All posts tagged: Beyond The Streets

Martha Cooper and Roger Gastman Release “Spray Nation”: “Subway Art” on Steroids

Martha Cooper and Roger Gastman Release “Spray Nation”: “Subway Art” on Steroids

Subway Art on Steroids: Spray Nation Sorts Through Mountains of Kodachromes

Spray Nation by Martha Cooper and Roger Gastman, with a foreword by Roger Gastman and essays by Steven P. Harrington, Miss Rosen, Jayson Edlin, and Brian Wallis.

Page after page of golden NYC hits from the Martha Cooper archive; this new hardcover tome expands the galaxy for fans and academics of that amber-soaked period when it seemed like New York was leading a Spray Nation of graffiti for cities across the country. Known for her ability to capture graffiti writers’ work in its original urban context, Ms. Cooper once again proves that her reputation as the documentarian of an underground/overground aesthetics scene is no joke.

With an academics’ respect for the work, the practice, and the practitioners, Cooper recorded volumes of images methodically for history – and your appreciation. With the vibrant and sometimes vicious city framing their pieces, an uncounted legion of aerosol-wielding street players raced city-wide at top speed, ducking cops and cavorting with a confident abandon in the rusted and screeching steel cityscape. By capturing these scenes without unnecessary editorializing, Cooper gives you access to the organically chaotic graffiti subculture on the move at that moment – directly through her unflinching eyes.

Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman

Culled from thousands of her Kodachrome slides from the early 1980s, the celebrated photographer and ethnologist worked with American graffiti historian Roger Gastman over many months during the initial Covid period to select this rich collection of images of tags, walls, and pieces. Each turn of the page more profoundly deepens your understanding of the graffiti-writing culture Cooper captured with Henry Chalfant in their book Subway Art nearly forty years ago. That clarion call to a worldwide audience took years to reverberate and shake culture everywhere. With time that book became the standard root documentation for what many see as the largest global democratic people’s art movement in history.

A smartly laid-out and thick volume (as well as its “Outtakes” collection), the high-quality printing and spare design hew to the photographer’s reliably straightforward approach, preferring to let the photos tell the story. From this perspective, Spray Nation is likewise a sleeper; We’ll probably only wholly appreciate its pivotal value and cultural importance with time.

Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman
Martha Cooper: Spray Nation. Signed Limited Edition Box Set. Published by Beyond The Streets/Roger Gastman

Martha Cooper: Spray Nation. Signed Limited Edtion Box Set is published by Beyond The Streets. With a foreword by Roger Gastman and essays by Steven P. Harrington, Miss Rosen, Jayson Edlin, and Brian Wallis. Click HERE to purchase the book.

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BSA HOT LIST 2021: Books For Your Gift Giving

BSA HOT LIST 2021: Books For Your Gift Giving

It’s that time of the year again! BSA has been publishing our “Hot Lists” and best-of collections for more than 11 years every December.

Our interests and understanding and network of connections continued to spread far afield this year, and you probably can tell it just by the books we featured: stickers, illustration, murals, copyright law, a cross-country spraycation, anamorphic street installation, Hip-Hop photography, graffiti writers community, and a lockdown project that kept an artists sanity.

So here is a short list from 2021 that you may enjoy as well – just in case you would like to give them as gifts to family, friends, or even to yourself.

Leon Keer: “Break Glass In Case Of Lost Childhood”

From BSA:

One of the challenges in creating a book about anamorphic art is presenting images that tell the viewer that they are being tricked by perspective yet hold onto the magic that this unique art conjures in people who walk by it on the street.

In a way, that brass skeleton key that allows entry into another world is precisely what Dutch pop-surrealist artist Leon Keer has been seeking for decades to evoke in viewers’ heads and hearts. Some would argue he is preeminently such; certainly, he is the wizard whose work on walls and streets has triggered memories for thousands of children and ex-children of the fantastic worlds they have visited.

“You develop your senses all your life. Through what you experience, you involve affinities and aversions,” he says in his first comprehensive bound collection of gorgeous plates entitled In Case of Lost Childhood Break Glass. “Your memories shape the way you look at the world. When it comes to reflecting my thoughts, my memories are key. I needed to feel some kind of affection or remorse towards the object or situation I want to paint.”

Leon Keer. “Break Glass In Case Of Lost Childhood”. Published by Lannoo Publishers, Belgium, 2020

Street Art Today 2 by Bjorn Van Poucke: An Update on 50 “Most Relevant” Artists

From BSA:

A worthy companion to the original tome, Bjørn Van Poucke and Lanoo publishers extend the hitlist of favored muralists that he & Elise Luong began in Street art/ Today 1 – and the collection is updated perhaps with the perceived cultural capital many of these artists have garnered since then.

Replete with full-color plates from the artists’ own collections and garnished with brief overviews of their histories, creative background, and philosophies, the well-designed and modern layout functions as an introduction for those unfamiliar with the wide variety of artworks that are currently spread across city walls as large scale opus artworks in public space. As organizer and curator of The Crystal Ship mural festival in Oostende, Belgium, Mr. Van Poucke has had his pick of the litter and has showcased them during the late twenty-teens.

Street Art Today 2: The 50 most influential street artists working today. By Bjorn Van Poucke. Published by Lannoo Publishers, Belgium.

WAONE Opens Monochrome “Worlds Of Phantasmagoria”

From BSA:

A new illustrated tome capturing the black and white work of one-half of Ukraine’s mural painting duo Interesni Kazki welcomes you into the past wonders and future imaginings of a world framed in “Phantasmagoria.”

Full of monochromatic fantasies at least partially inspired by the worlds unleashed by Belgian inventor and physicist Étienne-Gaspard “Robertson” Robert, Waone’s own interior expanding fantascope of miss-appended demons, dragon slayers, riddle-speaking botanicals, and mythological heroes may borrow as deeply from his father’s Soviet natural science magazines that brimmed with hand-painted illustrations – which served as his education and entertainment as a child.

This book, the first of two volumes of graphic works, explores Waone’s move from the street into the studio, from full color into black and white, from aerosol and brush to etching, lithography, augmented reality, and sculpting.

“Worlds Of Phantasmagoria” By WAONE Interesni Kazki. Vol. 1. Graphic Works 2013-2020. Wawe Publishers.

“Closed (In) for Inventory”: FKDL Makes the Most of His Confinement, 10 Items at a Time

From BSA:

The world is slowly making movements toward the door as if to go outside and begin living again in a manner to which we had been accustomed before COVID made many of us become shut-ins. Parisian street artist FKDL was no exception, afraid for his health. However, he does have a very attractively feathered nest, so he made the best of his time creating.

“March 17, 2020, the unprecedented experience of confinement begins in France,” writes Camille Berthelot in the introduction to Closed (in) for Inventory, “Time that usually goes so fast turns into a space of freedom, and everyone has the leisure or the obligation to devote himself to the unexpected.”

FKDL quickly began a project daily, sorting and assembling 10 items and photographing them. He posted them to his Instagram by mid-day. Eventually, he saved the photographed compositions together and created this book.  

“My duty of tidying up and sorting out turned into a daily challenge. I dove like a child into the big toybox my apartment is to select and share my strange objects, my banalities, my memories, my creations, and those of others,” he writes. “I gather these treasures, valuables or not, in search of harmony of subject, forms, materials, and nuances.”

(EN)FERME POUR INVENTAIRE by Les Editions Franck Duval. Paris, France.

“Unsmashed” A Street Art Sticker “Field Guide”

From BSA:

The street sticker, be it ever so humble and diminutive, is profligate and sometimes even inspiring. An amalgamated scene that is anonymous, yet curiously stuck together, the organizers and sponsors of so-called sticker jams have been overwhelmed in recent years by thousands of participants.

Artist and organizer IWILLNOT has compiled, organized, archived, and preserved this collection as a ‘field guide,’ he says, and another artist named Cheer Up has laid out page after page. It is a global cross-sample from 60 countries and a thousand artists – a treasure trove of the witty, insightful, snotty, and sometimes antisocial street bards of the moment, seizing their moment to speak and mark territory.

UNSMASHED: A Street Art Sticker Field Guide. Compiled by IWILLNOT, Designed by Cheer Up. A Collection of 1,229 full color sticker designs by 1,000 artists from more than 60 countries. Published by IWLLNOT and Cheer Up. December 2020.

MOMO Leaves His “Parting Line”

From BSA:

A year after its close, we open the book on American street artist MOMO’s new book chronicling the exhibition “Parting Line.” Writing about and covering his work for 15 years or so, we’re always pleased to see where his path has led – never surprised but always pleased with his evolution of decoding the lines, textures, practices, serendipity of discoveries unearthed by this wandering interrogator.

Here, along the river Seine banks, we see his exhibition for the still young Hangar 107, the recently inaugurated Center For Contemporary Art in Rouen, France. While we think of his work in New York in the 2000s, we see the steady progression here – his cloud washes, raking patterns, his experimental, experiential zeal. This is the spirit of DIY that we first fell in love with, the lust for uncovering and the desire for making marks unlike others across the cityscape, quizzically folding and unfolding, pulling the string, drawing the line.

MOMO “Parting Line”. Hangar 107. Edited by Christian Omodeo – Le Grand Ju. Published by Hangar 107. Rouen, France. 2020.

“Born In The Bronx” Expanded: Joe Conzo’s Intuitive Eye on Early Hip Hop

From BSA:

Born in the Bronx: A Visual Record of the Early Days of Hip Hop

Yes, Yes, Y’all, it’s been a decade since this volume, “Born in the Bronx,” was released. The images here by photographer Joe Conzo seem even more deeply soaked in the amber light of early Hip Hop culture from the late 1970s and early 80s, now taking on a deepened sense of the historical.

As the city and the original players of this story have evolved through the decades that followed the nascent Hip Hop era, it’s clearer than ever that this was nothing less than a full-force eruption, a revelation that cracked and shook and rocket-fueled an entire culture. Thanks to Conzo it was captured and preserved, not likely to be repeated.

Born in the Bronx is full of gems, insider observations, interviews, and personal hand-drawn artworks. One critical cornerstone is a timeline from Jeff Chang that begins in 1963 as the boastful but failed Urban Planner Robert Moses constructed the Cross Bronx Expressway – painfully destroying and displacing people and families, severing culturally significant, vibrant areas of the borough and producing a dangerous malaise.

BORN IN THE BRONX: A Visual Record of the Early Days of Hip Hop. Expanded edition published in 2020 by 1xRUN with support from ROCK THE BELLS & BEYOND THE STREETS. Detroit, MI. 2020.

Enrico Bonadio: Protecting Art in the Street

From BSA:

Enrico Bonadio is a contributor to BSA Writer’s Bench OpEd column, he is a Reader in Intellectual Property Law at City, University of London, and a street and graffiti art aficionado. His current research agenda focuses on the legal protection of non-conventional forms of creativity. He recently edited the Cambridge Handbook of Copyright in Street Art and Graffiti (Cambridge University Press 2019) and Non-Conventional Copyright – Do New and Atypical Works Deserve Protection? (Elgar 2018). He is currently working on his monograph Penetration of Copyright into Street Art and Graffiti Sub-Cultures (Brill, expected 2022).

Enrico is a Member of the Editorial Board of the NUART Journal, which publishes provocative and critical writings on a range of topics relating to street art practice and urban art cultures.

His academic research has been covered by CNN, Wall Street Journal, Bloomberg, BBC, Washington Post, The New York Times, Financial Times. Reuters, The Guardian, The Times, Independent, and The Conversation, amongst other media outlets.

Enrico’s current title is Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti (Dokument Press), with a foreword by Zephyr

A “Gentle People” Aussie Tour: Paint, Fun, and Run with 1UP & Olf

From BSA:

It’s almost sublimely subversive to publish your illegal graffiti escapades in a handsomely bound photo book with creamy paper stock and gauzy, professional photos. Positioned as a travelogue across the great Australian continent (complete with a hand-drawn map), the international troupe of sprayers named 1UP from Germany provides a genteel accounting of their expansive itinerary in a diary here for you, dear reader.

The stories are not without surprise and carefully touch on all the necessary road trip tropes you may wish for but cannot be assured of in a cross-country graffiti tale of skylarking and aesthetic destruction: angry rural police, security cameras, sleeping in rolled-up carpets, fancy receptions with Aperol Spritz, climbing over fences, sudden fire extinguisher tags, exploding paint cans, smoky wildfires, beaches, wallabies, long never-ending-stretches of road, the Sydney Harbor, an emergency-brake whole-car in Melbourne, and yes, a large kangaroo smashing into your car on a darkened country path.

PAINT, FUN, RUN, 1UP & OLF: GENTLE PEOPLE TOUR. 1UP CREW BERLIN. PRINTED AND BOUND IN GERMANY

“Nation Of Graffiti Artists” Opens Another Chapter of NYC Writer History

From BSA:

SCORPIO, BLOOD TEA, ALI, STAN 153, SAL 161, CLIFF 159. It was the mid to late 70s in New York and train writing was in its foundational stages, later to be referred to as legendary. For a modest crew of teenagers, it was the hypest stage you could be on, and going all city constructed many dreams of fame and recognition on the street.

Jack Pelsinger wanted to help shepherd these talents and energies into something they could develop into a future, maybe a profession. With a lease on a storefront from the city for a dollar in 1974, he made way for the Nation of Graffiti Artists (NOGA). An artists workshop and haven for a creative community that was regularly sidelined or overlooked, the author of this new volume, Chris Pape (acclaimed OG Freedom), says “Like moths drawn to a light, the kids showed up, hundreds of them.”

With extraordinary photos shot by Michael Lawrence, the book serves as a true document for the New York of that moment and opens doors to a chapter of graffiti history you may not even have known of until now.

NATION OF GRAFFITI ARTISTS, NYC. WRITTEN BY CHRIS PAPE WITH PHOTOGRAPHY BY MICHAEL LAWRENCE. PUBLISHED BY BEYOND THE STREETS, 2021.

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“Nation Of Graffiti Artists” Opens Another Chapter of NYC Writer History

“Nation Of Graffiti Artists” Opens Another Chapter of NYC Writer History

SCORPIO, BLOOD TEA, ALI, STAN 153, SAL 161, CLIFF 159. It was the mid to late 70s in New York and train writing was in its foundational stages, later to be referred to as legendary. For a modest crew of teenagers, it was the hypest stage you could be on, and going all city constructed many dreams of fame and recognition on the street.

Jack Pelsinger wanted to help shepherd these talents and energies into something they could develop into a future, maybe a profession. With a lease on a storefront from the city for a dollar in 1974, he made way for the Nation of Graffiti Artists (NOGA). An artists workshop and haven for a creative community that was regularly sidelined or overlooked, the author of this new volume, Chris Pape (acclaimed OG Freedom), says “Like moths drawn to a light, the kids showed up, hundreds of them.”

With extraordinary photos shot by Michael Lawrence, the book serves as a true document for the New York of that moment and opens doors to a chapter of graffiti history you may not even have known of until now.

NATION OF GRAFFITI ARTISTS, NYC. WRITTEN BY CHRIS PAPE WITH PHOTOGRAPHY BY MICHAEL LAWRENCE. PUBLISHED BY BEYOND THE STREETS, 2021.

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“Beyond The Streets” On Paper Opens in Southampton

“Beyond The Streets” On Paper Opens in Southampton

This time of year, it is hard to find people in Manhattan on the weekends – they’re “weekending” in the Hamptons, darling.

Khari Turner, Hands

Not exactly the original setting you might associate with graffiti, street art, hip-hop, punk rock, zines, and underground art culture but where else can curators Evan Pricco and Kim Stephens sell these works on paper while sipping cool drinks poolside?

“Beyond the Streets” carries the mobile party to Southampton Arts Center this Saturday with a wide swath of styles – 500 works from over 100 artists in an art fair-sized venue. It may remind you of the Urban Air Fair tried in Manhattan in summer 2017, but this one has something that one didn’t: Roger Gastman.

Shepard Fairey, Elysium Lotus

If it’s here, it’s because it is quality work and has a connection to the roots of these subcultural scenes usually as well. Expanding now to the more nebulous category of Contemporary, you may be surprised to see more accessible interpretive variations on the themes. Let’s see that paper, people. 

Jane Dickson, Fourth of July 2

Artists include: Action Bronson, Addam Yekutieli, agnès b, AIKO, André Saraiva, Andrew Schoultz, Andrew Thiele, Andy Rementer, Aryz, Bert Krak, Brandon Breaux, Broken Fingaz, Bryant Giles, Camille Walala, CES, Cey Adams, Charlie Ahearn, Chloe Early, Chris FREEDOM Pape, Clark Fox, Cody Hudson, Conor Harrington, Craig Costello, CRASH, DABSMYLA, Daniel Rich, David “Mr StarCity” White, DAZE, DEFER, Emily Manwaring, Eric Haze, Ermsy, Escif, FAILE, Faith XLVII, Fucci, Greg SPONE Lamarche, Gustavo Zermeno, Hilda Palafox, House 33, HuskMitNavn, Ian Reid, Icy & Sot, Jaime Muñoz, Jamilla Okuba, Jane Dickson, JEC*, Jeremy Shockley, Jillian Evelyn, JK5, John Konstantine, Julian Pace, KATSU, KC Ortiz, Kelsey Brookes, Khari Turner, Kime Buzzelli, LeRoy Neiman, Linas Garsys, Liz Flores, Lucy McLauchlan, Lujan Perez, Maripol, Mark Mothersbaugh, Martha Cooper, Marshall LaCount, Matt McCormick, Maya Hayuk, Michael Vasquez, MIKE 171, Mister CARTOON, Neena Ellora, Nehemiah Cisneros, Nettie Wakefield, NUNCA, Otto183, Paije Fuller, Paul Insect, POSE, Rebecca Morgan, Reko Rennie, Rello, Richard Colman, RISK, Ron English, Ryan McGinness, Sage Vaughn, Saladeen Johnson, Scott Campbell, Sean from Texas, Senon Williams, Shantell Martin, Shepard Fairey, SJK 171, Sofía Enriquez, SNOEMAN, Spacebrat, STASH, Steve ESPO Powers, SWOON, TAKI 183, The Perez Bros., Timothy Curtis, Todd James, Troy Lamarr Chew II, Umar Rashid, Victor Reyes, Wasted Rita, Wulffvnky, Yarrow Slaps, Yusuke Hanai, ZESER, ZOER and 45RPM.

BEYOND THE STREETS on PAPER
July 17—August 28, 2021
Southampton Arts Center, Southampton, New York, 11968

For more details, schedules, etc. click HERE

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“Born In The Bronx” Expanded: Joe Conzo’s Intuitive Eye on Early Hip Hop

“Born In The Bronx” Expanded: Joe Conzo’s Intuitive Eye on Early Hip Hop

Born in the Bronx: A Visual Record of the Early Days of Hip Hop

Yes, Yes, Y’all, it’s been a decade since this volume, “Born in the Bronx,” was released. The images here by photographer Joe Conzo seem even more deeply soaked in the amber light of early Hip Hop culture from the late 1970s and early 80s, now taking on a deepened sense of the historical.

As the city and the original players of this story have evolved through the decades that followed the nascent Hip Hop era, it’s clearer than ever that this was nothing less than a full-force eruption, a revelation that cracked and shook and rocket-fueled an entire culture. Thanks to Conzo it was captured and preserved, not likely to be repeated.

The book is masterfully edited by Johan Kugelberg, the true visionary of this project, who established and has overseen the growth of a collection of memorabilia and history for the Hip Hop History Archive at Cornell University – which now boasts a quarter million items. A modestly thick hardcover, it’s rich in its choices. Posters, handbills, album covers, original lyrics by performers, stunning portraits backstage, on stage, on the mike, and on the street; this is a world you can immerse yourself into quickly and without pretension.

Born in the Bronx is full of gems, insider observations, interviews, and personal hand-drawn artworks. One critical cornerstone is a timeline from Jeff Chang that begins in 1963 as the boastful but failed Urban Planner Robert Moses constructed the Cross Bronx Expressway – painfully destroying and displacing people and families, severing culturally significant, vibrant areas of the borough and producing a dangerous malaise.

An ensuing blight only fueled the “white flight” from the city, leaving a growing number of dispossessed black and brown neighborhoods that suffered for decades afterward.  His timeline ends in 1986 with Run DMC going platinum and a drug war ramping up to see a booming prison population. With these events as bookends, you know the music, art, dance, fashion, and performance culture that grew out of the Boogie Down was going to be commanding and resilient.

Afrika Baambatta recounts a foreword to Miss Rosen, LL Kool J does a brief “kick-off,” the Cold Crush Brothers hit the stage, and the packed crowd is enthralled. To get the full story about how to document the scene, check out Joe Conzo’s account told to Miss Rosen – the story of a shy chubby boy – the son and grandson of community activists who became his high school’s resident photographer and who parlayed subsequent connections into an exploration of music, performance, and the burgeoning Hip Hop scene at the moment it was happening.

For a richly rendered graffiti context, there is a fully realized recounting of the people and the scenes that informed it in an essay by Carlos MARE 139 Rodriguez called “What You Write?” With it, you get a true sense of a an exciting merging of music, aesthetics, society, street, creativity, and community.

The book closes with a very personal but pertinent poem, it’s short verses ducking and spinning and swaggering with pride at what the Bronx gave birth to; a global culture that continues to resonate worldwide and rock the bells.

“No ends could be made
For the price we would pay
Economically strapped
No time for a nap

‘Cause this is about to go down

The boogie down was burning
And my people yearning
Just to get a piece of the pie
My mind’s eye

Was as big as the sky”

~Luis Cendeno AKA DJ Disco Wiz, from “The Land Before the Rhyme”

BORN IN THE BRONX: A Visual Record of the Early Days of Hip Hop. Expanded edition published in 2020 by 1xRUN with support from ROCK THE BELLS & BEYOND THE STREETS. Detroit, MI. 2020.

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“Beyond The Streets” New York – Extends Through September 29

“Beyond The Streets” New York – Extends Through September 29

This summer New York has been crazily, sometimes chaotically overlaid with tons of graffiti, Street Art, and murals – a testament to the enduring passion of a public that wants to see this organic patterning of the city skin, and the unquenchable thirst that artists and writers in New York have for showing their work to the public without intervening forces. Some of it is illegal, some of it is legal – all of it is part of the New York conversation.

Additionally, and in concert with, this ongoing conversation is a private pop-up exhibition called “Beyond the Streets” that pulls back from this moment and looks at pertinent and fundamental slices of the first 50 years of art in the streets from the perspective of a handful of sharp-eyed curators who have done their homework.

Tenga One, Snipe1, Madssaki, Takashi Murakami. Beyond The Streets New York, (photo © Jaime Rojo)

Presented in the context of historians defining a view of the scene with an eye toward private collectors of contemporary art, the vast show features paintings, sculpture, photography, site-specific installations, commercially branded environments, a large gift shop, historical ephemera – and a 30th anniversary Shepard Fairey exhibition within the exhibition.

 “Beyond the Streets” in Williamsburg, Brooklyn was originally a three-month show that ran through August, it has been extended to September 29th – as they say – by popular demand.  In addition, to celebrate and thank the community for their support, BEYOND THE STREETS will host free admission day on Thursday August 29th.

Jon Naar . Carl Weston. Beyond The Streets New York, (photo © Jaime Rojo)
Barry McGee. Beyond The Streets New York, (photo © Jaime Rojo)
Bast . Paul Insect. Beyond The Streets New York, (photo © Jaime Rojo)
Fuct. Beyond The Streets New York, (photo © Jaime Rojo)
Huskmitnavn. Beyond The Streets New York, (photo © Jaime Rojo)
Craig R Stecyk III. Detail. Beyond The Streets New York, (photo © Jaime Rojo)
Shepard Fairey. Beyond The Streets New York, (photo © Jaime Rojo)
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Tatyana Fazlalizadeh: When the Lion Roars Back, a small overview

Tatyana Fazlalizadeh: When the Lion Roars Back, a small overview

We’re excited because today we get to spend a few minutes on stage with one of our hometown heroes, the artist Tatyana Fazlalizadeh. Leveraging her artistry with her politics with her desire to support women and others who are harassed, its a special kind of gold that she creates.

Tatyana Fazlalizadeh (photo © Jaime Rojo)

By putting these images of people of color, women, LGBTQ+ folks on the street with their blunt-force sentiments addressed to would-be harassers, she not only stands with them, but Tatyana has also used her work and vision to give them the courage to stand proud, assert their voice and to take public space.

After all, it belongs to the public.

Please join us this evening for a special BSA TALKS program with Tatyana Fazlalizadeh at the Beyond the Streets exhibition in Williamsburg, Brooklyn, NYC.

Today! This event is FREE. Click on the link below and enter coupon code BSATF to get your free ticket.
https://www.showclix.com/event/summer-in-the-streets-bsa-tatyana
Tatyana Fazlalizadeh (photo © Jaime Rojo)
Tatyana Fazlalizadeh for Coney Art Walls 2015 (photo © Jaime Rojo)
More info about the artist and event;
Women are not outside for your entertainment”, a startling truth for some guys that pointedly highlights abusive behavior toward women on the streets of Brooklyn and many cities around the world. Brooklyn Street Artist Tatyana Fazlalizadeh has been targeting daily oppressive experiences of marginalized people with her campaigns of art on the streets – and in the gallery.
Addressing themes of social justice, racism, LGBTQ+ rights, and sexist street harassment, her beautifully drawn campaigns on wheat-pasted posters and painted murals across the globe have brought attention to issues sorely in need of addressing during hostile rhetoric from some men in the highest offices.
Profiled in major media from The New York Times, NPR and Time Magazine and asked to speak at universities and museums like the Smithsonian, the New School and the Brooklyn Museum, Tatyana’s work can currently be seen on Spike Lee’s Netflix series, She’s Gotta Have It.

Come join Tatyana as she shares her experiences, observations and perspectives with Steven P. Harrington and Jaime Rojo from Brooklyn Street Art in this riveting discussion on Street Art as change-making activism.

Tatyana Fazlalizadeh for Coney Art Walls 2015 (photo © Jaime Rojo)
Tatyana Fazlalizadeh in collaboration with the L.I.Z.A. Project NYC. (photo © Jaime Rojo)
Tatyana Fazlalizadeh in collaboration with the L.I.Z.A. Project NYC. (photo © Jaime Rojo)
Tatyana Fazlalizadeh for Art In Ad Places. (photo © Jaime Rojo)
Tatyana Fazlalizadeh (photo © Jaime Rojo)
Tatyana Fazlalizadeh (photo © Jaime Rojo)
Tatyana Fazlalizadeh (photo © Jaime Rojo)
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BSA & Beyond The Streets: A Conversation with Tatyana Fazlalizadeh

BSA & Beyond The Streets: A Conversation with Tatyana Fazlalizadeh

You are invited Thursday to join BSA Founders Steven P. Harrington and Jaime Rojo for a very special BSA TALKS program with the conscience-raising and conscious Street Artist Tatyana Fazlalizadeh as we look at her work and talk about her campaigns addressing catcalling and marginalization, invisibility and intersectionality, “America is Black” and “Stop Telling Women to Smile”.

We know it will be a lively and LIVE talk at this summer’s blockbuster exhibition Beyond the Streets in Williamsburg, Brooklyn. Curated by Roger Gastman, Evan Pricco, David “Chino” Villorente, and Sacha Jenkins, this massive 150 artist, 100,000 square foot exhibition traces the graffiti/Street Art scene from the last 5 decades as wells as the Kings and Queens who claim the mantels of many titles in this global grassroots D.I.Y. arts scene in the streets.

Please join us Thursday as we welcome one more!

BSA TALKS with Tatyana Fazlalizadeh at BTS July 25th

A limited number of free tickets are available to BSA TALKS with Street Artist and activist Tatyana Fazlalizadeh at BEYOND THE STREETS this
Thursday 7/25 at 7 pm in Brooklyn.

1. Go to Beyond the Streets website (button below)
2. Enter “1” General Admission ticket
3. Click “Get Tickets”
4. Scroll down to “Have a coupon?” section
5. Enter this code BSATF to get your free ticket

READ the full announcement and descripti HERE https://madmimi.com/p/e452ee/

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Conor Harrington Soars and Parries Above NYC Streets

Conor Harrington Soars and Parries Above NYC Streets

UK based Irish painter and muralist Conor Harrington was in New York City for the last month with stirring new works inside the gallery space and outside on the street. His signature forms and flying garments were there: indistinctly heroic, Bacon-blurred men in an epic struggle, each wearing richly hued militaristic finery. His dramatic heroes and saboteurs race now across two canvasses on display at the massive Beyond The Streets exhibition in Brooklyn as well as across one daunting five-story walkup on Manhattan’s Lower East Side.

The bigger one was probably harder.

Conor Harrington in collaboration with The L.I.S.A. Project NYC & Beyond The Streets. (photo © Jaime Rojo)

Set aside the mercurial, blasting sun and drenching rains and otherwise sticky conditions in Gotham’s gritty summer, Harrington may not have realized that the wall was so huge. Done in concert with the L.I.S.A. Project NYC and the BTS exhibition, Conor crushed it with so much color and dramatic action across the surface (his first mural in NYC in a decade or so) that observers will be stultified by its scale and the mysterious storyline that animates it for a long time to come. The subject of the painting might be of an officer with the British army during the American Revolutionary War. If one were to imagine the piece of art differently by changing the garments and closing our eyes the figure as it is in action could very well be of a matador in a bullring confronting and taunting the bull with his cape. With a background in graffiti and a truly painterly command of the cans, you can imagine the feeling of revelation observers felt as Conor daily revealed this gripping piece in this city of immigrants, of struggle, of dreams.

Conor Harrington in collaboration with The L.I.S.A. Project NYC & Beyond The Streets. (photo © Jaime Rojo)
Conor Harrington in collaboration with The L.I.S.A. Project NYC & Beyond The Streets. (photo © Jaime Rojo)
Conor Harrington in collaboration with The L.I.S.A. Project NYC & Beyond The Streets. (photo © Jaime Rojo)
Conor Harrington in collaboration with The L.I.S.A. Project NYC & Beyond The Streets. (photo © Jaime Rojo)
Conor Harrington in collaboration with The L.I.S.A. Project NYC & Beyond The Streets. (photo © Jaime Rojo)
Conor Harrington in collaboration with The L.I.S.A. Project NYC & Beyond The Streets. (photo © Jaime Rojo)
Conor Harrington in collaboration with The L.I.S.A. Project NYC & Beyond The Streets. (photo © Jaime Rojo)
Conor Harrington in collaboration with The L.I.S.A. Project NYC & Beyond The Streets. (photo © Jaime Rojo)
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Sneak Peek of “Beyond The Streets” Now Mounting in Brooklyn

Sneak Peek of “Beyond The Streets” Now Mounting in Brooklyn

Hammering the display walls, sanding off the plaster bumps, the whirring and popping of construction drills: Two assistants are helping 1970s NYC subway writer Lee Quinones lay out a #2 train-car-length canvas on the floor while you are distracted by the Empire State building puncturing the Manhattan cityscape across the East River, a sweeping vista through the glass walls of this new high-rise in Williamsburg.

“Hello?” Martha Cooper takes a phone call at Bill Barminski’s fantasy installation in progress where each object has been crafted from paper and cardboard. Beyond The Streets, Brooklyn. (photo © Jaime Rojo)

Nearby Cornbread’s notebook hangs next to his signature, a potent visual reverberation across five decades from graffiti’s Philly roots.

Elsewhere there are the sounds of woodsaws and metal clanging accompany the one-line drawings of freight-writer buZ blurr as historian Bill Daniel is completing his comprehensive mini-exhibition within this massive exhibition. With trains and photos and modern relics of American rail lore on display, this crucial antecedent of modern-day aerosol “writing” emerges and blows its chimes as well. This is a particular slice of the graffiti story that Mr. Daniel may describe, as he does in The Secret History of Hobo Graffiti, as “the dogged pursuit of the impossibly convoluted story of the heretofore untold history of the century-old folkloric practice of hobo and railworker graffiti.”

Vintage anti-graffiti posters from a private collection. Beyond The Streets Brooklyn. (photo © Jaime Rojo)

It’s an apt descriptor for Beyond The Streets as well. This multi-artist graffiti/Street Art-influenced exhibition directed by the discerning shepherd and seer Roger Gastman that is now mounting over two floors and 100,000 square feet in North Brooklyn tackles an endlessly convoluted evolutionary path. He says the size and composition of the exhibition has slightly changed since its first mounting last year in Los Angeles, and he is acutely aware that its location is in the city that claims a huge part of the graffiti genesis story, carrying perhaps a steep level of expectations.

Not that he has reason to worry: there are more hits here than a blowout at Yankee Stadium.

Lady Pink. Detail. (photo © Jaime Rojo)

Like the blast of colors and pieces at a sunny Saturday afternoon Meeting of Styles jam, this show of many writers, photographers, documenters, collectors, painters, vandals, and attitudes won’t disappoint. You can see and construct your own version of a celebratory story that illustrates and reveals surprising ways that the street subculture has left its mark indelibly on the mainstream, yet often stayed separate.

From the Beastie Boys wigs worn in the “Sabotage” music video to the camera Joe Conzo used to shoot the Cold Crush Brothers, to the MDF and cardboard pay phone by pop sculptor Bill Barminski, and Dash Snow’s hi-low societal slumming photographs depicting sex, drugs, rhyming and stealing, visitors easily will have a flood of images and histories to author their own convoluted version of the graffiti and Street Art tale.

John Ahearn with a detail of Swoon’s wallpaper. (photo © Jaime Rojo)
Swoon. Detail. (photo © Jaime Rojo)
Al Diaz (photo © Jaime Rojo)
Dabs of DabsMyla at work on their installation in progress. (photo © Jaime Rojo)
Martha Cooper discussing the options to hang her photos with a production assistant. (photo © Jaime Rojo)
Lady Aiko. Detail. (photo © Jaime Rojo)
Detail. (photo © Jaime Rojo)
Mr. Cartoon installation in progress. (photo © Jaime Rojo)
Beastie Boys…there’s more here…much more… (photo © Jaime Rojo)
Detail of Shepard Fairey’s 30th Anniversary retrospective installation. (photo © Jaime Rojo)
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“Beyond The Streets” Comes To Brooklyn in June

“Beyond The Streets” Comes To Brooklyn in June

Gastman’s Massive Graffiti and Street Art Show Arrives at Epicenter.

“I’m really excited to bring this show to New York,” says curator, graffiti historian and urban anthropologist Roger Gastman, “because the city plays such a pivotal role in the origin and evolution of the culture. The iconic images of covered subway cars made graffiti famous worldwide.”

Style Wars Car by NOC 167 with Door Open, Man Reading Newspaper, 96th Street Station, New York, NY, 1981. (photo © Martha Cooper)

He’s talking of course about “Beyond The Streets” the hybrid exhibition that he mounted in LA last year featuring the work of 150 who have proved to be pivotal to the evolution of a fifty year global people’s art movement that includes graffiti, street art, and urban contemporary art. Filling over 100,000 square feet of new space in Brooklyn, this two-floor cross-section survey will feature artworks by many of the same vandals, graffiti writers, Street Artists, and art activists who hit NYC streets, created dialogue with passersby, and were sometimes chased by the authorities. To see them showcased here is to recognize that there is not just one route to take – in fact there are many.

Guerrilla Girls at Abrons Art Center, New York, 2015. (photo © Andrew Hindrake)

“We have an incredible roster of artists for New York,” Gastman tells us, “and a brand new space in Williamsburg that has a stunning view of the Manhattan skyline as our backdrop.” Notably the lineup includes artists whose work BSA has documented on the streets in this very same neighborhood over the past two decades, including Shepard Fairey, Faile, Swoon, Bast, Invader, Aiko, and others. Ironically the appearance of free-range Street Art in the neighborhood has been seriously diminished since that time.

The exhibition is one more verification that a significant portion of the scene is being widely recognized for its cultural contribution and value in the contemporary art canon – a significantly fluid scene fueled by discontent and a desire to short-circuit the established routes to audience appreciation. Like large survey shows elsewhere, the takeaway is the significant impact street culture and its tangential subcultures continues to have on the culture at large.

Lil’ Crazy Legs during shoot for Wild Style, Riverside Park, NY, 1983. (photo © Martha Cooper)

Gastman says the New York version of “Beyond The Streets” will take an additional interest at the role of music and art activism on the street, along with immersive installations, a tattoo parlor, a special Beastie Boys installation with artifacts and ephemera, a new 30th Anniversary Shepard Fairey project “Facing The Giant: 3 Decades of Dissent,” and large scale works by Gorilla Girls, Futura, Cleon Peterson, and Takashi Murakami. 

More news coming on programming and events, but the important opening date to know right now is June 21st.

“All in all, it will make for a really special show this Summer,” says Gastman.


BEYOND THE STREETS TEAM

Curator: Roger Gastman

Co-Curators: Sacha Jenkins SHR, Evan Pricco, David CHINO Villorente

Producer: Ian Mazie & Pressure Point Creative


Tickets and hours of operation can be found at: BEYONDTHESTREETS.COM


FEATURED ARTISTS INCLUDE:

A-ONE, AIKO, Al Diaz, Alexis Ross, Alicia McCarthy, André ​Saraiva, Barry McGee, BAST, Beastie Boys, Bert Krak, Bill Barminski, Bill Daniel, BLADE, Broken Fingaz, Buddy Esquire, buZ blurr, Carlos Mare, Carl Weston, Cey Adams, C.R. Stecyk III, Charlie Ahearn, Chaz Bojórquez, Claudia Gold, Cleon Peterson, COCO 144, Conor Harrington, Corita Kent, Craig Costello, CRASH, DABSMYLA, Dan Witz, Dash Snow, DAZE, DEFER, Dennis Hopper, Dondi White, Doze Green, EARSNOT, Estevan Oriol, Fab 5 Freddy, FAILE, Faith XLVII, Felipe Pantone, FREEDOM, FUTURA 2000, Gajin Fujita, Glen E. Friedman, Gordon Matta-Clark, Guerrilla Girls, HAZE, Henry Chalfant, Herb Migdoll, Husk Mit Navn, INVADER, Jane Dickson, Jason REVOK, Jean-Michel Basquiat, Jenny Holzer, Jim Prigoff, John Ahearn, John Fekner, John Tsombikos, Joe Conzo, José Parlá, KATS, KC Ortiz, Keith Haring, Kenny Scharf, Kilroy Was Here, LADY PINK, LAZAR, LEE Quiñones, Lisa Kahane, MADSAKI, Maripol, Mark Gonzales, Mark Mothersbaugh, Martha Cooper, Matt Weber, Maya Hayuk, Michael Lawrence, MIKE 171, MISS 17, Mister CARTOON, Nina Chanel Abney, NOC 167, Pat Riot, Patrick Martinez, Paul Insect, POSE, PRAY, Rammellzee, Randall Harrington, RETNA, Richard Colman, Richard Hambleton, RIME, RISK, Ron English, Ruby Neri, SABER, Sam Friedman, SANESMITH, Sayre Gomez, Shepard Fairey, SJK 171, SLICK, SNAKE 1, SNIPE1, STAY HIGH 149, Stephen Powers, SWOON, Takashi Murakami, TAKI 183, TATS CRU, TENGAone, Tim Conlon, Timothy Curtis, Todd James, Trash Records, UGA, VHILS, and ZESER

The show is developed in partnership with Adidas and Perrier. Additional support provided by Modernica, Montana Colors, NPR, NTWRK, Twenty Five Kent and WNYC.

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BSA Film Friday: 07.20.18

BSA Film Friday: 07.20.18

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Broken Fingaz Animates Video by Beck & U2
2. ResistanceX in Bilbao, Spain
3. Jeremy Fish: “The Whine Train”
4. Dan Witz: “Punk And Freedom” from “Beyond The Streets”
5. Manifiesto #FaltenPintades

bsa-film-friday-special-feature

BSA Special Feature: Broken Fingaz Animates Video by Beck & U2

Israeli graffiti/Street Art/multi-dimensional art crew Broken Fingaz comes out swinging with this new fully animated video by U2, as remixed by Beck. Just goes to show you how graffiti is frequently a gateway drug to other creative pursuits. Beware!

“We used two animation techniques we never tried before,” they say as they describe the top shelf story-telling here, “the classic animation is made up of 1,200 (!) acrylic paintings and for the stop-motion we teamed up with the amazing ZAZ animation studio to create a world from plasticine.”

An instant animation classic, this is the first time the Tel-Aviv base Broken Fingaz Crew have used animation on any of their projects. Some how they managed to entangle love, death, sexuality, yearning, and hope into their narrative tale – breathing life into everything.

ResistanceX in Bilbao, Spain

The Basque country as depicted in Bilbao here is glitch-trippy and light-footed with a bucket full of sexy public art and murals. Produced to celebrate the 10th Anniversary of SC Gallery. They call it ResistanceX and this festival has brought over the years artists like Aryz, Axel Void, Fefe Talavera, Laguna, Remed, Eltono, Michael Grudziecki, Size Paredes, SpY, Suso 33, Velvet, and Zoer Frederick Battle.

 

Jeremy Fish: “The Whine Train”

Artist Jeremy Fish breaks it all down for you about the multiple references that were running through his mind and whiny heart when he created this commission for the Napa Valley Wine Train.

 

Dan Witz: “Punk And Freedom” from “Beyond The Streets”

Somehow they manage to jam his entire career into one minute. Did they mention he is a genius with oils and with light? Dan Witz is all of this and much much more.

Manifiesto #FaltenPintades

Art and activism meet in the name of free expression in Spain in the next few days as a number of Street Artists, graffiti writers, and muralists join together for an upcoming action on July 21 and 22 to paint and protest. ‘No Callarem’ is the call in response to censorship – “We will not shut up”.

The collective says that “the only walls we can and want to admit are the ones that can be painted on, with freedom of action and expression, using criticism and satire.”

Here is a video announcing their manifesto and the upcoming days of paint and protest.

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