All posts tagged: Jaime Rojo

SETH Completes Indoor Mural for “Martha Cooper: Taking Pictures” at Urban Nation Berlin

SETH Completes Indoor Mural for “Martha Cooper: Taking Pictures” at Urban Nation Berlin

With less than one week to go before the opening of our exhibition MARTHA COOPER: TAKING PICTURES at Urban Nation Museum in Berlin the installation of the exhibition is well underway. Under the watchful eye and guidance of Michelle Houston and her team at YAP (Yes And Productions), the 400 printed photos, 1400 digital photos, 260 collected artifacts, 35 artists original artworks, one commissioned indoor mural, one new 24-video environmental installation, 10 black books, journals, passports, SIM cards, 8 audio voice recordings, a huge stickerboard, and a timeline covering 1943-2020 are all being installed throughout the entire museum.

Seth Globepainter. Martha Cooper: Taking Pictures. Urban Nation Museum. Berlin. (photo @Michelle Nimpsch /YAP)

A career retrospective, this one has been carefully planned with a rich offering of items for those who love photography, those who are avid fans of graffiti and street art, those who are scholars of the art forms and practices in public space, and for the families with kids who are looking to spend an afternoon being entertained and educated.

Seth Globepainter. Martha Cooper: Taking Pictures. Urban Nation Museum. Berlin. (photo @Michelle Nimpsch /YAP)

One highlight of the exhibition will be the brand new two-story high site-specific indoor mural by French artist SETH, who has created a new interpretation of one of Martha’s photographs from the 1970s, effectively bridging two of the ten sections of the exhibition entitled “Street Play” and “Martha Remixed”.

Seth’s photo of Martha Cooper when he and she collaborated on a project series in Haiti recently. © SETH

SETH understands Martha’s long time interest in photographing kids creating their own world with their imaginations, their own games, play-acting out scenarios in public space in city streets and empty lots. Photos in the exhibition from Haiti bridge several visits Martha made there, first in 1978 and recently in 2018 – this most recent visit with SETH to collaborate on a project with one another.

We wouldn’t want to spoil the surprise for you but we would like to share with you a handful of detail shots of the mural in progress. We’ll unveil the original photo and the full mural on October 2nd.

Seth Globepainter. Martha Cooper: Taking Pictures. Urban Nation Museum. Berlin. (photo @Michelle Nimpsch /YAP)

You are invited to the Official Opening of “Martha Cooper: Taking Pictures”, which will be streamed LIVE online and have all sorts of special guests and feature a tour of the exhibition, interviews, and documentary material with Martha herself – beginning at 8 pm Berlin time Friday, October 2nd.

Martha Cooper: Taking Pictures
Curated by Steven P. Harrington and Jaime Rojo

Opening weekend

Opening:

Friday, October 2nd, 2020: 8 – 11 pm

Extended opening hours:

Saturday, October 3, 2020: 10 am – 10 pm

Sunday, October 4, 2020: 10 am – 8 pm

URBAN NATION Museum, Bülowstrasse 7, Berlin-Schöneberg

https://urban-nation.com/livestream-martha-cooper-taking-pictures/

Click HERE for more details about the exhibition.

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BSA Film Friday: 09.25.20

BSA Film Friday: 09.25.20

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Doug Gillen/Fifth Wall TV: Is New Brighton a future model for the British Sea Side Town?
2. Lidia Cao. Tribute to Dolores Medio. Parees Fest 2020
3. INDECLINE: On Second Thought. A reflection on gun violence in collaboration with artist David Fay.

BSA Special Feature: Visit a Sea Side Town with Doug Gillen

You can’t really send out a gilded invitation to your cousin Gentrification to come visit and be surprised when his emotionally draining wife and video-game playing snot-nosed kids are in the car with him.  When you use words like “platform” to describe art-washing of a town, and your organization has a “brand director”, there won’t be much surprise when the moneyed professionals complain that music at the curated-bar across the street is keeping their new baby awake at night.

Doug at Fifth Wall is more surreptitiously stealthy than ever, gradually upping his stealthy-stealthitude as he lets this story basically tell itself while posing as a merely curious art-fan.

The story is literally everywhere you look right now, and apolitical, non-confrontational Street Art and murals are almost always intercedent. A small town is sucked dry after decades of neo-liberal economics and back-room political deals, leaving a godless lot feeling listless and depressed without prospects for the future. Broad strokes, but you’ve undoubtedly heard the concept proffered by real estate investors that comes next.

“Yes there’s a commercial side to it but there is also very much a community element to what we’ve been doing,” says one male voice as the camera scans some run-down architecture with good bones and historical character. They’ve been buying up properties and “introducing a new independent concept into them”.

You predict what comes in this chapter; small portions of fussy food, art galleries, street art, vinyl!, kooky cafes with drip coffee and cold brew, clever grandma-anti-fashion fashion, artisanal cheeses, greater police presence and the occasional night-time social cleansing of hardscrabble types pushed into other neighborhoods.

Next step, edgy lifestyle brands will need some quirky space to set up shop.

“We’re trying to keep the big boys out of our little part of town.”  

“2020 is a year calling out for change,” says Doug in his wrap-up, but he knows this particular model is not at all new. It’s still a reaction to the devastation, and we all seem to be trapped in it. Even so, this can be a kind of rejuvenation that many small towns would ache for and there is reason to think that the formula can be configured to be more just to those who will get displaced – if you’re dedicated to it.

And your cousin Gentrification could be cool to hang out with, even if his very classy wife gently insults your wife and the décor of your home and the food you eat and the music you listen to.

Doug Gillen/Fifth Wall TV: Is New Brighton a future model for the British Sea Side Town?

Lidia Cao. Tribute to Dolores Medio. Parees Fest 2020

Lidia Cao paints a portrait of Dolores Medio, the Spanish writer, teacher, and journalist for the Parees Festival in Spain in this short video by Titi Muñoz.

INDECLINE: On Second Thought. A reflection on gun violence in collaboration with artist David Fay.

600 decommissioned weapons were combed over and refashioned by Las Vegas based artist David Fay into this semi-kinectic sculpture that recalls Rodin’s “The Thinker”. In an America that is fascinated by weapons, at least in movies and television, this sculpture may make people think, or not.

Produced by the amorphous art-activist group INDECLINE, the work had 58 bullets embedded in the shoulders as a somber reminder of the mass shooting in Mandalay Bay three years ago in Las Vegas.

From their press release: “The piece stands just over 6 feet tall and weighs approximately 250 pounds. It took David Fay 4 months and over 750 man-hours to complete the piece.”

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Gonzalo Borondo and 36 Christ-like Apparitions Displayed in Salamanca, Spain

Gonzalo Borondo and 36 Christ-like Apparitions Displayed in Salamanca, Spain

Gorgeous and haunting images today from photographer Roberto Conte of street artist/fine artist Gonzalo Borondo’s latest installation fo “Non Plus Ultra”, this time in the Salina Palace in Salamanca, Spain.

Gonzalo Borondo. “NON PLUS ULTRA”. (photo © Roberto Conte)

Testing the qualities of glass once again, the artist screen prints 56 pieces and installs them across 80 meters of space, evoking a chorus of forms, but who are these/is this forms/form.

Christ suspended from the cross comes to mind, so does the drama of an army of models marching down the stage.

Gonzalo Borondo. “NON PLUS ULTRA”. (photo © Roberto Conte)

“Transparency and hardness; fragility and resistance; protection and danger,” he reflects as Borondon considers what draws him again and again to glass as a canvas for screen print. All of these are applicable and yet his placement in this repetitive way strikes you as the ephemera of projection of image.

Gonzalo Borondo. “NON PLUS ULTRA”. (photo © Roberto Conte)
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Urku Abstractly / One Wall Project / Urban Nation Berlin

Urku Abstractly / One Wall Project / Urban Nation Berlin

A fresh face at Urban Nation, the abstract muralist URKU has just completed the façade across the train tracks from the museum on Bulowstrasse.

Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)

Originally from Quito, Ecuador, Urku says he began his true immersion into graffiti and street art when he lived in Sydney, Australia and he hooked up with the Higher Ground crew. His first attempts were painting in abandoned places, he tells us, but the big scale walls really caught his attention.

Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)

Living in Berlin since 2015, Urku brought his girlfriend, Gamze Yalçın who is also an artist in Berlin, along for this installation on the busy thoroughfare full of noise and distractions.  He says his style has evolved more into abstraction today and he likes to think his art as a visual diary – one where he re-interprets his daily visual experiences into abstract compositions.

How did he feel elevated alongside the famous yellow trains of Berlin watching the burners fly by? “Perhaps it would have been very nice to have appreciated the scene while painting the wall with the trains running behind me,” he says, “but the fact is I had to paint all the time and to complete the project. But I was in awe that this was actually happening and seeing the trains with graffiti passing by was very cool.”

Our special thanks to BSA contributor Nika Kramer for these images and to UN.

Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
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Teo Vazquez and Mourad are Running “20 Meters”

Teo Vazquez and Mourad are Running “20 Meters”

Mourad is running! It’s 20 meters along this wall on the inner courtyard of
the Bac de Roda Housing Cooperative in Poblenou, a neighborhood of Barcelona, Spain.

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)

The new stop-action installation is meant to freeze for a moment the emotions and sensations that can occur during migration – which many people are forced today to do all over the world, whether they are escaping from hardship, fear, war, environmental extremes, or decimated economies.

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)

Artist Teo Vázquez wants us to think about the distance that people run, and how crossing a simple national boundary can be the difference between life and death. If you studied Western art history, these figures may also call to mind warriors and heroes of so-called classical antiquity.

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo was assisted on site by fellow artist Magda Cwik. September, 2020. (photo © Lluis Olive Bulbena)

Here Vázquez says he has captured “through a sequence of movements, different snapshots which reflect a mosaic of unique expressions.” This, he says, is “a figure who symbolically represents all who they have made a migratory journey risking their lives.”

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo was assisted on site by fellow artist Magda Cwik. September, 2020. (photo © Lluis Olive Bulbena)

Born in Cadiz, now living in Barcelona, Vázquez is participating in the fourth edition of MURAL / LOCAL, an artistic action that annually renews this wall. He would like to thank his subject Mourad as well as his fellow artist Magda Cwik, who assisted him in hanging the new installation. Our thanks go to photographer Lluis Olive Bulbena, who shares his photos of this new work with BSA readers.

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo was assisted on site by fellow artist Magda Cwik. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo was assisted on site by fellow artist Magda Cwik. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo and fellow artist Magda Cwik with Mourad the young man depicted in the mural. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
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Madrid Dispatch: Primo Banksy and TVBoy

Madrid Dispatch: Primo Banksy and TVBoy

These days it is the default storyline of a non-British arts journalist to deign that their local street artist is “Tel Aviv’s Banksy”, or “Wanaka’s Banksy”. Here in Madrid, this artist just calls himself Banksy’s cousin, or at least that could be one interpretation of his artistic name.

Primo Banksy. Tribute at Garcia Lorca. Madrid, Spain. (photo © Ricardo Hernandez)

Primo Banksy is a trained artistic talent and uses his carefully rendered ink and watercolor illustrations to highlight cultural figures in art, politics, literature – like John & Yoko, the girl from the Velázquez’ Las Meninas, or this portrait of Federico García Lorca, the poet, playwright, and theater director.

Primo Banksy. Tribute at Garcia Lorca. Madrid, Spain. (photo © Ricardo Hernandez)
Primo Banksy. Madrid, Spain. (photo © Ricardo Hernandez)

Meanwhile the street artist known as TVBoy is much closer in style and sentimentality to the Bristol-born street art man of mystery known around the world. The Barcelona based Italian favors the pop side of so-called “urban art” here, his filter treatments of popular figures a sure hit for passersby who relate to the subject.

TVBOY. Madrid, Spain. (photo © Ricardo Hernandez)

Our thanks to BSA reader Ricardo Hernandez who shares with us some recent shots while strolling the streets of Madrid.

TVBOY. Madrid, Spain. (photo © Ricardo Hernandez)
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BSA Images Of The Week: 09.20.20

BSA Images Of The Week: 09.20.20

Welcome to BSA Images of the Week. Shana Tova to our Jewish brothers and sisters, even as we mourn the Friday passing of one of Brooklyn’s own, Justice Ruth Bader Ginsburg. She was born here on East 9th Street in Midwood to Russian immigrant parents in 1933 and the governor says we’ll have a statue honoring her here too.

Meanwhile in our strained semi-democracy, daily anti-ICE protests continue in Times Square amidst accusations of heavy handed practices of the police, exotic animal complaints this year are up 77 percent possibly because people want to quarantine with roosters and monkeys to stay sane, and in-person school classes are again being delayed due to lack of preparedness and generalized fears of Covid-19 outbreaks among students and teachers.

Compared to all these news, the scene with Street Art appears tame. But from Red Hook to Soho to LES to Bushwick to Ridgewood, it is definitely not lame.

Here’s our weekly interview with the streets, this week featuring BK Foxx, Chris Tuorto, City Kitty, CRKSHNK, De Grupo, Downtown DaVinci, Freakotrophic, Half, Joe Iurato, Kesta, Logan Hicks, Mish, Ouch, Praxis VGZ, Sac Six, Sean Lugo 9, Stikman, and You Go Girl!

Collaboration between Sean Lugo and City Kitty. (photo © Jaime Rojo)
Freakotrophic for The Bushwick Collective (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
Half (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Sitkman (photo © Jaime Rojo)
Ouch (photo © Jaime Rojo)
You Go Girl (photo © Jaime Rojo)
You Go Girl (photo © Jaime Rojo)
Praxis (photo © Jaime Rojo)
Logan Hicks and Joe Iurato for The Bushwick Collective (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Downtown DaVinci. This piece has plexiglass protection and that makes it very hard to photograph. (photo © Jaime Rojo)
BK Foxx and Kesta collaboration for JMZ Walls. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
DE GRUPO (photo © Jaime Rojo)
Chris Tuorto (photo © Jaime Rojo)
Mish and? (photo © Jaime Rojo)
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The Notorious RBG, Rest in Peace

The Notorious RBG, Rest in Peace

Ruth Bader Ginsburg (1933-2020) A role model. A trailblazer. A pioneer. An intellectual. A woman of her time. A feminist. A mother. A wife. A daughter. A sister. A grandmother. An extraordinary human who dedicated most of her life to extending the reach of justice to all of us, and to protect us from the tyranny of others, including the state.

Her work is done and we are in deep gratitude to her for being such an amazing role model to us – even while we realize that our work will continue. Rest in Peace, Justice Ginsburg.

Captain Eyeliner (photo © Jaime Rojo)

“Dissents speak to a future age. It’s not simply to say, ‘My colleagues are wrong and I would do it this way.’ But the greatest dissents do become court opinions and gradually over time their views become the dominant view. So that’s the dissenter’s hope: that they are writing not for today, but for tomorrow.”
– Interview with NPR, 2002

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BSA Film Friday: 09.18.20

BSA Film Friday: 09.18.20

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Wall Writers

BSA Special Feature: Wall Writers

Wall Writers: Graffiti in its innocence. Directed by Roger Gatsman and narrated by John Waters is a documentary accompanied by a book with an introduction by Barry McGee. The film was released in 2016. Redbull is streaming the full film on their website now. For those interested in the birth of graffiti and wish to know more about the pioneers writers such as Taki 186, Cornbread, Snake 1 and, many more legends this is a perfect weekend treat.

WALL WRITERS – Trailer AND Streaming FREE!!!

Taki 183 being filmed for Wall Writers (still courtesy of R Rock Enterprises)
SNAKE 1, STATIC 5, FLASH 191, and STICH 1 at the P.S. 189 school yard in Washington Heights, NY. Circa 1973 (photo courtesy of SNAKE 1)
Wall in The Bronx featuring NIXON posters and a CHARMING 65 tag. (photo © John Naar 1973, 2015)

You can watch the whole documentary HERE

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“I Accuse! Vlady Draws Up a Checklist for Local Statues in Stockholm

“I Accuse! Vlady Draws Up a Checklist for Local Statues in Stockholm

Who are these revered men cast in iron, carved in marble, poured in bronze? What great lengths have they traveled to achieve what high aims, and who decided they were worthy of statuary? Also, how long should these figures stay up, remain relevant, remain revered?

Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)
Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)

History is written by the victors, not the morally sound. Some get elevated because of the cult of personality, or a campaign of suppression. So whether they are soaring, sublime, or ridiculous, most statues represent the values and goals of the society – or at least the dominant culture. But when values and social mores change, so do these character’s relevance and appropriateness.

Street artist Vlady questions whether we really know everything we should about these people hoisted above us at City Hall, in the center of the fountain at the park, at the entrance to the library. Have you done your due diligence?

Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)
Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)

In fact, Vlady believes that “despite our memorable achievements, we are all despicable people.”

“Morality, ethics, fashion, taste and even religion can change profoundly over time. Nothing remains constant, and neither good nor bad are defined exactly the same way.”

Helpfully, he has drawn up a number of “Accusation checklist” signs for Swedish city-dwellers to learn truthful or bogus facts about their statues.

“I have targeted random statues in Stockholm, assuming that each of these celebrated individuals of the past had despicable moral conduct, according to today’s ethics,” he tells us. “My accusations are on the funny side, but quite frankly, probably close to real.”

Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)
Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)
Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)
Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)
Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)
Vlady. Accusation Checklist. Stockholm. 09-2020 (photo © Vlady)
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Lucy McLauchlan Naturally in London

Lucy McLauchlan Naturally in London

Birmingham, Englands’ Lucy McLauchlin carries the patterns and textures of natural forms in her mind and her paint brushes wherever she goes. In this new mural on a pebbledash wall in London, her ongoing fascination for the organic again intercedes the spirit of graphic geometry.

Lucy McLauchan. London Mural Festival. London, UK. (photo © George Mapp)

“I tend to approach a wall by firstly understanding it’s situation within its surrounding area,” she tells us, “this leads my painting so it’s more of a collaboration in a sense.” Working in context is still uncommon in the street art milieu, although some profess to create work with the local culture firmly in mind. For McLauchlin, it’s an intuitive process.

“In this case I allow a spontaneous approach to guide my brush marks as they grow across the surface,” she says.

Naturally.

Lucy McLauchan. London Mural Festival. London, UK. (photo © George Mapp)
Lucy McLauchan. London Mural Festival. London, UK. (photo © George Mapp)
Lucy McLauchan. London Mural Festival. London, UK. (photo © George Mapp)
Lucy McLauchan. London Mural Festival. London, UK. (photo © George Mapp)
Lucy McLauchan. London Mural Festival. London, UK. (photo © George Mapp)
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City Takes Your Bus Stop? Biancoshock Will Help You Build a New One.

City Takes Your Bus Stop? Biancoshock Will Help You Build a New One.

“The citizens, using their artisanal skills, built a new bus-stop in the same place where the institutional one resided,” says street artist Biancoshock, “choosing the shape, the colors, the useful information and its name.”

Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)

This is community participation at its best and another route of inquiry into public space and its relationship to city dwellers for this Italian conceptual artist.

“The old bus stop was removed many years ago because it was damaged. The transport company never replaced it,” he explains.

Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)

The space was abandoned by the municipality but not by the neighborhood – so he and another noteworthy street artist Alice Pasquini convened a Zoom meeting with area neighbors during a Covid-skewed version of this years’ CVTà Street Fest in Civitacampomarano. Pasquini is also the Artistic Director of the Festival in this Medieval Italian village that is wrestling with depopulation and the related loss of services.

Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)

The bus shelter was designed to shelter a historic bench where every day the inhabitants meet for a chat at the end of the day – a symbolic and meaningful place that helps keep the sociability alive.

Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)

Together with the shelter, the stop pole was created, which shows the institutional signage and the updated timetables of the urban routes that connect the village with the city. Together they have named the bus stop A-VIA-NOV, which in the local dialect is translated as New Street.

Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)

A great new public space for the public to enjoy and the municipality is still happily ignorant of the fact. “No transport company was notified about this action,” Biancoshock tells us.

“So for me, this intervention can be interpreted more as an activist gesture than an artwork.”  

Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)
Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)
Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)
Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)
Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)
Biancoshock. A Via Nov (New Street). Cvtà Street Fest. Civitacampomarano, Italy. (photos courtesy of the artist)

Project by Biancoshock

Art direction: Alice Pasquini

Cvta Street Festival 2020, Civitacampomarano (CB) – Italy

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