Last Day of July! Just sayin’. Get outside because the streets are calling.
Here’s our weekly interview with the street, this week featuring Alice Mizrachi, Bast, Cern, Chris Stain, Hellbent, Jaz, Joe Iurato, LAZ, LMNOP, OverUnder, ROA, Robots Will Kill (RWK), Skewville, TrustoCorp, and Veng (RWK).
Ad Hoc Art “brought it” for the second year to Queens and at Welling Court with a collection of Street Artists and local families hanging out and painting the neighborhood. The tireless Alison and Garrison Buxton invited 40 or 50 of their closest friends with aerosol to take part over a two day period to transform the atmosphere in this neighborhood which doesn’t get much attention. The lineup includes artists who are pioneers in the graffiti and Street Art game who create alongside emerging talent. The styles vary, but the sentiments of connectedness and community are consistent throughout.
In this extensive collection of photos BSA gives you artists hard at work and hard at play with a little help from their friends. A traditional community mural format where everyone has their own slab to cover in their own style, Welling Court also engages the kids in the neighborhood, who frequently get to try their hand at painting or otherwise assisting the artists.
The day’s proceedings are part plastic art and part performance art as the artists often stop painting to interact with fans, inquisitors, Street Art aficionados and their fellow artists. Its part summer camp and part family reunion with the neighbors getting out the BBQ grill and setting up tables in the street while artists from around the globe are reconnecting and telling long tales and kids on scooters and skateboards weave in and out of the clusters of cans everywhere. With the abundance of homemade food and a variety of music playing at high volume the streets are alive and there’s nothing else you’d want to do on day like this.
John Ahearn is a pioneer in the area of public art known for making sculptures with local people posing as models. His technique of live casting requires the model to sit while John creates a cast of them in plaster. As far back as the mid 1970s Mr. Ahearn’s tributes to his neighbors have been seen affixed to many walls throughout the Bronx. Sited as an important part of the development of the Street Art scene Ahearn’s work has also traveled to private collections of prominent and noted art collectors and art institutions.
Brooklyn Street Art spoke with Mr. Ahearn and asked him about participating in this open venue and how he felt doing his live casting in Queens. He responded with excitement about the word “live”.
“You used the word very properly. I feel alive today. I feel alive and I just turned 60 two weeks ago and I feel this is where my roots are. Right in the sidewalk, doing casting, particularly aimed at little children. We are going to do a piece that involves a child. She is a friend of mine from way back and we are expecting to have a crowd of kids here and it is going to be fun,” said Ahearn.