All posts tagged: AX

BSA Images Of The Week: 01.24.16

BSA Images Of The Week: 01.24.16

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Happy blizzard weekend New York! Who knew it would be so much fun to run free literally in the streets thanks to a travel ban on all non-emergency cars. It’s a bit of genius really, because if you DO get hit by a car, its probably an ambulance.

Here’s our weekly interview with the street, this week featuring Anser, AX, Blek le Rat, BK Foxx, Cern, Domenico Romeo, Horace Panter, Key Detail, LMNOPI, Marthalicia, READ, Sean9Lugo, Solo Selci, This Is Awkward, and WERC.

Our top image: BK Foxx does a black and white mural based on a photograph by Brenda Ann Kenneally for JMZ Walls. (photo © Jaime Rojo)

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LMNOPI for Top To Bottom. (photo © Jaime Rojo)

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Solo Selci in Sabina, Italy. (photo © BlindEyeFactory)

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A restaurant uses David Bowie to sell food in Manhattan (photo © Jaime Rojo)

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Horace Panter (photo © Jaime Rojo)

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Cern heating things up for “Top To Bottom.” (photo © Jaime Rojo)

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Marthalicia for “Top To Bottom“. (photo © Jaime Rojo)

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READ (photo © Jaime Rojo)

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Blek le Rat for Wunderkammen Gallery. Rome, Italy. (photo © BlindEyeFactory)

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Blek le Rat for Wunderkammen Gallery. Rome, Italy. (photo © BlindEyeFactory)

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Blek le Rat for Wunderkammen Gallery. Rome, Italy. (photo © BlindEyeFactory)

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This Is Awkward (photo © Jaime Rojo)

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Key Details for “Top To Bottom“. (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Anser for Top To Bottom. (photo © Jaime Rojo)

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Bathroom graffiti in layers (photo © Jaime Rojo)

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Domenico Romeo. Monza, Italy. (photo © BlindEyeFactory)

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Sean9Lugo for Top To Bottom. (photo © Jaime Rojo)

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Sean9Lugo for Top To Bottom. (photo © Jaime Rojo)

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Ax on the streets of Chicago. (photo © AX)

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WERC for Top To Bottom. (photo © Jaime Rojo)

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Untitled. Brooklyn, NY. January 2016. (photo © Jaime Rojo)

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BSA Images Of The Week: 07.26.15 Rochester Special

BSA Images Of The Week: 07.26.15 Rochester Special

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It’s not all about the murals! A sacrilegious thing to say perhaps, especially on a Sunday, especially when we are in town to see fresh new murals at the Wall\Therapy festival in Rochester. But none of the artists will take us to task because everyone knows that the roots of Street Art and graffiti are in the un-permissioned work that happens underground in hidden spots that become revered; magnets for aerosol mark-making, veritable spray can galleries. These crumbling houses of the holy are foundational to the modern Street Art scene. After all, if the good Lord didn’t want teens to get high, have sex, and catch tags he wouldn’t have created urban decay.

Top image above >>> Freedom (photo © Jaime Rojo)

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Freedom (photo © Jaime Rojo)

So it was good to get to the dirty stuff with some help from an affable Roc native named Jason who showed us around some of the darker caverns in the city this week where you can get a sense of the conversations that bubble just below the surface. These places of decay feature some old school tags, rollers, characters, bubble letters, rants, political critique – the gamut. Also, homeless people, restless hoodies on BMX bikes, and funny smelling cigarette smoke wafting past you periodically.

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Freedom (photo © Jaime Rojo)

We were really honored to speak at the museum Friday and to be introduced by the director Jonathan Binstock and Wall\Therapy founder Dr. Ian Wilson for our talk and show of a series of short films about the evolving Street Art scene globally. Memorial Art Gallery (MAG) is part of the University of Rochester and houses a huge encyclopedic collection of 12,000 works of art representing cultures from around the world and across millennia so to have the opportunity to share contemporary works from across this global grassroots art movement is especially gratifying and many in the audience came up afterward to talk about how inspiring this moment in art history is to them personally.

Typically academia and institutional support has been a few steps removed from this means of expression but the last decade and a half continues to see a shifting of perspectives by some who traditionally resisted the work in the streets. We’re just glad that we can continue to provide a platform for voices high and low, trained and self-taught, polished and in development – and the feedback we continue to get from you is that the work strikes a strong chord and we are grateful. Just to keep it real, here’s a tiny collection of work from Rochester’s organic urban art scene.

So here’s our weekly interview with the street, this week featuring AX, Cash4, Eder Muniz, Freedom, FUA Krew, Icy and Sot, Jeff Soto, Mr PRVRT, ND’A, OverUnder, ROA, Smear, and Thievin Stephen.

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Freedom (photo © Jaime Rojo)

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Icy & Sot (photo © Jaime Rojo)

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Icy & Sot (photo © Jaime Rojo)

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Eder Muniz (photo © Jaime Rojo)

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Eder Muniz (photo © Jaime Rojo)

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Eder Muniz (photo © Jaime Rojo)

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Eder Muniz (photo © Jaime Rojo)

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Eder Muniz (photo © Jaime Rojo)

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FUA Krew commenting on the bulldozing of a homeless tent city in Rochester days before Christmas in December. Mayor Lovely Warren took a great amount of criticism for her decision in the press, and here in the tunnels. (photo © Jaime Rojo)

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Mr. PRVRT (photo © Jaime Rojo)

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Mr. PRVRT and a partial ROA on top. (photo © Jaime Rojo)

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Mr. PRVRT and a Cash4 on top. (photo © Jaime Rojo)

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Overunder . NDA (photo © Jaime Rojo)

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Overunder . Thievin’ Stephen (photo © Jaime Rojo)

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Thievin’ Stephen (photo © Jaime Rojo)

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Thievin’ Stephen (photo © Jaime Rojo)

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Smear (photo © Jaime Rojo)

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AX (photo © Jaime Rojo)

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AX (photo © Jaime Rojo)

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AX (photo © Jaime Rojo)

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The Soto (photo © Jaime Rojo)

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Untitled. Rochester, NY. July 2015 (photo © Jaime Rojo)

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The Hive Gallery Presents: “Rezolution” A group Show (Phoenix, AZ)

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Chip Thomas and Thomas “Breeze” Marcus (photo © Chip Thomas)

R E Z O L U T I O N
7 Artists will converge upon The Hive art space in Phoenix, Arizona on December 16th 2011 for the group show titled Rezolution (Resolution).
Rezolution (spelled with a Z instead of an S), is a focus on 7 artists who have experienced Native American Reservation life first hand and know the historical as well as the daily modern struggles, triumphs, smiles and cries better than anyone else in the so called American Dream Land. A popular term amongst Native people refers to these communities and land areas simply as “The Rez”.
Douglas Miles is an Apache artist from the San Carlos Apache Nation although he has already been recognized internationally and nationally for the last decade and more, Miles has recently gained the attention of the southern California gallery and street style art scenes. Miles brings stark depictions of strength with his stencils and illustrations of contemporary Apache women and warriors, while incorporating elaborate hand written typography that is heavily influenced by inner city “Cholo” writing which has its origins in Los Angeles.
Chip Thomas, a doctor on the Dine(Navajo) Reservation for the last 24 yrs, has recently taken inspiration from international street artists like Blu, JR, Os Gemeos, Gaia, and others by starting his own series of giant wheat paste murals from images that he has photographed and documented since first moving to Shonto, Az in 1987. Although not Navajo himself, Chip has seen a lot of love and support from his community of Shonto Arizona, as well as heavy outside criticism.
In addition to Doug and Chip: Anthony “Thosh” Collins (Photographer), Razelle Benally (Film Maker), Dwayne Manuel (Painter), Tom Greyeyes (Painter) and local Phx muralist Breeze will be participating. All 7 artists know what it means to live on a “Rez”, and have taken their experiences of everyday life, cultural identities and harnessed them into positive creativity through contemporary Photography, Film, Brush Painting, Charcoal, Graffiti Art, Propaganda, Stencils, Wheat Paste, Spray Paint, and more.
In many ways, the tool known as Art is now a modern warrior’s weapon and resource in being a voice for the at times seemingly forgotten original inhabitants. Rezolution is a platform to exhibit various styles and educate the unaware and unknowing populations about contemporary Native life, art work and the missions to break stereotypes and presumptions of what mainstream society portrays and exploits the American Indian as.
The imagery in this show will be truthful, abstract, blunt, surrealistic and ironically foreign to many eyes looking in from the outside.

-Thomas Breeze Marcus

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