All posts tagged: Donald Trump

BSA Images of the Week: 09.13.20

BSA Images of the Week: 09.13.20

Welcome to BSA Images of the Week.

Here’s our weekly interview with the streets, this week featuring CAM, David F. Barthold, JJ Veronis, Martha Cooper, Poi Everywhere, REVS, SoulOne, Tones, UFO 907, Winston Tseng, and WK Interact.

Tones (photo © Jaime Rojo)
Tones. Wolf Pack. (photo © Jaime Rojo)
Tones tribute to SoulOne (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Poi Everywhere (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
WK Interact (photo © Jaime Rojo)
WK Interact (photo © Jaime Rojo)
David F Barthold (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
JJ Veronis (photo © Jaime Rojo)
JJ Veronis (photo © Jaime Rojo)
REVS SuperSport has been updated one more time. This piece has been running for more than a decade going from black to silver to red and blue. (photo © Jaime Rojo)
UFO 907 (photo © Jaime Rojo)
Unidentified artist. ACAb (photo © Jaime Rojo)
CAM (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
As it’s become customary every year, the FDNY honored their fallen brothers and sisters who rushed to save the victims of the 9/11 attacks on the Twin Towers in NYC 19 years ago. Hundreds of firemen in uniform gathered at the Firemen’s Memorial Monument at Riverside Park in Manhattan. The names of the 343 members of the New York City Fire Department who were killed at the site of the attacks were read. In addition to those killed 19 years ago, 227 firemen have died of illnesses related to their rescue and recovery efforts at the WTC, their names were read as well. Riverside Park, Manhattan, NYC September 11, 2020. (photo © Martha Cooper)
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BSA Images Of The Week: 08.02.20

BSA Images Of The Week: 08.02.20

Welcome to BSA Images of the Week.

Happy EID Mubarek to all our Muslim brothers and sisters. Full moon will wash over our warm summer skies in Brooklyn tomorrow – hopefully you can get up on a roof to see it.

Statues are still coming down like a summer rain storm, New Yorkers are officially out of unemployment benefits and are protected from eviction until Thursday. While they pull together a new rescue plan for hurting citizens the GOP is deviously trying to chop Social Security, which is keeping your grandmother fed and housed. Meanwhile those “Party of the People” Democrats voted against cutting the Pentagon’s budget by 10% last week and this week they removed Medicare for All from the Democratic platform for 2020 – at a time when 30 million? 40 million? people have no healthcare insurance and we have a Covid-19 crises that is projected to kill 200,000 Americans by election day. 20 million (or more) are out of work, millions are poised to lose their homes, and the US saw a 32.9% decrease in gross domestic product for the second quarter of 2020. It’s the largest drop in U.S. history. But the “party of the people” doesn’t want you to have health insurance. Let that sink in.

Please tell us again about that two-party system we hear about every day. Why does it look like one party? Have you heard about this new documentary coming called “The Swamp”?

Maybe its the time in quarantine but the quality of the workspersonship on the streets these days appears to have increased overall – perhaps because artists have much more time to pour into their paste-ups, stencils, paintings.

Here’s our weekly interview with the streets, this week featuring Amir Diop99, BK Foxx, Black Ligma, Captain Eyeliner, City Kitty, De Grupo, Downtown DaVinci, Epizod Tagg, Panam, Texas, Zuli Miau.

David F Barthold (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Black Channel Films (photo © Jaime Rojo)
BK Foxx. Detail. East Village Walls. (photo © Jaime Rojo)
BK Foxx. East Village Walls. (photo © Jaime Rojo)
New York (photo © Jaime Rojo)
New York by Epizod Tagg (photo © Jaime Rojo)
David F Barthold (photo © Jaime Rojo)
“I could stand on the middle of Fifth Avenue and shoot somebody and I wouldn’t lose any voters” – Donald Trump by an unidentified artist. (photo © Jaime Rojo)
De Grupo (photo © Jaime Rojo)
Black Ligma (photo © Jaime Rojo)
De Grupo (photo © Jaime Rojo)
Captain Eyeliner (photo © Jaime Rojo)
Amir Diop99 (photo © Jaime Rojo)
Zuli Miau (photo © Jaime Rojo)
Downtown DaVinci (photo © Jaime Rojo)
Texas (photo © Jaime Rojo)
Panam (photo © Jaime Rojo)
City Kitty (photo © Jaime Rojo)
#blacklivesmatter (photo © Jaime Rojo)
Untitled. SOHO, NYC (photo © Jaime Rojo)
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Dispatch From Isolation #4 : A New Mask to Save Thousands

Dispatch From Isolation #4 : A New Mask to Save Thousands

There’s professional disinformation, and then there is simply disingenuous.

This native New Yorker told us Covid-19 was a hoax, and now New York is on its way to being the epicenter for the greatest outbreak, with officials harrowingly planning for 140,000 hospital beds for our neighbors, friends, coworkers, family, with 40,000 of them needing to be in intensive care.

“Probably more than half of all New Yorkers will be infected with this disease,” said Mayor Bill DiBlasio yesterday.

Graffiti writer Terror 161 favors the digital expression of political critique these days, and he shared this simple image with us yesterday. Since we’re not going outside to capture new Street Art for you, we thought we’d share this visual commentary with you.

Unidentified artist

How’s the nations’ supply of duct tape, we wonder. Because we know we don’t have enough ventilators for sick people. Or masks for that matter.

Medicare for All sounds better every day, doesn’t it?

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Winston Tseng: Street Provocateur Brings “Trash” Campaign to NYC

Winston Tseng: Street Provocateur Brings “Trash” Campaign to NYC

“At the end of the day when one is towing the line of being provocative,” says Street Artist Winston Tseng, “you may cross that line in some people’s mind but I think if one is not trying to find that line then the work is not going to make any impact.”


Winston Tseng has probably been crossing that line, pissing off some people and making others laugh for a few years now. He appears to consider it an honor, and possibly a responsibility. Relatively new on the Street Art scene the commercial artist and art director has also created his 2-D characters on canvasses and skate decks that depict the abridged characteristics of a typecast to play with the emotions and opinions of passersby.

Winston Tseng (photo © Jaime Rojo)

Perhaps it is all part of a tide of the reductivist cartoonish images that are flying at you from corporate cable and corporate mainstream and corporate candidates, but you may begin to wonder if simplifying and vilifying is the result or the cause of the polarization. And as Street Art continues to reflect us back to ourselves, the satirists are quick and blunt as well. Otherwise, how could they hope to get our attention?

The stand-up comedian Lenny Bruce outraged people in the 1960s with his provocations that melded satire, politics, religion, sex, and vulgarity – even earning him arrest for obscenity. Street Artist Ron English engorged Ronald McDonald on billboard takeovers to target obesity and fast food, Jon Feckner illustrated structural racism by labeling institutional neglect of certain neighborhoods in the 70s and 80s, and politicians are routinely turned into pigs and other animals on stencils, stickers and aerosol paintings for effect.

Satire, provocative or relatively benign, can be expressed as a caricature that exaggerates qualities as grotesque; a critique with a biting jab. You will see it played out in Tseng’s other works – an iPhone chatting, Starbucks swilling white Millennial plays into stereotypes of a privileged verbally-challenged belly-gazing consumer class. An Asian woman in traditional dress waves a hand fan of dollars that confirm her drive for wealth. A fake ad for “Christian Mingle” features an older priest reciting a Madonna lyric to a younger one with an excited gaze that calls to mind the multiple Catholic pedophile scandals in the news.

In one collection of canvasses that Tseng created for the gallery, simplified elements of typical archetypes of modern men are featured in profile – a Hasidic Jew with pais, an Arab with beard and keffiyeh, a US soldier with camo helmet, a bearded hipster wannabe with truckers cap – but each is coupled and holding one another’s face and looking into the eyes of the other. The series of pairings challenges preconceptions about masculinity, religion, societal roles, human costumery and what close physical proximity may imply.

Happily Ever After, 1-4 (2015) (© Winston Tseng)

Making fun has gotten many a Court Jester punched verbally and literally and yet everyone realizes that the truer elements of the roast are what had helped both the joke and the fist land.

Recently a poster from the street that we published on Instagram garnered praise and repudiation by commenters who didn’t like the depiction of newsreader/actor Sean Hannity extending his tongue in a fellated manner toward the waistline of a man with a long red tie.

Winston Tseng (photo © Jaime Rojo)

The responses ranged from anger that it appeared to demean homosexuals, to critiquing the artists skills at political activism.

“Stop making homosexuality a punchline,” said @mollykathleenv. “How is ‘sucking dick’ activism? It’s blatant #HOMOPHOBIA you are posting under the guise of activism,” wrote @kingsquirrel.
One commenter even questioned who should be allowed criticize the street work. “It would’ve been really chill if all the straight people tapped out of this discussion. This is not for you to weigh in on tbh,” said @sameshit.
But @jeffserenius simply couldn’t stomach the image. “This is in very poor taste. Regardless of your political views. I will be unscribing after this post and will now be looking for another vendor for my photography needs … very disappointed in this.”  We were, of course, devastated.

Winston Tseng (photo © Jaime Rojo)

His newest pieces on the street are pasted on garbage cans and feature people in red caps identified with the “Make America Great” slogan that Trump supporters are known to sport. In recent years using the word ‘trash’ has gone from campy to outright degradation and classicism, but the artist says he’s just venting his personal frustration at “thoughts and ideologies”, rather than actual people.

The male in a muscle t-shirt has a confederate flag tattooed in a heart shape on his bicep and is sipping from a Chic-fil-A cup, while the woman is holding a Bible under her arm. Both are stereotyped images of so-called “Trump Voters” that play dangerously into the urge to simplify or brand an entire group of people in a denigrating way. Then again, humor and insult are often found to coexist in satire. The new pieces instantly caught Manhattanite’s attention and cell phones popped out to capture the image.

Winston Tseng (photo © Jaime Rojo)

We asked Tseng about the Hannity poster and the new MAGA pieces and what his work on the street is about.

Brooklyn Street Art: Can you talk to us about the poster from a few weeks ago depicting Trump standing while TV personality Sean Hannity is on his knees in front of him with his face at Trump’s crotch level? It was controversial. Some people from the gay community saw it as a homophobic and other people from the gay community as well didn’t see it that way. What was your intention?
Winston Tseng: Certainly it wasn’t my intention to convey a homophobic message or ideas. But I do understand why some people would interpret it that way. For me the idea was to portray an inappropriate relationship between the subjects. On the street, with this medium, people only have a very short attention span so I was trying to make an impact and get that attention. I chose the act depicted in the poster as the most impactful. Some people saw it the way I meant it to be seen and some people saw it differently. At the end of the day when one is towing the line of being provocative, you may cross that line in some people’s mind but I think if one is not trying to find that line then the work is not going to make any impact.

Winston Tseng (photo © Jaime Rojo)

BSA: So that brings us to the new series you just created and installed: Your subjects are white people only and you are calling them ‘trash’.
WT: I wouldn’t say its meant to represent all caucasians but certainly they are meant to portray a certain demographic. In this case a segment of white people that I personally believe the posters accurately reflect. The statistics are there that a lot of Trump supporters who wear the MAGA hats come from red states, from the south, and are Christian Evangelicals. Those are the concepts that I included on these posters. I didn’t make that up. I’m just reflecting something that is a quantifiable fact.

BSA: Are these posters a direct critique on Trump’s policies and ideologies?
WT: Yes. But I feel like criticizing Trump, because he kind of doesn’t seem to really believe strongly in any ideologies or policy, is not the source of the issue in my mind. The source of the issue is the segment of America who supports him and authorizes him to make the decisions that he makes. I’m not sure if he believes strongly in them or if he is just pandering and just wants to win a popularity contest amongst certain demographics. I think that there’s a lot of anti-Trump art work out there, but taking a step back one realizes that he is not doing this on his own and the same goes with the policies he announces where he just tells people what they want to hear.

Winston Tseng (photo © Jaime Rojo)

BSA: Do you think that his aim is to distract the public from more serious issues?
WT: I don’t think he is distracting away from serious issues, but rather he brings into focus other serious issues that a certain segment of the population, myself included, don’t agree with him on. I think he’s reflecting a lot of hate and ideologies that exist in the population. That’s what I’m trying to get out with this series. Put the focus a little bit less on him being the creator of all of this but rather on his supporters who share the same beliefs and those beliefs that get reflected through him.

BSA: Do you think his supporters weren’t aware of how they felt or when he came out they felt that they had permission to air their beliefs in public?
WT: I think it’s probably the latter. I’m certainly not an expert on this. I know as much as any other American does in public. But yes, I don’t think he created these beliefs but people were harboring these thoughts and feelings. We are just in a time period now where is more acceptable to express those thoughts and ideologies more openly.

BSA: What was your goal when you were creating these series?
WT: It’s always just a personal expression. I’m not one to think that I’m going to change anyone’s mind by doing this. There’s a bit of humor in it and I’m hoping that people are entertained by it. I think that the majority of New Yorkers would probably agree with that just based on the statistics of liberals versus conservatives in New York. So it’s personal expression. It is the entertaining factor. It is sort of a stress relief for me, just to get it out there.

Winston Tseng (photo © Jaime Rojo)

Winston Tseng (photo © Jaime Rojo)

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INDECLINE Mounts “People’s Prison” Inside Trump Hotel

INDECLINE Mounts “People’s Prison” Inside Trump Hotel

An ingenious pop-up installation of politically charged art and performance arrived at a Trump hotel in Manhattan yesterday and departed just as fast, with the anonymous Street Art troupe INDECLINE declaring the exhibition “The People’s Prison”.

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

The clandestine and complex staging inside the belly of the commercial beast was completely legal and very temporary, leaving behind a pristine suite for the next guests to enjoy, but the interim concrete prison was darkly lit and gave off a cool, dank aura.

Open for invited guests for only a short window of time, the full-scale mise en scene gave a sordid and dark view of present and past politics and power, featuring the leader of the free world in a chandeliered prison with McDonald’s fast food wrappers and live rats at his feet.

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

The seated central performer stares out between the bars at the vertical red and white bars of American flags hung as canvasses with new paintings by invited artists like Street Artists Ann Lewis aka GILF!, LMNOPI, and Jesse Hazlip, and studio artists like dark pop queen Molly Crabapple and the multi-disciplinary Panik Collective.

While you take in the completely temporary scene, helpful but quiet INDECLINE members in black ski masks shuffle furtively in your periphery, ready to answer questions or preemptively admonish you not to touch anything. In a time of repeated accusations of “fake news”, demagoguery and disinformation, this real-life fabrication of a dire prison reality is jarring when mounted as it is inside another garishly shiny hotel fabrication of reality.

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

Each painting is a portrait of an outspoken historian, linguist, political scientist, academic, activist, or philosopher of some renown – a group of current and past thinkers and speakers who collectively would blow the roof off a building with their common sense and de/constructively radical ideas.

But these ideas from people like Noam Chompsky, Betty Friedan, Howard Zinn, Erica Garner, and Edward Snowden rarely make it into the White House or are given voice by the infotainment screen media or newspapers. “History is bigger than any given season, and historically, the greatest heroes have stood for something deeper than politics,” say the artists of INDECLINE in a statement.

“Our biggest concerns is that we, as American citizens – but also on an even deeper level, as Global Citizens – not forget that we are all stranded here on this rock together, and that the greatest crime committed by President Trump is his attempt to profit from and exacerbate the kind of divisiveness that safeguards a true and natural democracy, one that attempts to protect all of its members equally, not draw lines that become margins where those least-represented financially can be quietly swept away.”

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

As you have come to expect from this inventive and risk-taking troupe, the execution and attention to detail here is as impressive as the sentiments are powerful. This time the location of their intervention is integral to the message.

We interviewed INDECLINE to understand more about “The People’s Prison”

BSA: You chose a number of influential thinkers and philosophers to highlight in a place where they probably wouldn’t even be recognized. Have the wheels completely come off the cart?

INDECLINE: Some of these celebrated figures will most certainly be recognizable here in America and abroad. We did specifically choose a handful of lesser known activists and freedom fighter, but that was simply to shine the light on their efforts and educate the masses to their existence and fighting spirit.

 

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

BSA: The concept of trespassing is central to Street Art and graffiti practice. In this case you are not illegally trespassing but perhaps culturally or intellectually?

INDECLINE: While the room was booked using the traditional steps, the installation was still completely unauthorized. We’re also pretty sure snuggling rats into the property violated a number of laws.

 

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

BSA: Some say that Trump the man is a Trojan Horse to get these insidious ideas inside the halls of power. Is this project a trojan horse of a different color?

INDECLINE: We would agree with that wholeheartedly. Trump is certainly a Trojan Horse. However, he has waged a war with millions of creative and fearless soldiers who risk everything to practice radical thinking, provocative protest techniques, poetic dissidence and subterfuge. The war started a longtime ago and INDECLINE believe it will be the people, not the powerful who will stand victorious.


The second half of this two-part exhibition will replicate “The People’s Prison” in a Pasadena art gallery next month with the sales benefiting a range of organizations from the Native American Rights Fund to the Southern Poverty Law Center. Organizers say part two of this coast to coast show will open April 11.

More details after the video at the end of this posting.

 

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE: The making of “The People’s Prison”

 

Website: www.thisisindecline.com


Below is a list of the participating artists in “The People’s Prison” show along with the figures they painted and chosen charity information related to the April 11th art show.

Anna van Schaap – Betty Friedan – The Sasha Center

Ann Lewis – Erica Garner – Young New Yorkers

Anthony Aspero – Edward Snowden – National Suicide Prevention Lifeline

AWARE – Noam Chomsky – Help International

Bandit – Rodolfo “Corky Gonzalez” – Children’s Center for Cancer

Danny Green – Hunter S. Thompson – Alexandria House

Gabe Larson – Muhammed Ali  – Southern Poverty Law Center

Jesse Hazelip – Cornel West – Indigenous Environmental Network

LMNOPi – Lyla June Johnston – Red Willow Farm

Molly Crabapple – Angela Davis – New Sanctuary Bond Fund

The Panik Collective – Howard Zinn – Common Cause Education

Randy Janson – Leonard Peltier – Native American Rights Fund

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Trump Street Art – Instantly There’s a Global Critique

Trump Street Art – Instantly There’s a Global Critique

Any US president can expect cartoons and visual commentary critiquing their performance and policies and persona and fashion and idiosyncrasies. This one has created a flood of it worldwide.

Teo_Vasquez photo ©Sameworld_project in Barcelona, Spain

The chaos that is the first ten days of this administration has only confirmed some peoples worst projections, yet its been filled with surprises as well – including in the street.

Thanks to the popularity of murals and the multitude of techniques artists use on the street today, critique of political/social matters on public walls has joined those of political cartoons in magazines and newspapers. Of course Trump and his spokespeople would probably call these “fake murals” or something.

Bailer ID in Melbourne, Australia photo© Gavin McLaughlin

The point is, you don’t have to like or agree with all of these expressions from “A Tremendous Roundup Of Street Art Ridiculing Donald Trump” – they range from witty and clever to childish and catty to horribly offensive and uncalled for – but that’s the nature of satire and free speech and it is also some measure of public sentiment.

We find it interesting because the pieces appear to be coming from all manner of people and the topics are spread wide. The one above from Melbourne includes a tag critical of more than Trump – “F*ck Clinton” for example.

Here are a just a few images of 40 from the article posted by Lee Moran of The Huffington Post, who says “from England and Austria to New York and Los Angeles, the writing is on the wall.” See the complete article HERE.

A painted electrical box in London. Photo ©littlewisehen 

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Annie Nocenti: Wishes & Hopes for 2017

Annie Nocenti: Wishes & Hopes for 2017

brooklyn-street-art-wishes-and-hopes-for-2017-ani-2

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As we near the new year we’ve asked a special guest every day to take a moment to reflect on 2016 and to tell us about one photograph that best captures the year for him or her. It’s an assortment of treats for you to enjoy and contemplate as we all reflect on the year that has passed and conjure our hopes and wishes for the new year to come. It’s our way of sharing the sweetness of the season and of saying ‘Thank You’ for inspiring us throughout the year.

Ann “Annie” Nocenti is an American journalist, writer, teacher, editor, and filmmaker. She is best known for her work in comic books and while at Marvel Comics she edited New Mutants and The Uncanny X-Men and Annie has collaborated artistically to create Marvel characters like Typhoid Mary, Blackheart, Mojo, and Spiral. A whip-smart firecracker with a fiendishly good sense of humor, we like Annie because she has outspoken political views and often kicks butt with a rhetorical bit of flair. Today Annie tells us about a skull on her rural estate that has taken on dastardly characteristics in her writers’ mind this year.


Bulls head on a tree somewhere in Upstate New York
May 2016
Photo by Annie Nocenti

“Donald Trump” is staked to a tree along the creek I live on. He’s got long devil horns, an empty skull, and the infamous hair hangs windblown between hollowed eye sockets. Where did this bit of accidental political art come from? A year ago a farmer friend dumped a bull’s head in my yard and I buried it.

When I dug it up a year later, the bugs had done their stealth job and cleaned the skull. It still had one flop of dirty blond hair, and resembled Trump. When a chipmunk peeked out one of the Trump skull’s eyeholes, or a woodpecker nattered away at the bugs in his belfry, I was getting all the savvy, grassroots election commentary I need.

This past summer the skull became especially beloved by visiting children, who tumbled out of cars and rushed over to say hello to Trump. He seemed content to sneer down at them from his high perch on the tree. Kids were fascinated by the skull’s resemblance to Trump, especially the young ones, who, like receptive little tuning forks, feel the cloud of giddy anxiety and hilarity that emanates from adults when they speak of him.

Now, months later, my Trump effigy, with its hollow eyes and thousand yard stare, is no longer a joke.

brooklyn-street-art-2016-740-anna-nocenti

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BSA Images of the Week 10.09.16

BSA Images of the Week 10.09.16

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Donald Trump didn’t change. Your “News” did.

Any New Yorker on the street can tell you that Donald Trump has always been this way – he hasn’t made a “secret” of it. We just called this stuff “tabloid news”, and tabloids were an exception. Now they nearly rule all public discourse.

Lowest-common-denominator “News” has produced a lowest-common-denominator candidate. He almost clinched the highest elected office. There is a trail of polarized destruction in the wake.

For over a year this profit-driven entertainment media actually created a cancerous candidate who gives them daily “clickable content” while they hold their noses and count the dollars. These people aren’t serving you, or democracy. We are all collectively debased – men and women, black and white, Mexican and Muslim, rich and poor, families, children, teachers, workers, nurses, doctors, cashiers, church people, atheists – as a result.

The GOP’s flirtation with starting and fanning racist bonfires over the past decade or so has finally swallowed it in flames, leaving it in smoking embers, their leaders completely covered with fecal matter, quieted and stunned. The reputation of the US around the world took a battering thanks to this tabloid news candidate as well. Traveling to Street Art events outside the US this year, invariably someone would shake us by the lapels and ask us what the hell was going on with this Trump guy?!.

In recognition of the woman-hating man who came dangerously close to the White House, here are a number of different women and girls by Street Artists creating in the public sphere at the moment, covering a range of styles, backgrounds, techniques and points of view.

So, here’s our weekly interview with the street, this week featuring Beast, Danielle Mastrion, Faile, finDAC, Jilly Ballistic, Kevin Lyons, Leticia Mondragora, LMNOPI, Marina Capdevila, Myth, Never Crew, Ouch, Shepard Fairey, Sipros, Slick, Spaik, Stray Ones, Taker, Who’s Dirk, and Zimer.

Our top image: FinDac (photo © Jaime Rojo)

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Shepard Fairey. Detail. For The L.I.S.A. Project in The East Village. (photo © Jaime Rojo)

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Shepard Fairey. The L.I.S.A. Project in The East Village. (photo © Jaime Rojo)

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Zimer (photo © Jaime Rojo)

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Danielle Mastrion and Lexi Bella collaboration. (photo © Jaime Rojo)

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Beast (photo © Jaime Rojo)

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Faile (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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Leticia Mandragora (photo © Jaime Rojo)

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Marina Capdevilla in Switzerland for Vision Art Festival. (photo © Marina Capdevila)

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Myth (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Stray Ones (photo © Jaime Rojo)

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Stray Ones. Catch him if you can! (photo © Jaime Rojo)

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Ouch (photo © Jaime Rojo)

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Taker for The Bushwick Collective. (photo © Jaime Rojo)

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Never Crew in Luzern, Switzerland for Viva Con Agua. (photo © Never Crew)

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Sipros for The Bushwick Collective. (photo © Jaime Rojo)

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Jilly Ballistic. Palimpsest in the NYC Subway. (photo © Jaime Rojo)

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Artist Unknown. Sexual predator for USA President. How can you people defend him still? (photo © Jaime Rojo)

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Artist Unknown. She is not perfect. She is also not crazy. (photo © Jaime Rojo)

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Whos Dirk (photo © Jaime Rojo)

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Slick. Murals In The Market/1XRun 2016. Detroit, Michigan. (photo © Jaime Rojo)

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Kevin Lyons. Murals In The Market/1XRun 2016. Detroit, Michigan. (photo © Jaime Rojo)

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Spaik. Sardegna in Italy. (photo © Spaik)

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Untitled. Subway dreams. NYC Subway. Manhattan, NYC. October 2016. (photo © Jaime Rojo)

 

 

 

 

 

 

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BSA Images Of The Week: 09.18.16

BSA Images Of The Week: 09.18.16

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We debated whether or not to open today’s edition of BSA Images Of The Week on a political note with new Donald Trump related art or with an uplifting image of an almost universally recognized sweet little bird: The Sparrow.

The Sparrow won.

Who hasn’t seen them enjoying a good old dust bath or just happily munching on whatever crumbs fall from the public while eating al fresco. They have natural predators in the city and country and have been featured in songs, poems, books for centuries. More recently Chairman Mao Zedong ordered them to be killed The Kill a Sparrow Campaign in 1958 – where millions of them were killed by citizens, unleashing an environmental disaster of locusts destroying food crops, and people starving.

We prefer to think of these little birds in terms of the gospel hymn “His Eye Is On the Sparrow”

“I sing because I’m happy
I sing because I’m free
For His eye is on the sparrow,
And I know He watches over me.”

This week two street pieces we discovered feature this finely feathered friend by LMNOPI and Elbow-Toe aka Brian Adam Douglas.

So, here’s our weekly interview with the street, this week featuring Brian Adam Douglas, Dirty Bandits, Indecline, Joe Caslin, Leon Keer, LMNOPI, MSK, SacSix, Swoon, The Flying Dutchman, Vexta, and WK Interact.

Our top image: LMNOPI.  (photo © Jaime Rojo)

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Brian Adams Douglas. Detail. Speaking of sparrows. They make and appearance on this portrait. (photo © Jaime Rojo)

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Brian Adams Douglas (photo © Jaime Rojo)

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SWOON. Detail. (photo © Jaime Rojo)

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SWOON (photo © Jaime Rojo)

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Indecline. Mana Urban Arts Project (photo © Jaime Rojo)

In New Jersey on a rooftop the passing car traffic is now able to catch a glimpse of a nude statue of Donald Trump. The anonymous artists collective Indecline has done of number of recent installations addressing political topics in the New York area. This one has garnered national coverage in the media. There’s not much that we can say that hasn’t already been addressed elsewhere.

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Indecline . Mana Urban Arts Project. Detail. (photo © Jaime Rojo)

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Indecline . Mana Urban Arts Project (photo © Jaime Rojo)

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Indecline . Mana Urban Arts Project (photo © Jaime Rojo)

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Indecline. MSK . Mana Urban Arts Project (photo © Jaime Rojo)

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Indecline . Mana Urban Arts Project (photo © Jaime Rojo)

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SacSix (photo © Jaime Rojo)

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Leon Keer. Aruba Art Fair. Aruba. (photo © Leon Keer)

Title: ‘Niets aan te geven / Nothing to declare’. The 3D painting depicts the story on the crisis of critical shortages of food and medicine in Venezuela and the effect it has on the nearby island of Aruba. The location were the painting was made is behind the former customs office in San Nicolas. -LK
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VEXTA . Dirty Bandits (photo © Jaime Rojo)

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Joe Caslin. Waterford Walls International Street Art Festival (photo © Joe Caslin)

A new mural in Waterford, Ireland by artist Joe Caslin speaks to the topic of mental health and our awareness of it. On the façade of an abandoned hotel that overlooks the city, Caslin created this figure, quiet and troubled, as part of a mural festival there. The wheatpasted drawing by Caslin is entitled ‘Ar scáth a chéile a mhaireann na daoine’, which translates as ‘we live protected under each other’s shadow’.

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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The Flying Dutch Man (photo © Jaime Rojo)

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The Flying Dutch Man (photo © Jaime Rojo)

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Untitled. Jersey City, New Jersey. September 2016. (photo © Jaime Rojo)

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BSA Images Of The Week: 07.17.16

BSA Images Of The Week: 07.17.16

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Welcome!

Here’s our weekly interview with the street, this week featuring American Puppet, Ant Carver, CDRE, Consumer Art, Crisp, Dain, David Hollier, Dee Dee, El Sol 25, Jules Muck, Myth, Ron English, The DRIF, and VJZ .

Our top image: Dee Dee (photo © Jaime Rojo)

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JR from his Ellis Island Series. Sorry we don’t know the name of the original artist. Detail. (photo © Jaime Rojo)

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JR from his Ellis Island Series. (photo © Jaime Rojo)

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American Puppet (photo © Jaime Rojo)

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David Hollier (photo © Jaime Rojo)

Text on  the illustration from Steppenwolf’s  “Monster/Suicide/America”, written in 1969

“America where are you now?
Don’t you care about your sons and daughters?
Don’t you know we need you now
We can’t fight alone against the monster”

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Speaking of monsters…Donald Trump as re-imagined by Ron English. (photo © Jaime Rojo)

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…and by Consumer Art. This is a takeoff of a Banksy piece (photo © Jaime Rojo)

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…and by an unidentified artist. (photo © Jaime Rojo)

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But Jules Muck has hope and so do we… (photo © Jaime Rojo)

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Ant Carver (photo © Jaime Rojo)

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Ant Carver (photo © Jaime Rojo)

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CRISP (photo © Jaime Rojo)

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CRISP does “Bling Vader” (photo © Jaime Rojo)

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The Drif for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

And let’s pay tribute to all the ballerinas out there who train so hard for years and years and days and days and hours and hours and go on the stages big and small all over the world who rapture us with their grace and artistry. We salute you!

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CDRE (photo © Jaime Rojo)

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CDRE (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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VJZ (photo © Jaime Rojo)

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Okay, okay! No shampoo. We get it. Myth (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Dain (photo © Jaime Rojo)

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Untitled. China Town, NYC. July 2016. (photo © Jaime Rojo)

 

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Film Friday: 07.01.16

BSA Film Friday: 07.01.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Chump for Trump. Ron English x The Sutcliffes
2. 100 Persianas by MVIN
3. Street Heroines by Alexandra Henry
4. Der Hampelmann – Naive Street Art in Berlin from Erik & Nils Petter

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BSA Special Feature: Chump for Trump. Ron English x The Sutcliffes

Seeing the new Ron English mural of Donald Trump in Bushwick, Brooklyn last week we were reminded of the video he released in April with a soundtrack by The Sutcliffes, a Beatles tribute band. It uses footage from Trump rallies and commercials interspersed with illustration and animation in an approachable folky way. Once you go down the rabbit hole of Trump satire and parody videos that have been made in the last year, you’ll find enough to begin a film festival.

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Ron English brings Donald Trump as Humpty Dumpty on a wall – in collaboration with The Bushwick Collective and Mana Urban Art Projects. (photo © Jaime Rojo)

100 Persianas by MVIN

A few months ago eL Seed created a multi building mural in Cairo that can only be seen in toto from a specific physical vantage point. Here is a similar project where the only way to appreciate a tag in Barcelona from MVIN is to assemble a grid of photos from 100 pull-down gates (persianas)  he painted.

Check out the Instagram account that documents the progress here.

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Street Heroines by Alexandra Henry

BSA has supported many great Kickstarters and this is one that we are truly excited about. Of course we’ve brought you work from many of the women whom Ms. Henry is including in this documentary, but there are faces we haven’t seen before and people whose stories haven’t been told.

She’s almost done filming but the project needs your help and we urge you to help get her over the finish line!

 Please click on the link to help Alexandra Henry complete her project: https://www.kickstarter.com/projects/274344236/street-heroines

Der Hampelmann – Naive Street Art in Berlin from Erik & Nils Petter

Okay, we try to stay away from “cute”. This is a rare exception because it is interactive art on the street and it hearkens back to simple methods of entertaining children and, um, its so damn cute.

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BSA Images Of The Week: 05.22.16

BSA Images Of The Week: 05.22.16

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No time to talk, you’ve been running to the streets to see new pieces and peaches like a new D*Face in Soho, Rubin’s solo show in the Bronx, the Brooklyn-themed pop up at Doyle’s Auction house in Manhattan, Swoon and Shep and Swizz at Pearly’s in LA, the Social Sticker club collabo melee with Roycer and Buttsup at a bar in Williamsburg, and the growing collection of rocking new Coney Art Walls. Also, Post-It Wars in corporate agency-land Manhattan.

Here’s our weekly interview with the street, this week featuring 1Penemy, BG 183 Tats Cru, Bio, Bristol, Daze, D*Face, Eric Haze, Goms, Nicer, Nova, Pegasus, POE, Stikki Peaches, Thiago Gomez, and Word to Mother.

Our top image: D*Face for The L.I.S.A. Project in Manhattan. (photo © Jaime Rojo)

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HAZE completed this fresh tribute wall dedicated to MCA of the Beastie Boys for Coney Art Walls 2016 in Coney Island, Brooklyn. (photo © Jaime Rojo)

“Ain’t seen the light since we started this band
M.C.A. get on the mike, my man!
Born and bred Brooklyn
The U.S.A.
They call me Adam Yauch
But I’m M.C.A.”

No Sleep Till Brooklyn

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1PENEMY stenciled of a mock mug shot of famed supermodel Stephanie Seymour. (photo © Jaime Rojo)

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Stikki Peaches comes out with a dream posse of rebels; James Dean, Steve McQueen, Elvis Presley, and Marlon Brando on the streets of Brooklyn. (photo © Jaime Rojo)

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DAZE completed this wall for Coney Art Walls 2016. Included in the composition of this mural is the Elephant Hotel, a seven story, 31 room fantasy hotel built in old Coney Island in 1885 shaped like an elephant. Besides the guest rooms the structure also boasted an observatory, a gift shop and a concert hall before it burned down in 1896. (photo © Jaime Rojo)

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A Banksy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

According to New York Magazine the Post-it “artists” took their craftsmanship to new heights after someone installed a simple “hi” message on  the window of one of the two buildings facing each other on Canal Street. After one week the “war” is in full effect with several messages directed at each other offices ranging from “Will you marry me” to songs’ lyrics and other pleasantries and pop references. The two buildings are known for housing several ad agencies, Getty images and New York Magazine.

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A Keith Haring-inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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An unidentified “artist” applies his final touches to the Snoopy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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A close up of two window pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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A general view of several windows and pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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A “Marry Me?” sign made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

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Unidentified artist. The piece is signed but we don’t recognize the signature. (photo © Jaime Rojo)

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Pegasus’ Trump piece on the streets of Bristol, UK. (photo © Urban Art International)

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POE (photo © Jaime Rojo)

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Word To Mother beautified the AthenB Gallery van in Oakland, California on the occasion of his solo show currently on view.  (photo © Brock Brake)

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Bio, Nicer and BG 183 of Tats Cru completed their totally fun and vibrantly hued wall for Coney Art Walls 2016. (photo © Jaime Rojo)

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Thiago Gomez and Emilio Cerezo collaboration wall in Barcelona, Spain. (photo © Lluis Olive Bulbena)

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NOVA (photo © Jaime Rojo)

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Untitled. Berlin. April 2016. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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