All posts tagged: FAUST

BSA Images Of The Week: 04.14.24 / “Return2Burn” in Hunts Point, Bronx

BSA Images Of The Week: 04.14.24 / “Return2Burn” in Hunts Point, Bronx

Welcome to BSA’s Images of the Week. We decided to dedicate this weekly survey to the artists of “Return 2 Burn”, its organizers, and the streets that brought us here.

The new “Return 2 Burn” exhibition at the old train station in Hunts Point, Bronx, serves as a modern continuum of pivotal artistic moments from New York’s vibrant past, echoing the groundbreaking energies of the Fun Gallery, The Times Square Show, and initiatives by Collaborative Projects Inc. (Colab) and Fashion Moda. These seminal venues and events of the early 1980s, such as the Fun Gallery (1981-1985) and The Times Square Show of 1980, were instrumental in merging the diverse cultural and artistic energies of “uptown” and “downtown” scenes. They featured artists whose names would become prominent, like Jean-Michel Basquiat, Keith Haring, Futura, Rammelzee, Crash, Jenny Holzer, and many others whose work intertwined and intersected with the emergent graffiti and street art movements against a backdrop of punk, hip-hop, and an unprecedented cultural fusion that was happening across the city.

This week, the art world mourned the loss of Patti Astor, the trailblazing founder of the Fun Gallery and a pivotal character in Charlie Ahearn’s iconic film “Wild Style.” Her legacy, which has deeply influenced the intersection of hip-hop, graffiti, and urban culture, remains a testament to her visionary impact on New York City’s vibrant art scene.

Buff Monster. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)

“Return 2 Burn” builds upon this legacy by featuring contemporary and enduring artists from those earlier movements like Skeme, Tkid 170, Martha Cooper, John Fekner, and Al Diaz—who notably co-created SAMO tags and cryptic texts on the street with Basquiat—linking the historical narrative of New York’s street art from its inception to the present. These artists’ work stood alongside others such as Chris from Robots Will Kill, Indie, Buff Monster, UFO907, and Wane for the vibrant opening night, celebrating an ongoing narrative of experimentation and discovery in the street art/graffiti scene today across this city’s boroughs. The atmosphere was electric, charged with the energy of fans, collectors, storytellers, and historical figures of the graffiti and street art scene.

This collection of photos was shot while the exhibition was still being assembled—”work in process” shots. Their sometimes raw quality signals that the exhibition is a living entity produced by many hands; curator Robert Aloia says it is expected to evolve throughout the spring and summer.

Skeme. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)

The opening night crowd underscored the exhibition’s role as more than just a collection of artworks but also a gathering place for the community and a hopeful signpost for our collective creative future as we enter such uncertain times. It is a testament to the evolution of graffiti, street art, conceptual art, sculpture, public art, and muralism and their enduring significance in urban culture and public dialogue. The installed pieces—captured before the doors officially opened—are a diverse and dynamic reflection of the art movement, a snapshot of this moment at this location that recognizes the hundreds of artists whose work is on New York streets at any moment.

Through the visionary efforts of curators like Robert Aloia and Jennifer Giraldo of Outlaw Arts, and their collaboration with Majora Carter and James Carter of Bronxlandia, “Return 2 Burn” reminds us how exhibitions can serve as cultural synthesizers. The dedication of independent curators and organizers ensures that the legacy of New York’s unique art scene not only persists but also adapts and thrives, engaging new generations of artists and audiences alike. Moreover, the vital role of those who document, write about, and archive these events is crucial; without their work, such exhibitions’ rich history and transformative impact would not be preserved.

New York City has consistently nurtured subcultures by providing ample space, resources, and an environment conducive to growth—a spirit deeply embedded in the Punk D.I.Y. tradition. This creation of spaces for artists truly captures the essence of the city. And while we appear to be losing gallery spaces, we always have the streets. In New York City, D.I.Y. isn’t just a concept—it’s synonymous with NYC itself.

Skeme creating his latest for “Return 2 Burn”. Skeme, known as “Skeme the 3 Yard King,” is a prominent graffiti artist, celebrated within the graffiti community for his work in New York City during the movement’s early days. He was featured in the documentary “Style Wars,” a seminal film directed by Tony Silver and produced in collaboration with Henry Chalfant. The film is significant because it was one of the first documentaries to capture the graffiti subculture of New York City in the early 1980s.

The lineup includes: Aiko, Al Diaz, Austin Pinon, Basie Allen, BlusterOne, Buff Monster, Camella Ehlke, Cassandra Mayela, Chris RWK, Dr. Revolt, Faust, Ghost, Giz, Indie 184, JJ Veronis, John Fekner, Jon Burgerman, Judith Supine, Kade198, Lamour Supreme, Martha Cooper, Matt Siren, Modus, Peter Paid, Pork, Queen Andrea, Roycer, Saman & Sasan Oskouei, Sheryo & Yok, Skeme, Tkid, Totem, UF0907, VFR, and Wane One

Skeme. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Skeme. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Faust. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
“With it being an old train station I wanted to acknowledge the history of the space and honor the Bronx and one of the pioneers. Especially when it came to characters and Tracy168”, says Chris from Robots Will Kill. Chris / RWK. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
John Fekner and Don Leicht. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
John Fekner and Don Leicht. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Al Diaz. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
WANE. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
TKid170. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Skeme. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Indie 184. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Lamour Supreme. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Lamour Supreme. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
PORK. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Pork did this fire hydrant message on the ceiling. He says, ‘Pa’lante’ – a Spanish slang word loosely translated as ‘onward,’ ‘go ahead,’ or ‘go for it’.”
JJ Veronis. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Dr. Revolt. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Dr. Revolt. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Roycer. Matt Siren. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
VFR. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
Saman and Sassan Oskouei above, Pork below. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)

Martha Cooper. Casitas Project. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
UFO907. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
UFO907. Return2Burn. Hunts Point, Bronx. (photo © Jaime Rojo)
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BSA Images Of The Week: 10.03.21

BSA Images Of The Week: 10.03.21

Welcome! What a great week for weather here – fresh, a little cooler – lots of new street art.

Friends we have to caution the young bucks – don’t train surf. We’ve just learned of a fellow who lost his footing Saturday and was killed. No joke.

And now we don’t know what other topic can follow that one, so…

Here’s our weekly interview with the street, this week featuring Abby Goodman, BLAZE, Captain Eyeline, Chill, Chris RWK, City Kitty, CRKSHNK, Fake Hambleton, Faust, Invader, JJ Veronsis, Konart Studio, Lunge Box, Mad Town, Matt Siren, Modomatic, Royce Bannon, The Velvet Bandit, and Who is Ponzi.

Blaze (photo © Jaime Rojo)
JJ Veronis & Faust (photo © Jaime Rojo)
Chill (photo © Jaime Rojo)
The Velvet Bandit (photo © Jaime Rojo)
Invader (photo © Jaime Rojo)
Matt Siren, Royce Bannon, and Abby Goodman. (photo © Jaime Rojo)
Matt Siren, Royce Bannon, and Abby Goodman. (photo © Jaime Rojo)
Matt Siren, Royce Bannon, and Abby Goodman. (photo © Jaime Rojo)
Matt Siren, Royce Bannon, and Abby Goodman. (photo © Jaime Rojo)
Mad Town (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Lunge Box & Chris RWK. (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
City Kitty (photo © Jaime Rojo)
Modomatic (photo © Jaime Rojo)
Captain Eyeliner (photo © Jaime Rojo)
Shin Shin (photo © Jaime Rojo)
Still life with street art. Who Is Ponzi. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Toxicomano (photo © Jaime Rojo)
Konart Studio (photo © Jaime Rojo)
Fake Hambleton (photo © Jaime Rojo)
Fake Hambleton (photo © Jaime Rojo)

The series of #fakehambleton “Shadow Man” that have been appearing on the street of Manhattan (and in London) are attributed to a guy who goes by the name of Pablo who runs a mystery Hambleton “foundation”. He’s admitted to painting the fake Hambleton iconic figures on the streets of NYC. We believe this to be a marketing campaing. More on this @bkstreetart on Instagram.

Fake Hambleton (photo © Jaime Rojo)
Untitled. Alfa Romeo. SOHO, NYC (photo © Jaime Rojo)
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COVID-19 365 Days Later; Art in the Streets That Narrated a Pandemic

COVID-19 365 Days Later; Art in the Streets That Narrated a Pandemic

What the hell just happened? Has it been a year? Or has it been 10 years? Or just one long nightmare/daymare? Or has it been 10 years? Did we already ask that?

In March 2020 we awoke to a world that was transforming before all of our eyes, yet we felt so cut-off from it and each other. The first days seem so long ago as we mark the first anniversary of the pandemic. Still, the initial shock of those days resonates in our chests so strongly that we confidently talk about a collective global trauma that has indelibly marked a generation.

Pobel. Stavanger, Norway. March 14, 2020. (photo © Tore Stale Moen)

From Stockholm to Mexico City to Barcelona to Bethlehem to New York to LA, BSA brought you street art that was responding with fear, derision, critique, hope, and humor to the never-static, always evolving barrage of Covid news. Stuck inside and afraid to expose ourselves to each other, we New Yorkers became accustomed to experiencing the outdoors only through our windows, connecting with neighbors we’ve never met who were also banging pots and pans or clapping and waving and yelling.

We listened to ambulances screaming past our windows every half hour or so during those first weeks, imagining the torn families, the terrified fellow New Yorkers now being rushed to the hospital and separated from their loved ones without a goodbye, gasping for air. We wondered if we would be next.

Jilly Ballistic and Sack Six. Manhattan, NYC. March 23, 2020. (photo © Jaime Rojo)

When we did go to the streets, they were empty – or nearly. In New York this was unheard of. In this bustling, noisy metropolis, we experienced a daily disconcerting quiet. That is, until the killing of George Floyd by cops finally pushed the anger/anxiety into the streets all summer.

The deadly hotspot of New York quelled, but the fires of Covid spread west, grabbing communities who thought they would avoid impact. At the same time, local, state, and national leaders fumbled and argued or famously callously ignored the desperation of citizens, occasionally admirably filling the shoes they were elected to occupy, often misstepping through no fault of their own.

Pure Genius. Manhattan, NYC. March 23, 2020. (photo © Jaime Rojo)

We have no particular wisdom to offer you today beyond the obvious; this pandemic laid bare inequity, social and racial and class fault-lines, the shredded social net, the effect of institutional negligence, the ravages of 40 years of corporate privatization, and the power of community rising to the occasion to be in service to one another in ways that made us all more than proud.

Here are some of our favorite Covid-themed street art pieces from over the last year, a mere sampling of the artistic responses. Interspersed we paste screenshots of the daily events (via Wikipedia) in 2020 that shaped our lives, and our society.

We mourn the losses of family and friends and the broken hearts and minds in all of our communities. And we still believe in the power of art to heal and the power of love to balance our asymmetries.

Trusto Corp. Los Angeles, CA. March 26, 2020. (photo courtesy of the artist)
Lapiz. Hamburg, Germany. March 30th, 2020. (photo courtesy of the artist)
Tag Street Art. Tel-Aviv, Israel. March 31, 2020. (photo courtesy of the artist)
Phlegm. April 6, 2020. London, UK. (photo courtesy of the artist) Phlegm created a visual diary of his experience with the Pandemic. We published his diary HERE
Don Langrend for USA Today Network. On April 13, 2020, we published a compilation of political cartoons with views on the Pandemic. Click HERE to see the whole collection.
Alessio-B. Padua, Italy. April 15, 2020. (photo courtesy of the artist)
Banksy. London, UK. April 19, 2020. (photo Instagram)
Shepard Fairey. Los Angeles, CA. April 20, 2020. (photo courtesy of the artist)
Banksy “The Girl with a Pierced Eardrum” Bristol, UK. April 23, 2020. (photo © Reuters/Rebecca Naden)
Cake Stencils. Bethlehem, Israel. May 10, 2020. (photo courtesy of the artist)
Almost Over Keep Smiling. Manhattan, NY. May 15, 2020. (photo © Jaime Rojo)
Captain Eyeliner. Manhattan, NY. May 15, 2020. (photo © Jaime Rojo)
SacSix. Manhattan, NY. May 15, 2020. (photo © Jaime Rojo)
Oliver Rios. May 15, 2020. (photo © Jaime Rojo)
Teo Vazquez. Barcelona, Spain. May 25, 2020. (photo © Lluis Olive Bulbena)
Adam Fujita. Brooklyn, NYC. May 25, 2020. (photo © Jaime Rojo)
Jorge Rodriguez-Gerada. Queens, NYC. June 2nd. 2020. (photo © Just A Spectator)
Russian Doll NY. Manhattan, NYC. June 6, 2020. (photo © Jaime Rojo)
Gianni Lee. Manhattan, NYC. June 13, 2020. (photo © Jaime Rojo)
Various & Gould. Berlin, Germany. June 19, 2020. (photo courtesy of the artists)
Sara Lynne-Leo. Manhatttan, NYC. June 27, 2020. (photo © Jaime Rojo)
Stikman. Manhatttan, NYC. June 27, 2020. (photo © Jaime Rojo)
Unidentifed artist. Brooklyn, NYC. July 18, 2020. (photo © Jaime Rojo)
De Grupo. Manhattan, NYC. August 1, 2020. (photo © Jaime Rojo)
Sticker Maul. Manhatttan, NYC. August 6, 2020. (photo © Jaime Rojo)
Fintan Magee. Queensland, Australia. August 16, 2020. (photo courtesy of the artist)
Persak. San Miguel De Allende, Mexico. August 23, 2020. (photo courtesy of the artist)
Novy. Manhatttan, NYC. August 29, 2020. (photo © Jaime Rojo)
Asbestos. Cork, Ireland. September 8, 2020. (photo courtesy of the artist)
1111 Army. Brooklyn, NYC. September 12, 2020. (photo © Jaime Rojo)
Unidentified artist. Brooklyn, NYC. September 12, 2020. (photo © Jaime Rojo)
Raddington Falls. Manhattan, NYC. September 26, 2020. (photo © Jaime Rojo)
Faust. Manhattan, NYC. September 26, 2020. (photo © Jaime Rojo)
Pure Genius. Manhattan, NYC. October 31, 2020. (photo © Jaime Rojo)
I Heart Graffiti. Manhattan, NYC. November 14, 2020. (photo © Jaime Rojo)
UFO 907 in collab with MUK 123. Manhattan, NYC. December 15, 2020. (photo © Jaime Rojo)
The Creator. Manhattan, NYC. December 28, 2020. (photo © Jaime Rojo)
City Kitty. Manhattan, NYC. December 28, 2020. (photo © Jaime Rojo)
Karma. Barcelona, Spain. January 4, 2020. (photo © Lluis Olive Bulbena)
Pobel. Stavanger, Norway. February 11, 2021. (photo © Tore Stale Moen)
Aya Brown. Brooklyn, NYC. February 27, 2021. (photo © Jaime Rojo)
Manhattan, NYC. March 06, 2021 (photo @ Jaime Rojo)
Paolo Tolentino. Manhattan, NYC. March 07, 2021 (photo @ Jaime Rojo)
Unidentified artist. Manhattan, NYC. March 07, 2021 (photo @ Jaime Rojo)

As NYC went on complete lock-down and New Yorkers were ordered to remain in their homes in complete isolation the city’s residents organically joined together in a collective 7:00 pm ritual in support to the first responders. To the nurses, doctors, paramedics, trash collectors, public transportation, police, fire fighters, supermarkets workers etc…with their services and sacrifices we, the residents of this megalopolis were able to keep out hopes for brighter days to come.

Video of four former presidents urging people to “roll up your sleeve and do your part” and get the vaccine.

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BSA Images Of The Week: 09.27.20

BSA Images Of The Week: 09.27.20

They are not staying quiet. If you had doubted the inclination of street artists to join the socio-political fray in 2020, don’t. Among the cute and decorative pieces out there, we are steadily discovering that artists are using the public sphere to take risks, addressing issues that are thorny and puzzling. As ever, the streets are a reflection of our society and all its fabulous dysfunction – a refreshing take on free speech that often makes much more sense than the disinformation war raging hourly right now on corporate media.

Here’s our weekly interview with the streets, this week featuring Adam Fu, Blood and Soul, Clint Mario, Faust, Gazoo to the Moon, Jarus, Maia Lorian, Pure Genius, Raddington Falls, Sticker Maul, Stikman, TV Head ATX, Will Pay, and Winston Tseng.

RBG – RIP VOTE NYC (photo © Jaime Rojo)
Sticker Maul (photo © Jaime Rojo)
Emmanuel Jarus in collaboration with Street Art for Mankind and the United Nations on its 75th anniversary a few blocks away from the UN Headquarters hopes to raise awareness on food insecurity. They don’t have to look far to find hungry people, as reportedly 2.5 million New Yorkers were already grappling with food insecurity before the coronavirus pandemic, and a new report from City Harvest says another 800,000 have been added to that figure in just the last six months. (photo © Jaime Rojo)
Emmanuel Jarus in collaboration with Street Art for Mankind and the United Nations on its 75th anniversary. Detail. (photo © Jaime Rojo)
Will Pay (photo © Jaime Rojo)
TV Head ATX (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
Faust (photo © Jaime Rojo)
Gazoo To The Moon (photo © Jaime Rojo)
Raddington Falls (photo © Jaime Rojo)
Raddington Falls (photo © Jaime Rojo)
Raddington Falls with friends. (photo © Jaime Rojo)
Maia Lorian (photo © Jaime Rojo)
Pure Genius (photo © Jaime Rojo)
Pure Genius (photo © Jaime Rojo)
Stikman (photo © Jaime Rojo)
Adam Fujita for The Bushwick Collective (photo © Jaime Rojo)
Blood and Soul (photo © Jaime Rojo)
Clint Mario (photo © Jaime Rojo)
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BSA Images Of The Week: 08.11.19

BSA Images Of The Week: 08.11.19

Street Art is hot and beautiful in New York this week, and we are cheered by the proliferation of styles and style- and some simply brilliant ideas.

West Side Highway was blocked this weekend by lines of people sitting with arms locked to protest the ICE arrests of poor, powerless, immigrants working menial jobs in the US this week and their treatment in jails set up for them.

Of course, the lines are probably still longer to get into the various rooftop pools that have popped up in New York this summer.

Also this weekend the child sex ring king Jeffrey Epstein was reported to have committed suicide in his jail cell. Also, a herd of unicorns just ran through Central Park. Please read the long list of world leaders he was alleged to have as clients. Check back with us in five years and tell us which of those men are in jail.

For some humorous summer reading ; the white-gloved New York Times took their semi-annual trip on the subway – just to stay in touch with the commoners – and was scandalized by the tawdry state of advertising in the subways, with suggestive phallic shapes and ladies posing in underwear and what not. NYT was not however scandalized by the chronically destitute conditions of subway infrastructure like the enormous pieces of peeling ceiling poised to drop on people at the Chambers station for example. Or the rats. Or the lack of garbage cans, police officers, newsstands, air conditioning or the the $2.75 fare that has outpaced inflation – meaning that the equivalent of a 1987 fare would be about $2.03 if it had stayed with inflation, for example.  That’s hardship on New York’s poor families – but New York Times is not talking about that.

Here’s our weekly interview with the street, this time featuring Almost Over Keep Smiling, Appleton Pictures, Banksy, City Kitty, Dr. SCO, Early Riser, FAUST, Gianni Lee, Heck Tad, Lambros, M*Code, Neon Savage, Shepard Fairey, and The Postman Art.

Top banner is a photo of a framed Banksy note in a high-end frame shop in Soho. Actually a Banksy? Who knows. (photo © Jaime Rojo)

Shepard Fairey (photo © Jaime Rojo)

Shepard Fairey’s portrait of actor and activist Rosario Dawson on the water tank of a Manhattan building called “Power & Equality. The image celebrates this Lower East Side original who has been a champion activist for girls and women and who stays true to her roots.

Shepard Fairey (photo © Jaime Rojo)
Gianni Lee (photo © Jaime Rojo)
There has been a back and forth on this wall with Gianni Lee’s work and the graffiti artist’s work. We have been documenting the “dialogue” on BSA HERE, and HERE. (photo © Jaime Rojo)
Postman Art (photo © Jaime Rojo)
Artist Unknown (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
Stay Ugly (photo © Jaime Rojo)
You Go Girl! (photo © Jaime Rojo)
Faust (photo © Jaime Rojo)
Almost Over Keep Smiling (the side-bust Donald Duck is by Heck Tad) (photo © Jaime Rojo)
Almost Over Keep Smiling (the side-bust Donald Duck is by Heck Tad) (photo © Jaime Rojo)
Early Riser (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
City Kitty . M*Code . Dr. SC0 . Neon Savage (photo © Jaime Rojo)
City Kitty . Lambros (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)

We have been documenting this artist’s work for years now. His message is about diabetes/diabetic awareness and its causes, our addiction with sugar and the food industry relentless habit of adding sugary ingredients on almost all prepared foods…that and the innordinate sugar amounts on soft drinks of course. So it was a big surprise to have caught the artist in action while putting work on his usual spot on the magnet wall in Chelsea.

Appleton Pictures (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)
Appleton Pictures (photo © Jaime Rojo)
We know this is Appleton Pictures mascot and MUSE but we don’t know this handsome dog’s name. (photo © Jaime Rojo)
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BSA Images Of The Week: 07.07.19

BSA Images Of The Week: 07.07.19

We’re in the thick sticky summer of it now -with Street Artists flooding the walls with many new unpermissioned illegal works. From small scale and new kids on the block to large legal/commercial murals by more established names- the public space in New York is teeming again with new ideas.

Here’s our weekly interview with the street (or boardwalk), this time featuring Adreian Wilson, Bert MTA, Bia Ferrer, Blaze, Captain Eyeliner, El Sol 25, Faust, Gatos a Gatas, H Lucatelli, Homoriot, Jason Naylor, Jilly Ballistic, Libranos, Movimiento Petrushaus, My 2 Cents, Nomad Clan, Novy, Pork, Shin Shin, Subdude, and Tatyana Fazlilazadeh.

Bert_MTA for East Village Walls. (photo © Jaime Rojo)
My 2 Cents (photo © Jaime Rojo)
Jilly Ballistic joins the Abbey Road procession (photo © Jaime Rojo)
America is Black… and it’s not going anywhere. Tatyna Fazlalizadeh (photo © Jaime Rojo)
Homoriot (photo © Jaime Rojo)
One of the 20th century’s greatest writers, James Baldwin, wearing a Homoriot logo on his shirt. (photo © Jaime Rojo)
Homoriot (photo © Jaime Rojo)
Jason Naylor (photo © Jaime Rojo)
Is this THAT Blaze? (photo © Jaime Rojo)
Adrian Wilson in collaboration with Pork. (photo © Jaime Rojo)
Nomad Clan (photo © Jaime Rojo)
H Lucatelly. Hand painted directly on the wall without permission. (photo © Jaime Rojo)
Libranos (photo © Jaime Rojo)
El Sol 25 entering an Aqua period for the summer (photo © Jaime Rojo)
It’s never too early to start that layaway plan. El Sol 25 (photo © Jaime Rojo)
El Sol 25 (photo © Jaime Rojo)
Bia Ferrer (photo © Jaime Rojo)
Bia Ferrer (photo © Jaime Rojo)
Vy (photo © Jaime Rojo)

Subdude (photo © Jaime Rojo)
At the very least…. Captain Eyeliner must be talking to Orange Monster above… (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Movimiento Petrushaus (photo © Jaime Rojo)
Novy (photo © Jaime Rojo)
Novy (photo © Jaime Rojo)
Shin Shin (photo © Jaime Rojo) (photo © Jaime Rojo)
Mowcka with Shin Shin (photo © Jaime Rojo)
Gatos a Gatas (photo © Jaime Rojo)
Sticky wall…(photo © Jaime Rojo)
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BSA Film Friday 05.17.19

BSA Film Friday 05.17.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Evan Roth “Since You Were Born”
2. “Island” Hamburg Max Mortal and Robert Lobel
3. Isaac Cordal In-Studio Visit. Bilbao, Spain.
4. ARTRIUM in Moscow

BSA Special Feature: Evan Roth “Since You Were Born”

Graffiti Research Lab co-founder Evan Roth has been hacking his way through life and art practice for the mid-2000s when he was a student at Brooklyn’s Parsons, where he was valedictorian. Now an older wiser daddy of two, he turns his attention to the saturated everyday data pileup generated from Internet browsing. The accumulated images, logos, maps, banner ads in the cache is like so much DNA of the person behind the mouse, and when it is printed to display, one becomes engulfed.

Our favorite term from his new exhibit? “An alternate form of art-making, memory-making, and storytelling”.

Project Atrium: Evan Roth

“Island” Hamburg Max Mortal and Robert Lobel

From Hamburg an animated short video by Max Mörtl & Robert Löbel explores the irresistible desire to communicate with this stop motion & 2D animation piece. Adorable exotic creatures come alive during the day to explore and seek kindred spirits.

Isaac Cordal In-Studio Visit. Bilbao, Spain.

From our visit to his studio comes this silent overview of how to turn a pig into a pig-man. “Here is where you see the craftsman at work; carefully attentive, problem-solving industry in play, possibly more at peace while he is creating than when he is left to think too much. He picks up a pink pig figurine and begins the plastic surgery, the fine reconstruction; a gentle whirring, a whittling away of snout and a defining of chin-line.”

See our full interview HERE:

ARTRIUM in Moscow

When we were in Moscow last summer as curators at Artmossphere, we had the opportunity to meet the director of the new program to bring international Street Artists to paint a shopping mall.  The magnetizing force that drew artists to hit these walls is pretty strong; just ask Shepard Fairey, Felipe Pantone, Tristan Eaton, Ben Eine, PichiAvo, Okuda San Miguel, Pokras Lampas, Faith47, WK Interact, Faust, and Haculla.

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BSA Film Friday: 05.10.19

BSA Film Friday: 05.10.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. INTI “Soleil”. Blinded by the Light.
2. Martha Cooper: Queen der Street Art
3. Elisa Capdevila x Anna Repullo. Contorno Urbano Foundation. 12+1 Project
4. Mare 139 : L’ avenir” Graffuturism. Group Exhibition.
5. FAUST: L’ avenir” Graffuturism. Group Exhibition.

BSA Special Feature: INTI “Soleil”. Blinded by the Light.

OMG WHERE does Chop ’em Down get their music from? Finally we said it out loud.

Yes, the monstrous archive of top-notch video that they are amassing of Street Artists and others creating work in the world is scintillating, the gut-punch editing is riveting, the pickings are lush. But time and again Zane nails it into next week with the music choices. Bless you brother.

INTI “Soleil”. Blinded by the Light. Video by Chop ’em Down Films for Peinture Fraiche Festival. Lyon, France.

Martha Cooper: Queen der Street Art via ZDF German TV (in German no subtitles)

Our sincere thanks to Susanne Lingemann and ZDF German TV for this great piece on Martha Cooper during the premiere of Selina Miles’ movie “Martha: A Picture Story” at Tribeca Film Festival. Next stop Sydney!

Elisa Capdevila x Anna Repullo. Contorno Urbano Foundation. 12+1 Project

Easily the winner of wackiest choice of concept and music for the year so far is this wiccan themed duo in Spain painting walls across from each other on an underpass. Something to do with sensuality and competitiveness and … witchcraft? Good painting tho.


L’avenir Graffuturism Group Exhibition

A special collection of works opened on April 26th under the banner “Graffuturism”, guided by its creator and advocate, the artist Poesia. The lineup includes a number of artists along the street art/graffiti /contemporary continuum such as Augustine Kofie, Tobias Kroeger, Carlos Mare, Doze Green, Jaybo Monk, Faust, Kenor, and Matt W. Moore – each with distinct graphic voices of their own. Below are a couple of brief profiles from the show follow here.

“L’ avenir” Graffuturism. Group Exhibition. Mare139.

“L’ avenir” Graffuturism. Group Exhibition. Faust.

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BSA “Images Of The Year” For 2018 Video

BSA “Images Of The Year” For 2018 Video

Here it is! Photographer Jaime Rojo of BSA selects a handful of his favorite images from his travels through 9 countries and around New York this year to present our 2018 BSA Images of the Year.

Seeing the vast expressions of aesthetics and anti-aesthetic behavior has been a unique experience for us. We’re thankful to all of the artists and co-conspirators for their boundless ideas and energy, perspectives and personas.

Once you accept that much of the world is in a semi-permanent chaos you can embrace it, find order in the disorder, love inside the anger, a rhythm to every street.

And yes, beauty. Hope you enjoy BSA Images of the Year 2018.

Here’s a list of the artists featured in the video. Help us out if we missed someone, or if we misspelled someones nom de plume.

1Up Crew, Abe Lincoln Jr., Adam Fujita, Adele Renault, Adrian Wilson, Alex Sena, Arkane, Banksy, Ben Eine, BKFoxx, Bond Truluv, Bordalo II, Bravin Lee, C215, Cane Morto, Charles Williams, Cranio, Crash, Dee Dee, D*Face, Disordered, Egle Zvirblyte, Ernest Zacharevic, Erre, Faith LXVII, Faust, Geronimo, Gloss Black, Guillermo S. Quintana, Ichibantei, InDecline, Indie 184, Invader, Isaac Cordal, Jayson Naylor JR, Kaos, KNS, Lena McCarthy, Caleb Neelon, LET, Anthony Lister, Naomi Rag, Okuda, Os Gemeos, Owen Dippie, Pejac, Pixel Pancho, Pork, Raf Urban, Resistance is Female, Sainer, Senor Schnu, Skewville, Slinkachu, Solus, Squid Licker, Stinkfish, Strayones, Subway Doodle, The Rus Crew, Tristan Eaton, Vegan Flava, Vhils, Viktor Freso, Vinie, Waone, Winston Tseng, Zola

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BSA Images Of The Week 09.02.18 – Artmossphere Biennale 2018

BSA Images Of The Week 09.02.18 – Artmossphere Biennale 2018


It’s been a packed couple of weeks between traveling to Moscow for the Artmossphere Biennale 2018 and immediately hopping to Leipzig, Germany for the magnificent Monumenta opening. Our heads are full of stories and conversations and images in two distinctly different scenes that somehow are still completely connected. Can’t tell if its euphoria or relief or jetlag but this Sunday is a dizzying day of taking account and being really thankful to be involved with an astounding amount of talent and camaraderie in the Graffiti/Street Art/Urban Art community that is connecting people around the world.

Here are our images of the week this time around; some selections from the Thursday night Artmossphere Biennale 2018 in Moscow, featuring 108, 1UP, Adele Renault, Bill Posters, BLOT, Canemorto, CT, the DOMA Collective, Egs, Faith XLVII, Faust, Finsta, Hyland Mather, LOT, Lucy McLauchlan, Lyall Sprong, Martha Cooper, Pablo Harymbat, and Pink Power.

Canemorto. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faust. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Faith XLVII . Lyall Sprong. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Finsta. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Finsta. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Martha Cooper . Adele Renault. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Martha Cooper . Adele Renault. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

1UP Crew. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

1UP Crew. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pablo Harymbat. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Hyland Mather. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

CT . 108. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

DOMA Collective. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Lucy McLauchlan. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

EGS. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

BLOT. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Pink Power. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Bill Posters. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

Sabina Chagina. Artmossphere Biennale 2018. Moscow. August 2018. (photo © Jaime Rojo)

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Sunshine Cinema Now Showing: FAUST’S “Sunset”

Sunshine Cinema Now Showing: FAUST’S “Sunset”

The Sun Sets on Sunshine: FAUST Writes Paean to NYC Streetscape

The five projectors at the Sunshine Cinema have gone dark as of January, and this month the 150+ year old building is scheduled to be razed for a 9 story office building. Because, you know, we need one. Graffiti writer FAUST just secured permission to say his own goodbye to the theater in a poetic way with his ornately scripted street style calligraphic hand, marking a sunset on Sunshine.

BSA is proud to debut FAUST’s own penned thoughts on this New York story of love and loss, of continuous building and destruction, of cultural touchstones that disappear seemingly overnight – usually so someone can make a buck. Herewith we present the words of FAUST for BSA readers with our thanks to him and to you.


Faust. Sunset (photo © Jaime Rojo)

Every time I approach a new work, I try to find a word or phrase that would be clever, poignant, and site-specific. Oftentimes, that could take weeks of research and brainstorming, but on Houston Street that wasn’t the case. With so many memories inside of those walls, this mural on the shuttered facade of the Sunshine Cinema felt much more personal than most of my previous projects.

The first time I saw the gate down and learned of the theater’s demise, I instantly knew I wanted to paint it in homage to the historic site. And the following day it came to me, a poetic sendoff to both celebrate and mourn the final days of the Sunshine Cinema. Sunset. 

Faust. Sunset (photo © Jaime Rojo)

I confess, as a teenager I became well-acquainted with the back door to the Sunshine Cinema which granted me free access to other worlds on the big screen. Growing up in New York City, a significant part of my adolescence was spent at that Lower East Side movie theater which focused on independent and foreign films. I snuck into the critically-acclaimed 2002 Brazilian feature City of God so many times that I started to believe I knew Portuguese because I had memorized the subtitles.

But my favorite time to go to the Sunshine was for their midnight movie. Each weekend they screened a different cult classic on Friday and Saturday nights. I spent my 19th birthday catching a sold out screening of The Warriors, my first time seeing the 1979 film that depicts a New York that no longer exists – gritty, overrun by street gangs, and covered in graffiti.

Faust. Sunset (photo © Jaime Rojo)

My career as an artist is deeply rooted in my upbringing as a graffiti writer. The style of my work derives from a contemporary history of writing on walls and subways that spans nearly 50-years. Anytime I paint abroad, I feel like a cultural ambassador bringing my distinctly “New York” aesthetic across the globe. But New York is always home–and always will be. At home the work takes on a different meaning; carrying on the tradition of a wide-spread (albeit illicit) art movement that has risen up from the streets and making a statement that hopefully resonates with my friends and neighbors who see it.

Faust. Sunset (photo © Jaime Rojo)

The 30,000 square-foot building on Houston Street has a long history of entertainment in the Lower East Side. Sections of the building date back to 1844, when it first opened as a church, before being converted into the Houston Athletic Club, a prize fight club, in the early 1900’s. Shortly after, the building was purchased and converted into the Houston Hippodrome, which offered moving picture shows and Yiddish vaudeville acts to the growing Jewish immigrant community in the neighborhood.

In 1917 the theater was converted into a nickelodeon and renamed the Sunshine Theater. The theater closed in 1945 and was used as storage up until the 1990s. For a brief period, from 1994 to 1998 the space was rented out for concerts and events before being leased to Landmark Theaters. After undergoing a $12 million renovation, the Sunshine Cinema as I know it opened on December 21, 2001. 

Faust. Sunset (photo © Jaime Rojo)

The Sunshine Cinema isn’t even the latest in a string of closures of historic NYC theaters including the Ziegfeld Theater in 2016 and Lincoln Plaza Cinemas which just closed it’s doors on January 31st. When these cultural institutions have no chance of keeping their heads above water in the current real estate market is it officially time to say New York is dead? As early as 1927 author H. P. Lovecraft had declared “New York is dead, & the brilliancy which so impresses one from outside is the phosphorescence of a maggoty corpse.” But we all know that couldn’t be further from the truth. Each successive generation inevitably breathes new life into the city and finds inspiration in the hallowed concrete jungle.

I discussed my idea for the mural with filmmaker Charlie Ahearn and described my dismay when I found out about the closure. I was surprised that he didn’t share my sentiment. Rather, he said he always thought of the Sunshine as a new theater. I suppose if I had lived though the New York art world of the 70s, 80s, and 90s as he had, I’d likely feel the same way. “Have you been to the Metrograph? Now that’s a great theater!” he told me about the new cinema that opened in the Lower East Side in 2016 and recently hosted a sold out screening of his cult classic film Wild Style. 

It’s ingrained in us all as New Yorkers to gripe every time a local landmark shutters, be it a cultural institution in a historic building or a corner bodega that can no longer compete with the new Whole Foods that opened down the block. It’s part of our DNA to wax poetic about the New York City we grew up in, whichever era that was. But it’s safe to say that more prescient than the idea that New York is dead is another old adage; the only constant is change.

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BSA Top Stories 2017 – As Picked by You

BSA Top Stories 2017 – As Picked by You

Berlin, Kathmandu, Santa Fe, Brooklyn, Sweden, London, New York, the country of Georgia, Raleigh, North Carolina. The favorite stories of BSA readers spanned all of these places this year as we documented this global people’s art movement variously described as Street Art/ graffiti/ urban art. We put it out there daily and you react to it – sharing it on Facebook, Twitter, and Instagram – starting conversations and creating connections.

The topics of these 15 favorite stories run the gamut as well; From Banksy and Brexit, Marxism and Urvanity to a bodega completely made of felt, your voracious appetite was wide ranging. From a well crafted graffiti writing exhibition at a white suburban Pennsylvania college where the tuition is 50K to an attempt to bring reassuring cultural heritage art to the streets of Kathmandu where the museum was destroyed by an earthquake – the extremes and ironies only peaked your interest.

You loved seeing and hearing Martha Cooper getting her first solo exhibition in New York and the mania that queued thousands to see the transformation of a 5 floor bank in Berlin by graffiti writers, Street Artists, installation artists and performers. You care about the earth and its people, like the story of ICY an SOT in the country of Georgia making human sculptures of trash as a critique of globalized waste, and the story of Chip Thomas using his Street Art to draw attention to a traditional Hopi farming technique called “dry farming”.

And in 2017 the resonance of ‘Resistance is Female’ catapulted our story of the illegal campaign of phone booth takeovers to the top 15, showing that a uniquely impactful high-jacking of the advertising streetscape is always going to win fans.

No matter where we went in 2017, BSA readers were always invited to go along with us and discover people and art on the street and in the gallery or the museum whether it was in Scotland, Hong Kong, Berlin, Sweden, Mexico or Tahiti. We captured what we could and interpreted it – and you told us what you liked by re-Tweeting and re-Gramming and re-Facebooking.

From 365 postings over the last year, here are the 15 you liked the most.

No. 15

Marx and Engels Statues Re-Skinned & Re-Located : Various & Gould

Various & Gould. Berlin, June 2017. (photo © Jaime Rojo)

“Why do you glorify and duplicate these two criminals?! They shouldn’t have a monument at all. Next you’re doing Hitler?”

Various and Gould try to paraphrase some of the comments they received from passersby in a park near the town-hall in centrally located Berlin-Mitte while working on their latest project with a statue of the creators of Marxist theory. Some imagined they were glorifying, others alleged defamation.

“It’s a shame how you treat Marx and Engels!”

Truthfully, this new project in public space that literally copies a monument and then transfers it to another location didn’t have much to do with the capitalist system that creates/allows very rich and very poor people, but it certainly adds stories to the overall experience of Various and Gould.

Various & Gould: Marx & Engels. Continue reading HERE


No. 14

“MADRID ME MATA”: Another Look at “Urvanity”

Roc Blackblock Milicians Madrid, Spain. February 2017 (photo © Fer Alcalá FujifilmXT10)

MADRID ME MATA…in a good sense,”

says Fernando Alcalá Losa, the avid Barcelona based photographer of street culture. He doesn’t literally mean that the Spanish capital is deadly, but rather speaks of his devotion to Madrids’ energy, its possibility, its history, its people, and to its art. The torrid affairs of the heart are invariably complicated, as is the evolution of graffiti and Street Art from their outlaw illegal roots to their flirtations and trysts with other forms and venues; murals, in-studio practice, gallery representation, institutional recognition, or commercial viability.

We are pleased that Mr. Alcalá Losa comes to talk to BSA readers today and takes us to Madrid for the new art fair called “Urvanity” to see what he discovers with you, courtesy his words and his lovers’ view behind the camera.

Madrid Me Mata…in a good sense. Continue reading HERE


No. 13

Lucy Sparrow Opens an All-Felt Bodega in NYC : “8 ‘Till Late”

Lucy Sparrow 8 ‘Till Late (photo © Jaime Rojo)

It’s 8 ‘Till Late, artist Lucy Sparrows first all-felt store in New York, and it’s literally just under the Standard Hotel in the Meat Packing district. She’s made 9,000 items over roughly 9 months out of this soft fabric-like craft material – and at first impression it sincerely looks like everything you would have found in a New York bodega in the 1990s aside from the hard liquor, which is actually illegal to sell outside a liquor store in NYC, but relax, its all heartfelt.

“We sell quite a lot of self-help books as well,” chimes in Clare Croome, a cashier.

“Yes! Self-help books! Have you seen them?” says Brooks “They’ve got nothing in them on the pages, they’re just blank.”

Lucy Sparrow 8 ‘Till Late. Continue reading HERE


No. 12

“All Big Letters” Opens, Curated by RJ Rushmore

Faust. All Big Letters curated by RJ Rushmore at Haverford College’s Cantor Fitzgerald Gallery. Philadephia, PA (photo © Lisa Boughter)

“I wanted to exhibit the mind of a graffiti writer in a gallery, and make that mindset understandable to your average gallery-goer,” he tells us. “To me, that means appreciating not just the finished piece, but how and why it came to be.”

By showing artists, works, photography, and tools that judiciously span the 50 or so years that mark the era of modern mark-making in the public sphere, Rushmore threads a story line that he hopes a visitor can gain an appreciation for in this art, sport, and quest for fame.

All Big Letters. Continue reading HERE


No. 11

Anonymouse: Miniature Vignettes on the Street for “No Limit” Festival in Boras, Sweden

Anonymouse. No Limit Boras 2017. Boras, Sweden. September 2017. (photo © Jaime Rojo)

Miniaturization on the street or in the museum (or in the street museum) causes you to focus on detail, draw closely, to recall your childhood ability to freely invoke a sense of fantasy.

“Since our visitors are mostly nocturnal, our opening hours are quite generous,” the artists known as Anonymous say in reference to their nighttime installations, sometimes glowing with electric light in the lee of a bridge column, or the shadow of a door. They reference the famous Swedish children’s book author Astrid Lindren in their work, and you can easily visualize a small mouse family or a business mouse or a house mouse or church mouse astutely moving through these vignettes, living their important lives.

Possibly one is currently occupied in a back room of one of these installations at the moment but they will be returning presently to greet their new visitor – you, with your big face. Don’t worry, they like you to get up close. They may even provide a magnifying glass for you to get a closer look.

Anonymouse. Minuature Vignettes. Continue reading HERE


No. 1o

Bunnies, Birds, Sexuality and VINZ Feel Free’s “Innocence” in Brooklyn

Vinz Feel Free. “Innocence” The Marcy Project. Williamsburg, Brooklyn. November 4th. 2017 (photo © Jaime Rojo)

Birds are associated with freedom, fish remind him of mindless consumerism, and frogs convey authority. He reserves reptiles for soulless soldiers of capital and authoritarian types. And the sudden preponderance of rabbits? Why sexuality and innocence of course.

“Innocence” is the name of the exhibition here curated by BSA and DK Johnston, and Vinz Feel Free has been preparing these works for many months. A project that has included his study of innocence, the show is meant to demarcate such shadings of the concept as to appear only subtly different from one another. To wit:

1. The quality or state of being innocent; freedom from sin or moral wrong.
2. Freedom from legal or specific wrong; guiltlessness.

Vinz Feel Free. “Innocence”.  Continue reading HERE


No. 09

Julien De Casabianca, Angry Gods, and Hacking Disaster in Kathmandu

Julien De Casabianca. Outings Project. Kathmandu, Nepal. January, 2017 (photo © Karma Tshering Gurung & Sanam Tamang/ Artudio)

If you are not going into the museum to see art, Julien De Casabianca is happy to bring it out to the street for you. Additionally, if the museum has been closed by an earthquake, he’ll make sure the art gets a public viewing nonetheless.

In Kathmandu recently Street Artist Julien de Casabianca continued his Outings Project by bringing a centuries-old painting outside to the side of the Artudio building in Swoyambhu on Chhauni Hospital Road with the help of Matt Rockwell of the humanitarian hackers group called DisasterHack.

He tells us that the obstacles to getting this piece up seemed insurmountable at times due to the broken social and infrastructural systems in Nepal that still plague people even today, nearly two years since the catastrophic earthquake that killed nearly 9,000 and injured 22,000 more.

Julien De Casabianca/Outings Projects in Kathmandu. Continue reading HERE

No. 08

Rocking “THE HAUS” : A 5-Floor Berlin Bank is Transformed by Artists

Kaleido. The Haus. Berlin. March 2017. (photo © Jaime Rojo)

“Normally we paint advertising – hand-painted advertising, mostly with cans. So we work all over Germany, with a lot of crews, “ says Kimo, a bearded, bald energetic and sharp witted guy who is lighting up a cigarette in this tattered, beige ex-conference room.  That explanation doesn’t prepare you for what you will see in the rooms upstairs.

The floors are piled with unopened paint buckets and brushes and cans and the walls in this organizing office are covered with scotch-taped project timelines, to-do lists, and floor plans of the old bank. Each former office space is plainly labled with names of German Street Artists or graffiti  crews, some you recognize, others you don’t. More recent Street Art names are next to classic Graff heads, installation  artists mix freely with Optic Artists, photographers, sculptors, even a live moss installation.

Case Maclaim is right next door to Turbokultur with Stohead out in the hall on floor 1.  El Bocho and Emess are in small rooms to either side of 1UP on the 3rd. Herakut in a corner room numbered 506 is right next to Nick Platt and Paul Punk in 505.

Rocking The Haus. Continue reading HERE


No. 07

Working the Cornfields on a Santa Fe Facade with Jetsonorama

Chip Thomas. Santa Fe, New Mexico, Earth Day 2017. (photo © John Donalds)

18 year old Hawthorne Hill has learned the traditional Hopi farming technique called “dry farming” from his mom, according to Jetsonorama, and he places seeds in shallow holes, while his sister Metzli creates rows of wind blocks using nearby brush.

The photos are taken on Second Mesa on the Hopi nation, but the artist brings them here to Santa Fe as part of a project he’s doing with Biocultura Santa Fe.

A project originally conceived of as part of Earth Day, with a focus on where our food comes from and traditional farming methods, its good to think of who works to bring food to your table.

Working The Cornfields. Continue reading HERE


No. 06

“A Real Turning Point” : Sculptures on the Art Mile at Urban Nation Museum For Urban Contemporary Art

Seth Globepainter. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

“I think it’s a real turning point as far as seeing three dimensional things,” says Street Artist and fine artist Ben Frost while hand painting text on the side of the large facsimiles of pharmaceutical boxes that he’s creating for the UN Art Mile. “I think sculptures and installations have been paving a way forward for Street Art.”

In fact sculpture and all manner of three dimensional installations as Street Art have been a part of the current century for sure, from the variety of lego and yarn artists to the soldiered steel tags of REVS and eco-bird houses of XAM and small little men made of wood by Stikman – among many others.

For the opening of UN this weekend, the Urban Nation Museum of Urban Contemporary Art in Berlin this week, a curated selection of artists working in such dimensions were invited to create substantial pieces – including video installation, mobile, interactive, the purely static. Enjoy the variety of works by Street Artists who are working today.

Urban Nation Berlin. Art Mile. Continue reading HERE

No. 05

“Resistance is Female” Takes Over Phone Booths in New York

Gigi Chen for #resistanceisfemale (photo © Jaime Rojo)

The decentralized Resistance, as it turns out, is a majority of Americans.

And leading the charge are women and girls.

So it makes perfect sense that a new grassroots takeover of telephone booth advertising in New York is a campaign called, “Resistance is Female”. Organizers and artists say that the ad takeover project is putting out a message that corporate controlled media seems to be quelling: keep fighting, keep speaking up, persevere.

The artists have put up a couple of dozen or so new art pieces in places where typecast women typically sell shampoo or fashions: a high-jacking of the advertising streetscape which the French and the Situationists would have called détournement in earlier decades.

Resistance Is Female. Continue reading HERE


No. 04

Street Artist OLEK and Volunteers Create NINA SIMONE Tribute in Raleigh, NC

Olek. Nina Simone “Here Comes The Sun” Love Across The USA. Raleigh, North Carolina. October 2017. (photo © courtesy Olek)

Susan B. Anthony, Harriet Tubman, Nina Simone; Three of the women whom Street Artist Olek would like us to remember from U.S. history, and who have been recently featured in public crochet portraits. Her most recent portrait done with help from the community brings art made by the public to the public in a country-wide project called “Love Across the USA”.

Sparked a year ago leading up to the US national election where a woman was on the ballot, Olek says that despite the negativity that followed, “it inspired me to create a project that would celebrate the accomplishments of women, many of whom had been forgotten throughout U.S. history.”

Today we go to Raleigh, NC to see the most recent banner of Nina Simone crocheted by Olek and a small army of volunteers., the American singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement.

Olek. Here Comes The Sun. Continue reading HERE


No. 03

Icy & Sot and a Man of Trash in Tbilisi, Georgia

Icy & Sot.  “Human reflection on nature”. Tbilisi, Georgia. May 2017. (photo © Icy & Sot)

15 centuries old, Tbilisi may not last as long as this garbage man sculpture by Street Artists Icy & Sot.

“It took us only 10 minutes to collect all this trash because there was so much of it – including American brands – in the river by this village,” says Icy as he tells us about the trip he and his brother Sot made last month. A gorgeous and historically diverse city of 1.5 million people, Tbilisi reflects art, architecture, trade and culture that have given the Georgian capital a reputation as a crossroads for Europe and Asia.

During their stay with the Art Villa Garikula, a self organized community contemporary art center begun Tbilisi born painter and educator, Karaman Kutateladze in 2000, Icy and Sot did two pieces and an ad takeover that reflect the global problems posed by a consumer culture sold by corporations with little concern for its impact long term.

Icy & Sot. Human reflections on nature. Continue reading HERE


No. 02

“Martha Cooper” Solo Exhibition Reveals Many Unseen “Action Shots”

Martha Cooper signing the print of Futura 2000 whole car “Break”,  Steven Kasher Gallery. (photo © Jaime Rojo)

An intrepid photographer who has launched a million dreams (and perhaps a few thousand careers) in graffiti and Street Art with her photography that captured crucial and seminal aspects of our culture that others overlooked.

That is just one way of seeing this brand new collection of images by Martha Cooper that is spread across one wall featuring artists at work, sometimes intimately. Here is where you see 102 individual shots of artists at work, a stunning testament to the range of art-making techniques that are practiced in the public realm, as well as a testament to the passion and curiosity of the woman behind the lens.

For Ms. Cooper’s first solo photography show in New York, Steven Kasher Gallery is featuring 30 new editions of her legendary street art photographs, the ones that have burned themselves into the collective memory of New York and of our streets in the 1970s and 1980s. While her photographs in the 1984 seminal “Subway Art” and her early Hip Hop street shots may be what she is most known for by artists and collectors and fans in cities around the world to which she travels, the new exhibit also contains more than a foreshadowing into the vast collection of important images she has not shown to us.

Martha Cooper Solo Show. Continue reading HERE


No. 01

Banksy Hits Brexit With New Piece, MaisMenos & BLU Used EU Flag Earlier

Banksy. Dover, England. Photo @banksy Instagram

The appearance of a new mural by Banksy in Dover, England caught the attention of many followers on his Instagram account and the mass media folks quickly reported on the new piece that comments on the current state of the EU.

10 months since the Brexit vote, the anonymous artist has created a thoughtful piece marking the crack in the European Union, depicting a white male worker on a ladder chipping away one of the stars on the EU flag, a fissure produced by the action reaching upwards and outwards toward the others.

Banksy Brexit. Continue reading HERE

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