We are seeing more municipalities and institutions settle upon aspirational messages about the Earth and environmental issues every month now – a very common theme with murals in cities worldwide.
Mrfijodor and Corn79.Turin, Italy. January 2021 (photo courtesy of the artists)
This new collaboration combines the skills of two former graffiti artists, Mrfijodor and Corn79, in Turin, Italy. The two murals interplay Mrfijodors illustration-inspired figurative elements and Corn79’s elegant language of abstraction to adorn the façade of the Museum A Come Ambiente (MAcA).
“The focus is on the balance between man and nature,” says Mrfijodor, “a balance that needs to be re-established.”
Mrfijodor and Corn79.Turin, Italy. January 2021 (photo courtesy of the artists)Mrfijodor and Corn79.Turin, Italy. January 2021 (photo courtesy of the artists)Mrfijodor and Corn79.Turin, Italy. January 2021 (photo courtesy of the artists)Mrfijodor and Corn79.Turin, Italy. January 2021 (photo courtesy of the artists)Mrfijodor and Corn79.Turin, Italy. January 2021 (photo courtesy of the artists)
The project is possible thanks to the contribution of the City of Turin, Area Giovani e Pari Opportunità – Torino Creativa, and the Museum A come Ambiente – MAcA.
“The artwork invites us to think about the lack of empathy we demonstrate towards the rest of the species and to the action/reaction process that ensues”, says street artist and muralist Gola Hundun. An environmentalist at heart and scientific lover of nature, the artist has painted this interesting ocean-themed mural in his hometown of Bellaria-Igea Marina in Italy this month as a way to focus on the bleaching of coral and the damage that the tourism industry can do to our natural treasures.
Mimicking the subtle changes of our developmental practices on the ocean and its species, Gola’s façade presents a scene that becomes less and less visible as it reaches the completely white corner of the wall. “The white space symbolizes means the absence,” he tells us, “the emptiness, the loss of the ecosystem that is caused by men.”
Now that the orange man has been censored by social media he’ll have much more time to pack his boxes and do some deep vacuuming of the living room furniture.
All tolled, this week was perhaps the most effective public demonstration of white privilege on parade for everyone to see – and one that was beamed across the world, including into the countries who once looked to the US for leadership and promise. BLM could not have made a more powerful and impactful statement about the systemic inequality that is baked into American society. Did you see all those video split screens of how police treated the different crowds?
Trump is on his way out, but as the author Thomas Frank likes to say, Trumpism is here to stay.
Ahhhh, but the future is unwritten. Where’s you marker?
Here’s our weekly interview with the streets, this week featuring Adrian Wilson, Bastard Bot, De Grupo, Ethan Minsker, Gane, Glare, HeartsNY, Lunge Box, Timothy Goodman, Wane, Winston Tseng, and You Are Loved. Yes, you are loved.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. Medicos Del Mundo #Esperanza #AlwaysHope 2. SOFLES / The Minibus (feat. Treas) 3. SpY / Luna
BSA Special Feature: Medicos Del Mundo #Esperanza #AlwaysHope
Today we present an inspiring video that reaches all the corners of the world – which is where Doctors of the World goes. The organization looks past the geographic and political barriers to care for all of us. Here film directors, directors, and artists – across five continents – participate in telling lived stories of people on the front line.
New graffiti porn from Brisbane this week as Sofles and Treas take camping to a new dimension in aerosol madness. The team of Grug & Bustaflux keep the audio details and effects tight with camerawork that trips and makes the heart skip by After Midnight Film.
SpY / Luna
Can you trust your eyes? Is that the moon?
SpY draws an indirect connection to the moon and the television depictions of 1969 showing a team of astronauts landing on it. The Madrid installation artist uses the simplest of gestures to make clarion statements. Installed on one of the construction cranes of the fifth tower of the Caleido complex in the north of Madrid, SpY hangs the moon in the sky with an inflatable nylon structure illuminated with high intensity LED system.
A psychedelia of this moment, the modulated visual liquid was produced by the artists use of digital copies made of shiny aluminum papers. Printed on vinyl, she transformed this exterior into a trippy grid of lenswork that allows passersby to see fields that instantly challenge imaginations.
Vieux says she enjoys stretching beyond limits of data and physical space, a description analogous for some with cinema itself.
“In this piece, I wanted to disrupt the solid geometries of the architecture with a hyperreal fluid painting placed in the landscape,” she says, and something in the description makes it conversant with the chaos and surrealist quality of US life today.
“I reflected on these ideas in a cultural/political context,” says Vieux, “thinking that a larger takeaway of this piece is that through disrupting and dissolving boundaries we can create a fluid open space where there’s room to unite.”
Graffiti and street art are cyclical in many ways – reflective of society, urban planning, politics, current events, demographics… Currently the city of Barcelona is pushing hard on cleansing itself of the wild graffiti and street art that brought it so many tourists 15 years ago.
With the pendulum of real estate development and gentrification swinging from aesthetic chaos to antiseptic order, street artists are changing tactics as well, opting for smaller pieces that are quickly and surreptitiously installed.
“The Raval / Ciutat Vella neighborhood used to have 4 or 5 ‘orchards,’” says photographer Lluis Olive-Bulbena, using a slang term to describe empty areas between blocks where freelance painters like to adorn abandoned walls. “Nowadays there are only one or two.”
We’re pleased to introduce a number of artists specializing in smaller works; artists with names like BL2A, Karma, and Radical Playground. Each has their own style and each are part of a new wave using a smaller canvas, sometimes ingeniously; the sticker, the stencil, paste-ups, even ceramic – on the streets of Barcelona.
As you make your resolutions for the new year, you may find yourself trimming the bushes of your life, pruning away the unproductive branches, as it were. Polish poet Tadeausz Nowak (1930-1991) may have been thinking of clearing away the dead brush when he wrote about “ludzikowie” (petty people) in his “Frolic Psalm”.
Polish street artist Michał ‘Sepe’ Wręga was born in Warsaw and tells us about this new mural he painted in his hometown as a tribute to the poet. Always in touch with his graffiti roots, Sepe now plays with a sophisticated palette like an illustrator and painter, giving these figures a maudlin cheer, mired as they are in trifling fixations.
To better describe his intentions with these pink and blue painterly depictions, Sepe quotes Nowak for us: “Heaven, oh heaven, pricked with spears, pierced through with a cow’s horn, poor petty people standing beneath with their God swamped in plaster”.
“The glacier has melted by about one meter annually since the turn of the millennium,” says Swedish street artist Vegan Flava. In fact, he says, the southern peak was Sweden’s highest mountain until two years ago as the 40 meter thick glacier continues to melt due the warming of the atmosphere. Now it is lower than the northern peak.
Today we are looking at the artists’ newest mural in Linköping, the title of which references this specific melting occurence “From Here to the Southern Peak.”
The circuitous artist mind imagines a bird from the roots of a blue corn flower in the Swedish province of Östergötland, and this painter meditates on the birds’ flight over rooftops up to the Southern Peak.
Vegan Flava’s interconnectedness of themes reminds us that one vital life system is affected by and often dependent upon the next. “Everything we humans build and live from depends on a stable climate,” Vegan Flava says, “like our water supply, agriculture, infrastructure and healthcare.”
Welcome to the first BSA Images of the Week of 2021 !
We start our collection this week with an image of Christ crucified on a Facebook logo. If this is the level of subtlety that we can expect from the new year…gurl, we in trubble.
In fact, we have found that much of the organic street art that we find today has become increasingly strident in opinions expressed, especially around themes of social justice and political skullduggery. It’s all mixed in with favorites like pop figures, sports figures, cats. In a way, the artists are ahead of us, so we consider these images as the tea leaves for what is coming.
How will you interpret these messages from the street? Will you become emboldened? Scared? Or will they not have any impact on passersby?
Here is our weekly interview with the streets, this week featuring 7 Line Arts Studio, Bastard Bot, Calicho Art, Captain Eyeliner, Calisi Maultra, City Kity, CRKSHNK, David F Barthold, Degrupo, Elle, Jeff Roseking, Joseph Grazi, NohJColey, Poi Everywhere, Sickid, Sticker Maul, and Stikman.
You could be forgiven for feeling a little like a Grinch for a part of this Christmas; a global virus and a completely fumbled response to the economic well-being of all Americans has left many without home, food, jobs, healthcare, security on this day in 2020.
But let’s rejoice that we persevered, and we found some reasons to be positive, to be hopeful, and to work together. New York is unbeatable! God Bless NYC!
And we are thankful for you. From your friends at BSA we wish you a very Merry Christmas.
It’s that time of the year again! BSA has been publishing our “Hot Lists” and best-of collections for more than 10 years every December.
In this year that has been so heavy and difficult for many of the BSA family we thought it would be inappropriate to do things the way we always do, out of respect for this moment. The one list that we feel good about this year of course is our shortlist of some of our favorite books from 2020 that you may enjoy as well – just in case you would like to give them as gifts to family, friends, or even to yourself.
From BSA:
Crossroads, the new monograph from Alice Pasquini is full of the young daring and confident girls and women whom have been traveling with her since she began painting walls around the world two decades ago.
Rendered in aqua and goldenrod and midnight, withstanding winds and rains, these figures are willing to be there as a testament to the daily walk through your life. A survey and diary of her works and experiences, her style is more human than international in its everyday appeal, advocacy gently advanced through the depiction of intimate personal dynamics and internal reflection.
Perhaps this quality alludes to the invitation of interaction, the ease of integration with the public space in a way that the cultural norms of her Italian roots influenced her.
“In Rome, where I grew up, everything is urban art. Any little fountain or corner was made by an artist. And there were always a lot of expressions of freedom in this city,” she says in an interview here with writer Stephen Heyman.
Bill Posters knows his street art and activism history.
From Beuys’ practice of ‘social sculpture’ and John Fekner’s blunt upbraiding of urban planning hypocrisies to AIDS activists using street art to shame government homophobia and the paint-bombing of a Mao portrait that led to the arrest and torture of the artists/activists for counter-revolutionary propaganda, he’ll give you a solid foundation on precedence for this rebellious art life in “The Street Art Manual.”
He also knows how to yarn-bomb.
And myriad other techniques for freelance intervening in city spaces that you own, that all of us own, but which are often commandeered for commercial messages, political propaganda messages, or commercial-political propaganda messages – otherwise known as fascism.
The Street Art Manual by Bill Posters. The Street Art Manual new US on-sale date is now Sept. 8th. 2020. Published by Laurence King Publishing Ltd. London, UK. 2020.
From BSA:
Taking a decade long view of your creative life can be astoundingly instructional if you are brave enough; perusing over the body of work that you have taken with eyes focused and blurred may reveal broad outlines and finer features of a creative life-path – a psychological mapping of the inner world and its outer expression with all its impulses, longings, expressions of received truths and newly discovered wisdom.
Franco Fasoli aka JAZ has looked over his last decade (2009-2019) of work as a street artist and fine artist and offers you the opportunity to examine his public and private side as well in this new two-volume compendium. Painting on the streets since the mid-nineties and his mid-teens in his hometown of Buenos Aires, the visual artist knew his path would be a creative one. His family and role models, comprised of well-schooled artists and educators, had provided a foundation of critique and appreciation for him to build upon from the earliest years.
Belgium’s ROA, whom we have featured in perhaps 30+ articles, put out his “CODEX” monograph this spring, and while sitting inside your lockdown we thought you would enjoy freeing your mind to travel the world with him.
A gypsy by nature, a naturalist by practice, he has investigated and heralded the animal world, complete with its heartless savagery. Accurately depicting many of the most marginalized and endangered specimens, this uncanny portraitist spooks you with the scale of his animals, draws you in to their presentation without guile.
Willing to let his work do the talking, ROA is still anonymous after more than a decade on the global street art stage. Following his own path, we recognize his achievements here, and wish him good travels wherever he goes.
In addition to lush photo spreads of Martha’s documentation over 6 decades, we have essays written by art critic, curator and author Carlo McCormick, UN Executive Director Jan Sauerwald, author and photographer Nika Kramer, author, curator, and Hip Hop historian Akim Walta, National Geographic chief photo editor Susan Welchman, curator of prints and photographs at the Museum of the City of New York Sean Corcoran, and the curators of this exhibition Jaime Rojo and Steven P. Harrington.
The hefty hardcover, a richly illustrated and modernly designed book, is timed for release simultaneously with the exhibition opening this Friday, October 2. In addition to the essays, we have 40 quotes about Martha from her peers, artists, authorities in photography, folklore, graffiti, and Hip Hop, along with long-time friends and her family. The cover of the book features a photograph rarely seen of graffiti writer Skeme train surfing in NYC taken by Martha in 1982. The introductory texts to each of the 10 sections are written by author and curator Christian Omodeo.
Accessible and erudite, the catalogue unpacks the social connections, the various emerging music, art, and performance sub-scenes of “Downtown” and “Uptown” New York culture, the opaque underpinnings of the dominant culture, and the urban syntaxes that formed this young Brooklyn artist and his work in the 1970s and 1980s. To faithfully set the stage for this story; to conjure the atmosphere, the moment, the context that Basquiat evolved himself into, you would need to create an interactive urban theme park with an impossible set design budget, a cacophonous sound-music map, a handful of public policy and political advisors, an anthropologist, a warehouse of costumes, too many actors, too many attitudes, and even more drugs.
With precision and guile Sandra Chevrier has painted a female world that is sophisticated, unreachable and appealing, whether painted on canvas, street mural, or stuck to a wall in the margins of a city. The characters who are punching and pouncing and swooning across her faces are reflective of her own hearts’ adventures, seamlessly rolling and intermingling with those epic storylines and dust-ups with superheroes and villains of yesterday.
Perhaps it is because of this sense of inexactly placed nostalgia, in “Cages” we are aware of the ties that bind us, the roles that we hold – whether chosen or imposed – and we’re rooting for these Chevrierotic women to win – as they scream and cry and swing for the rafters, looking for the way out.
“A dance between triumph and defeat, freedom and captivity, the poison and the cure,” stands the ambivalent quote on the page facing her black and white photo by Jeremy Dionn.
A closeup of her face, her hand horizontally obscures the lower half, her index finger raised to allow Sandra to see, to study and assess. Without question this artists’ work is more than autobiographical – these expressions offer a stunning sense of mystery, an understanding at the precipice, an adventure-ready to occur.
Street art welcomes all manner of materials and methods, typically deployed without permission and without apology. This hand-formed wire piece …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
