All posts tagged: Hyland Mather

BSA Images Of The Week: 10.14.18

BSA Images Of The Week: 10.14.18

BSA-Images-Week-Jan2015

Hope it isn’t trite, but don’t give up on your dreams – that’s what Street Artist AJ Lavilla advises in this piece on the sidewalk in Brooklyn. Dude and Dudette, this life can kick the stuffing out of you or just gradually wear you down, but we encourage you to keep you eyes on the prize! You can do it, in fact, you must.

In addition we have a Kiwi (Owen Dippie) in Brooklyn and an Australian (Lister) in Berlin this week. In fact, most of what follows is from a recent visit in that city we think of as a sister to Brooklyn – the chaotically beautiful Berlin. Special thanks to Various & Gould for helping us ID some of these works as well.

So here is our weekly interview with the streets, this week featuring AJ LaVilla, Anthony Lister, Crypoe, Hyland Mather, Marycula, Owen Dippie, OXOX, Pappas Pärlor, Styro, and Vyoky.

Top Image: AJ Lavilla (photo © Jaime Rojo)

Owen Dippie (photo © Jaime Rojo)

Anthony Lister in Berlin. (photo © Jaime Rojo)

Styro in Berlin. (photo © Jaime Rojo)

Styro standing on Push in Berlin. (photo © Jaime Rojo)

Hyland Mather in Moscow for Artmossphere Biennale 2018. (photo © Jaime Rojo)

VYOKY in Moscow. (photo © Jaime Rojo)

Pappas Pärlor in Berlin. (photo © Jaime Rojo)

Pappas Pärlor in Berlin. (photo © Jaime Rojo)

Pappas Pärlor in Berlin. (photo © Jaime Rojo)

Unidentidied artist in Moscow. (photo © Jaime Rojo)

OXOX in Berlin. (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Crypoe in Berlin. (photo © Jaime Rojo)

La Rouille at Urban Nation Berlin. (photo © Jaime Rojo)

Care at Urban Nation Berlin. (photo © Jaime Rojo)

Unidentified artist (but it looks a lot like Carlos Mare’s B Boyz. (photo © Jaime Rojo)

Unidentified artist memorial in Moscow. (photo © Jaime Rojo)

Marycula at Urban Nation Berlin. (photo © Jaime Rojo)

 

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BSA Images Of The Week 09.02.18 – Artmossphere Biennale 2018

BSA Images Of The Week 09.02.18 – Artmossphere Biennale 2018

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It’s been a packed couple of weeks between traveling to Moscow for the Artmossphere Biennale 2018 and immediately hopping to Leipzig, Germany for the magnificent Monumenta opening. Our heads are full of stories and conversations and images in two distinctly different scenes that somehow are still completely connected. Can’t tell if its euphoria or relief or jetlag but this Sunday is a dizzying day of taking account and being really thankful to be involved with an astounding amount of talent and camaraderie in the Graffiti/Street Art/Urban Art community that is connecting people around the world.

Here are our images of the week this time around; some selections from the Thursday night Artmossphere Biennale 2018 in Moscow, featuring 108, 1UP, Adele Renault, Bill Posters, BLOT, Canemorto, CT, the DOMA Collective, Egs, Faith XLVII, Faust, Finsta, Hyland Mather, LOT, Lucy McLauchlan, Lyall Sprong, Martha Cooper, Pablo Harymbat, and Pink Power.

Canemorto. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faust. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faith XLVII . Lyall Sprong. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Finsta. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Finsta. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Martha Cooper . Adele Renault. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Martha Cooper . Adele Renault. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

1UP Crew. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

1UP Crew. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pablo Harymbat. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Hyland Mather. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

CT . 108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

DOMA Collective. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Lucy McLauchlan. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

EGS. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

BLOT. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pink Power. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Bill Posters. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Sabina Chagina. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

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BSA Film Friday 08.31.18

BSA Film Friday 08.31.18

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Martha Cooper and Adele Renault at Artmossphere Biennale 2018
2. Canemorto at Artmossphere Biennale 2018
3. Pablo Harymbat at Artmossphere Biennale 2018
4. Hyland Mather at Artmossphere Biennale 2018

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BSA Special Feature: 4 BSA Homemade Videos From This Week in Moscow for Artmossphere

There is a certain glory to all of this; 50 or so artists from around the world who started in Street Art and graffiti now making art that cannot be easily classified as such. After a handful of international curators sifted through 350 applications this represents a moment, possibly one flashpoint in the movement between the street and the contemporary art scene and academia and the public.

For a capital city in Russia to be a facilitator of this conversation is unique because the modern stories we tell each other about this public art practice have rarely centered here. But Moscow has its own towering splendor and is taking a leadership role in helping us tell the history and possibly helping to form the future of this scene. Thursday night the legion of guests trolling the arched halls of the wine cellar could not have been more engaged, more full of question, more willing to consider that the minds and craft of these artists, at least in some cases, are apt reflections of our society, provide insight and critique.

Enjoy these small videos made by photographer Jaime Rojo on his phone this week as we surveyed some of the artists preparing their work for Artmossphere 2018.

Process at Artmossphere Biennale 2018: Martha Cooper and Adele Renault

Process at Artmossphere Biennale 2018: Canemorto

Process at Artmossphere Biennale 2018: Pablo Harymbat

 

Process at Artmossphere Biennale 2018: Hyland Mather

 

MONUMENTA / LEIPZIG

Next Stop – LEIPZIG for an audacious new festival that celebrates the flattening of the hierchies and the Intelligence of Many.

 

 

 

 

 

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Hyland Mather. Street Assemblage and his Scupture at Artmossphere 2018, Moscow

Hyland Mather. Street Assemblage and his Scupture at Artmossphere 2018, Moscow

BSA is in Moscow as curators of 50+ international artists in the Artmossphere Biennale 2018 for its 3rd edition called Street Art Wave. Till the end of the month we’ll working with a stellar cross section of people involved with Urban Art/Street Art/Graffiti at curious and fascinating intersections. We’re meeting with Street Artists, academics, collectors, gallerists, museum curators, organizers, and thoughtful pontificators of all sorts in studio, on the street, behind the scenes, and on display. Come with us!


Amsterdam resident Hyland Mather (street name X-O) is a hybrid of outside artist, Street Artist, muralist, sculptor, exhibition curator and gallery owner. Recently he also become owner of an apple orchard in Portugal, so perhaps you’ll add “farmer” to the list. This unique cobbling together of interests and art practices is often emblematic of the eccentric art practices that can be found on the street today, somehow tangentially related to the mark-making of graffiti and fine art studio practice at the same time – yet rather unclassifiable.

Hyland Mather at work at Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Mather’s drilled, stacked and strung 3-D works on the street tend to be monochromatic in palette with geometric patches of white paint. Part assemblage, part outsider art, possibly art brut, elements of craft maker, some Louise Nevelson, a dollop of Caldor.

For his sculpture at Artmossphere’s OFFLINE exhibition he collected pieces of discarded wood, metal, glass, even string from Moscow streets and refuse bins and began to lay them out to find their commonalities and begin the process of assembly.

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

“I’m the kind of guy that mothers move their strollers across the street to avoid when they see me,” he says only half-joking when describing the practice of salvaging refuse for his painting-sculptures. “I look like a fucking crazy person when I’m collecting the materials and dragging the stuff through the street,” he says.

“But when the neighborhood people see you working and your earnest attempt to turn their trash into something great they are more supportive.”

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Here the work has turned into something more fulsome and possibly interactive, an elevated stage and  block of wood pieces and screws and string and rusted metal that may look like an invitation to enter.

“I think habitually I kind of make things that are sort of fort,” he says, and you can certainly envision this new piece cradled in the limbs of a tree with a ladder hanging down to the ground. Although there are a lot of holes in the walls…

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

BSA: Well, it doesn’t look like it would be very protective.
Hyland Mather: Yeah, even in a shantytown this would not be a desirable dwelling, right? Any kind of exposure to the weather would be a disaster here – including mosquitoes.

BSA: How do you decide on the shapes and the forms? Is it about geometry?
Hyland Mather: Obviously it depends on what I find in the streets. Some times it becomes more organic just because these are the shapes I have to begin with. Between organic or geometric I don’t know if I have a real preference but I do like simple geometries.

BSA: Are the works that you leave on the street meant to stand the test of time?
Hyland Mather: They are meant to interact with time. It is a collaborative effort between myself and nature over time.

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

 

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

 

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Hyland Mather. Process detail. Vinzavod for Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

 

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Scott Albrecht Mural Painting in Denver : A Family Affair

Scott Albrecht Mural Painting in Denver : A Family Affair

Brooklyn artist and designer Scott Albrecht usually works with collage or wood for his fine art of geometric patterning that hearken an arts and craft modernism of the 1970s. Now he has just completed a mural in Denver reprising his smaller works at a much larger scale – with a little help from the family.

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Scott Albrecht. Denver, Colorado. August 2015. (photo © Hyland Mather)

“My favorite part of the whole project,” says Hyland Mather, director of Andenken Gallery, “he had quite a bit of help from his extended family in the area. His uncle Dicky and his cousin Kimmy came out and painted with us for a whole day, so rad.”

If you look at the middle band of Albrecht’s new mural you may be able to see the word “Here”. The mural is part of a run-up to a graffiti and Street Art event in Denver this September called Colorado Crush.

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Scott Albrecht with help from Uncle Dicky and Cousin  Kimmy. Denver, Colorado. August 2015. (photo © Hyland Mather)

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Scott Albrecht. Denver, Colorado. August 2015. (photo © Scott Albrecht)

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Scott Albrecht with Jonathan Lamb of Like Minded Productions. Denver, Colorado. August 2015. (photo © Hyland Mather)

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Scott Albrecht with Jeremy Burns mural on the left.  Denver, Colorado. August 2015. (photo © Hyland Mather)

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Scott Albrecht. Denver, Colorado. August 2015. (photo © Like Minded Productions)

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Scott Albrecht. Denver, Colorado. August 2015. (photo © Hyland Mather)

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Scott Albrecht. Denver, Colorado. August 2015. (photo © Like Minded Productions)

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X-O and Amanda Marie Go To Philadelphia

X-O and Amanda Marie Go To Philadelphia

‘Beautiful Times – Philly Stop’

As we follow the “Beautiful Times” summer tour of X-O and Amanda Marie we find them in the city of brotherly love laying down layers of stencils and building out abandoned places with found object constructions. All tolled, the number of completed projects in this city made it the most prodigious of the tour so far.

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Amanda Marie at a Community Garden. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

First off they took a nice tour of Steve Powers ‘Love Letters’ murals that he did a couple of years ago with the Philadelphia Mural Project, and worked with that program to create their own project – something X-O refers to as an #emogarden called ‘High 5 Times’. Most likely that is about walking on stilts, we’re guessing.

As another project Amanda made some time to create a ‘camping’ scene in one of the many community gardens that dot the city of Philly, thanks to friends at HAHA x Paradigm, a magazine and gallery respectively. “Painting in the community garden was a good match for the ‘Beautiful Times’ vibe,” says X-O.

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Amanda Marie at a Community Garden. Detail. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

On their next investigation the two went on the hunt for more destitute architectural decay and hit the jackpot when X-O “found a beautiful demolition / construction site that had a super good sunken window temporarily covered in plywood,” he says excitedly. Did anyone mind that he created a new piece with various pieces of wood in the framed ventana? “The owners were happy to get a ‘lost object’ piece for the space,” he says, “and the neighbors are happy to have something more interesting than blank plywood to look at.”

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X-O at a Community Garden for Mural Arts. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

Moving along, the two found “Tattooed Mom,” and they thought they were in a celestial graff palace.  “If the paint store equals the candy store, then ‘Tattooed Mom’ equals the playground,” he exclaims the legendary graff writer / Street Artist hangout on South Street. “The whole upstairs is completely smashed with tags and pieces and a constantly shifting smorgasbord of aerosol madness,” says X-O.

Here Amanda Marie made some more urban ‘camping’ vignettes while X-O gave a Hanksy piece of his namesake actor some gender-reassignment surgery. “I dropped in a field of flowers behind him and updated his substantial forehead with the slogan ‘I Like Your Girlfriend’.”

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Amanda Marie at work on the street. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

The last thing that got done before we split town was a big beautiful total street move from Amanda where she painted a few of her ‘Pretty Baby’ images on 5th street just a half block off of South Street … a really nice match of image with the hodge podge coloring of the empty building behind it,” X-O says.

“For both Amanda and me, one of the most impressive things about Philly were all of the walls that have been left exposed when adjacent buildings are torn down,” he says. It looks like the great experience with the mural program and these more organic adventures have gotten their wheels turning on even larger ideas for Philadelphia in the future.

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Amanda Marie. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O. Detail. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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Amanda Marie at Tattooed Mom. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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Amanda Marie at Tattooed Mom. Detail. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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Amanda Marie at Tattooed Mom. Detail. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O at work at Tattooed Mom. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O at Tattooed Mom. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

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X-O gives Hanksy a make over at Tattooed Mom. Beautiful Times. Philadelphia. August 2014 (photo © courtesy Amanda Maire and X-O)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Amanda Marie and X-O: “Beautiful Times” in Denver

Amanda Marie and X-O: “Beautiful Times” in Denver

Amanda Marie and X-O have begun a road trip across the US – a summer spraycation for two artists who approach public space from different perspectives yet are complimentary somehow. It is not completely unheard of to trek across country painting – just ask any number of freight riders. It is probably kind of rare to name the campaign like and raise money for charity.

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Amanda Marie. “Beautiful Times” Greeley, Colorado. (photo © Joe Lee Parker)

It would be cool if they had some kind tour t-shirt with all the cities on the back:

“Beautiful Times” Summer 2014 Tour

Denver

Boulder

Philadelphia

Beacon

NYC

They didn’t do that unfortunately but they make a Kickstarter for it, which is equally smart. So if you are inspired by the work here, go over and drop a dolla in their cup.

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Amanda Marie. “Beautiful Times” Greeley, Colorado. (photo © Joe Lee Parker)

So, “Beautiful Times” is underway in Denver, and they already had a small venue change. Amanda Marie found a wall in nearby Greeley, and she began what X-O described as “quickly smashing a wall with one of her dreamy dream scopes.” While she was busy doing that, X-O was scoping for random wood to build his piece, or what he calls doing “recon”.

“I was busy doing recon to collect the wood and other random materials necessary for building my ‘Lost Object’ piece in the garden of Futuristic Films in Denver.  Whilst grabbing my coffee at the local caffeine haven, Crema Coffee, owner Noah Price offered a tour of a space across the street where they are starting a large bar and food truck renovation… looks amazing… and had pretty much everything X-O might ever dream of for materials … recon successful,” he reports.

So here you can see Amanda at work on her dreamy dream scope and X-O on his “Lost Object” piece. Looks like beautiful times indeed.

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Amanda Marie with stencils scattered about. “Beautiful Times” Greeley, Colorado. (photo © Amanda Marie)

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Amanda Marie. “Beautiful Times” Greeley, Colorado. (photo © Joe Lee Parker)

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X-O. Process shot. “Beautiful Times” Futuristic Films. Denver, Colorado. (photo © Joe Lee Parker)

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X-O. Process shot. “Beautiful Times” Futuristic Films. Denver, Colorado. (photo © Joe Lee Parker)

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X-O. Process shot. “Beautiful Times” Futuristic Films. Denver, Colorado. (photo © Joe Lee Parker)

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X-O. Process shot. “Beautiful Times” Futuristic Films. Denver, Colorado. (photo © Joe Lee Parker)

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 X-O. “Beautiful Times” Futuristic Films. Denver, Colorado. (photo © Brandon Carter)

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Amanda Marie. Mural in progress. “Beautiful Times” Futuristic Films. Denver, Colorado. (photo © Brandon Carter)

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Amanda Marie. Mural in progress. Night shot. “Beautiful Times” Futuristic Films. Denver, Colorado. (photo © Brandon Carter)

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X-O. Detail. “Beautiful Times” Futuristic Films. Denver, Colorado. (photo © Brandon Carter)

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X-O “Beautiful Times” Futuristic Films. Denver, Colorado. (photo © Brandon Carter)

“Beautiful Times” is a collaborative project between artists Amanda Marie and X-O. Their goal is to raise awareness about the world we live in and to protect our children and wild flowers. To learn more about “Beautiful Times” Click HERE. To donate HERE.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Images of The Week: 03.09.14

Images of The Week: 03.09.14

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Hi Everybody! Two things – We saw a big uptick in next generation Street Artists this week in the Armory Week shows and wrote about it yesterday; New High-Water Mark for Street Art at Fairs for Armory Week. So that is Thing One. Thing Two is yesterday was warm – like 60 degrees. That’s all.

Yes, there was Ash Wednesday this week with people walking through NYC streets with smudges on their foreheads and we may have entered a new cold war with Russia invading Ukraine and Rick Perry looks really really super smart just by adding heavy rectangular glasses – but for many in NYC, the pent up desire to run naked through the streets yesterday was superceded only by the fact that the last two months were spent eating large helpings of comfort food and peering out the ice-frosted window.

Here’s our weekly interview with the street, this week featuring Acet, Bunny M, Damon, Hek Tad, Hyland Mather, Judith Supine, Kram, Kuma, Olek, and Red Grooms.

Top Image >> Judith Supine. Detail. (photo © Jaime Rojo)

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Judith Supine (photo © Jaime Rojo)

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OLEK uses some fencing to reference a fencing term: Touché ! (photo © Jaime Rojo)

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Acet on a box truck. (photo © Jaime Rojo)

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Damon (photo © Jaime Rojo)

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Kuma reflecting on the toxic state of the Gowanus. Plase help ID the tags. (photo © Jaime Rojo)

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Hyland Mather’s installation using found wood and objects from the streets of Brooklyn. (photo © Jaime Rojo)

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Yeah, dude, we do too! Hek Tad (photo © Jaime Rojo)

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Red Grooms. Clearly someone has some toe-stomping advantage in this scenario. “Be Aware of a Wolf in the Alley” (photo © Jaime Rojo)

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Red Grooms. “Be Aware of a Wolf in the Alley” (photo © Jaime Rojo)

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Artist who wishes to remain anonymous. (photo © Jaime Rojo)

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Talk about a social x-ray. bunny M (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Kram2013 (photo © Jaime Rojo)

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Untitled. Brooklyn, NY. March 2014. (photo © Jaime Rojo)

 

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