All posts tagged: Invader

“Beyond The Streets” Comes To Brooklyn in June

“Beyond The Streets” Comes To Brooklyn in June

Gastman’s Massive Graffiti and Street Art Show Arrives at Epicenter.

“I’m really excited to bring this show to New York,” says curator, graffiti historian and urban anthropologist Roger Gastman, “because the city plays such a pivotal role in the origin and evolution of the culture. The iconic images of covered subway cars made graffiti famous worldwide.”

Style Wars Car by NOC 167 with Door Open, Man Reading Newspaper, 96th Street Station, New York, NY, 1981. (photo © Martha Cooper)

He’s talking of course about “Beyond The Streets” the hybrid exhibition that he mounted in LA last year featuring the work of 150 who have proved to be pivotal to the evolution of a fifty year global people’s art movement that includes graffiti, street art, and urban contemporary art. Filling over 100,000 square feet of new space in Brooklyn, this two-floor cross-section survey will feature artworks by many of the same vandals, graffiti writers, Street Artists, and art activists who hit NYC streets, created dialogue with passersby, and were sometimes chased by the authorities. To see them showcased here is to recognize that there is not just one route to take – in fact there are many.

Guerrilla Girls at Abrons Art Center, New York, 2015. (photo © Andrew Hindrake)

“We have an incredible roster of artists for New York,” Gastman tells us, “and a brand new space in Williamsburg that has a stunning view of the Manhattan skyline as our backdrop.” Notably the lineup includes artists whose work BSA has documented on the streets in this very same neighborhood over the past two decades, including Shepard Fairey, Faile, Swoon, Bast, Invader, Aiko, and others. Ironically the appearance of free-range Street Art in the neighborhood has been seriously diminished since that time.

The exhibition is one more verification that a significant portion of the scene is being widely recognized for its cultural contribution and value in the contemporary art canon – a significantly fluid scene fueled by discontent and a desire to short-circuit the established routes to audience appreciation. Like large survey shows elsewhere, the takeaway is the significant impact street culture and its tangential subcultures continues to have on the culture at large.

Lil’ Crazy Legs during shoot for Wild Style, Riverside Park, NY, 1983. (photo © Martha Cooper)

Gastman says the New York version of “Beyond The Streets” will take an additional interest at the role of music and art activism on the street, along with immersive installations, a tattoo parlor, a special Beastie Boys installation with artifacts and ephemera, a new 30th Anniversary Shepard Fairey project “Facing The Giant: 3 Decades of Dissent,” and large scale works by Gorilla Girls, Futura, Cleon Peterson, and Takashi Murakami. 

More news coming on programming and events, but the important opening date to know right now is June 21st.

“All in all, it will make for a really special show this Summer,” says Gastman.


BEYOND THE STREETS TEAM

Curator: Roger Gastman

Co-Curators: Sacha Jenkins SHR, Evan Pricco, David CHINO Villorente

Producer: Ian Mazie & Pressure Point Creative


Tickets and hours of operation can be found at: BEYONDTHESTREETS.COM


FEATURED ARTISTS INCLUDE:

A-ONE, AIKO, Al Diaz, Alexis Ross, Alicia McCarthy, André ​Saraiva, Barry McGee, BAST, Beastie Boys, Bert Krak, Bill Barminski, Bill Daniel, BLADE, Broken Fingaz, Buddy Esquire, buZ blurr, Carlos Mare, Carl Weston, Cey Adams, C.R. Stecyk III, Charlie Ahearn, Chaz Bojórquez, Claudia Gold, Cleon Peterson, COCO 144, Conor Harrington, Corita Kent, Craig Costello, CRASH, DABSMYLA, Dan Witz, Dash Snow, DAZE, DEFER, Dennis Hopper, Dondi White, Doze Green, EARSNOT, Estevan Oriol, Fab 5 Freddy, FAILE, Faith XLVII, Felipe Pantone, FREEDOM, FUTURA 2000, Gajin Fujita, Glen E. Friedman, Gordon Matta-Clark, Guerrilla Girls, HAZE, Henry Chalfant, Herb Migdoll, Husk Mit Navn, INVADER, Jane Dickson, Jason REVOK, Jean-Michel Basquiat, Jenny Holzer, Jim Prigoff, John Ahearn, John Fekner, John Tsombikos, Joe Conzo, José Parlá, KATS, KC Ortiz, Keith Haring, Kenny Scharf, Kilroy Was Here, LADY PINK, LAZAR, LEE Quiñones, Lisa Kahane, MADSAKI, Maripol, Mark Gonzales, Mark Mothersbaugh, Martha Cooper, Matt Weber, Maya Hayuk, Michael Lawrence, MIKE 171, MISS 17, Mister CARTOON, Nina Chanel Abney, NOC 167, Pat Riot, Patrick Martinez, Paul Insect, POSE, PRAY, Rammellzee, Randall Harrington, RETNA, Richard Colman, Richard Hambleton, RIME, RISK, Ron English, Ruby Neri, SABER, Sam Friedman, SANESMITH, Sayre Gomez, Shepard Fairey, SJK 171, SLICK, SNAKE 1, SNIPE1, STAY HIGH 149, Stephen Powers, SWOON, Takashi Murakami, TAKI 183, TATS CRU, TENGAone, Tim Conlon, Timothy Curtis, Todd James, Trash Records, UGA, VHILS, and ZESER

The show is developed in partnership with Adidas and Perrier. Additional support provided by Modernica, Montana Colors, NPR, NTWRK, Twenty Five Kent and WNYC.

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BSA Images Of The Week: 03.10.19

BSA Images Of The Week: 03.10.19

A paper published last autumn by HEC Paris and Columbia Business School finds that artists are more likely to be professionally successful if they network widely – and that their innate talent as an artist may have less to do with commercial success than many thought.

Unearthed by Artsy this week, the paper is ricocheting across social media with shock and dismay uttered by some artists who lament the hollowness of the modern graffiti/ Street Art/ Urban Art world, purporting to be distinct and above it all, yet posing in countless photos on their social pages with myriad peers and professionals and potential clients cheek-to-cheek.

It may be time that some hardcore Graffiti and Street Artists can shed some of the charades about how the globe turns, even if you are a graduate of the “School of Hard Knocks”. This movement we are witnessing toward self-promotion and marketing has always been true: This research paper doesn’t even use modern artists as a model for study – the subjects were part of the 20th Century abstract art movement and most died years ago.

You’ll recall that a central tenant of graffiti is that writers spread their names on every wall in different neighborhoods and cities to get “Fame”. As the authors of the paper Banerjee Mitali and Paul L. Ingram say, “CEOs, activists, scientists and innovators all benefit from fame. Meanwhile, the struggle for fame is becoming ever more intense and complex in a digital economy.” Download the paper here.

Yes, networking helps your career. In other breaking news, puppies are cute, the Pope is Catholic, and boys like short skirts.

This week our Images of the Week are coming to you directly from our latest visits to Madrid, Bilbao, and Bayonne. We’re excited to share what we found with BSA readers.

So here’s our weekly interview with the street, this time featuring Anna Taratiel, Artez, Aryz, C215, Dan Witz, Eltono, Invader, Monkeybird, MSW, Stinkfish, and Suso33.

Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Anna Taratiel. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Invader. Bilbao, Spain. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Aryz. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Dan Witz. Madrid, Spain. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
C215 for Points de Vue Festival. Bayonne, France. (photo © Jaime Rojo)
Artez for Urvanity Arts. Madrid, Spain. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
SUSO33. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Eltono. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Stinkfish. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
MSW. Beyonne, France. (photo © Jaime Rojo)
Monkeybird. Bilbao Arts District. Bilbao, Spain. March 2019. (photo © Jaime Rojo)
Untitled. Sunset. Madrid, Spain. March 2019. (photo © Jaime Rojo)
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Bilbao Diary: A Quick Survey

Bilbao Diary: A Quick Survey

The Basque Government is about to start the procedure for awarding the 104 homes in the subsidised housing project that will be located on Zorrotzaurre plot SI-2,”says the website for the biggest development area in Bilbao- the new Zorrotzaurre Island.

sPy (photo © Jaime Rojo)

We wonder how long the street art and graffiti will persist here now that the masterplan of Zaha Hadid is nearing another phase of completion. We’re guessing that you still have time to catch some of the best stuff if you are willing to scout it.

The Future Is Female (photo © Jaime Rojo)

The grassroots handmade art movement has occupied the rundown and neglected sector for years, as well as the concomitant artists performance spaces, quirky small businesses and tech-forward digital art studios.

Yesterday with a local expert named Javi we scaled some of these neglected spaces to get a sense of this particular margin and discovered that old skool aerosol colorful letter styles and the new flat brush & roller tags are flourishing amongst the occasional political screed.

Invader (photo © Jaime Rojo)

The new island, created by excavating the existing peninsula, may not be on time but the existing neighborhood is still popping with pop-ups and late night excursions into experimental music and scene making.

While vast swaths of smoothly graveled land await the new towers of developers dreams to punctuate the skyline, you are invited to pass through the fence and climb a small mountain of old furnishings, coats, furniture and building rubble.

This Bilbao based site-specific survey reveals a varied selection of traditional graffiti, post-graffiti; abstract, conceptual, figurative, activist, and some that is just plain smart.

Invader (photo © Jaime Rojo)
Cranko (photo © Jaime Rojo)
Unidentified Artist (photo © Jaime Rojo)
Cliper (photo © Jaime Rojo)
Lima (photo © Jaime Rojo)
Truca Rec (photo © Jaime Rojo)
Cranky (photo © Jaime Rojo)
Inopir Brouk – Tep One (photo © Jaime Rojo)
Unidentified Artist (photo © Jaime Rojo)
Tx Arkin (photo © Jaime Rojo)
Rock (photo © Jaime Rojo)
Pink BLT Painters (photo © Jaime Rojo)
KW3 (photo © Jaime Rojo)
Zero Munoz . Kero Graff . Ukais Dead (photo © Jaime Rojo)
BROUK . RYTE . and friends. (photo © Jaime Rojo)
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BSA Images Of The Week: 02.24.19

BSA Images Of The Week: 02.24.19

The Postman Art (photo © Jaime Rojo)

Just as we leave for Madrid’s Urvanity we thought you’d like a look at New York’s current scene on the street. Or a portion of it.

We start off the new collection with Andy Warhol, who looks fresh on the street – and who’s work is on exhibit at on display currently at the Whitney.

Also he is in an ad campaign for Burger King – that old footage of him eating one of those mystery meat sandwiches is now wholly appropriated to actually sell their products instead of mock them. It’s from Jørgen Leth’s 1982 documentary 66 Scenes From America. According to folklore, Andy didn’t even like BK – preferred McDonalds. What a jokester, that Mr. Warhol. #fastdeathfood

Here’s our weekly interview with the street, this time featuring Antennae, City Kitty, Combo-CK, DPM Crew, Fuck Cats, Invader, Matt Siren, Phoebe New York, Seed, The Postman Art, and William Wegman.

Yes we know. This is an ad for junk food. But that’s besides the point. Most of you who were glued to the TV during the Superbowl got to see the actual video of Andy eating the hamburger…vintage pop if not art…

Let’s move to kittens. These two are showing serious PDA. Fuck Cats. (photo © Jaime Rojo)

City Kitty (photo © Jaime Rojo)
Seed . BTM (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Phoebe New York (photo © Jaime Rojo)
Phoebe New York (photo © Jaime Rojo)
Combo-CK (photo © Jaime Rojo)
Combo-CK (photo © Jaime Rojo)
DPM Crew (photo © Jaime Rojo)
Invader (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Part Time Artist (photo © Jaime Rojo)
Matt Siren (photo © Jaime Rojo)
Antennae (photo © Jaime Rojo)

Let’s move to Weimaraner dogs with William Wegman’s famous pooches, Flo and Topperdogs in stylish outfits. The new mosaic murals by German mosaic fabricator Mayer of Munich adorn the NYC Subway stations on 23rd street.

William Wegman (photo © Jaime Rojo)
William Wegman (photo © Jaime Rojo)
William Wegman (photo © Jaime Rojo)
William Wegman (photo © Jaime Rojo)
William Wegman (photo © Jaime Rojo)
William Wegman (photo © Jaime Rojo)
Untitled. SOHO, NYC. February 2019. (photo © Jaime Rojo)
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BSA Images Of The Week: 02.10.19

BSA Images Of The Week: 02.10.19

BK Foxx celebrates the Chinese New Year and The Year Of The Pig in NYC Chinatown in collaboration with East Village Walls. (photo © Jaime Rojo)

Congratulations to everyone celebrating the Lunar New Year this week – It’s Year of the Pig! Ready to stuff yourself with dumplings? Check out BK Foxx’s new mural in Chinatown heralding its arrival. Although truthfully when you look at everyone lining up to the public trough it seems like we’ve had a few consecutive years of the Pig at least. To add insult to insult, you’re probably getting a higher tax bill this year thanks to Trump n Co, because that’s how grifting works kids.

Here’s our weekly interview with the street, this time featuring Buff Monster, Case Ma’Claim, Crash, HAKS 180, Invader, Loomit, Madsteez, Space Invader, and Speedy Graphito.

BK Foxx. how do you know what’s real anymore? East Village Walls. (photo © Jaime Rojo)
Woody comes to play with Crash and The L.I.S.A. Project NYC. (photo © Jaime Rojo)
Woody comes to play with Crash and The L.I.S.A. Project NYC. (photo © Jaime Rojo)
Madsteez makes waves in the LES with ST.ART Now. (photo © Jaime Rojo)
Madsteez makes waves in the LES with ST.ART Now. (photo © Jaime Rojo)
Madsteez makes waves in the LES with ST.ART Now. (photo © Jaime Rojo)
Case Maclaim in Miami. (photo © Jaime Rojo)
Ninja Invader. (photo © Jaime Rojo)
Buff Monster (photo © Jaime Rojo)
Loomit for East Village Walls. (photo © Jaime Rojo)
Treez (photo © Jaime Rojo)
HAKS 180 in Miami. (photo © Jaime Rojo)
Speedy Graphito in Miami. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Untitled. Chinatown, NYC. February 2019. (photo © Jaime Rojo)
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BSA “Images Of The Year” For 2018 Video

BSA “Images Of The Year” For 2018 Video

Here it is! Photographer Jaime Rojo of BSA selects a handful of his favorite images from his travels through 9 countries and around New York this year to present our 2018 BSA Images of the Year.

Seeing the vast expressions of aesthetics and anti-aesthetic behavior has been a unique experience for us. We’re thankful to all of the artists and co-conspirators for their boundless ideas and energy, perspectives and personas.

Once you accept that much of the world is in a semi-permanent chaos you can embrace it, find order in the disorder, love inside the anger, a rhythm to every street.

And yes, beauty. Hope you enjoy BSA Images of the Year 2018.


Here’s a list of the artists featured in the video. Help us out if we missed someone, or if we misspelled someones nom de plume.

1Up Crew, Abe Lincoln Jr., Adam Fujita, Adele Renault, Adrian Wilson, Alex Sena, Arkane, Banksy, Ben Eine, BKFoxx, Bond Truluv, Bordalo II, Bravin Lee, C215, Cane Morto, Charles Williams, Cranio, Crash, Dee Dee, D*Face, Disordered, Egle Zvirblyte, Ernest Zacharevic, Erre, Faith LXVII, Faust, Geronimo, Gloss Black, Guillermo S. Quintana, Ichibantei, InDecline, Indie 184, Invader, Isaac Cordal, Jayson Naylor JR, Kaos, KNS, Lena McCarthy, Caleb Neelon, LET, Anthony Lister, Naomi Rag, Okuda, Os Gemeos, Owen Dippie, Pejac, Pixel Pancho, Pork, Raf Urban, Resistance is Female, Sainer, Senor Schnu, Skewville, Slinkachu, Solus, Squid Licker, Stinkfish, Strayones, Subway Doodle, The Rus Crew, Tristan Eaton, Vegan Flava, Vhils, Viktor Freso, Vinie, Waone, Winston Tseng, Zola

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BSA HOT LIST: Books For Your Gift Giving 2018

2018 has been a good year for Street Art books, and your interest in the ones we have highlighted continues to assure us that “Print” is not dead. There is no better way to document a moment in this evolving scene for posterity than with the bound volume, and sometimes there is no better way to appreciate an artists work than to sit by a lamp or window with a book on your lap.

We know that you appreciate our daily analysis and efforts to elucidate and illustrate a fluid global Street Art/ graffiti / urban art scene here in digital, but we’re thrilled to give you solid options in book form as well. If you’re looking for a good quality art book to give this year, consider one of these hits from 2018. Enjoy!


“Inti, Color, Carnaval y Resistencia”, INTI.

INTI Commands First Monograph : Color, Carnaval y Resistencia

From BSA:

“Certainties, simple explanations, last hopes, magic thoughts and fears. All of them confronted by what is evident.”

Thus describes the figure slung with bullets, holding a necklace with a cross and delicately balancing a small green apple on his index finger on a larger than life mural in Santiago, Chili. The visual language of this graffiti/Street Artist and muralist named Inti is his to wield, a cosmic folk expression that glows with celestial waves surrounding an other-worldly race of characters.

INTI. Éditions Albin Michel, 2017. Paris, France. Click HERE for more about this book.


Bordallo II: Bordallo II / 2011 –  2011

From BSA:

Such is the splendid stuff of dreams and discovery for Bordalo II, the Lisbon-based Street Artist and maker of garbage relief animal portraits in cities across the world.

These are the things that when arranged on shelves and placed in relation to a floor plan, within parameters and boundaries of our mundanity, will comprise a perfect environment of domesticity; full of memory, associative emotion, symmetry. Objects, materials melted and poured, carved and plain, screwed and snapped, polished and sprayed, emulsified, inset, extruded, coiled, soldiered, plated, woven. These dimensional collections of matter matter to us. Metal alloy. Plastic polymer. Blown glass. Rubber, copper, steel, bakelite, particle board, glue.

Disarrange. You create chaos, disruption, disunity, discontent. Arrange again and create a muskrat, a buck deer, a petulant parakeet, an undulant octopus.

Bordalo II 2011 – 2017. Editor & Publisher Bordalo II. In conjunction with ATTERO and exhibition by Bordalo II held in Lisbon. November, 2017. Lisbon, Portugal. Click HERE for more about this book.


Subvertising: The Piracy Of Outdoor Advertising

From BSA:

“The constant imposition of advertising in front of our eyes is an oppressive, dictatorial and violent act,” posits the artist, activist, and author Hogre in this new collection of works and words called Subvertising : The Piracy of Outdoor Advertising.

It sounds rather extreme when put this way, but perhaps that is the dulling power of advertising’s omnipresence in public space year after year. Each of us can certainly recall a time when there seemed like there was more open public space and fewer images and graphics and text telling us what to do, what to buy, who to hate, how to behave. Artists like Hogre are sounding the warning on our ability to recognize its power over our perceptions.

HOGRE. Subvertising: The Piracy Of Outdoor Advertising. Dog Section Press. London, 2017. Click HERE for more about this book.


“Add/Fuel -1- Monograph”, Diogo Machado AKA Add Fuel.

From BSA:

Add Fuel Reimagines Azulejo in His First Monograph

Via his own pop-culture interpretation of the interlocking curvilinear, geometric and graphic motifs, the Portuguese artist is firing new pieces daily in the kiln of his studio in Cascais. For a decade or so his interpretations of the tin-glazed ceramic tilework have been appearing on inordinate secondary city skins in the paths of pedestrians: visual illusions meant to appear as layers of urban bark peeling back from surfaces you take for granted to reveal heritage, history, artisanship.

While the interiors and exteriors of churches, palaces, schools and subway stations are covered with azulejos in Lisbon, thanks to Add Fuel (Diogo Machado) they have travelled to other cities and cultures as well. Each time he is attracted to the tile-making traditions locally, and he often incorporates his study of these new histories as well.

Add / Fuel – 1 – Monograph. Published by Diogo Machado. Portugal 2018. Click HERE for more about this book.


One Week With 1UP : Martha Cooper & Ninja K

From BSA:

A serendipitous meeting somewhere in Berlin set this project in motion, and the results unveil an adrenaline fueled ride that always pushes, often exceeds the boundaries of physical safety and social acceptance while simultaneously thrilling graffiti fans and pissing off some public officials and property owners.

A new book captures the nature of the actions and adds to our conversations about art, vandalism, branding, public/personal space and its radical visual disruption. It’s a story made all the more remarkable during an increasing level of surveillance in a city that has basically embraced the bohemian and rebellious types who have transformed large parts of its cityscape, making Berlin a de facto capital of subculture, especially among the young.

Martha Cooper & Ninja K. One Week With 1UP. (photo courtesy of the team) Click HERE for more about this book.


“Beyond The Streets” Exhibition : Gastman’s Train Pulls In to LA

From BSA:

A steel-wheeled graffiti train with Roger Gastman at the controls roars into LA’s Chinatown for a two-month stay at this station, a 40,000 square foot warehouse that houses “Beyond the Streets.” Originating at the streets and train yards of the 1960s and 70s, this express survey carries with it 100 or so artists and writers from across the last five decades as practitioners of graffiti, Street Art, and mural painting. Somehow, everyone gets represented.

Beyond The Streets. (photo © Martha Cooper) Click HERE for more about this book.


“Canvas” Anders Gjennestad.

From BSA:

Anders Gjennestad: A Door as “Canvas”

A door as canvas. A door as canvas.

It sounds the same on the street as it does in the gallery space, and for Norwegian Street Artist Anders Gjennestad the two appear nearly identical, aside from context.

Whether he is discovering the neglected urban factory door long after the spirit of industry has roared its last turbine and reaching toward his backpack for a spray can, or he is hoisting a piece out from the pile of collected iron-bound wooded slabs in his Berlin studio, functionally each of these doors is a canvas.

Every urban explorer sees the potential of walls that are long abandoned and spoiled with rot and piss and pushed open by weeds, worn away by rain. The world is a temporary place anyway. I am only here temporarily.

Anders Gjennestad. “Canvas”. Published by Galerie Friedmann – Hahn. Berlin 2018. Click HERE for more about this book.

“FKDL” Frank Duval.

From BSA:

FKDL and the Collage of a Street Artists’ Life in a Book

As you look through this new slim volume about the Street Artist/fine artist FKDL it may strike you how much autobiography is the determinant of an artist’s path as well. It’s the tale of a teenager finding himself, finding his vocation, and eventually finding his voice on the street. When you reach the end you see that it takes a number of years and a lot of experimentation, this journey.

FKDL. Galiote Prenant. Choisy-le-Roi, France. 2017. Click HERE for more about this book.


“Street To Studio”, Rafael Schacter.

From BSA:

Rafael Schacter Investigates “Street To Studio”

“These are artists who are thus not slavishly reproducing their exterior practice within an interior realm but who are, rather, taking the essence of graffiti – its visual principles, its spatial structures, its technical methods, its entrenched ethics – and reinterpreting them with the studio domain,” says author Rafael Schacter in his introductory exposition for his book Street to Studio where he offers a unique assessment derived from his 10 years of researching the foundational, conceptual, methodological, and ethical considerations that impact the original graffiti/Street Art scene as well as where it is going.

Rafael Schacter. Street To Studio. Lund Humphries Publishers. London, 2018. Click HERE for more about this book.


“Feather and Faces”, Adele Renault.

From BSA:

Adele Renault Takes Flight With a Message of “Feathers and Faces”

Street Artist/fine artist Adele Renault understands our interdependence with the birds and with each other perhaps better than many, and “Feathers and Faces” carries the message powerfully by delivering these works she has done on city streets and galleries in New York, Berlin, Amsterdam, San Francisco, Singapore, Burkina Faso, Helsinki, Moscow…

We share this city with pigeons. We look to the same environment to supply us with what we need, including food, water, shelter – depending on physical factors like as soil, air, a temperate climate, other organisms. Adele studies our feathered friends and brings them full force to the streets, and we know that here only the scrappiest survive and get to display their colors.

Feathers And Faces by Adele Renault was published in 2018 and is distributed in the United States and Canada by SCB Distributors. Click HERE for more about this book.


“Ex Animo”, Faith XLVII.

From BSA:

“Ex Animo”, Eight Years of Poetry by Faith Forty Seven

Worn workers, wild beasts, a bloom in the rubble.

Prayers of supplication and longing, racing teams of stallions and master felines of fury, the exhausted figure of a dream barely still illuminated, a wistful stage in the plundered urban landscape, or a plundered life.

This is what she does to you. As Faith IXVII leaves her stolen stanza, her massive mural in washed hues, her tributes to a moment lost in a city that would leave you to die if it had its way, she makes you make poetry.

Faith XLVII. “EX ANIMO’ THE WORK OF FAITH FORTY SEVEN/ 2010-2018. Drago Publishing. Rome, Italy, 2018. Click HERE for more about this book.


“Perception”, eL Seed.

From BSA:

El Seed Illuminates Ways to See Others with “Perception”

And el Seed is the first to tell you that in this deeply personal account of his art project across fifty buildings in Mashiyat Naser, a neighborhood of Cairo over two years ago. Born of his personal need to challenge himself and to add more to his career as a respected muralist, his original concept of working in this neighborhood of 70,000 recyclers was informed by his own assumptions, perhaps of helping a community known in the city as Zabbaleen, or “garbage people”.

Over the course of the project he and his team describe through interviews and with his own diary style how their own eyes were opened. It is an incremental revelatory experience that paralleled the quote that he stylized throughout the pattern of his piece, “Anyone who wants to see the sunlight clearly needs to wipe his eyes first,” from the writings of Saint Athanasius of Alexandria, a fourth century Coptic Bishop.

El Seed PERCEPTION Published by Point à la Ligne. Milan, Italy. 2018. Click HERE for more about this book.


“Invasion: Los Angeles”, Invader.

From BSA:

Invader: “Invasion Los Angeles” Book and “Into the White Cube” Exhibition

One thing that some Street Artists do when their work enters the white cube is drop the “street” from their official moniker, instead preferring to be known simply as an “artist”. The decision is possibly to rid themselves of any subtle class distinctions or otherwise negative connotations that a potential collector or curator may have with the “street artist” label.

Other artists formerly known as “Street Artists” feel limited by the title because it doesn’t include all of their new interests and their complete practice – or because the term itself has evolved in their mind and the mind of the public to mean something unfavorable that they do not like to be associated with.

When it comes to the internationally renowned Street Artist Invader, its not a consideration – the street is in his DNA. His cryptic tile-made street practice is so proliferate across the world and so much a part of the metropolis like in his hometown of Paris that his art is literally and psychically fused with the city.

Invasion Los Angeles 2.1 / Updated Edition 1999 – 2018. A Book By Invader. Published by Control P. Editions. France 2018. Click HERE for more about this book.


“Russian Urban Art: History and Conflicts”, Igor Ponosov.

From BSA:

Igor Ponosov Enlightens with “Russian Urban Art: History and Conflicts”

An academically sourced opinion-based essay in book form that looks to art, social, economic, and geopolitical movements during the start of the 20th century to better understand the evolution of Urban Art in post-Soviet Russia, Igor Ponosov delivers a welcome reconstruction of the timeline and movements that bring urban art to this day.

With the renewed interest in public art and muralism that has erupted over the last decade in many so-called Western cities it is good to learn how the public space in Russia has been catalyzed not-only by Hip Hop and new graffiti forms from Europe but also the history of Avant-garde art movements and Soviet Muralism in Russian Urban Art: History and Conflicts.

Igor Ponosov. Russian Urban Art: History And Conflicts. Moscow 2018. Published in collaboration with Street Art Museum, St Petersburg, Russia. Click HERE for more about this book.

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Invader: “Invasion Los Angeles” Book and “Into the White Cube” Exhibition

Invader: “Invasion Los Angeles” Book and “Into the White Cube” Exhibition

One thing that some Street Artists do when their work enters the white cube is drop the “street” from their official moniker, instead preferring to be known simply as an “artist”. The decision is possibly to rid themselves of any subtle class distinctions or otherwise negative connotations that a potential collector or curator may have with the “street artist” label.

Other artists formerly known as “Street Artists” feel limited by the title because it doesn’t include all of their new interests and their complete practice – or because the term itself has evolved in their mind and the mind of the public to mean something unfavorable that they do not like to be associated with.

When it comes to the internationally renowned Street Artist Invader, its not a consideration – the street is in his DNA. His cryptic tile-made street practice is so proliferate across the world and so much a part of the metropolis like in his hometown of Paris that his art is literally and psychically fused with the city.

The dude even has a global app that helps fans in about 80 cities to track and document his works, and some of the most dedicated have clocked thousands themselves. Now with two decades in the game and nearing age 40, the maker of thousands of pixelated video game characters and pop culture archetypes on walls has released an updated edition of his 2003 Los Angeles Invasion Guide and he stretches himself creatively with a new exhibition that opens this weekend at Over the Influence Gallery in LA.

Called “Into the White Cube’, the show will have more than 50 new mosaic ‘Aliases’, an Invader LED piece, large-scale pin buttons, and an Invader Cinema. The event is huge, even for a Street Artist who can claim 200 pieces on the streets of Venice, Downtown LA, Los Feliz, at the LAX airport and even the HOLLYWOOD sign.

Today we have new images from Invasion Los Angeles 2.1, a breathtaking survey of his work there since 1999, introduced by artist, musician, and writer Bruno Blum who puts his finger on the pulse of this compulsive campaigner in his first “invaded” US city.

“Invader lives for his art. He has a passion for what he’s doing. He’s a diehard. In ‘street artist’, there’s the word ‘street’. Invader is from the streets; and not from the Beverly Hills streets. He’s got fire in the belly, he’s got what it takes and he’s got it down,” writes Blum.

Full of personal accounts that shed a light on his process and mind and featuring shots of placements that are ingenious, often witty, banal, baddass, and seemingly impossible, the collection is a finally a revelation into the compulsive commitment that a Street Artist brings to the game. Helpfully, it also includes street maps.

Invasion Los Angeles 2.1 / Updated Edition 1999 – 2018. A Book By Invader. Published by Control P. Editions. France 2018.

 


Invader “Into The White Cube” first solo exhibition in Los Angeles will open this Saturday, November 17th at OverUnder The Inlfuence. Click HERE for further details.

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BSA Images Of The Week: 11.11.18

BSA Images Of The Week: 11.11.18

BSA-Images-Week-Jan2015

100 years since the end of World War I today. The US is engaged in 7 wars right now. Two facts to contemplate as the city takes a breath and regroups from another election cycle.

Republicrats won at the polls and the ratings were high on TV – yet for some reason you still don’t have health care and you have about $1,000 in savings.

GOOD NEWS! – Manhattan real estate has experienced a dip this quarter so that the average apartment is just a little more than $1.1 million to buy.

This week in NYC there were Anti-Trump Pro-Mueller demonstrations in Times Square, the head of the subway system has resigned, and NYC is turning into a major tech hub with 25,000 more tech workers said to be flocking here for jobs at Google and Amazon.

Also Manny down at the corner deli just got this new calico cat that has already caught two mice this week.

Somehow the streets are always alive, always teaming with new images, installations, paintings, fire extinguisher tags.

So here is our weekly interview with the streets, this week featuring Adam Daily, Adam Fu, Bortusk, Cy Tremblay, DAIN, Dolganov, Invader, JeimeOne, Kobra, Sabio, and SacSix.

Top Image: Adam Fu for Spread Art NYC. (photo © Jaime Rojo)

Cy Tremblay (photo © Jaime Rojo)

Resa.Menace for JMZ Walls. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Bortusk (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Sabio (photo © Jaime Rojo)

Sabio (photo © Jaime Rojo)

Artist Unknown. A very old stencil in Moscow. (photo © Jaime Rojo)

Adam Daily (photo © Jaime Rojo)

 A clever step back from JeimeOne for JMZ Walls. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Kobra (photo © Jaime Rojo)

ASacSix (photo © Jaime Rojo)

Dolganov in Moscow. (photo © Jaime Rojo)

Invader (photo © Jaime Rojo)

Untitled. Manhattan. Fall 2018. (photo © Jaime Rojo)

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BSA Images Of The Week: 11.04.18

BSA Images Of The Week: 11.04.18

BSA-Images-Week-Jan2015

Welcome to BSA Images of the Week! The clocks fell back last night, which means it gave NYC marathon runners a much needed extra hour to lie in bed and stare at the ceiling thinking about the race. Speaking of race, people of different colors are accused of vandalizing in New York with hate crime messages like the anti-semitic messages in a Brooklyn synagogue and anti-African American messages at an African  burial ground. We publish a lot images of Street Art and graffiti here and sometimes people call the pieces vandalism, but let’s be clear – this is a different situation altogether.

It seems like everyone is on edge right now as the mid-term elections this Tuesday are causing dark money and vile candidates to gin up feelings of racism, xenophobia, classism, homophobia, you name it. Friday it even caused one rageful white guy in a Cadillac SUV to punch another driver because he nabbed his parking space. Oh, wait, that was just Alec Baldwin. “What kind of example are you setting for your kids with your little temper tantrum?” asked a New York Post reporter as the Trump impersonator left the police precinct, according to the paper. “Can’t you afford a garage at this point with all the money you make?”

So here is our weekly interview with the streets, this week featuring Ad Tumulum Arts, Al Diaz, Anthony Lister, Claw Money, Duke A. Barnstable, Grimm The Street Kat, Invader, Jeffrey Beebe, JR, Kobra, Raf Urban, and Tomokazu Matsuyama.

Top Image: Raf Urban with Duke A. Barnstable joining in on the side with a somewhat related serenade (photo © Jaime Rojo)

Raf Urban (photo © Jaime Rojo)

Jeffrey Beebe #trumprat (photo © Jaime Rojo)

JR. Houston/Bowery Wall with a forced collaboration that wrote the number “11” as a reference to the mass shooting at a synagogue in Pittsburgh last Saturday. They also splashed red paint across the area of the image where people are holding rifles. Detail. (photo © Jaime Rojo)

JR. Houston/Bowery Wall with a forced collaboration. Detail. (photo © Jaime Rojo)

Invader (photo © Jaime Rojo)

Invader (photo © Jaime Rojo)

Tomokazu Matsuyama and Snoopy and his little bird friend Woodstock. (photo © Jaime Rojo)

Tomokazu Matsuyama (photo © Jaime Rojo)

Al Diaz (photo © Jaime Rojo)

Kobra’s invocation of immigrants who came to New York through Ellis island. (photo © Jaime Rojo)

Kobra (photo © Jaime Rojo)

Kobra (photo © Jaime Rojo)

Robert Janz (photo © Jaime Rojo)

Lister (photo © Jaime Rojo)

Claw Money (photo © Jaime Rojo)

Undidentified Artist (photo © Jaime Rojo)

Grimm The Street Kat (photo © Jaime Rojo)

Ad Tumulum Arts lambastes the comedian Louis CK “for repeated sexual harrassment of women”. He has denied certain claims made against him. Here’s an article about the claims. (photo © Jaime Rojo)

Undidentified Artist (photo © Jaime Rojo)

Untitled. Manhattan, NYC. November 2018. (photo © Jaime Rojo)

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BSA Images Of The Week: 10.21.18

BSA Images Of The Week: 10.21.18

BSA-Images-Week-Jan2015

Spooky! Days are getting shorter in Brooklyn.

The winds of change are blowing, but few can discern the direction they’ll go in the upcoming elections as the city is going full tilt into fall and a twisted neoliberalism grinds us to into a frenzy of automated stock trading and market swings that make you nauseous, ever higher rents and food costs, forever-stalled wages, food banks that serve 1.5 million hungry New Yorkers annually and yet a brisk business at Tiffany’s…

— and there are delays on the 1,2,3,4,5,6,N,R,Q,M,L,G,E,F,J,W, and Z subway lines. Every day.

There is word that attendance at the upcoming Village Halloween Parade may be down this year because it’s a daily freakshow at the White House so the novelty is worn thin. Zombie here. Zombie there. Zombie everywhere.

So here is our weekly interview with the streets, this week featuring Al Diaz, BB Bastidas, Bob Floss, Captain Eyeliner, Danielle Mastrion, Groose Ling, Invader, Just Paint, Kenor, Lil’ Kool, Michel Velt, Pop Artoons, Sara Erenthal, Sean9Lugo, Subway Doodle, The Postman Art and Vanessa Powers.

Top Image: Girl, I got an attitude. Bowie flips in this intensely colorwashed wheatpaste by The Postman Art (photo © Jaime Rojo)

Sean9Lugo. Detail. For Just Paint. (photo © Jaime Rojo)

Sean9Lugo for Just Paint. (photo © Jaime Rojo)

Subway Doodle for The Bushwick Collective. (photo © Jaime Rojo)

Al Diaz (photo © Jaime Rojo)

Thank you Banksy (photo © Jaime Rojo)

Vanessa Powers (photo © Jaime Rojo)

Space Invader (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Michel Velt (photo © Jaime Rojo)

Lil’ Kool (photo © Jaime Rojo)

Lil’ Kool (photo © Jaime Rojo)

Groose Ling (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Captain Eyeliner (photo © Jaime Rojo)

Kenor (photo © Jaime Rojo)

Unidientified artist (photo © Jaime Rojo)

BB Bastidas for The Lisa Project NYC (photo © Jaime Rojo)

Danielle Mastrion (photo © Jaime Rojo)

Pop Artoons (photo © Jaime Rojo)

Sara Erenthal. Bob Floss forcing himself on Ms. Erenthal (as in forced collaboration). (photo © Jaime Rojo)

Untitled. Manhattan, NYC. October 2018 (photo © Jaime Rojo)

 

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BSA Images Of The Week: 07.22.18

BSA Images Of The Week: 07.22.18

BSA-Images-Week-Jan2015

Here’s our weekly interview with the streets, this week featuring Boy Kong, Cane Morto, Dmote, El Sol 25, Hower, Invader, Joe Iurato, Logan Hicks, Pixel Pancho, Resistance is Female, Rime, Sean9Lugo, Smells, UFO 907, Vhils, Vik, Voxx Romana, XSM, and Zimad.

Top image: Joe Iurato and Logan Hicks. The Bushwick Collective (photo © Jaime Rojo)

VHILS. The L.I.S.A. Project NYC (photo © Jaime Rojo)

VHILS. The L.I.S.A. Project NYC (photo © Jaime Rojo)

#resistanceisfemale (photo © Jaime Rojo)

Pixel Pancho. Detail. (photo © Jaime Rojo)

Pixel Pancho. Detail. (photo © Jaime Rojo)

Pixel Pancho. Detail. (photo © Jaime Rojo)

Pixel Pancho. Detail. (photo © Jaime Rojo)

ZIMAD (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

Invader (photo © Jaime Rojo)

UFO 907. Dmote. Detail. (photo © Jaime Rojo)

UFO 907. Smells. Dmote. Hower. (photo © Jaime Rojo)

Cane Morto in Lisbon. We are excited that we will be working with these vandals in Moscow for The Artmossphere Biennale in August. (photo © Jaime Rojo)

Granny robber, food stealer Paul Ryan makes it to the street, courtesy #streetPSA (photo © Jaime Rojo)

Unidentified artist. Indeed, what’s your favorite way to dull your pain? Do tell… (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

Sean 9 Lugo…modern days saints… (photo © Jaime Rojo)

Boy Kong (photo © Jaime Rojo)

Creepy… (photo © Jaime Rojo)

Rime for VIK (photo © Jaime Rojo)

XSM (photo © Jaime Rojo)

Voxx Romana (photo © Jaime Rojo)

Untitled. Brooklyn, NYC. July 2018. (photo © Jaime Rojo)

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