Feeling dizzy? Not much to worry about should be a slow week coming up.
Here is our weekly interview with the streets, this week including Billy Barnacles, Calicho Art, City Kitty, D7606, Fire Flower, GoInco, Lucky, Lunge Box, Phetus, Praxis, Ree Vilomar, Turtle Caps, Wayne, Zuliamiau.
Corona has killed off the street art
festivals in many ways. These days we think that all street art is local, and
the nature of the graffiti street scene is changed by it as well. Additionally
with so many people out of work, many artists have more time, we see more
thoughtfully considered pieces and perhaps better executed pieces. Just a theory.
Since the beginning of the Corona pandemic,
Lapiz says that he has gone back to his earlier days more than a decade ago: posters
and wheatpaste. Living in Hamburg, Germany now, he has travelled to places like
New Zealand and parts of Africa and South America in the past, but right now he’s
more focused on developing work with a message – partly as a way to communicate
ideas to passersby but partly as a way to contemplate complex modern matters.
Today Lapiz tells BSA readers in his own words about three recent
socio-political issues, with his own approach to critique.
Again, time has passed, restrictions
have further been lifted, travel is possible again, so are services at church,
the museums are open again. Protests are possible if the rules of social
distancing and wearing a mask are observed. Rightfully, people started to
protest against the restrictions implemented by the government, but a small
group took the stage. The Covidiot, according to the urban dictionary, is a
person ignoring the warnings regarding public health and safety.
On top of that all kinds of wild
stories are spun to explain the virus in ways that can be interpreted as
anti-Semitic. The challenge for me to address this was to not resort to the
obvious and paint a mask; but here it had to be done. But here the black-white-red
mask is covering the eyes. The colours are taken from the Reichs-flag, a symbol
of all those rejecting the legitimacy of the modern German state. Here it was
used as a metaphor for people blinded by anti-Semitic propaganda something all
Corona-deniers around the world have in common,
So far, the Covidiot is the last
entry in this body of work. However, the pandemic is not over and it is just
days since the best-known Covidiot in the world tested positive. We will see
what other challenges lay ahead.
The feeling of loneliness did not go
away, but it felt as if the people adapted to it, the new normal, this is what
life is now. Since the first intervention of this piece on the street some
time has passed and the second installment was glued up on the same poster
board a few weeks after the restriction of the lockdown were loosened. While
supermarkets, shops and restaurants were allowed to open again, most other
things are strictly forbidden and many liberties granted in the constitution are
“temporarily” suspended in favour of safety and security.
So, while shopping was possible,
protest wasn’t, religious groups could not gather, access to playgrounds was
restricted and culture was declared obsolete. A new feeling came about,
disbelief: how easy it is to take human rights away. These printed big sheets are
of the first articles of the German constitution, crossing the articles that
are now deemed to be irrelevant to the system. Onto this changed constitution is
painted the universal symbol of freedom, Miss Liberty, wrapped in banner tape
used by police to mark restricted areas.
A girl hugging herself, surrounded
by a yellow social-distancing hoola-hoop was the first piece – it is glued on a
poster stand that is normally reserved for local politicians. It was right in
front one of the biggest supermarkets in Hamburg, one of the only shops open in
the first weeks. Instead of focusing on the mask, I wanted to concentrate on
what it would mean to be locked away in a city without having contact with
anyone, not even your neighbours or friends.
How would you feel if everyone else is
regarded as a potential threat – when hugging would be hazardous and close ones
would not be allowed to be close anymore? Would you hug yourself, close your
eyes and pretend it was someone else?
artist Swoon’s Heliotrope Foundation continues to add artists to its lustrous roster
of prints and projects with a new program of pieces for you and your kids to
with a few artists to make this activity book in response to all the need for
home schooling and anyone else who likes to color,” she tells us.
collection is called Compass: “a unique and beautiful handbook, a collection of
creative activities and an inspirational journal. The aim of the project
is to generate work for artists while sharing the joy and necessity of art to
heal, grow and play.”
COMPASS is a free PDF activity book available for distribution to those at home, those with children, and those looking for something to be motivated by. If you would like to distribute Compass in your local area, please contact us: email@example.com
Today we go
to Barcelona in Spain, where the country held a memorial ceremony July 16 to
honor more than 28,000 people who have died there from COVID-19. This new mural
contemplates what it means to be connected, and considers what it takes to have
the architectural barriers as metaphor for the obstacles to connection, artists
Josep Fernandez Margalef and Rice created ‘Esperança’ (Hope) in the Granollers area of Barcelona.
“Even at a distance, hope
acts as a power that can bring us closer to each other, helping us to reach tomorrow. We honor connections, longing,
and a feeling greater than ourselves when we are alone; love, friendship, and
care all belong in this realm of being,” say the artists.
Welcome to BSA Images of the Week. The weather has been beautiful in NYC and the organic art popping up on the streets is still forcefully advocating for social and political solutions amidst great upheaval, even while…
Here’s our weekly interview with the streets, this week featuring Adam Fujita, Almost Over Keep Smiling, Billie Barnacles, Black Lives Matter, Bosko, Detor, Downtown DaVinci, Eric Haze, Fumero, Insurgo, Marco Santini, Marina Zumi, Praxis VGZ, Sara Lynne Leo, and Who is Dirk.
The New York street artist who works under the moniker “Almost Over Keep Smiling” reinterprets slightly this Boston warning poster telling anybody who was black in a “free” state like Massachusetts or New York to stay away from the police because the federal government had passed a law empowering people to capture them and return them to slavery.
The Act was one of the most controversial elements of the 1850 compromise and heightened Northern fears of a “slave power
conspiracy”. It required that all escaped slaves, upon capture, be
returned to their masters and that officials and citizens of free states
had to cooperate. Abolitionists nicknamed it the “Bloodhound Bill,” for the dogs that were used to track down runaway slaves.
The Act contributed to the growing polarization of the country over the issue of slavery, and is considered one of the causes of the Civil War.
Instagram commenter transparentlemon is irked by Banksy’s apparent defacement of the Tube. “I’m all for graffiti on walls of buildings that’s art,” he says on Instagram, “But on public transport that’s just vandalism”
Oh dear. The Bristol born artist has built his entire career on mucking up public space with his clever observations, but somehow it is still grinding the gears of some peeps who think he might have veered too much into the “vandal” category on this one.
The commenter who self-describes as cultural_creative cannot contenance the idea that the anonymous do-gooding street artist has been fooled by the obviously Bill-Gates-funded conspiracy to take away people’s rights and force them to wear masks and get micro-chipped.
“I’m taking this subjectively..,”
they write, “I refuse to believe @banksy would peddle government propaganda he’s
too slick for that”
Yes, he’s done it again, Banksy, presenting
his view on a topical topic using his preferred method of aerosol – and heavily
edited video – posted to nearly 10 million fans.
“if you don’t mask – you don’t
get”, he calls it, a double negative that implies that wearing a mask will
increase your chances for Covid-19? Surely not. Surely not?
Posted on his Instagram account we
see a video of a man, believed to be the elusive international man of mystery
himself, wearing the ubiquitous protective cleaning gear of many public
professionals and holding the sanitizer sprayer for quite a different task. The
“cleaning” man proceeds to stencil several rats wearing masks and
sneezing in full pandemic mode.
A special shout-out and respect today goes to the creater of the I (heart) NY logo and campaign, Milton Glaser, who passed away this week at 91. Many artists on the street today are aware of his other contributions to graphic design and illustration in the last fifty years or so. Rest in Peace.
In street art news, downtown Manhattan is still largely boarded up, so artists are taking advantage of the new canvasses. You see, there is a silver lining to everything if you look for it. Or a plywood one.
Here’s our weekly interview with the streets, this week featuring Daze, DPF Studio, Dragon 77, Hek Tad, Sara Lynne Leo, and Stikman.
Black Lives Matter is rolling forward, quickly and unevenly, causing revelation, elevation, discomfort, and hopefully eventually liberty and freedom and equality.
Until then, big wheels keep on turning. Berliner’s Various and Gould are the duo behind these new vintage clip-art wonders that may recall the permutations of yesterday’s kaleidoscopes, although the images may be new. That’s the paradox baked in to the truisms that these perennial mixologists offer. Just think of these new powerful and ironic artworks as a mirror on events of this moment, with a through-line to the past.
Norwegian Street Artist Pøbel is offering artists proofs of
his “The Lovers” print to raise funds for Covid-19 efforts in the Amazon. Today
you have an opportunity to get an original and unique piece that has been
featured on many publications since he first put this image of a couple in
embrace on the streets.
He tells us that he’s travelled many times to South America
and has made friends with folks in indigenous communities. “Many of these are
now suffering due to the pandemic, and we hear little about this in our part of
the world. Hospitals have been collapsed for months, some are dying in the
streets, the government restrictions and economic fall make it impossible for
many people who live day-by-day to get what they need.”
100 % of this sale is going to a goo friend of his who has studied with and
lived with different indigenous families for a decade, he says. “The indigenous
people are strong and their ancestors have survived similar things in the past
on their own, but this time I, like many others, would like to reach out a
helping hand to try to do some good.”
The Lovers AP
Dirty test print
88 x 62 cm
34,6 x 24,4 In
300 gsm paper
5% art tax included
Signed and numbered
DON’T FORGET TO CLICK ON THE LINK BELOW TO LEARN MORE ABOUT THE PROJECT AND TO PLACE YOUR BID:
Barcelona, Spain has begun
the process of re-opening the city from the confines of Covid-19. Lluis Olive,
a frequent BSA collaborator tells us that phase I of re-opening includes bars
and restaurants but only at 50% of their capacity. Stores under 400 square
meters are also allowed to re-open. Groups up to 15 individuals are permitted
to gather in public as well. For him this is a welcome relief for much needed
And what does a street art
fan and photographer do when you let him outside after weeks stuck in his home?
That’s right, he captures the voice of the artists in the public sphere.
Here Mr. Olive shares a few
shots on the streets of Barcelona – artists’ view on the pandemic.
The street and its art is a reflection of the society that
it is part of, and right now in New York many in our communities are mourning
the loss of family, friends, leaders, and followers.
Because of the circumstances of the illness, many people
could not see their loved ones while they were in the hospital, could not bid
them goodbye in the way they would have wanted, worry about what their last
days had been like.
No matter the station, the loss of someone can have an
impact on you. One street artist has created a new campaign honoring those who
have left us called “Forget Me Not”.
“For those parts of our community whom we can not
properly mourn, a small tribute asking that we honor the overlooked. Reminding
us of our fellowship,” the artist says.
For more please see @forgetmenot.nyc on Instagram.