All posts tagged: Francis Bacon

Where’s your REVS? Sculpture is HOT!

THE TEN MOST EXPENSIVE PIECES OF ART EVER SOLD

You would think that the current doldrums with bear markets worldwide, discussions of entire countries in imminent bankruptcy, the banker-induced housing crisis here and unemployment rolls hitting record heights, the appetite for buying art might have dried up. Um, nope.

Apparently for art collectors with big pockets, a keen eye, and good intuition there’s no such a thing as a recession. Art continues to be made, bought and sold regardless of the economic environment, if the recent record sale of Alberto Giacometti’s “Walking Man I” for a whopping $104.3 was any indication. It was the most expensive artwork ever sold at an auction.

The 1961 “L’Homme Qui Marche I,” a life-size sculpture of walking human figure is 72 inches (183 centimeters) tall. According to Sotheby’s auction house, it “represents the pinnacle of Giacometti’s experimentation with the human form” and is “both a humble image of an ordinary man, and a potent symbol of humanity,”

Good news for REVS! Sculpture is hot! (photo ©Jaime Rojo)
The recent record-breaking news has got to be good for REVS! Sculpture is hot! (photo ©Jaime Rojo)

Here’s a chart of the ten most expensive pieces of art ever sold throughout booming economies, bull markets and financial crisis regardless.

CLICK ON IMAGE TO ENLARGE

Image Courtesy of "Transparency"

Image Courtesy of GOOD

Read more about this at GOOD here:

Also check out a new interview by Sebastian Buck of Fauxreel at GOOD.

Read more

Images of Week 01.10.10 BSA Miami Part II

BSA-Sand-banner-ani-part2

This week we show you part two of Miami Street Art, begun last week here.

Barry McGee

Barry McGee took an old gas station and created a retrospective. (photo © Jaime Rojo)

Barry McGee

Classic portrait in his illustrative style by Barry McGee (photo © Jaime Rojo)

Askew

Askew (photo © Jaime Rojo)

Askew (detail)

Askew (detail)(photo © Jaime Rojo)

Michael DeFeo

Michael DeFeo sprouted resplendent in that warm tropical climate (photo © Jaime Rojo)

Dabs and Myla

Dabs and Myla (photo © Jaime Rojo)

Shepard Fairey

Shepard Fairey (photo © Jaime Rojo)

Ewok

EWOK took it to another level (photo © Jaime Rojo)

Pose

Pose (photo © Jaime Rojo)

Reyes

Wildly twisting lollipop treatment - Reyes (photo © Jaime Rojo)

Tristan Eaton

Tristan Eaton (photo © Jaime Rojo)

See more about Tristan Eaton’s piece “Wild Beauty” HERE

Tristan Eaton

Tristan Eaton (detail) (photo © Jaime Rojo)

Revok

REVOK (detail) (photo © Jaime Rojo)

The London Police, Galo and Jim Darling

The London Police, Galo and Jim Darling (photo © Jaime Rojo)

The London Police, Galo and Jim Darling

The London Police, Galo and Jim Darling (photo © Jaime Rojo)

The London Police, Galo and Jim Darling

The London Police, Galo and Jim Darling (photo © Jaime Rojo)

Push

Push - it's like JMR with a ruler (photo © Jaime Rojo)

A Street Tribute to Francis Bacon

A Street Tribute to Francis Bacon, complete with gold foil chair (photo © Jaime Rojo)

Read more

Collaboration without Consent

So, when two artists do it together, it’s a collabo, right?

(That’s a fancy abbreviation for collaboration, for those of us who are sequestered on the inside of coolness.)

And when one artist smacks their stuff over top of another artist’s piece, that is a sign of disrespect right? Diss.

How about when one artist deliberately puts a piece on top of the work of another artist and subsequently a NEW piece of art is created by it?  Serendipity?

Who the heck knows these things?  And who the heck put this Audrey Hepburn head on top of a 19th century “call-girl” body by the artist Imminent Disaster?

Breakfast at Disaster (photo Steven P. Harrington)
Breakfast at Disaster (photo Steven P. Harrington)

It sort of looks good though, right? This stuff can only happen on the street, by the way – where the rules seem to be rather unruly, and completely ineffective anyway.  As soon as you try to write a definitive statement about the rules of the street, you will suffer street-hotdog heartburn. Don’t even.

For example, you don’t find people bringing their handy Bob Ross Master Paint Set into the Francis Bacon show at the Met just to brighten up the pieces, do you?

Now that I mention it, did you see the arrows on that Bacon piece?

Francis Bacon "A Piece of Wasteland"

"A Piece of Wasteland" by Francis Bacon

Holy Canoli! Do you see what I see?

Do you think street artist Jef Aerosol went to see the show and smacked it up with some of those red arrows when the security guard was eyeballing the Miss Cataract’s 8th Grade Art Appreciation Field Trip? He seems pretty sneaky.

Probably not, but that would be a new twist wouldn’t it?

Les mythiques
Creative Commons License photo credit: kikozbi1

Francis Bacon has been dead for a while, so if somebody started doing their art on top of his art, that would be kind of like Natalie Cole doing a duet with her father Nat King Cole on that record, “Unforgettable”.  As long as it’s a “tribute” can it really be called “desecration”?  It’s rumored that on Frank Sinatra’s final “Duets” album he didn’t even sing with half of his other halfs.  They just sang by themselves and mailed his studio a disk.  Two alive artists making art together, separately.

And let’s not even talk about Jim Morrison’s grave.

Jim Morrison's Grave Graffiti, Père Lachaise Cemetery, Paris, France.
Creative Commons License photo credit: Jim Linwood

Back to the “Breakfast at Disaster” piece at the top. Is this fine art?  Street Art?  Street Art 3.0?  Non-permission-based Art, Hybrid, Mashup, Sampling, Bootleg, Marbled Bundt Cake Art?

Damn, son, somebody better get some labels up in here!

Read more