All posts tagged: Cincinnati

Icy & Sot in Cincinnati ; “We Need Education, Not Violence”

Icy & Sot in Cincinnati ; “We Need Education, Not Violence”

The July 4th fireworks and bombast is over. The violence on America’s streets is not.

In Cincinnati alone 48 people have been killed by gun violence in the first half of the year a new mural by Street Artists Icy & Sot intends to combat it with this message; “Education and art are key to breaking the cycle of violence.” Using pencils as a symbol of education and self-awareness and power, the brothers say we individually have the power to save youth from gun violence.

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Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

The socially conscious stencilists are invoking an image they created after being victims of gun violence themselves and in response to other high-profile episodes of violence on the world stage recent years – a gun with a pencil for a barrel. This 20’ x 24’ mural of individuals toting high-powered pencils imagines what the results of education can do to lift a community, instead of tear it apart.

The new piece is called “We Need Education, Not Violence”, and we have images of the process here for you today.

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Icy & Sot for ArtWorks in Cincinnati, USA. (photo courtesy of Icy & Sot)

Somehow discussion of the gun-violence topic in the sensational and moneyed media always seems to encourage an intractable polarization of thought – simplifying opinions, placing people into only two camps, and trotting out tropes about “liberals” and “conservatives”. The tactics attack people instead of ideas, purposefully clouding the arguments, prolonging inertia.

The Rev. Gail Greenwell of Christ Church Cathedral says that the religious organization “sees public art as one way to generate public reaction, to engage the community in a meaningful dialogue about gun violence and gun violence prevention.” The church worked with Artworks, an award winning visual arts non-profit to solicit artists for the message and the project was completed and installed last week.

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Icy & Sot for ArtWorks in Cincinnati, USA. (photo courtesy of Icy & Sot)

ArtWorks says it is the largest visual employer in the Cincinnati region and “our vision is to be the creative and economic engine that unites citizens to transform our region through public art.”

Can ArtWorks and Icy & Sot propel the conversation forward and cause a meaningful change in a community that is suffering from gun violence? For those who believe in the power of art in the public sphere, there is reason to think that it can.

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Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

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Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

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Icy & Sot for ArtWorks in Cincinnati, USA. (photo © Icy & Sot)

For more information please visit cincinnaticathedral.com, ArtWorksCincinnati.org.

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Nice-One and Lucx in Cincinnati, Savannah

Street Artists Nice-One and Lucx did some painting and wheat-pasting recently in Cincinnati and Savannah as part of a special student arts themed tour they took out of their native Chicago. Their complementary illustrative styles are thoughtfully whimsical, colorful, and sometimes satiric. The collaborations here captured by Chicago based photographer and BSA contributor Brock Brake give you a sense of some artists lustful focus on so-called “appropriate placement”, or putting the work where it functions with a bit of harmony in its context.

Nice-One. Cincinnati. (photo © Brock Brake)

How a Street Artist chooses location can make a huge difference on its impact and how long it runs, believe it or not. Regardless of the wall choice (permissioned or not) street justice by peers and critics can take out a piece if it offends anyone’s sensibility, but some say that Nice-One has a rep for riding longer because of his good placement – even in cities officially hostile to any of this kind of work.  Often, the piece can make you laugh. It probably doesn’t hurt that a large amount thoughtful preparation goes into each piece, and work by both artists could easily hang in your house, or school.

Nice-One. Cincinnati. (photo © Brock Brake)

Nice-One. Cincinnati. (photo © Brock Brake)

Nice-One. Savannah. (photo © Brock Brake)

Nice-One. Savannah. (photo © Brock Brake)

Nice-One in Savannah. (ed. note; We’re supposed to be looking at the art, but is that a tray of cupcakes?) (photo © Brock Brake)

“Stakes is High”, Nice-One. Savannah. (photo © Brock Brake)

Nice-One. Savannah. (photo © Brock Brake)

Nice-One. Savannah. (photo © Brock Brake)

Nice-One. Savannah. (photo © Brock Brake)

Nice-One. Savannah. (photo © Brock Brake)

Lucx. Savannah. (photo © Brock Brake)

Lucx. Savannah. (photo © Brock Brake)

Click here to read about Nice-One and Lucx project the “Hot Box Truck”.

Click here to read about Nice-One project with high school students in Savannah.

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Street Artist Purth Takes “The Deleras” Cross Country

The fine artist and Street Artist named Purth has been completing an urban installation of her family this winter in Austin, Boston, Brooklyn, Cincinnati, and New Orleans . Not literally her blood relatives, the oversize portraits of females are mirrors of her emotional journey and echoes of relationships she may have experienced coupled with ones she is creating for her future. Coupled with bits of prose that ground them somewhat, these women are strong and searching.

This kind of internal migration is not unusual for a painter in scanning the horizon for something however the actual physical distance run, with it’s long spaces of time and travel in between, is.  It’s also something that Street Artists around the globe are setting a new standard for by completing installations in towns and cities around the globe much like a campaign. In her dog-eared travelogue, Purth carries ruddy hued people from her fluid imagination and raises them amidst abandoned rubble; high enough to be seen from a distance.

brooklyn-street-art-purth-McGrath-1-webPurth “The Deleras” group in an abandoned train yard east of Boston. (Photo © Heather McGrath)

Having completed roughly the first half of the installations for “The Deleras Project”, she shares these images before Purth hits the road again to complete it with installations in Oakland, Los Angeles, Minneapolis, Chicago, Detroit and Cincinnati.

With the completion of “six months on the road, (with) snow storm & tornadoes endured, a car accident survived, and life affirming environments broken into,” the artist took a moment to chat with Brooklyn Street Art about her project:

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Photographer Heather McGrath and a friend assisting Purth after installing The Deleras. East Boston (Photo © Purth)

Brooklyn Street Art: Who are the individuals depicted on your paintings?
Purth: Each piece was created from different sources of inspiration: references of old photographs I’ve been collecting for years, reflections … perhaps of someone’s lover, someone’s child. There will be ten once the work is completed, all of women, young & old, scattered across the country, & each installed with a single stream of thought. The writing is sourced in a very similar way … some pulled from found material, some from the words I was lucky enough to hear uttered; fragments to create a whole. I guess in my mind, they have become the women they are now. Completely independent of the remnants that built them up or who they are to me personally. I hope that for them … the right to stand on their own.

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Purth. Detail of Delera. Abandoned brewery directly across from the Roxbury projects in Boston. (Photo © Heather McGrath)

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Purth in Cincinnati. A slightly damaged Delera (due to bad climate conditions). She is included “as she is beautiful” (Photo © Zach Fein)

Brooklyn Street Art: Why are you traveling around the country putting them up on abandoned walls and buildings?
Purth:
Abandoned spaces have a pronounced hum to them. They are shed, in a sense, but are still heavy with profound undercurrents that I believe can be tapped into … & reinvented. It seems completely fitting for me to search out these spaces as possible locations for the work even if they ultimately make home above, along side, or in areas close by. In regards to the distance covered … we have gaps that need to be bridged. I see them as shepherds and black sheep. It’s my responsibility to find them home.

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Purth. “Opal” “I swear there are diamonds …. hundreds of them …
everywhere” East Austin, on the corner of E6th & Chicon. (Photo © Andrew Ashmore)

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Purth. “Patricia the Beater” “I will grow …fiercely, love”, New Orleans. (Photo © Zack Smith)

Brooklyn Street Art: What is the genesis of this project?
Purth: The first, Delera, was created at an intense, pivotal moment in my life. I became very weak around the end of 2009 and I began painting her like a child screaming at an overbearing parent. In the simplest sense, I was depicting the strength I needed to rediscover in myself. Once she was suspended and I saw her upright for the first time, she literally took my breath away. Something so intimate, so tender, and so sincere towering over me … it was like gold leafing vulnerability and then lighting the shit on fire.

She was the first, the idea for the others quickly followed.

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Purth. “Lu” “Take my breath away”. Brooklyn, NY. (Photo © Jaime Rojo)

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Purth took this shot a few weeks into her trip hoping this would be her home for the next five months. (photo © Purth)

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