All posts tagged: Caratoes

BSA Film Friday: 08.23.19

BSA Film Friday: 08.23.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Conor Harrington in Manhattan
2. Jorge Rodriguez-Gerada “Reflection” Spring 2019
3. Caratoes at Superchief Gallery in Miami
4. DALeast in Seattle


BSA Special Feature: Focus on Zane Meyer & Chop ’em Down Films

Chop ’em Down Films, a film production company based in LA and spearheaded by filmmaker Zane Meyer, has been capturing the scene incredibly as of late. Wherever we go, there he is – jetting from continent to continent to capture and document with video what’s happening in today’s world of street art and graffiti.

The killer detail for us? His soundtrack music choices. Unusual interludes from unsung heroes, sometimes funky and soulful, other times wistful, tilting on the precipice of morning, or mourning. Excerpted as they are from larger works that are somehow familiar, they might not stand on their own in their entirety in your playlist, but they pour layers of meaning and significance on action flying at you from the whirring eye in the sky.

Zane keeps these videos at one minute to meet Instagram limitations (and short attention spans) but he knows how to work within that time constraint to communicate the news and a great deal more; and capture the muscle, the sleek movement, the unwieldy testosterone, the simple song of the heart, the exquisite detail that assures you of mastery, and craft. You don’t know if you heard it or saw it or if it was simply implied; the rich palette of the towns, the stark expanse of the sky, the singing of the birds, the impatience of the cars, the clack and roar of the trains and the sweet action on the streets, plump with possibility, the locals beckoning. With his ability to alchemize, the art is always in context.

Here are four for your enjoyment. Offered without comment, may it please the court.

Conor Harrington in Manhattan

Conor Harrington in Manhattan. Organized by The L.I.S.A. Project NYC and shot by Zane Meyer from Chop ’em Down Films.

Jorge Rodriguez-Gerada “Reflection” Spring 2019

Caratoes at Superchief Gallery in Miami

DALeast in Seattle

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BSA Images Of The Week: 08.12.18

BSA Images Of The Week: 08.12.18

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This is it! The last part of summer when you are still daydreaming, looking at the sky. The trees in all the parks are deep rich green, the city’s swimming pools are still teaming with people, the abandoned lots and railroad tracks are sprouting full-blown bushes and weeds that grow so tall they are over your head. Somewhere in those weeds is a secret hiding place where you’ll find a half pack of cigarettes and a porno magazine stowed by a teenager. Oh, they don’t read porno magazines anymore? It’s all on your phone?

Speaking of that topic, what about the disaster porn across all the corporate news shows every single day? Boy, that stuff sells! Hard to imagine they want to give up that money with all our eyes glued to TV millionaires like Rachel and Shawn and Blondy McBlonderstein and the rows of speaking Barbies and Kens spewing out one more outrageous piece of drivel after another. This presidency is a boon to business in so many fabulous ways! Almost better than war!

Street Art is alive and well and summer has produced a healthy crop of murals, wheat-pastes, stencils, tags, pieces, you name it. New Yorkers have a lot to say in public space – as well as a bounty of visitors, like the Brazilian Eduardo Kobra, who has been painting a new series of socially conscious walls with celebrities carrying the message around New York. On the street it’s always a mixed bag, and we like to see the huge walls as well as the small missives. You’re guaranteed a good crop this summer.

Here’s our weekly interview with the streets, this week featuring Arkane, Benjie Escobar, Caratoes, CRK, Goodie, Gum Shoe, Key Detail, Kobra, Mike Makatron, Mr. Never Satisfied (Never), Mr. Baby, Primal, R. Heak, and Shaun Bullen.

Our top image: Kobra (photo © Jaime Rojo)

Kobra (photo © Jaime Rojo)

Kobra (photo © Jaime Rojo)

Kobra (photo © Jaime Rojo)

Somewhere in the middle there is art. Mr. Never Satisfied took inspiration from Benjie Escobar graphic (pictured below).  (photo © Jaime Rojo)

Benjie Escobar.  (photo © Benjie Escobar/Instagram)

Arkane for Owley. (photo © Jaime Rojo)

Goodie…indeed… (photo © Jaime Rojo)

Key Detail (photo © Jaime Rojo)

Caratoes (photo © Jaime Rojo)

Shawn Bullen (photo © Jaime Rojo)

Shawn Bullen (photo © Jaime Rojo)

Mike Makatron (photo © Jaime Rojo)

Mr. Bbaby (photo © Jaime Rojo)

Mr. Bbaby (photo © Jaime Rojo)

Gum Shoe. We have published this piece before as a wheat-pasted poster. This is probably the original hand painted canvas piece affixed to the wall with glue. The piece is based on the 1907 painting by Pablo Picasso called “Les Demoiselles d’Avignon”. (photo © Jaime Rojo)

CRK (photo © Jaime Rojo)

Primal. Detail. (photo © Jaime Rojo)

R Heak (photo © Jaime Rojo)

R Heak (photo © Jaime Rojo)

Untitled. July 2018. New York. (photo © Jaime Rojo)

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BSA Images of the Week 03.26.17 : Hong Kong Edition

BSA Images of the Week 03.26.17 : Hong Kong Edition

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This week BSA and Urban Nation (UN) are in Hong Kong for the 4th edition of HKwalls to capture a very international and local mix of artists in this East/West nexus; a world-class city for art and culture, English and Cantonese, hi-tech and traditional methods – all during the enormous Art Basel week. We’ll bring you the new walls, some previous pieces, some graffiti, stickers, and a whole lot of color from this fast moving and dynamic city on the Pearl River Delta of East Asia.



Certainly Hong Kong got a little richer this week – not that it needed it. Of course we mean richer in the sense that more artworks and appreciators have been coursing through the streets, the art fairs, galleries, the back alleys, roof top gardens and even a terrace or two. The most satisfying aspect of being a part of a worldwide grassroots people’s art movement like Street Art/Urban Art/graffiti is that you will always find someone you know along this continuum of practices.

Anyway, a particular thrill this week was seeing it on the street – and on the art-fair wall. Some times the same exact image. We didn’t actually hit any museums but we did see Swoon in the alleyway and represented by a gallery. Same with Cleon Patterson. We saw Vhils work in his studio and in Art Central fair – and you can also catch it on the side of the International Hong Kong School – and once in a while it is on a wall of plastered posters in the city. Os Gemeos at Art Basel is a great find, but we didn’t see any of their yellow fellows on the streets.

Thorny questions arise for some – by way of pointing out that when you catch an un-permissioned tiled Street Art piece by Invader on the wall in public here it is no more than an advertisement for the one at his gallery in the art fair, a sign of the final deleterious stages of a free-spirited untarnished proletariat art practice now corrupted by capitalists, sold out.

Yes, got it. Also, remember that since it’s earliest days, graffiti and Street Art have often been about fame and burning one’s name into the minds of many – why else would you sign your piece? You may even use your name as the art itself.

Additionally you can see a fresh Swoon for no money at all in the street. At the art fairs or museums, not so much.

Here’s our weekly interview with the streets, this week featuring: Barlo, Caratoes, Cleon Paterson, Crafty Cow, Faust, Invader, Jimmy Paint, MSK, Rukkit, Shepard Fairey, and Swoon.

Top image: Swoon. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Cleon Paterson. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Barlo. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

MSK. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Shepard Fairey. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Invader. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Invader. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Jimmy Paint. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Faust. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Rukkit. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

KristopherH. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

KristopherH. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Cat Time with Caratoes. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Unidentified Artist. Hong Kong. March 2017. HKwalls/Art Basel 2017. (photo © Jaime Rojo)

Untitled. Art Central Art Fair. Hong Kong. March 2017. (photo © Jaime Rojo)

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BSA Images Of The Week: 12.04.16

BSA Images Of The Week: 12.04.16

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Of course it was not all about spectacle this week in Miami, but about tribes and community as well. Many conversations with artists on the street and at openings revolved around this chaotic/fearful time we are living in – and it seemed like if you weren’t discussing the incoming president and offering predictions about what fresh hell this time will bring, you were trying hard to avoid the topic altogether.

There were talks this week about activism or the lack of it on the street, relevance of the work of artists in the body politik, paint supplies, ladders, Tindr, licensing, how Pete Rock and CL Smooth blew everybody away late Friday night with the Bushwick Collective, how murals are not to be confused with Street Art and Street Art is not to be confused with graffiti and of course the evergreen “Is Street Art Dead?” – which has popped up as a topic about every 3 months since it was coined. Answer: no sight of it yet, but we’ll let you know if it stops mutating and shapshifting and re-defining itself. Promise

Without repeating some of the images from our previous postings this week, here’s our weekly interview with the street, this week featuring 2Alas, Bordalo II, Caratoes, Cleon Peterson, CRASH, Dan Witz, D*Face, Don Rimx, Evoca, Fluke, Hoxxoh, Jules Muck, L’Atlas, Okuda, Pez, Shepard Fairey, Shida, Shok1, and Sipros.

Bordalo II for Uninhibited Mural Festival 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Sipros for Mana Urban Arts Projects x The Bushwick Collective. Wynwood, Miami. (photo © Jaime Rojo)

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Sipros for Mana Urban Arts Projects x The Bushwick Collective. Wynwood, Miami. (photo © Jaime Rojo)

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Okuda. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Okuda. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Fluke. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Dan Witz. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Crash. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Cleon Petterson for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Cleon Peterson for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Cleon Peterson for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Evoca1 for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Don Rimx for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Shok1 for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Shida for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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PEZ for Uninhibited Mural Festival 2016. Wynwood, Miami. (photo © Jaime Rojo)

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Shephard Fairey for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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L’Atlas. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Jules Muck. Wynwood, Miami 2016. (photo © Jaime Rojo)

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D*Face for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Hox Xoh for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Unidentified Artist. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Unidentified Artist. Wynwood, Miami 2016. (photo © Jaime Rojo)

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2alas for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

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Caratoes for a previous edition of Art Basel Miami. Wynwood, Miami 2016. (photo © Jaime Rojo)

 

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BSA Images Of The Week: 04.17.16

BSA Images Of The Week: 04.17.16

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BSA-Images-Week-Jan2015

Hillary Clinton announced in Brooklyn this week that she supports raising the minimum wage to $250,000 a speech while Bernie Sanders scoped around the showroom of a Danish furniture designer in the Brooklyn Navy Yard to order a new blond wood desk and chair for the Oval Office. The two sparred live on national TV from Brooklyn Thursday but you couldn’t tell they were in the BK because the CNN logos engulfed the screen and candidates and the actual citizens were reduced to a babbling rabble who hooted and hollered like sports fans somewhere in the dark. Wonder how long CNN intends to have their brand new warehouse-sized logo beaming across the river at Manhattan.

Meanwhile, on the streets here it is pretty evident who many New Yorkers favor and the majority of new Street Art pieces and graffiti pieces are feeling the Bern. It’s true, we tend to hang out with artists, creatives, punks, hippies, and assorted wild-eyed weirdos – so its not exactly a true cross-section, but Clinton fans are not making much art on the streets. Possibly that is because level-headed reasonable people don’t feel the need to express their support for her so loudly and visibly. It will be interesting to see if Big Media predictions of a 17% Clinton lead are true by Wednesday morning. The Wall Street Journal seems to be banking on it.

Trump is #1 in NYC for the Republicans, presumably because of “New York values”.

So here’s our weekly interview with the street, this week featuring Caratoes, Elle, Ever Siempre, Faust, Flood, Icy & Sot, Lola Jiblazee, Lora Zombie, Nafir, Shantell Martin, Stuart Ringholt, Thiago Goms, Thievin’ Stephen, Thomas Allen, TriHumph, Vandal Expressionism, Vanesa Longchamp, Vexta, You Go Girl!, and Zabou.

Our top image: Nafir for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Nafir for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Icy & Sot . Nafir for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Thomas Allen (photo © Jaime Rojo)

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Flood (photo © Jaime Rojo)

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Vandal Expressionism (photo © Jaime Rojo)

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Thievin’ Stephen in Rochester, NY. (photo © Thievin’ Stephen)

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Lola Jiblazee (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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TriHumph styles Bernie as Bowie. (photo © Jaime Rojo)

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EverSiempre in Ostend, Belgium for Crystal Ship Fest 2016. (photo © EverSiempre)

“Homage to the Past and Future”

The city of Oostende began its great reforms in 1883. King Leopold II earned the nickname the “constructor” for his contribution to public works. These reforms were possible thanks to the large profits that were made from the king’s colony, an area sixty times larger than Belguim: the Congo. In the Congo, rubber was a resource that became precious because of its use in the automotive and bicycle industries. The king imposed high quotas on rubber production in the Congo and forced the indigenous population to comply using coercive methods and extreme violence. It is estimated that during Leopold’s years of domination about ten million natives were killed in the Congo.

“Homage to the Past and Future” is a work that talks about the heavy legacy of the past, about how societies live with the consequences of those that came before and how they build their current reality to be better. The mural is located at the urban entrance to the city, a work that perhaps Leopoldo II had not imagined at the gates of the resort town. Today, the reality is different; diversity flourishes in the city and the image is of a resident of Oostende. Humans learn from their mistakes and the future will always be better if our present remembers and pays homage to the real heroes.”

-Ever

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Faust. Shantell Martin (photo © Jaime Rojo)

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Zabou for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Caratoes for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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Stuart Ringholt (photo © Jaime Rojo)

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You Go Girl (photo © Jaime Rojo)

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Elle for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Vexta for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Lora Zombie for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Vanesa Longchamp for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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GOMS for Urban Nation Museum Of Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

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Untitled. SOHO, NYC. Spring 2016. (photo © Jaime Rojo)

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“Wall Poetry” in Iceland : Stunning Views and Music-Inspired Murals

“Wall Poetry” in Iceland : Stunning Views and Music-Inspired Murals

Urban Nation (UN) and Iceland Airwaves Festival Create Mural Program

Sound and vision are inextricably bound in the modern music canon, with inspired visuals leading our auditory imaginations at least since Toulouse-Lautrec’s depictions of Moulin Rouge orchestral and singing talents. Later illustrators were important for ushering us into the jazz era with snappy collage and geometrics for album covers and the birth of rock and roll expanded and shaped popular album-oriented daydreams. With every subsequent genre and subgenre of music from pop to rap to metal to disco and EDM, static and video artists continue to visually augment, interpret, define, and expand upon the music that we listen to.

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

This autumn in Iceland an equally inspired program pairing of 10 Street Artists with 10 musicians for the Airwaves music festival brought Reykjavik new murals from a mix of local and international artists. Since Iceland is the new Brooklyn, you’ll like to see how Berlin’s Urban Nation (UN) is precisely on top of something hot and icy with these eye-popping murals inspired by pace-setting modern sounds.

“I love music,” says UN Director Yasha Young as she describes the process that she and Iceland Airwaves’ Grímur Atlason and Henny Frímannsdottír went through to select music for their 1st edition of Wall Poetry. “We started to play our favorite bands from the lineup to each other, researched their album art, read their lyrics in great depth and watched all the video footage we could find,” she explains. “After that we decided who we thought would be interesting to approach for such a creative adventure. I know the artists I work with very well so it was more about listening to them and defining in more detail what the their individual ideas were for this project. The main goal for me was to pair them with the right collaborative partner musically and visually.”

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

“With paintings in and around Reykjavik the artists had time to complete their walls in time for the 10 day music festival in November, drawing the attention of fans and locals who were interested in the artwork that is impacting their daily experience of the city. The musicians were asked to provide the street artists with a song, lyrics or poetry especially chosen or written for this project,” says curator Frímannsdottír on the site. “The visual artists were provided a city wall as surface for the large scale work.”

Artist and musician collaborations for Wall Poetry include:

Ernest Zacharevic + Dikta, Caratoes + Ylja, Tankpetrol + GUS GUS, D*FACE + Laxdæla saga, Deih XLF + Vök, Telmo Miel + Mercury Rev, Li Hill + John Grant, ELLE + ÚlfurÚlfur, Evoca1 + Saun & Starr, and The Ugly Brothers + Gísli Pálmi.

 

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

We spoke to Yasha Young about the first year of Wall Poetry and the challenges of mounting a project like this:

Brooklyn Street Art: How important is the visual aspect of music to you? Many people may not always make that connection.
Yasha Young: To me it is so very important. I am a visual person to begin with but I think that it is vital as an individual who works with and for artists to work across genres and with as many different creative aspects as possible to be able to create one lasting and meaningful overall experience.

I remember buying LP’s for their cover art and the stickers and zines that came with them. I remember Buzzocks’s and The Ramones buttons and the silk printed posters by the Sex Pistols that came with the LP if memory serves me correctly. I think about The Rolling Stones “Some Girls” sliding cover and the art for Pink Floyds ‘The Wall’ and the “Led Zeppelin III” album with its rotating cover art that you could interact with.

And of course music videos became huge productions; actually they are little films that often connect with you on an even deeper level and enhance your experience of the music. Videos were launch pads for creative careers and massive innovations; for example Peter Gabriel’s ‘Sledgehammer’, ‘Cry’ by Godley and Crème, Gorillaz’ ‘Clint Eastwood’, Radiohead’s ‘No Surprises’, and my all-time favorite song and visuals combination was  Radiohead’s ‘Street Spirit’. Of course as we speak I’m thinking also about Iceland’s Björk and her video for ‘ Human Behaviour” and John Grant and Tate Shots collaboration… I could go on and on.

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

“Mothrider” is inspired by the lyrics of Mercury Rev for “Moth Light”:

If, if I was a moth
I’d fly to the light in you
And if, if I was lost
I’d lose myself in you

Planets line up in the sky
Feel the waves go rushing by
Let’s just give it one more try
Ain’t got nothing to lose.”

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Telmo & Miel. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

(Young, continued) In my career I’ve had the great pleasure to be part of making album art happen for bands, such as KORN’s ‘Untitled’ for example. I worked with many bands on that creative level and it only deepened my connection and convictions when it came to art and music. Today we have a one-click behavior for experiencing streaming music that almost reminds me a little of when video killed the radio star. There is an essential part of the experience that is fading and we feed it with the “instant buy”.

I believe that we are losing more than ‘just’ the record store and the poster art or album cover. We are losing an essential and lasting connection that came with the purchase of the record or CD but was established long before; the multi-faceted creation of the entire visual aspect. You became part of a creative baseline and connected to the music through the visual work. Reading the lyrics as audio poetry on the back sleeve or the LP or interacting with the music and the art made it a much more lasting and impressive experience in my view. This is just the surface of what I think and would like to explore even further and on a deeper level next year when we return for the 2nd edition of Wall Poetry.

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Northern Lights. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Brooklyn Street Art: What inspired you to start the project?
Yasha Young: I am always inspired by new opportunities to bring together different artistic genres and unusual or challenging – but always exciting – new venues. I had been visiting Iceland Airwaves for many years and finally decided last year to find walls and spaces and to connect with the Iceland Airwaves crew.

My idea was to visually prolong the reach of the music and bring it onto the walls through well-conceptualized and executed art pieces. In a way I wanted to re-connect two entities that have always been vital and necessary for each other in a public space, with music and art spilling out of the concert venues onto the streets and into the lives of people.

It was almost like we were going to extend the music, with the core idea being “We paint the music you love to hear”. Once that  was established as the core of the project I very quickly had an idea of which visual artists would be not only be a great fit for the city and the project but also who would be able to work in rather unusual and unknown conditions – namely, the Icelandic weather, and I say this with great fondness for those wild and unpredictable skies.

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Elle. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Brooklyn Street Art: How did you choose the lyrics? Was it a difficult process?
Yasha Young: Actually I only picked the bands and visual artists. It was more about creating and encouraging the connection between both of these groups to get their beautiful creative minds talking together. Once connected they picked songs and talked about their choices in depth. I was a bystander, a very curious fly on the wall and following the process was simply amazing. To read the exchanges and feel the moment the spark ignited – that moment to me is, and will always be, what marks true curatorial success and is key to all collaborative creative projects.

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Elle. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Elle was inspired by the song “Tuttugu og Eitthvað” by Úlfur Úlfur

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Elle. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Brooklyn Street Art: Were there any challenges along the way? Specifically regarding logistics..
Yasha Young: ( laughs ) Yes! Many many many – but less in the actual execution of the vision and more in the daily production. For example the wind picks up and the mechanical lifts start swaying in the wind like a leaf. It was “Safety first” of course so we had to stop working immediately. Often the rain can be surprising and torrential and water runs down the walls like little waterfalls washing all the hard work from the night before off the wall again. But these artists are professionals and in my job the goal is to work as innovatively as possible – always finding or inventing new methods and finding other options.

It’s part of the journey and it can actually be fun. For my stubborn mind the only factor that will always be in way is time – we have not found a way to stop it or make more of it.

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The road where the valley ends and the glaciers begin. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Deih One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Deih One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Deih One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Deih took inspiration from Icelandic band Vok Music’s song “Waterfall” for this mural.

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Deih One. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Giant ice cubes on the beach. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Li’ Hill. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Li’ Hill. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Li-Hill. Detail. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Li-Hill worked in collaboration with John Grant and his song “Pale Green Ghosts” for this mural.

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Li-Hill. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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The carcass of an air plane on the beach. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Caratoes. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Caratoes. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Caratoes. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Caratoes took inspiration to paint this whole house from the lyrics of the song “Ode To a Mother”by Icelandic band Ylja.

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Caratoes. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Waterfall. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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D*Face. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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D*Face. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

D*Face depicts the Icelandic saga of Laxdaela; a tale of love, betrayal and intrigue.

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D*Face. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Northern Lights and Ice Cubes. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Ernest Zacharevic. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Lithuania’s Ernest Zacharevic transformed the shadow of an earlier building into a personal photo book.

“It’s inspired by the song ‘I Miss You’ by Dikta,” says Ernest. “The image has the same sadness and nostalgia in the photographs that I felt in the piano track song. The work is my imagining of all the past scenarios that could have happened in this old heritage house, physically and emotionally being taken down and rebuilt.

It’s more about memory because after I spoke to a lot of locals they were very nostalgic about how Reykjavik used to be, not so keen on how modernized it has become.”

Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Tank Petrol. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Tank Petrol. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Tank Petrol’s modern take on the myth of Freya, considered to be the mother goddess of Love and Beauty.

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Tank Petrol. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Ice cube. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Evoca One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

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Evoca One. Process shot. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Evoca One tells the story of the Sauna and Starr song “Gonna Make Time” about home and returning to those waiting on shore.

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Evoca One. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

 

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The gang. Wall Poetry-Urban Nation in collaboration with Iceland Air Waves. Reykjavik, Iceland. October, 2015. (photo © Nika Kramer)

Our special thanks to photographer Nika Kramer for sharing her amazing shots with BSA readers.

To learn more about Iceland Airwaves please click HERE.

This article is also published on The Huffington Post

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Film Friday 07.17.15

BSA Film Friday 07.17.15

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Roma Street Art Tribes as Captured by Dioniso Punk

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BSA Special Feature: Roma Street Art Tribes as Captured by Dioniso Punk

Gwen Stacy Parts I and II

Disorderly, discordant, and richly chaotic, these two videos are centered around the Italian street art paintings and artists whom you will recognize from our earlier postings on community/gallery organized urban art programming – but within the context of historical art publicly displayed, peoples movements, patronage, fascism, the classics.

Dioniso Punk allows everyone to talk – neighbors, artists, organizers, curators, public philosophers, elected officials, psychologists, sociologists, entrepreneurs, posers, professors, historians, students, an opera singer, the petite bourgeoisie, international visitors and hapless puzzled opinionated locals.

Discussions at panels cut into impassioned discussions by senior women in the courtyard or didactic examinations in the street – some for illustration, others for whimsy, none to be ignored. More of a fact finding mission than cogent analysis, you may find it difficult to follow the narrative and so it is better to let go and allow yourself be battered by the insights and observations delivered with the jumpy cuts and uncompleted thoughts and discussions, preferring instead to sink into the tribe of the humans, here selectively displayed for your pleasure and hopefully, edification.

(turn on the CC (closed captioning) if you do not speak Italian)

 

Featuring interviews with Solo, Gaia, Diamond 0707, Maupal, Best Ever, Bol23, Jerico, Guerrilla Spam Sen One, Sabrina, Dan, Stefano Antonelli (999 Contemporary,) Marta Ugolini (Galleria Ca’ D’Oro), Agathe Jaubourg (Pasolini Pigneto), Alìn Costache (YUT!), Edoardo Martino (Villaggio Globale), and Eleonora Zaccagnino (Acid Drop).

Special Guests: Mp5, Alice Pasquini, Mr. Thoms, Jessica Stewart, Sandro Fiorentini (La Bottega del Marmoraro).

Murals by Blu, Roa, Borondo, Etam Cru, Space Invaders, C215, Hogre, Herbert Baglione, Sten & Lex, JB Rock, Ernest, Pignon-Ernest, Etnik, Axel, Avoid, Sbagliato, Jim Avignon, Fin DAC, Jef Aerosol, Seth, Zed1, Ericailcane, Clemens Behr, Caratoes, Momo, Derek, Bruno, Kid Acne, Mto, Alexey Luka, Tellas, Moby Dick, Philippe Baudelocque, Mr. Klevra, Lucamaleonte, Diavù Kocore, Agostino Iacurci, Danilo Bucchi, Jaz, Desx, Reka, Lek & Sowat, Hopnn, Matteo, Basilé Alberonero, Ex Voto, Andreco, Moneyless, Nicola, Verlato, Ludo, L’Atlas, Escif, and Pepsy Zerocalcare.

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BSA Images Of The Week: 04.05.15

BSA Images Of The Week: 04.05.15

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ECB was back on the streets in Bushwick this week doing his portrait of a Moroccan street barber from his series of portraits in Morocco of traders whose trade is in danger of extinction. That is what BSA Images of the Week starts off with.

Here’s our weekly interview with the street, this week featuring Caroatoes, ECB, Hendrick Beikirch, Icy & Sot, Jaye Moon, London Kaye, ROA, Scott Lickstein, SOBR, Ten Hundred, Trice, Wing, and X-O.

Top Image >> Hendrik Beikirch AKA ECB. Detail. (photo © Jaime Rojo)

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Hendrik Beikirch AKA ECB (photo © Jaime Rojo)

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Scott Lickstein (photo © Jaime Rojo)

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Icy & Sot (photo © Jaime Rojo)

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Icy & Sot in Berlin. (photo © Jaime Rojo)

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London Kaye (photo © Jaime Rojo)

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Wing (photo © Jaime Rojo)

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Amanda Marie. Detail. (photo © Jaime Rojo)

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Amanda Marie (photo © Jaime Rojo)

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X-O (photo © Jaime Rojo)

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SOBR in Berlin. It’s Time To Dance! (photo © Jaime Rojo)

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Jaye Moon may have gone to see the On Kawarwa exhibition at the Guggenheim before hitting the street with this date. (photo © Jaime Rojo)

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If I’ve asked you once I’ve asked you Trice. Quit clowning around. (photo © Jaime Rojo)

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Ten Hundred (photo © Jaime Rojo)

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Sketches from ROA’s cabinet of curiosities as he prepared this week for his new show at Jonathan Levine Gallery. (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Caratoes (photo © Jaime Rojo)

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Untitled. Watcha looking at? Apple Store. SOHO, NYC. March 2015. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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“Big City Life Rome” Part II

“Big City Life Rome” Part II

An update to the “Big City Life Rome” posting in February, here are the remaining murals in the neighborhood of Tomarancia. Produced and curated by 999Contemporary Gallery, these March walls are of equal size and dimension as the previous ones, bringing to mind the swatches of cloth sometimes used to create a quilt. Included here is new work from Caratoes, Jericho, Matteo Basile, Danilo Bucchi, SatOne, Pantonio, and Clemens Bher. The international group of artists have diverse styles, but the quality is high!

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Jerico (photo courtesy © 999 Contemporary Gallery)

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Jerico (photo courtesy © 999 Contemporary Gallery)

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Jerico (photo courtesy © 999 Contemporary Gallery)

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Caratoes (photo courtesy © 999 Contemporary Gallery)

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Caratoes (photo courtesy © 999 Contemporary Gallery)

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Caratoes (photo courtesy © 999 Contemporary Gallery)

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Matteo Basile (photo courtesy © 999 Contemporary Gallery)

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Matteo Basile'(photo courtesy © 999 Contemporary Gallery)

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Matteo Basile does a red faced portrait of Ai Weiwei (photo courtesy © 999 Contemporary Gallery)

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Danilo Bucchi (photo courtesy © 999 Contemporary Gallery)

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Danilo Bucchi (photo courtesy © 999 Contemporary Gallery)

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Danilo Bucchi (photo courtesy © 999 Contemporary Gallery)

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SatOne (photo courtesy © 999 Contemporary Gallery)

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SatOne (photo courtesy © 999 Contemporary Gallery)

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SatOne (photo courtesy © 999 Contemporary Gallery)

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Pantonio (photo courtesy © 999 Contemporary Gallery)

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Pantonio (photo courtesy © 999 Contemporary Gallery)

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Pantonio (photo courtesy © 999 Contemporary Gallery)

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Clemens Bher (photo courtesy © 999 Contemporary Gallery)

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Clemens Bher (photo courtesy © 999 Contemporary Gallery)

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Clemens Bher (photo courtesy © 999 Contemporary Gallery)

Click here to see our Part I of the coverage.

We wish to thank Stefano Antonelli at 999Contemporay for his diligence on getting us the material to make this article possible. To see all the completed walls and more details on the project and the participating artists click HERE.

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The 2014 BSA Year in Images (VIDEO)

The 2014 BSA Year in Images (VIDEO)

Here it is! Our 2014 wrap up featuring favorite images of the year by Brooklyn Street Art’s Jaime Rojo.

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Before our video roundup below here is the Street Art photographer’s favorite of the year: Ask Jaime Rojo, our illustrious editor of photography at BrooklynStreetArt.com , who takes thousands of photographs each year, to respond to a simple question: What was your favorite photo of the year?

For 2014 he has swift response: “The Kara Walker.” Not the art, but the artist posed before her art.

It was an impromptu portrait that he took with his iPhone when the artist unveiled her enormous sculpture at a small gathering of neighborhood locals and former workers of the Domino Sugar Factory, informal enough that Rojo didn’t even have his professional camera with him. Aside from aesthetics for him it was the fact that the artist herself was so approachable and agreed to pose for him briefly, even allowing him to direct her just a bit to get the shot, that made an imprint on his mind and heart.

Of course the sculpture is gone and so is the building that was housing it for that matter – the large-scale public project presented by Creative Time was occupying this space as the last act before its destruction. The artist herself has probably moved on to her next kick-ass project after thousands of people stood in long lines along Kent Avenue in Brooklyn to see her astounding indictment-tribute-bereavement-celebration in a hulking warehouse through May and June.

But the photo remains.

And Rojo feels very lucky to have been able to seize that quintessential New York moment: the artist in silhouette before her own image, her own work, her own outward expression of an inner world. 

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Jaime’s personal favorite of 2014; The site specific Kara Walker in front of her site specific installation at the Domino Sugar Factory in May of this year in Brooklyn. Artist Kara Walker. (photo via iPhone © Jaime Rojo)

Now, for the Video

And our holiday gift to you for five years running, here is the brand new video of favorite images of graffiti and Street Art by Brooklyn Street Art’s editor of photography, Jaime Rojo.

Of a few thousand these 129 shots fly smoothly by as a visual survey; a cross section of graffiti, street art, and the resurgence of mural art that continues to take hold. As usual, all manner of art-making is on display as you wander your city’s streets. Also as usual, we prefer the autonomous free-range unsolicited, unsanctioned type of Street Art because that’s what got us hooked as artists, and ultimately, it is the only truly uncensored stuff that has a free spirit and can hold a mirror up to us. But you have to hand it to the muralists – whether “permissioned” or outright commissioned, some people are challenging themselves creatively and still taking risks.

Once again these artists gave us impetus to continue doing what we are doing and above all made us love this city even more and the art and the artists who produce it. We hope you dig it too.

 

Brooklyn Street Art 2014 Images of the Year by Jaime Rojo includes the following artists;

2Face, Aakash Nihalani, Adam Fujita, Adnate, Amanda Marie, Andreco, Anthony Lister, Arnaud Montagard, Art is Trash, Ben Eine, Bikismo, Blek Le Rat, Bly, Cake, Caratoes, Case Maclaim, Chris Stain, Cleon Peterson, Clet, Clint Mario, Col Wallnuts, Conor Harrington, Cost, Crummy Gummy, Dain, Dal East, Damien Mitchell, Damon, Dan Witz, Dasic, Don’t Fret, Dot Dot Dot, Eelco Virus, EKG, El Sol 25, Elbow Toe, Etam Cru, Ewok, Faring Purth, Gilf!, Hama Woods, Hellbent, Hiss, Hitnes, HOTTEA, Icy & Sot, Jana & JS, Jason Coatney, Jef Aerosol, Jilly Ballistic, Joe Iurato, JR, Judith Supine, Kaff Eine, Kashink, Krakenkhan, Kuma, Li Hill, LMNOPI, London Kaye, Mais Menos, Mark Samsonovich, Martha Cooper, Maya Hayuk, Miss Me, Mover, Mr. Prvrt, Mr. Toll, Myth, Nenao, Nick Walker, Olek, Paper Skaters, Patty Smith, Pixel Pancho, Poster Boy, Pyramid Oracle, QRST, Rubin 415, Sampsa, Sean 9 Lugo, Sebs, Sego, Seher One, Sexer, Skewville, SmitheOne, Sober, Sonni, Specter, SpY, Square, Stay Fly, Stik, Stikki Peaches, Stikman, Swil, Swoon, Texas, Tilt, Tracy168, Trashbird, Vexta, Vinz, Willow, Wolfe Works, Wolftits, X-O, Zed1.

Read more about Kara Walker in our posting “Kara Walker And Her Sugar Sphinx At The Old Domino Factory”.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

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BSA Images Of The Week: 11.02.14

BSA Images Of The Week: 11.02.14

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Marathon Day in NYC today with people running in the streets more than usual, the time clock moved back an hour today, mid-term elections are this Tuesday, and New York’s first ebola patient is feeling a little better.

Here’s our weekly interview with the street, this week featuring 2Face, Aine, Bifido, Caratoes, Cleon Peterson, Dal East, Dee Dee, Esteban Del Valle, Faring Purth, June, Kai June, Sean9Lugo, and Tara McPherson.

Top Image >> Chinese graffiti/Street Art due 2Face have been popping up around NYC and BK for the last few months, including this enormous portrait above of Ai Wei Wei looming large in Brooklyn. (photo © Jaime Rojo)

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2Face. A smaller more personal version of it. (photo © Jaime Rojo)

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2Face combines their trademark ski mask and pronounced mouth detail with this Van Gogh portrait in a Warholic repetition. (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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Dal East (photo © Jaime Rojo)

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Faring Purth. “Ru” (photo © Jaime Rojo)

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Caratoes (photo © Jaime Rojo)

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OK here is what we don’t know about this billboard: The artist’s name. Here is what we know: The billboard is printed, not painted. The same artist who did this one put another one in the Summer with the legend “May The Bridges I Burn Light The Way”. Anyway who didn’t dream of running away at some point in their lives…either solo or with company? (photo © Jaime Rojo)

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Cleon Peterson. “The Kiss” (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Sean 9 Lugo (photo © Jaime Rojo)

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Bifido. “Immotus ned iners” Caserta, Italy. (photo © Bifido)

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June’s new piece for The Bushwick Collective. (photo © Jaime Rojo)

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June. Detail. (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Kai June (photo © Jaime Rojo)

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This wall by Esteban Del Valle recalls a linotype wheatpaste by Elbowtoe a few years ago. (photo © Jaime Rojo)

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Aine (photo © Jaime Rojo)

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Someone who you don’t see often on the street, Tara McPherson (photo © Jaime Rojo)

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Tara McPherson (photo © Jaime Rojo)

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Untitled. Domino Sugar Factory. Brooklyn, NY. October, 2014. (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Salton Sea Road Trip with Eddie Colla, 2wenty, Caratoes, and Nite Owl

Salton Sea Road Trip with Eddie Colla, 2wenty, Caratoes, and Nite Owl

New images today from the barren detritus by Salton Sea in the Colorado Desert near the San Andreas fault line. Here near the water is a landscape littered with sheet metal, stories, tumbleweeds, and skeletons of simple squat structures once useful, now merely casting a shadow.

Until someone decides to clean up the man made remnants of industry and architecture you can be sure that some artist is going to consider that leaning structure or door-less domain to be exactly the perfect canvas for experimentation. Saltier than the Pacific ocean, this sea is also man made; “accidentally created by the engineers of the California Development company in 1905,” says the Wiki entry, and the arid climate will likely keep some of these facades till they are fossils.

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Dark pop illustrational psychodelia from Caratoes  (photo © 2wenty)

Far from any cities or urban landscapes,  four Bay Area artists took a road trip recently to do some site specific works and to photograph each others’ creations here under the enormous expanse of sky. Thanks to Eddie Colla, 2wenty, Caratoes, and Nite Owl for sharing what they found here, and to Nastia Voynovskaya for bringing this to our attention.

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“2wenty takes long­ exposure shots that enable him to write in the air by physically moving a light source across the frame as the camera captures its motion,” says Nastia Voynovskaya, “This writing, invisible to the naked eye, lives on only in the form of photography.” 2wenty (photo © 2wenty)

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Nite Owl (photo © 2wenty)

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Nite Owl (photo © Nite Owl)

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Nite Owl (photo © Nite Owl)

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Eddie Colla (photo © Eddie Colla)

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Eddie Colla (photo © Eddie Colla)

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Eddie Colla (photo © Eddie Colla)

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Eddie Colla (photo © Eddie Colla)

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Eddie Colla (photo © Eddie Colla)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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