All posts tagged: Herakut

BSA Images Of The Week: 03.31.19

BSA Images Of The Week: 03.31.19

Welcome to Images of the Week! Go outside! Take your recycled bag with you because New York just outlawed plastic bags as of March 2020, so you can get in the habit now. This week most of our images come from the Urban Art holy city of Berlin, which we visited for a few days. Next stop, Querétaro, Mexico! Vamos!

So here’s our weekly interview with the street, this time featuring Berlin Kidz, Herakut, Homo Punk Action, Lapiz, Lister, Marina Zumi, Mr. June, Nafir, Nespoon, Nils Westergardt, Ostap, Pink Pony, 1UP Crew and Snik.

Nafir at Urban Spree Berlin. (photo © Jaime Rojo)
Herakut with Snik at Urban Nation Museum Berlin. (photo © Jaime Rojo)
NeSpoon in Berlin. (photo © Jaime Rojo)
Lapiz timely commentary on Brexit in Hamburg, Germany. (photo © Lapiz)
Pussy bubble train in Berlin. (photo © Jaime Rojo)
Pussy extinguisher in Berlin with Wetik. (photo © Jaime Rojo)
Unidentified artist in Berlin. (photo © Jaime Rojo)
Lister and Homo Punk Action in Berlin. (photo © Jaime Rojo)
It wasn’t me either…Berlin denial. (photo © Jaime Rojo)
1UP Crew dropped a fresh pretty blue roller in Berlin. (photo © Jaime Rojo)
Mr. June master class in geometry and optical illusion in Berlin for Urban Nation Museum. (photo © Jaime Rojo)
Marina Zumi at Urban Spree Berlin. (photo © Jaime Rojo)
Pink Pony in Berlin. (photo © Jaime Rojo)
Berlin Kidz. Berlin. (photo © Jaime Rojo)
Nils Westergard for Urban Nation Museum Berlin. (detail). (photo © Jaime Rojo)
Nils Westergard for Urban Nation Museum Berlin. (photo © Jaime Rojo)
Ostap homage to Klimt and Adele Bloch-Bauer II in Berlin. (photo © Jaime Rojo)
Untitled. Sunset over NYC. After Rothko. March 2019 (photo © Jaime Rojo)
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BSA Film Friday: 10.19.18

BSA Film Friday: 10.19.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Shredding the Girl and Balloon – The Director’s Cut
2. JKS Crew in Italy & France
3. Vigilante Vigilante: The Battle For Expression / Trailer
4. The Hut – A Partial X / Felipe Pantone

bsa-film-friday-special-feature

BSA Special Feature: Shredding the Girl and Balloon – The Director’s Cut

By the way, this is not the first Street Artist to shred art in public with a home-made apparatus. Check out BSA Film Friday in April of 2014 for a stunning example of slicing public advertisements with Bandes de Pub.

We start our weekly selection with the followup release that takes hold of the narrative of the moments leading up to this month’s Banksy auction and self-destruction at Sotheby’s.

In it you hear the auctioneer chit-chatting beforehand saying things like “It’s a fun auction, you know. Everyone’s got a chance.” And by ‘everyone’ he means…everyone here in this room and on the 30 phones who are also bidding.

In other revelations this week, the Financial Times is reporting that the original artwork contained a “dedication reading ‘Thanks Jo’, which art market experts said could be a reference to Banksy’s long-time publicist, Jo Brooks.” Not so fast there Mr. Brillianteen. Perhaps Banksy is just a Jimi Hendrix fan (Hey Joe) or it was a gift to rapper Fat Joe (I’m Not a Player I Just Crush Alot) (RIP). Joe the Lion? Smokin’ Joe?

JKS Crew in Italy & France

Okay class, who wants to tell us what they did on their summer vacation?

Looks like JKS Crew were on spraycation this summer in Italy and France. The jazz bassy groove that accompanies the scenes in this video make us pine for those dreamy days of July and August already, and its only mid-October.

Vigilante Vigilante: The Battle For Expression / Trailer

Who owns public space? The oligarchs, yes, but after them?

You do!

Who should paint it?

When graffiti writers and Street Artists take it over with acts of transgressive painting one may expect that the next step is probably the buff, unless you living are in an aesthetic lawlessness like Berlin, or Athens, or 2000s Detroit.  It is infrequent that one may countenance the self-appointed citizen buffer, but they exist in many a neighborhood. A combination of ornery rebel and a justice-minded citizen; This is the vehement, street cleaning vigilante.

If you were writing a bespectacled urban guidebook about characters found on city streets you may advise, “Think twice before crossing this curiously civic interbreed, broken windows can be sharp.”

 

The Hut – A Partial X / Felipe Pantone

A Liberian surfer camp that just happens to capture the artworks of some of the biggest names in Street Art? Organizers say that its to reduce the stigma that surrounds the country that was hurt so badly by ebola a few years ago. Perhaps that what has drawn artists like Faile, Conor Harrington, 1010, Martin Whatson, Marke Jenkins, Herakut, Ted Pim, Sandra Chevrier, Ben Eine, and Seth Globepainter here to create new works here.  Today we see works by Felipe Pantone, JR, and Slinkachu.

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BSA Film Friday 06.08.18

BSA Film Friday 06.08.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1.1st Berlin Mural Fest Wrap Up
2. Pixel Pancho in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.
3. Christina Angelina in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.
4. Doug Gillen FWTV – Street Art and Anti-Semitism…discuss..

bsa-film-friday-special-feature

BSA Special Feature: 1st Berlin Mural Fest Wrap Up

Of course Berlin has no shortage of organically grown aerosol artworks around the city so it takes something special like a mural festival started by Die Dixons to make an impact. They have the connection to community and ability to mobilize across walls and art and performance disciplines. After the success of The Haus last year it seemed like anything was possible for the team, and the first time out shows the results in this short aftermovie.

#berlinmuralfest #nackenstarregarantiert #allewändevollzutun #berlinartbang

Props from the organizers to: Akteone, CREN, Jelio Dimitrov Arsek, Erase, case_maclaim, Die Dixons, Dr.Molrok, El Bocho, Elle Street Art, HERAKUT , Icke_art, Innerfields, Insane 51, Isakov, James Bullough, Kera1, Klebebande Berlin, Kobe Eins, Mika Yat Graffiti, Millo, Mr.WOODLAND , MTO (Graffiti / Street-art), MüCke32, Natalia Rak, Notes of Berlin, Nuno Viegas, One Truth Graffiti Street Art, ONUR, WES 21, Size Two, snik, TASSO, TELMO MIEL, Ria Wank, Michael Dyne Mieth, Anne ‘Blondie’ Bengard, Slider.Bandits, Caparso, Bas2, Daniela Uhlig, Ghettostars Crew , Monsta 179, Semor the mad one, Skenar73, Max Roche, Raws, TAPE OVER, Tape That, Tobo

Pixel Pancho in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.

Here are a couple of quick work-in-progress videos we shot this week on the island of Papeete in French Polynesia while we’re chasing artists with Martha Cooper across 4 islands of Papeete, Raitea, Moorea, and Bora Bora. Here are Pixel Pancho and Christina Angelina.

Christina Angelina in Papeete. for ONO’U Tahiti Festival 2018. French Polynesia.

 

Doug Gillen FWTV – Street Art and Anti-Semitism…discuss…

Is Banksy anti-semitic? The Street Artist has used his work to address social and political causes for almost two decades and this is the first we’ve heard the charge. We’ve seen all sorts of sentiments on the streets – racist, misogynist, homophobic, strains of xenophobia from different angles. But this is Israelis and the Palestinians and an active fight – with a multitude of shadings. Doug Gillen flies directly into the hornets’ nest – all for the love of Street Art.

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BSA Images Of The Week: 05.06.18

BSA Images Of The Week: 05.06.18

BSA-Images-Week-Jan2015

Here’s our weekly interview with the streets, this week featuring Alo, BustArt, Dmirworld, Egle Zvirblyte, Faith XLVII, Herakut, Jose Mendez, Kai, Myth, and Skewville.

Top Image: Faith XLVII “Ashes Moon” in China Town – the first of a 12 part series. Done in conjunction with The L.I.S.A Project NYC. (photo © Jaime Rojo)

Skewville for Moniker Art Fair. Greenpoint, Brooklyn. TRAP on top. (photo © Jaime Rojo)

Skewville taking a phone call from his manager… (photo © Jaime Rojo)

Herakut for Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Egle Zvirblyte. A project curated by BSA with the production assistance and wall access from Joe Franquinha / Crest Hardware and paint donated by Montana Cans. (photo © Jaime Rojo)

Unidentifed artist (photo © Jaime Rojo)

Myth (photo © Jaime Rojo)

BustArt…Cool Bus in the background. (photo © Jaime Rojo)

Kai (photo © Jaime Rojo)

Kai. Detail. (photo © Jaime Rojo)

Kai (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Lunge Box (photo © Jaime Rojo)

Jose Mendez for Moniker Art Fair in collaboration with The L.I.S.A Project NYC. (photo © Jaime Rojo)

Jose Mendez for Moniker Art Fair in collaboration with The L.I.S.A Project NYC. (photo © Jaime Rojo)

ALO (photo © Jaime Rojo)

Dmirworld (photo © Jaime Rojo)

 

Untitled. Williamsburg, Brooklyn. May 2018. (photo © Jaime Rojo)

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Moniker Art Fair: Scenes From Behind The Scenes

Moniker Art Fair: Scenes From Behind The Scenes

“I try to make sure I’m presenting work from artists not necessarily because they’re popular,” Tina Ziegler told us a few weeks ago, “but because they are or have been influential and/or fundamental to urban & contemporary art’s growth.”

Herakut. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

That may explain why D*Face was nearly sprinting to his wall in Greenpoint yesterday while Egle Zvirblyte was mounting the brightly sexified animals  around the bar and the Skewville twins were sweating the details on their installation on a roll-down gate. Of course, since they are actual Brooklyn Street Artists the bros appeared as cool as the elevated JMZ train with the windows open.

For that matter, the action inside the exhibition spaces was also jamming, including Jasmine from Herakut, who was painting a passage in her distinctive handstyle across a booth here in this former merchant marine factory warehouse.

Hera of Herakut at work. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

It’s the first Moniker International Art Fair in Brooklyn for the next four days with 27 exhibitors, a number of “artist residencies”, live mural painting, music performances by Princess Nokia, a “Street Heroines” talk with documentary director Alexandra Henry and a 5 Pointz history presentation with Meres One.

As the preparations for Moniker’s debut in NYC got underway we visited the location and found an energetic team busy at work helping the many artists and the galleries who represent them transfixed with the task of setting up shop, build the installations and paint the walls outside. Here’s a peek for you.

Jose Mendez at work. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Jose Mendez. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

D*Face at work for Moniker Art Fair in collaboration with The L.I.S.A. Project NYC. Greenpoint, Brooklyn. (photo © Jaime Rojo)

D*Face at work for Moniker Art Fair in collaboration with The L.I.S.A. Project NYC. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Swoon. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

The amazing team at Swoon’s Heliotrope Foundation setting up. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Skewville. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

ASVP setting up. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Brusk. Detail. Jonathan LeVine Projects booth. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Derek Gores setting up. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

MeresOne. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Bom.K Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Egle Zvirblyte. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Egle Zvirblyte. Detail. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Le Gran Jeu. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Tina Ziegler. Chief instigator. Fair engine. Founder. Moniker Art Fair. Greenpoint, Brooklyn. (photo © Jaime Rojo)

Princess Nokia Putting Everybody in the Mood for Spring and Summer in Brooklyn


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URVANITY 2018: 3 Days in Madrid

URVANITY 2018: 3 Days in Madrid

Today we go to the Urvanity New Contemporary Art Fair in Madrid to see some art inside and outside the fair and to hear about some of the programming happening there, courtesy of Fernando Alcalá Losa.


URVANITY New Contemporary Art Fair 2018

Or, “How we spent the whole weekend in Madrid enjoying art, friends and talks while censorship from the central Spanish government is choking the liberty of expression.”

The 2nd edition of Urvanity New Contemporary International Art Fair was our main focus of interest. With an exciting program including some of the most interesting galleries and artists from all over the world, 4 walls being produced in different areas of the Spanish capital and a more than attractive set of talks and lectures, we knew that we were going to make our weekend. But, of course, there was going to be more, much more…

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY ONE: Galleries

After sleeping a few hours, I started my little marathon outside the new Urvanity headquarters in the beautiful ME Madrid María Victoria Hotel for attending a round table about ‘Women in the cultural industry beyond feminist clichés’. With Alberto Aguilar from Urvanity moderating, I was excited to see what journalist Belén Palanco, gallerist Consuelo Durán and artist and friend Anna Taratiel had to say about all this arty world ‘dominated’ by men in these times when initiatives like La Caja de Pandora are rebelling against sexual abuse and the heteropatriarchy hegemony in the art world and fighting for visibility, justice and equality in working conditions and salaries.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Artists like Nuria Mora and Animalitoland, Sergio Bang, from Swinton & Grant Gallery, and Diana Prieto from MadridStreetArtProject were in the audience. Issues like education, quotes, discrimination, the toughness of being a female street artist, being out or inside the system, some critics to the female clichés and personal experiences were brought into the table. Being a heterosexual cis male, I don’t know if I’m the right person to say this, but I missed a more radical speech about the whole scenario and the role of women about making the necessary changes for reaching the place and conditions that they deserve.

Apart from this, Juncal Roig, Urvanity’s communication manager, had prepared a little gift with fellow artist Antonyo Marest. Last year, Marest had painted 4 walls in a nice courtyard inside the Hotel, so we did a small private shooting with the artist. It was fun, because we had to access the place through a window in one of the rooms. As Antonio said, imagine how ‘easy’ it was to move 6-floor wall scaffolding through that small ‘hole’. Watch out for Marest USA tour coming soon in the next months.

 

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

‘The Impact of Urban Creativity in Cities’, a talk, as I said before, by Contorno Urbano founders, was next. Ninoska’s and Esteban’s explanations about some of their most important projects and about how to work with students, neighbors, the local authorities and the artists themselves really got my attention, although I was already aware about the details of their work. The never ending growing 12+1 project and, of course, the soon to come ‘Mural Salut Wall’ by Escif were some of the top hits of the lecture, including the announce of the International Tortilla Competition held this last weekend at Sant Feliu de Llobregat’s La Salut square as a part of Escif art residence in the city. Hyper fun 3rd grade by the artist that caused lots of laughs between the audience. Looking forward to see what Escif will create in the next months here.

 

Long but full of experiences day. Beer time and back to our place where a bunch of young adults were waiting for us celebrating Miriam’s (our host) birthday, singing songs with ukuleles at 2am and drinking bourbon. Fuck me: I’m getting old…

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

DAY TWO: The day of Walls.

Good morning Vietnam! Slept 4 hours, dizzy head (if you can’t fight the enemy, join him) and García in groundhog mode on. I was starting to feel kind of nervous, as I hadn’t seen a wall yet, so I had a mission going on. Being lucky enough to know one of the best hosts that you can find in Madrid, I met Guillermo, from Madridstreetartproject ‘MSAP’, had some quick breakfast and began walking by. Guille was one of the people taking care of the production duties of the Urvanity walls. A veteran actor in the local scene, his way of seeing and understanding the urban landscape is outstanding.

Cranio. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

I had to leave Cranio’s wall for Sunday due to ‘logistic’ reasons. But, I was so glad to have the chance to shoot with Alexey Luka, as I had seen some photos about the WIP of his mural and I was loving it. After a small talk with the artist and the ‘formal’ presentations, I began shooting from the ground while Guille was struggling with drivers trying to not have them parking besides the crane.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then a little magical episode took place when Javier, a neighbor living in the building opposite to Luka’s wall, offered himself to give us access to the rooftop. Nicest human being ever, Javier told me that he was a military pilot and a great photography aficionado. It’s always surprising to me how people that don’t know you at all trust in you and open their houses to strangers like us, offering all the possible help because they are liking the project and/or the artists’ work.

Alexey’s wall was being a tough one to deal with. Guille, Rocío and the rest of the production team had to treat the wall twice with some special products because dust and sand were getting out from it. They lost 2 days because of this, but when I arrived there, everything had been solved and the artist was working hard. After dealing with a couple of issues, we head to the next wall… Before, I would love to say some words about Rocío here. We have just met maybe twice during all these years.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Working and collaborating with MSAP, Mula Fest and Asalto among others, it’s always interesting to listen to her clever thoughts and knowledge about the whole scene, how she approaches the tours that she guides in Madrid and get to know a little bit more about the kind of person that everyone would love to have in their teams. You can check Rocio’s blog here.

Maybe Jan Kaláb’s wall was the most popular one during the whole weekend. Pedestrians were loving the mix of nice colors and soft shapes – so selfies, stories and boomerangs were spreading as flu. I just tried to include some human traffic in the photo. Maybe I have a thing with old ladies… Just maybe…

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Guillermo de la Madrid)

Xavier Eltono’s talk was one of my top moments of the whole trip. Although I follow his career since years ago, I hadn’t got any deep thoughts about his work. After I heard what he had to say about his art and about how he connect his studio work with the skin of the cities where he had intervened, I understood a lot of things regarding his philosophy and the way he interacts with the city.

Another thing that got my attention during his lecture was the fact of how many respected artists were attending the talk. Names like Zosen, Mina Hamada, Aryz, Rocblackblock, Daniel Muñoz SAN, Kenor, Anna Taratiel, Suso33, Aleix Gordo, Vermibus…were there showing respect for Eltono’s art and explanations. The academic world was also represented nicely with awesome Fernando Figueroa and Elena Gayo.

Xavier Eltono. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Xavier told me by email that this talk had been very important for him, so I asked him why: ‘I’m used to give talks, I do a couple every year and I actually really enjoy it. Doing it in Madrid though was a very different exercise. Even if I’m not Spanish, I became an artist in Madrid, this is the city where everything started for me. Talking about my work in this city was very challenging to me because I knew a lot of friends and a lot of artists I admire would be listening to me. It’s very easy to talk about your work in front of an anonymous crowd but in front of people you know and you care about is totally different! I was very nervous, but, according to the feedback I received after the talk, it looks like no one noticed it!!!

Tina Ziegler of Moniker Art. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Then, the main dish of the menu took place. ‘The Art Conference, by Urvanity’, hosted by Doug Gillen, from Fifth Wall TV and featuring some of the most important managers/curators/creative directors/promoters in the biz was meant to be the grand finale of Urvanity’s Saturday program. Tina Ziegler, Director of Moniker Art fair, Yasha Young, Creative Director of Urban Nation Museum, and Anna Dimitrova, Director of Montana Gallery, were adding some more girl power to the place.

Yasha Young of Urban Nation Berlin. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

FER: One of the most interesting things about the fair this year was the Talks Program. I couldn’t go to all of them because I would need to clone myself for attending everything, but was it intentional for you to enhance this side of the event? Do you think that these talks and lectures are useful for attracting a potential audience or are they more focused on an indoor point of view for people inside the art world? Why the 2 talks were the role and presence of women was more significant were moderated by a guy with a penis?

Sergio Sancho: For us the talk program it is a fundamental base within the fair. It is something that we want to keep on and give more importance and visibility. We think that the best way to understand this movement it’s from inside, giving voice and visibility to the main characters. About the moderator you are talking we think the gender its irrelevant. This year we wanted to give more visibility to women in a world where there is such an inequality and it has been casual that in the case of The Art Conference the moderator that Tina used it’s always a man and in the case of the talks opening program it has been Alberto the leader and we think it was the suitable person to do so.

 

Esteban Marin and Ninoska of Contorno Urbano Foundation. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

An impressive example of power, clear minds, commitment and, above all, tough work during several years in a penis based industry, these 3 forces of nature explained to us the main points of their careers, their way of working, their ethics, spoke about good practices and loyalty, some episodes about dealing with male chauvinism attitudes and how to get through all this without stepping forward.

Antonyo Marest. Madrid, Spain. February 2018. (photo © Fer Alcalá)

After personally meeting Ampparito and chatting a little bit with Octavi Serra and some other guys from Cúmul we ended the day talking and drinking beer in a relaxed atmosphere at some ‘Manolo’ bar in Madrid. Time to breathe, smile and relax.

DAY THREE: The art fair day.

And Sunday arrived. Keeping the military discipline of the whole weekend, woke up early, had some bad coffee while planning the morning and started my 3kms walk to check Cranio´s wall out. Sunday is ‘rastro’ day in Madrid, so some streets and squares of the area were flood with people that you had to avoid while trying not to kill yourself watching the screen of your mobile phone as it was compulsory for me to check the map and my old time friend Kini González was helping me out getting some invitations for colleagues.

Once of the few times that I was moving my head up, I almost crashed with some familiar guy. Rafa appeared suddenly in front of me with his eternal smile in the face. A friend from Barcelona, it had been years since we had seen each other, so it was a funny and nice coincidence to meet by chance 624kms away from our hometown. We continue our walk together speaking about life, anarchy, music and veganism and, at the same time, Guille was telling me the last news about Cranio´s work as we were all pendant of the keys of the crane for the final shot.

Jan Kaláb. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

As I was seeing that this wasn’t happening in the next few hours, I changed my plans and went to Luka’s wall as I wanted to take some photos from the crane. There it goes… Say bye to Rafa, put my stuff together and we went up for capturing some details.

As we were saying in Madrid, there’s a poker of photos that you should take while capturing, if possible, the whole process of painting a big mural: shots from the ground, shots from other buildings and rooftops, shots from the crane and the final shot. If you get decent photos from all these angles, you will come back home with a smile on your face… I missed Luka’s final photo, by the way, as he finished his work on Monday.

Alexey Luka. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Once we had arrived to Urvanity’s headquarters I started to check all the artwork that galleries like Montana, SC, Ink and Movement, Stolen Space, Fousion, Plastic Murs, Swinton & Grant, Station 16, Ruarts or Pretty Portal were exhibiting. I liked to see some personal faves like Enric Sant, Isaac Cordal, Sixe, SAN, Herakut, Deih, Hyuro, She One, Dilka Bear, Kofie, Jaune, L’Atlas, Stikki Peaches, Anna Taratiel or Guy Denning, having in mind that you don’t always have the chance to admire all these people’s work in one place at the same time. I also enjoyed to discover other great artists that were kind of new for me like Gregory Watin, Marc C. Woehr, Solomostry, Spazuk, Jaime Molina or Morik Marat.

I also spoke with some of the gallerists who were quite happy about the sales and the whole experience in general. Okuda almost did a sold out, Taratiel sold her bigger piece for Durán gallery, veteran Henry Chalfant and Enric Sant were also selling for Adda & Taxie. Vicente, from Plastic Murs, was much happier with the sales this year than he was in 2017 after seeing how Deih and, above all, Vinz had been successful during the fair. Dilka Bear for Fousion gallery also saw how some of her works were going to some collector’s homes.

Jana & JS. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

It was also interesting for me to know that Kofie ‘papers’ in Swinton & Grant had been sold even before than the fair officially started. Classic names of the scene like Gripface, Stikki Peaches, GR170 or Belin also sold in this year edition. On the opposite hand, Olivier, from Vroom & Varossieau, which exhibited one of the most powerful group of artists in the fair, told me that his sales had been better last year, maybe because of his high prices. As we say in Spain: ‘nunca llueve a gusto de todos’ (something like: not everyone likes when it rains).

I spent my last minutes at COAM trying to find Sergio, Juncal and Victoria from Urvanity’s team without success, as I wanted to say bye and thank them for the treat that they gave to us during the whole weekend. I really like when you get the chance of meeting personally people that you have spoken with by email and that you have interacted with on the social media, as it happened this time with Sergio and Victoria.

Okuda. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

So, this was it. We couldn’t leave Madrid without having a couple (a couple…yeah, right…) of vermouths with some old time friends and colleagues, feeling sad because of the ones that we missed and thinking about all the great moments and experiences that we had lived during the weekend.

Thanks A LOT to all of you who we spent some time with during those 3 crazy days, specially to Sergio, Juncal and Victoria, Miriam for sharing her home with us, Guille, Diana & Rocío for being there as always, Lara, Soledad and Rebekah, at Espacio SOLO, for being such great hosts and, of course, Audrey García for breathing and existing. ‘til next time Madrid…

Laurence Valliéres. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Laurence Valliéres. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Jaune. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Daniel Muñoz AKA SAN. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Guy Denning. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Augustin Kofie. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Herakut. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Hyuro. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Spok. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Henry Chalfant. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Isaac Cordal. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

JAZ. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Stikki Peaches. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

Deih. Urvanity Art 2018. Madrid, Spain. February 2018. (photo © Fer Alcalá)

URVANITY ART MADRID 2018

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BSA “Images Of The Year” for 2017 (VIDEO)

BSA “Images Of The Year” for 2017 (VIDEO)

Of the thousands of images he took this year in places like New York, Berlin, Scotland, Hong Kong, Sweden, French Polynesia, Barcelona, and Mexico City, photographer Jaime Rojo found that Street Art and graffiti are more alive than every before. From aerosol to brush to wheat-paste to sculpture and installations, the individual acts of art on the street can be uniquely powerful – even if you don’t personally know where or who it is coming from. As you look at the faces and expressions it is significant to see a sense of unrest, anger, fear. We also see hope and determination.

Every Sunday on BrooklynStreetArt.com, we present “Images Of The Week”, our weekly interview with the street. Primarily New York based, BSA interviewed, shot, and displayed images from Street Artists from more than 100 cities over the last year, making the site a truly global resource for artists, fans, collectors, gallerists, museums, curators, academics, and others in the creative ecosystem. We are proud of the help we have given and thankful to the community for what you give back to us and we hope you enjoy this collection – some of the best from 2017.

Brooklyn Street Art 2017 Images of the Year by Jaime Rojo includes the following artists;

Artists included in the video are: Suitswon, Curiot, Okuda, Astro, Sixe Paredes, Felipe Pantone, Hot Tea, Add Fuel, Hosh, Miss Van, Paola Delfin, Pantonio, Base23, R1, Jaune, Revok, Nick Walker, 1UP Crew, SotenOne, Phat1, Rime MSK, Martin Whatson, Alanis, Smells, UFO907, Kai, Tuts, Rambo, Martha Cooper, Lee Quinoes, Buster, Adam Fujita, Dirty Bandits, American Puppet, Disordered, Watchavato, Shepard Fairey, David Kramer, Yoko Ono, Dave The Chimp, Icy & Sot, Damien Mitchell, Molly Crabapple, Jerkface, Isaac Cordal, SacSix, Raf Urban, ATM Street Art, Stray Ones, Sony Sundancer, ROA, Telmo & Miel, Alexis Diaz, Space Invader, Nasca, BK Foxx, BordaloII, The Yok & Sheryo, Arty & Chikle, Daniel Buchsbaum, RIS Crew, Pichi & Avo, Lonac, Size Two, Cleon Peterson, Miquel Wert, Pyramid Oracle, Axe Colours, Swoon, Outings Project, Various & Gould, Alina Kiliwa, Tatiana Fazalalizadeh, Herakut, Jamal Shabaz, Seth, Vhils, KWets1, FinDac, Vinz Feel Free, Milamores & El Flaco, Alice Pasquini, Os Gemeos, Pixel Pancho, Kano Kid, Gutti Barrios, 3 x 3 x 3, Anonymouse, NeSpoon, Trashbird, M-city, ZoerOne, James Bullowgh, and 2501.

 

Cover image of Suits Won piece with Manhattan in the background, photo by Jaime Rojo.

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BSA Images Of The Week: 11.26.17 Mexico City Special

BSA Images Of The Week: 11.26.17 Mexico City Special

BSA-Images-Week-Jan2015

This week BSA is in Mexico City in collaboration with Urban Nation Museum of Urban Contemporary Art (UN) to see what is steering the scene on the street, meet artists, visit artist compounds, museums, galleries, and studios – and of course to capture the wild and dynamic Street Art and graffiti scene here. Where Mexico City goes in art and culture makes big waves elsewhere in Latin America, and its Street Art scene has been quickly evolving in the last decade. Join us as we investigate the character and players in this modern/traditional city of more than 21 million people.


Mexico City this week was full of graffiti tags, large murals oozing with character, astral techno hippie dudes, strong women, slick talkers, traffic jams, street protests, stories about the 43, couples kissing on park benches, rooftop tours, men in suits, professional ladies in really high heels, smoothly running buses, sustainable community gardens, pick-pockets, indigenous people selling crafts, police with high pitched whistles, wannabe hipsters, live rock bands, tacos, craft beer, poinsettias, quesadillas, chille rellenos, pulled pork, nopales, avocados, tortas, Frida Kahlo, babies, Bohemia, marijuana smoke, and ultimately, Ricky Martin singing for hundreds of thousands of people free in the Zócalo.

We’ll catch you up on on the details soon.

Here’s our weekly interview with the streets, this week featuring Arty & Chickle, Blu, Curiot, DFace, El Mac, Erica Ilcane, Escif, Herakut, Interesni Kazki, Maria Guardado, Retna, ROA, Saner, and Sego.

Our top image : Erica Ilcane. Detail. (photo © Jaime Rojo)

Erica Ilcane. (photo © Jaime Rojo)

Erica Ilcane. Deatail. (photo © Jaime Rojo)

Blu. Detail. For All City Canvas 2012. (photo © Jaime Rojo)

Blu. For All City Canvas 2012. (photo © Jaime Rojo)

Curiot. Detail. For Lienzo Capital Project with Street Art MUJAM. (photo © Jaime Rojo)

Curated by Roberto Shimizu with the collaboration of the Mexico City Goverment on the Metro and the official building of The Nation Youth Institute

Curiot. Detail. For Lienzo Capital Project with Street Art MUJAM. (photo © Jaime Rojo)

Curiot in Roma neighborhood for Capital Mural. (photo © Jaime Rojo)

D*Face (photo © Jaime Rojo)

Escif. For All City Canvas 2012. (photo © Jaime Rojo)

Retna. For All City Canvas 2012. (photo © Jaime Rojo)

Interesni Kazki. Detail. For All City Canvas 2012. (photo © Jaime Rojo)

Interesni Kazki. For All City Canvas 2012. (photo © Jaime Rojo)

Interesni Kazki. Detail. For All City Canvas 2012. (photo © Jaime Rojo)

Saner. For All City Canvas 2012. (photo © Jaime Rojo)

ROA. For All City Canvas 2012. (photo © Jaime Rojo)

ROA. For All City Canvas 2012. (photo © Jaime Rojo)

Sego. For All City Canvas 2012. (photo © Jaime Rojo)

Herakut. For All City Canvas 2012. (photo © Jaime Rojo)

El Mac. Detail. For All City Canvas 2012. (photo © Jaime Rojo)

Portrait of Maria Guardado, a social activist and poet from Guatemala. Ms. Guardado was tortured and killed by the Guatemalan army during the bloody civil war in 1980.

El Mac. For All City Canvas 2012. (photo © Jaime Rojo)

Arty & Chikle. “Only Love”. Street Art MUJAM in collaboration with the Mexico City National Youth Institute for Young Adults. (photo © Jaime Rojo)

Untitled. Torre Latino Americana. Mexico City. November 2017 (photo © Jaime Rojo)

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An Unlikely Museum for Street Art? MUJAM is in the MX MIX : BSA X UN X Mexico City: Day 1

An Unlikely Museum for Street Art? MUJAM is in the MX MIX : BSA X UN X Mexico City: Day 1

This week BSA is in Mexico City in collaboration with Urban Nation Museum of Urban Contemporary Art (UN) to see what is steering the scene on the street, meet artists, visit artist compounds, museums, galleries, and studios – and of course to capture the wild and dynamic Street Art and graffiti scene here. Where Mexico City goes in art and culture makes big waves elsewhere in Latin America, and its Street Art scene has been quickly evolving in the last decade. Join us as we investigate the character and players in this modern/traditional city of more than 21 million people.


Not much happens in Mexico City’s modern Street Art scene that Roberto Shimizu Jr. doesn’t know about.

El Mac is in good company. MUJAM, Mexico City. (photo © Jaime Rojo)

With his namesake father at the helm of the Mexican Antique Toy Museum (MUJAM) since it opened in 2006, the younger Shimizu has organized 30 or so Street Art events, founded the All City Canvas program, worked with city and federal public art programs. He has also been a personal clearing house for some of the most recognized talents and new practitioners on the scene, inviting them to paint inside and outside this eclectic and curiously expansive, overwhelming museum of toys that span a century or so.

ROA. MUJAM, Mexico City. (photo © Jaime Rojo)

We spent hours with Roberto walking the floors of this imagination-provoking museum today – oggling an ocean of hand-made and mass produced items here that his father has collected for almost 60 years in every state of Mexico, only 5% of an estimated 5 million individual pieces in their collection. As the son of a voracious lifelong collector with a razor sharp eye and appreciation for positive energy Roberto Jr. has an omnivore’s appetite for Street Art, public art, graffiti.

So naturally since the museum first opened he’s been bringing in an eclectic array of aerosol/brush painters, wheatpasters, stencils, sticker slappers to hit up walls in the courtyard outside, on the roof, inside the museum, and on walls around the industrialized/residential neighborhood of Colonia Doctores.

Curiot. MUJAM, Mexico City. (photo © Jaime Rojo)

We’ll be telling you more about this ingenious genius and his heartfelt amor for toys and Street Art later, but we thought we’d just show you some excerpts of a large rolled canvas signed by the important artists, curators, sincere fans and occasional rock stars that he’s been amassing for the last few years.

Here you’ll find a number of the big names from today’s Street Art scene from before anyone really knew them – people to whom he personally gave opportunities and encouragement and materials and who later have landed in the collections of museums and collectors thanks to him giving them an opportunity, or two, or three. Also it was good for us to see names of the new kids on the block and a number of Latin American talents we all will be getting to know in the future.

Herakut. MUJAM, Mexico City. (photo © Jaime Rojo)

JAZ. MUJAM, Mexico City. (photo © Jaime Rojo)

Neuzz. MUJAM, Mexico City. (photo © Jaime Rojo)

Liqen. MUJAM, Mexico City. (photo © Jaime Rojo)

M – City. MUJAM, Mexico City. (photo © Jaime Rojo)

Luca Dalto. MUJAM, Mexico City. (photo © Jaime Rojo)

 

For more information about MUJAM click HERE

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“A Real Turning Point” : Sculptures on the Art Mile at Urban Nation Museum For Urban Contemporary Art

“A Real Turning Point” : Sculptures on the Art Mile at Urban Nation Museum For Urban Contemporary Art

“I think it’s a real turning point as far as seeing three dimensional things,” says Street Artist and fine artist Ben Frost while hand painting text on the side of the large facsimiles of pharmaceutical boxes that he’s creating for the UN Art Mile. “I think sculptures and installations have been paving a way forward for Street Art.”

Seth Globepainter. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

In fact sculpture and all manner of three dimensional installations as Street Art have been a part of the current century for sure, from the variety of lego and yarn artists to the soldiered steel tags of REVS and eco-bird houses of XAM and small little men made of wood by Stikman – among many others.

The traveling exhibition “Magic City” curated by Carlo McCormick and Ethel Seno that displays the wide range of works by todays’ interventionists now features a section devoted to sculpture including a selection of Street sculpture photography by Jaime Rojo.

Ben Frost. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Certainly when fine artists began joining the graffiti game they brought many additional techniques to the street, most of them applied to the surface of existing walls – stencils, wheat paste, rollers, for example.

Others have procured objects and attached them to the city; either creating new sculpture or replacing or adapting existing sculptures. For the public the experience may feel more intimate and evocative of the museum and gallery experience, encouraging one to regard the work from many perspectives. Naturally one would like to take selfies with them as well.

“Isn’t there a phrase, ‘Alls fair in love and war’? I feel like ‘Alls fear in love and war’,” says artist Ben Frost. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

For the opening of UN this weekend, the Urban Nation Museum of Urban Contemporary Art in Berlin this week, a curated selection of artists working in such dimensions were invited to create substantial pieces – including video installation, mobile, interactive, the purely static. Enjoy the variety of works by Street Artists who are working today.

Dot Dot Dot. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bordalo II. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Franco JAZ Fasoli. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Anthony Lister. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Anthony Lister. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Aaron Woes. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Herakut. Detail. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Ludo. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Sheryo . The Yok. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Haroshi. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icy & Sot. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icy & Sot. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Cranio. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Cranio. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Born To Die In Berlin. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Don John. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Grotesk . Juxtapoz Newsstand. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

 

Borodo. Moving Image on  glass panels. Art Mile. Urban Nation Museum For Urban Contemporary Art. Video by BrooklynStreetArt.com

 

 

Various & Gould. Mobile. Art Mile. Urban Nation Museum For Urban Contemporary Art. Video by BrooklynStreetArt.com

 

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Urban Nation Museum. Art Mile: Installations In Progress. Dispatch 5

Urban Nation Museum. Art Mile: Installations In Progress. Dispatch 5

Today some progress shots – these projects were not completed while we were shooting so you’ll want to go to the Museum Mile today along Bülowstraße (Berlin U-Bahn). The Urban Nation Art Mile (Artmeile) is in full effect this weekend day and night and it will be difficult to pass up on this funhouse performance-packed interactive exhibition that includes single installations in pop-up spaces along the street and in one large car-free area beneath the trains, which roar appropriately over your head.

Icy & Sot at work at their installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Also overhead for those who are observant, Isaac Cordal’s small concrete businessmen watch over the proceedings below with guilt, ennui and existential worries . You have to check out Faith XLVII’s multi-disciplinary piece in a pop-up space with powerful video imagery of the sexy uniformity of marching soldiers and the panicked distraught migratory movements of people created in its wake – with fierce and expressive dance performer Manthe Ribane and sound/set direction by Inka Kendzia with Faith. Migration, or immigration, is also directly addressed by an unbending and heavy steel sculpture of a family who are just like yours, and different from yours, facing a wall topped by razorwire.

Sheryo at work at her installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Evan Pricco and Juxtapoz bring the famous newsstand that has been displayed in 6 locations, including Times Square, now moving into the UN collection. Make sure to look at the independent zines and tags from its many travels. HOTTEA has a splendidly sharp and effervescent takeover of a corner first floor space that illuminates the white box, here comprised of hundreds of hanging yarns in a multiverse of color.

Sheryo. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

This series of outdoor components feels more like a fair than a museum show, a cross section of works that you may associate with post-graffiti/graffiti/Street Art or any number of related influences without a timeline – cobbling together a hodgepodge illustration of the wide range of influences at play on the street today – attempting to channel the asymmetric energy that it generates.

It is possible that this collection represents a catalyzing of interest in sculpture, as a number of interpreters including Cranio, Ben Frost, and Anthony Lister, are blurring lines with these 3 dimensional expressions of work they’ve done in 2D. How will a general community audience interactive with these – the possibilities seem limitless. Considering the sheer number of authors and performers and documentors and artists and academics and critics on the street right now, you are garunteed to find some intellectual and/or visual stimulation.

Isaac Cordal at work at his installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Olek. Getting ready for her Art Mile performance on Sunday. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Herakut moment of levity and humor while at work on their installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bordalo II work in progress for his installation at the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Evan Pricco fastidiously arranges the magazines at the Juxtapoz Newsstand for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

The Juxtapoz Newsstand for the Art Mile is almost completed. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Seth Globetrotter work in progress for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Zezao work in progress for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Women Power: A group of strong individuals who capture, enable dialogue and work, some daily, on the street art/graffiti scenes. From left to right. Nika Kramer, Karolina Pajak, Olek, Martha Cooper and Selina Miles. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

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Le Rat Has Arrived, Police Remove Cars from “Art Mile”, 2 Days to “Unstoppable” in Berlin : BSA Dispatch 3

Le Rat Has Arrived, Police Remove Cars from “Art Mile”, 2 Days to “Unstoppable” in Berlin : BSA Dispatch 3

Blek Le Rat arrived at the Urban Nation office today with his wife Sybille after a long car ride from Paris, ready for a coffee and possibly to take a look at the wall he’ll be painting here to celebrate “UNSTOPPABLE”, the inaugural exhibition of the UN museum this weekend. The wind taunted BustArt as he attempted to lay his irreverent stencil of Mother Mary coddling Pluto Jr. and the sliced cutout cardboard bent and bowed beyond an average person’s patience while his buddy Stephan helped hold it down for spraying.

Isaac Cordal. Detail of a larger outdoor installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Under the elevated train a legion of police and traffic cops removed 80 or so cars so the team could begin building stages, cages, platforms, lighting, electricity – for a slew of fresh outdoor pieces which will be installed Thursday and Friday for the weekend outside component.

Who is going to be on display as part of the Art Mile? Try Pixel Pancho, Franco JAZ Fasoli, Bordalo II, Mimi S., HowNosm, Zezao, Isaac Cordal, Olek, Seth Globepainter, Blek Le Rat, Hottea, Dot Dot Dot, Borondo, Herakut, Deih XLF, Faith 47, David De La Mano, Nespoon, Tank Patrol, Lister, Cranio, Sandra Chevrier, Aaron Woes M, Yok & Sheryo, Haroshi, Don John, Ben Frost, Various & Gould, Icy & Sot, Mademoiselle Maurice, the Juxtapoz newsstand, Mark Bode, Shepard Fairey, 1 Up, James Bullough, and 2501. It’s a real cross section of styles, influences, and voice that will be engaging guests this weekend.

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

The Berlin police actually use a truss and truck that picks up the offending car, puts it on a flatbed. Then, believe or not, they look for an empty parking spot in the neighborhood an place the car into the new place – also signs are posted to let you know where your car was re-located to.

In New York City if you are unfortunate enough to park your car in the wrong place it is simply towed away to a massive car yard somewhere, banging into things occasionally on the way and flying through potholes – and then held for a King’s ransom. Then you have to simply guess if it was towed or stolen.  No word on what the London Police do in regards to cars parked illegally.

Hot Tea at work on his site specific installation for the Art Mile. Florian couldn’t wait to take a peek. Urban Nation Museum For Urban Contemporary Art. (photo © Hot Tea)

Up on a lift for painting today also were Mademoiselle Maurice, David De La Mano, and James Bullough, and the company plastering the corner façade of the museum with pink letters. When the winds got to strong everybody was forced to bring the lifts down for an hour. Intrepid and lucky photographers like Jaime Rojo and Nika Kramer still managed to go up in the buckets to get some good shots in.

Hot Tea is spraying a big installation space with a rainbow of colors – on the walls and floors completely. People who are peeking through the plastic sheeting that protects the windows are wondering what this world of color is going to be.

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Meanwhile the onslaught of arrivals continues, including hopefully we’ll see Martha Cooper and Carlo McCormick. Martha of course will be here to celebrate the beginning of the Martha Cooper Library within the museum and Carlo will be here to see the didactics and texts he wrote for the exhibition and catalogue –as well as speaking at the Unlock Book Fair. This publishing fair for graffiti, street art and related practices is a must see for those who relish the independent thinking minds who publish on paper in this scene. Other great speakers featured will be Pedro Soares, Jens Besser, Susan Phillips, Thomas Chambers, and Javier Abarca.

Okay that’s your update for today. See you on the streets tomorrow.

Ron English. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE at work for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart fights with the wind. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Tankpetrol at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

 

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