All posts tagged: Charles Flemming

“The Sunrise of Edgewood”, GAIA & Nanook open Living Walls Atlanta 2012

“The Sunrise of Edgewood”, GAIA & Nanook open Living Walls Atlanta 2012

The 3rd Edition of Living Walls begins this spring and BSA is pleased to again partner with Monica Compana and her team to bring you the action in Atlanta for 2012. Supporting the ATL efforts since they popped in ’10, we’ll again bring you updates from the field as the artists converge in Atlanta to bring color, vibrancy and a dialogue with Street Art in the city.

Officially the 2012 conference begins in August but we’ll be bringing you a series of installations leading up to it. This years quality lineup will be a bit more international and focused with skillz on display from Gaia, Nanook, La Pandilla, Trek Matthews, Interesni Kazki, Everman, Neuzz, Pablo Gnecco, and Liqen.

So right now we want to give a huge shout out to our partners in non-crime, writer Alexandra Parrish, who is also Director of Communications for Living Walls, Charles Flemming, Living Walls Media team photographer and Albert Lebron, videographer who will all be BSA contributors to bring to you dispatches from the field. Thank you and welcome.

Gaia and Nanook

Text by Alexandra Parrish
Photos by Charles Flemming
Video by Albert Lebron

Gaia and Nanook (photo © Charles Flemming)

In terms of mural making, Gaia and Nanook believe public art has the ability to designate place. They are hardly strangers to the rich history layered in the gridded streets of Atlanta. Last weekend, Gaia and Nanook returned to the heart of the south to participate in Living Walls Concepts, a year-round conduit to the conference, which aims to create a more intimate relationship between the artist and the community.

The sketch came naturally – the wall, located on Edgewood Avenue in the heart of Old Fourth Ward sits firmly in the neighborhood Martin Luther King Jr. called home. Gaia and Nanook opted for an equivocal face to represent the street itself – and the passerby’s whom they interacted with regularly; Which is something I’m sure they revel, as Gaia took the time to explain what he was doing to anyone who cared to ask.

After three days and a stunted thunderstorm, Gaia and Nanook named their finished wall “The Sunrise of Edgewood.”

Gaia and Nanook (photo © Charles Flemming)

Gaia also sent us a description of the project:

“The collaboration that Nanook and I produced on Edgewood avenue is an observation on the neighborhood’s changing complexion. Historically, the Fourth Ward is considered in many regards as the epicenter of the Civil Rights movement so naturally creating Martin Luther King Jr’s face just down the block from the King Home seemed logical.

But rather we created a portrait that was more ambiguous, an everyman face that faded into a rising sun. This vibrant visage is surrounded by a turmoil of rope and vine forms that nanook created which is derived from one of his early street pieces. Now the mural is surrounded by a contentious area whose gentrification is imminent like the endless cycle of the sun.”

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

“The Sunrise of Edgewood” by Albert Lebron (VIDEO)

 

 

To learn more about Living Walls Altanta: The City Speaks and to make a donation to help this year’s conference click here. BSA thanks you for supporting this good work.

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