been “nasty“.

Whether the female form is entirely sexualized in your mind or not, for the record, US federal law permits breastfeeding in any public area where you happen to be when your baby gets hungry and laws in cities like New York actually permit women to be topless in public at any time. It may take a while for popular tastes in art to reflect this in certain areas, and when it comes to legal mural festivals visiting artists are always wise to consider the audience.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

 


 

Our sincere thanks to photographer Lluis Olive Bulbena for sharing his images with BSA readers.

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Barlo Blossoms a Head in Shenzhen with “Jardin Orange” and CEET

Barlo Blossoms a Head in Shenzhen with “Jardin Orange” and CEET

We talked to the Italian painter Barlo back in June when he was upside down in his current hometown of Hong Kong and now we see he is in Shenzhen with Ceet and the newly created Jardin Orange Art Residency.

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Barlo.  Jardin Orange Art Residency. Shenzhen, China. October 2016. (Photo © Jesus Salazar)

His two-story headless figure drew plenty of stares as he hand painted for two days in a rapidly developing neighborhood full of new construction.

“For me it was a chance to continue my recent exploration regarding Chinese patterns and traditional objects but most importantly to try to paint completely freestyle using only an extension pole,” he tells us. “Surely the influence of some Taoist readings I have been doing lately is quite evident – both in the subject and in the choice of going freestyle with a technique that doesn’t allow a high level of detail.”

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Barlo.  Jardin Orange Art Residency. Shenzhen, China. October 2016. (Photo © Jesus Salazar)

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Barlo.  Jardin Orange Art Residency. Shenzhen, China. October 2016. (Photo © Jesus Salazar)

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Barlo.  Jardin Orange Art Residency. Shenzhen, China. October 2016. (Photo © Jesus Salazar)


Check out this video of Barlo in the Bronx recently with TAG Public Arts Project Inc. (SinXero Art and his wife Skyra) to get an idea how he works.


If you are in New York you can also check out CEET at Wallworks December 10th in the Bronx! You don’t want to miss it.

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Jumping Salmon! Louis Masai is in Sacramento. “The Art Of Beeing” Tour

Jumping Salmon! Louis Masai is in Sacramento. “The Art Of Beeing” Tour

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Sacramento is next on the list for Louis Masai and his “Art of Beeing” US Autumn 2016 tour. And something smells fishy.

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Louis Masai The Art Of Beeing. Coho Salmon. Endangered. Sacramento, California. October 2016. (photo © Louis Masai)

“Lame Uncle” Joke, sorry. God, you kids are so critical! Go back to your phone! Wait, you are on your phone.

Anyway, the Coho Salmon is losing seriously. They’ve gone from 300,000 to 10,000 in the last 65 years, and the population trend is decreasing. You used to find them spawning in Southern Oregon and Northern California, but we’re going to kill them off soon if you just stand by and do nothing. One thing we can be sure of ; someone else is taking care of it.

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Louis Masai The Art Of Beeing. Coho Salmon. Endangered. Sacramento, California. October 2016. (photo © Louis Masai)

So how’s the trip been, Mr. Masai?

“We drove through snowy mountains from Reno to Lake Tahoe, and then descended a continuous downwards road for 6000 feet – which took about an hour to get into Sacramento,” he says. “What an incredibly diverse landscape! It’s just mind-blowing.”

Hosted by a collector of his artwork, Louis says their relatives own a restaurant where he painted this image of the Coho Salmon. Do they have salmon on the menu?

“These guys were aware of the issues surrounding the salmon and a few years ago they made the decision not to serve salmon,” he says. “I salute a business that can take even the smallest changes to accommodate for the environment.”

Side question: Why is the “L” in salmon silent? Anyone?

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Louis Masai The Art Of Beeing. Coho Salmon. Endangered. Sacramento, California. October 2016. (photo © Louis Masai)


Want to help? Sign a CREDO petition. Also learn more about species extinction, the historical era of killing off thousands of species that we are currently living in, at www.psf.ca . Your kids and nieces and nephews will thank you. Or not. Depending.

Click http://louismasai.com/projects/the-art-of-beeing/ to learn more about the project.

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BSA Images Of The Week: 10.30.16

BSA Images Of The Week: 10.30.16

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We haven’t had such a frightening Halloween in years! – and we know we speak for many readers as well while we all look at the monstrous tabloid TV parade that is scaring the electorate. Boo!

Luckily we found some treats on the street! And a few tricks, but those are for our paid site, wink wink.

So here’s our weekly interview with the streets, this week featuring Bifido, Buff Monster, City Kitty, Dee Dee, Disto, Droid, Flood, Myth, Nychos, R2, REVS, RODA, Rusk, See True Fame, Sipros, Smells, Smith, Sweet Toof, and Texas.

Our top image: City Kitty is ready for Halloween(photo © Jaime Rojo)

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Buff Monster’s Mister Melty playing Narcissus with great aplomb. Detail. (photo © Jaime Rojo)

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Buff Monster for Mana Urban Arts Project in Jersey City, NJ. (photo © Jaime Rojo)

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REVS and friends. (photo © Jaime Rojo)

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Roda . Droid . R2 (photo © Jaime Rojo)

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RUSK . DROID (photo © Jaime Rojo)

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SMELLS (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Nychos for Mana Urban Arts Project in Jersey City, NJ. (photo © Jaime Rojo)

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See True Fame in Long Island City, Queens. (photo © Jaime Rojo)

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The more times change, the more they stay exactly the same. Unidentified Artist (photo © Jaime Rojo)

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Bifido has a new work in Dugenta, Italy that alludes to the harsh living conditions for some that creates wealth for certain industries. The name of the work borrows from the Beatles song: “Lucy in the Sky with Diamonds” (photo © Bifido)

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Sipros gives a ride to Stan for Mana Urban Arts Projects in Jersey City, NJ. (photo © Jaime Rojo)

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Texas. Disto (photo © Jaime Rojo)

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Disto. Gane (photo © Jaime Rojo)

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Unidentified Artist (photo © Jaime Rojo)

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Sweet Toof (photo © Jaime Rojo)

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Flood (photo © Jaime Rojo)

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Flood (photo © Jaime Rojo)

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Unidentified Artist (photo © Jaime Rojo)

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Untitled. Hudson River, NYC. October 2016. (photo © Jaime Rojo)

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