All posts tagged: 2501

BSA Images Of The Week: 01.20.19

BSA Images Of The Week: 01.20.19

Brexit deadlock is like a thorn in the side of the UK people this week, Trump is shutting down the US government partially here for almost a month (to celebrate 2 years in the White House?), the ‘Yellow Vests’ are striking through France for the 10th weekend, its going to get very cold tonight in New York, and your cousin Marlene is back from the local Women’s March with fire in her eyes and hope in her heart. As usual, the streets are alive with Street Art and graffiti, and we’re bringing it to you.

Here’s our weekly interview with the street, this time featuring 2501, Add Fuel, BirdCap, BustArt, C3, City Kitty, Cranio, Duster, Edu Danesi, Fafi, Frances Forever, Jaeryaime, Kram, LMNOPI, Mark Jenkins, Neon Savage, Os Boys, Pez, Rx Skulls, Sickid, Tatiana Fazlalizadeh, UFO 907, and Zaira Noir .

Jaeryaime in Wynwood, Miami. (photo © Jaime Rojo)
UFO 907 (photo © Jaime Rojo)
A Mark Jenkins installation in Wynwood, Miami. (photo © Jaime Rojo)
A Mark Jenkins installation in Wynwood, Miami. (photo © Jaime Rojo)
Duster (photo © Jaime Rojo)
Never 2501 (photo © Jaime Rojo)
Never 2501 (photo © Jaime Rojo)
Never 2501 (photo © Jaime Rojo)
Edu Danesi. Wynwood, Miami. (photo © Jaime Rojo)
Unidentified Artist (photo © Jaime Rojo)
Os Boys (photo © Jaime Rojo)
LMNOPI x City Kitty (photo © Jaime Rojo)
Neon Savage x City Kitty x C3 x Rx Skulls (photo © Jaime Rojo)
Fafi (photo © Jaime Rojo)
Bird Cap. Wynwood, Miami. (photo © Jaime Rojo)
Add Fuel. Wynwood, Miami. (photo © Jaime Rojo)
Pez x BustArt x Kram x Zaira Noir. Wynwood, Miami. (photo © Jaime Rojo)
Cranio. Wynwood, Miami. (photo © Jaime Rojo)
Hand painted sign at the NYCLT for #expandtheloftlaw in Williamsburg, Brooklyn (photo © Jaime Rojo)
Sickid with Frances Forever on the right and Tatiana Fazlalizadeh on the left. (photo © Jaime Rojo)
Untitled. Wynwood, Miami. December 2018. (photo © Jaime Rojo)
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BSA “Images Of The Year” for 2017 (VIDEO)

BSA “Images Of The Year” for 2017 (VIDEO)

Of the thousands of images he took this year in places like New York, Berlin, Scotland, Hong Kong, Sweden, French Polynesia, Barcelona, and Mexico City, photographer Jaime Rojo found that Street Art and graffiti are more alive than every before. From aerosol to brush to wheat-paste to sculpture and installations, the individual acts of art on the street can be uniquely powerful – even if you don’t personally know where or who it is coming from. As you look at the faces and expressions it is significant to see a sense of unrest, anger, fear. We also see hope and determination.

Every Sunday on BrooklynStreetArt.com, we present “Images Of The Week”, our weekly interview with the street. Primarily New York based, BSA interviewed, shot, and displayed images from Street Artists from more than 100 cities over the last year, making the site a truly global resource for artists, fans, collectors, gallerists, museums, curators, academics, and others in the creative ecosystem. We are proud of the help we have given and thankful to the community for what you give back to us and we hope you enjoy this collection – some of the best from 2017.

Brooklyn Street Art 2017 Images of the Year by Jaime Rojo includes the following artists;

Artists included in the video are: Suitswon, Curiot, Okuda, Astro, Sixe Paredes, Felipe Pantone, Hot Tea, Add Fuel, Hosh, Miss Van, Paola Delfin, Pantonio, Base23, R1, Jaune, Revok, Nick Walker, 1UP Crew, SotenOne, Phat1, Rime MSK, Martin Whatson, Alanis, Smells, UFO907, Kai, Tuts, Rambo, Martha Cooper, Lee Quinoes, Buster, Adam Fujita, Dirty Bandits, American Puppet, Disordered, Watchavato, Shepard Fairey, David Kramer, Yoko Ono, Dave The Chimp, Icy & Sot, Damien Mitchell, Molly Crabapple, Jerkface, Isaac Cordal, SacSix, Raf Urban, ATM Street Art, Stray Ones, Sony Sundancer, ROA, Telmo & Miel, Alexis Diaz, Space Invader, Nasca, BK Foxx, BordaloII, The Yok & Sheryo, Arty & Chikle, Daniel Buchsbaum, RIS Crew, Pichi & Avo, Lonac, Size Two, Cleon Peterson, Miquel Wert, Pyramid Oracle, Axe Colours, Swoon, Outings Project, Various & Gould, Alina Kiliwa, Tatiana Fazalalizadeh, Herakut, Jamal Shabaz, Seth, Vhils, KWets1, FinDac, Vinz Feel Free, Milamores & El Flaco, Alice Pasquini, Os Gemeos, Pixel Pancho, Kano Kid, Gutti Barrios, 3 x 3 x 3, Anonymouse, NeSpoon, Trashbird, M-city, ZoerOne, James Bullowgh, and 2501.

 

Cover image of Suits Won piece with Manhattan in the background, photo by Jaime Rojo.

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BSA Images of the Week 09.17.17 Urban Nation (UN) Special

BSA Images of the Week 09.17.17 Urban Nation (UN) Special

 

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Welcome to Sunday! This week we have a special edition of BSA Images of the Week; Dedicated to stuff on the street for last nights opening of Urban Nation Museum of Urban Contemporary Art (UN).

Readers of BSA will know that we are on the curatorial board of the new museum and have worked with 8 other curators along with Director Yasha Young to bring the inaugural show that happened last night to fruition. A block buster with thousands of people coursing through the perspective-bending walkways to see the GRAFT designed interiors, it was gratifying to see the 150 pieces admired by such interest, such avid curiosity.

As part of our mission, we want to foster an ongoing dialogue between the art in the streets and the art inside the museum. As UN’s first programmatic approach to this goal, the Art Mile invites the public to see installations that are made by many of the artists/collaborators which UN has had for projects in the city and around the world during the last few years of building the museum and reaching out to the community.

So with gratitude to you and to all the creatives and their supporters who rock our world, here’s our weekly interview with the streets, this week featuring 1UP Crew, 2501, Anthony Lister, Berlin Kidz, Blek Le Rat, David De La Mano, Faith XLVII, Franco “Jaz” Fasoli, Hot Tea, Icy & Sot, Inka Kendzia, Isaac Cordal, James Bullough, Louis Masai, Mademoiselle Maurice, Manthe Ribane, Seth Globepainter, Tankpetrol, Zezao, and Zio Ziegler.

Top image: 8 a.m. the morning after. Space Invader’s new plate unveiled last night to commemorate the opening of Urban Nation Museum For Urban Contemporary Art in Berlin. (photo © Jaime Rojo)

Berlin Kidz . 1UP Crew. James Bullough . 2501 . Zio Ziegler. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Anthony Lister. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Franco JAZ Fasoli. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice . Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Zezao. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Blek Le Rat. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Blek Le Rat. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Blek Le Rat. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Tankpetrol. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

“AURUAM” Manthe Ribane, Inka Kendzia, and Faith XLVII. Art Mile. Urban Nation Museum For Urban Contemporary Art. (Photo © Jaime Rojo)

Icy & Sot. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Icy & Sot. Detail. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Louis Masai. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Seth Globepainter. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Isaac Cordal. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Hot Tea. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

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Le Rat Has Arrived, Police Remove Cars from “Art Mile”, 2 Days to “Unstoppable” in Berlin : BSA Dispatch 3

Le Rat Has Arrived, Police Remove Cars from “Art Mile”, 2 Days to “Unstoppable” in Berlin : BSA Dispatch 3

Blek Le Rat arrived at the Urban Nation office today with his wife Sybille after a long car ride from Paris, ready for a coffee and possibly to take a look at the wall he’ll be painting here to celebrate “UNSTOPPABLE”, the inaugural exhibition of the UN museum this weekend. The wind taunted BustArt as he attempted to lay his irreverent stencil of Mother Mary coddling Pluto Jr. and the sliced cutout cardboard bent and bowed beyond an average person’s patience while his buddy Stephan helped hold it down for spraying.

Isaac Cordal. Detail of a larger outdoor installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Under the elevated train a legion of police and traffic cops removed 80 or so cars so the team could begin building stages, cages, platforms, lighting, electricity – for a slew of fresh outdoor pieces which will be installed Thursday and Friday for the weekend outside component.

Who is going to be on display as part of the Art Mile? Try Pixel Pancho, Franco JAZ Fasoli, Bordalo II, Mimi S., HowNosm, Zezao, Isaac Cordal, Olek, Seth Globepainter, Blek Le Rat, Hottea, Dot Dot Dot, Borondo, Herakut, Deih XLF, Faith 47, David De La Mano, Nespoon, Tank Patrol, Lister, Cranio, Sandra Chevrier, Aaron Woes M, Yok & Sheryo, Haroshi, Don John, Ben Frost, Various & Gould, Icy & Sot, Mademoiselle Maurice, the Juxtapoz newsstand, Mark Bode, Shepard Fairey, 1 Up, James Bullough, and 2501. It’s a real cross section of styles, influences, and voice that will be engaging guests this weekend.

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

The Berlin police actually use a truss and truck that picks up the offending car, puts it on a flatbed. Then, believe or not, they look for an empty parking spot in the neighborhood an place the car into the new place – also signs are posted to let you know where your car was re-located to.

In New York City if you are unfortunate enough to park your car in the wrong place it is simply towed away to a massive car yard somewhere, banging into things occasionally on the way and flying through potholes – and then held for a King’s ransom. Then you have to simply guess if it was towed or stolen.  No word on what the London Police do in regards to cars parked illegally.

Hot Tea at work on his site specific installation for the Art Mile. Florian couldn’t wait to take a peek. Urban Nation Museum For Urban Contemporary Art. (photo © Hot Tea)

Up on a lift for painting today also were Mademoiselle Maurice, David De La Mano, and James Bullough, and the company plastering the corner façade of the museum with pink letters. When the winds got to strong everybody was forced to bring the lifts down for an hour. Intrepid and lucky photographers like Jaime Rojo and Nika Kramer still managed to go up in the buckets to get some good shots in.

Hot Tea is spraying a big installation space with a rainbow of colors – on the walls and floors completely. People who are peeking through the plastic sheeting that protects the windows are wondering what this world of color is going to be.

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Meanwhile the onslaught of arrivals continues, including hopefully we’ll see Martha Cooper and Carlo McCormick. Martha of course will be here to celebrate the beginning of the Martha Cooper Library within the museum and Carlo will be here to see the didactics and texts he wrote for the exhibition and catalogue –as well as speaking at the Unlock Book Fair. This publishing fair for graffiti, street art and related practices is a must see for those who relish the independent thinking minds who publish on paper in this scene. Other great speakers featured will be Pedro Soares, Jens Besser, Susan Phillips, Thomas Chambers, and Javier Abarca.

Okay that’s your update for today. See you on the streets tomorrow.

Ron English. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE at work for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart fights with the wind. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Tankpetrol at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

 

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BSA Film Friday: 03.03.17

BSA Film Friday: 03.03.17

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Icy & Sot “Plastic Shells”
2.  NWO 3 – ABIK “Gestural”
3.  Low Bros #sweet15s Episode 9 / Seattle
4.  NUART / Aberdeen 2017


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BSA Special Feature: Icy & Sot “Plastic Shells”

Demonstrating once again that when you are an artist the world is your oyster for creativity, Street Artists Icy & Sot play on a popular folk myth that if you hold a seashell to your ear, usually a conch shell, you will hear the sound of the ocean. The rush and the resonance of swelling and crashing waves upon the sand is captured and forever transmitted by the open cavity of the seashell. In this small conceptual video piece the brothers take you to the beach with a new friend to gather seashells and hold them up to your ear.

New Yorker’s can see a new piece by Icy & Sot that one of them in their studio modeled on BSA a couple of weeks ago tonight in a group show by curators Victoria Latysheva and Melissa McCaig-Welles, as they  present “Trumpomania”. It’s all mixed media from artists in 35 countries, ruminating on you-know-who.

NWO 3 – ABIK “Gestural”

20+ years of graffiti under his belt, Abik is getting abstract.

It’s third in a series of programs he has led and this one will feature work by many of the next generation who are coming to the streets and canvasses with alternatives to the figurative as well as the wild style – sort of a “no wave” approach to walls.

“The name of the event – NWO as New WALL Order – plays with the illuminati & conspiracy theories’ tagging to ironically highlight new horizons of our post-graffiti scene via the signature-wallpaintings,” says Marco Contardi, an Italian free writer and curator.

Previous editions of NWO included artists like 108, 2501, Giorgio Bartocci, CT, Eleuro and Ufocinque, as well as then Abik, Alfano, Alberonero, Aris, Giorgio Bartocci, Centina, G.Loois x Domenico Romeo, Luca Font and Sbagliato Collective.

Call it post-graffiti, or graffuturism, but these guys hope you’ll appreciate the gesture.

Read more in Italian at Gorgo.

Low Bros #sweet15s Episode 9 / Seattle

The quickest shot of LowBros recent wall in Seattle. So brief, yet potent.

 

NUART / Aberdeen 2017

A promo reel with punchy soundtrack and juicy graphics. Isn’t that what you want? Nuart Aberdeen 2017 delivers.

 

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Two Miami Schools Enveloped in Murals : The RAW Project in Wynwood

Two Miami Schools Enveloped in Murals : The RAW Project in Wynwood

Reimagining Art in Wynwood: The RAW Project.

The National Endowment for the Arts (NEA) received $148 million in 2016. The war budget, also called the “Defense Budget”, was approved for $582 billion for this year.

For comparison’s sake, that means the “Defense Budget” is 3,900 times the size of the NEA.

Paola Delfin at work on her mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Arts and artists get very little or no financial or institutional support from the federal, state, or local government in the United States, which is always a shock for Europeans to learn – and many won’t believe it when you tell them. This website, for example, receives no funding or grants from any organization despite publishing daily for almost nine years, and it has remained non-commercial during that entire time.

Paola Delfin with some fans. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

It may be getting even worse for the arts in the US now that the new Trump administration in Washington is proposing cutting all funding from the National Endowment for the Arts. Arts and music programs in many American schools have already been eliminated slowly but surely over the last 40 years since the beginning of trickle-down economics in the 1980s.

That is why it is rather astounding that two of Miami’s Wynwood schools, Eneida M. Hartner elementary school and Jose De Diego middle school, are completely covered in murals.

Mr. June. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

The Raw Project in Wynwood, Miami is the initiative of Robert De Los Rios, who partnered with private contributors, did fundraising, and asked a coalition of artists to paint the walls of the schools for the kids.

 

Part of its success of course is due to the status of the Wynwood neighborhood as a magnet for graffiti and Street Artists over the last decade or so. Already coming to Wynwood for Art Basel or to partake in a related art event, these artists have given of themselves and their talents to create a completely unique and dynamic environment for students to learn and grow up around.

Zed1. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

We captured a number of these walls during successive visits over the last few years and share them with BSA readers today.

Please consider donating to the school organization to continue this program and to refresh or replace murals as they age. http://www.projectwynwood.com/raw/

Martin Whatson. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Martin Whatson. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Shepard Fairey. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

2501. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

INO at work on his mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

INO. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © INO)

Kevin Ludo at work on his mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Kevin Ludo. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Louis Masai at work on his mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Louis Masai at work on his mural at The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Louis Masai. The Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Emil Walker)

Dan Witz. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Pip Squeak. Eneida M. Hartner elementary school. Wynwood, Miami. 2016 (photo © Jaime Rojo)

Axel Rod. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Bik Ismo. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Findac. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

D*Face on the left with Pixel Pancho on the right. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

MTO. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Paola Delfin. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Spencer Keeton Cunnigham. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Word To Mother. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Pastel. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Jose Mertz . Lister. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Looks like the kids at the Jose De Diego middle school are being inspired by the art of Ben Eine. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Martin Whatson. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

Txemy. Jose De Diego middle school. Wynwood, Miami. 2014 (photo © Jaime Rojo)

 

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Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6

Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6

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Art Basel in Miami is part of an annual three city fair that includes Hong Kong and it’s name sake Basel in Switzerland. This years fair in Miami hosts 269 galleries and your brain will be fried after the first 150, in an excellent way.

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Okuda at Retrospect Galleries. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

An art fair is not really a rarefied environment but many patrons walk with that air, presumably because they find it to be a flattering look, but most people are just excited to discover new ideas and techniques for channeling the creative spirit in a multitude of ways.

Far from the action of the actual graffiti and Street Art scene in long rows of white wall cubicles that average the price of a new car to rent for four days, SCOPE nonetheless has a healthy number of Street Artists represented with studio pieces that rock as hard as any killer piece under a bridge.

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Felipe Pantone at Mirus Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

Inside this environment we’re probably calling the category Urban Contemporary and it’s always interesting to see how the street practice translates to a frame on a wall – and who can do it successfully. Maybe it shouldn’t, but it’s always surprising to see how many other derivative, hackneyed, or underwhelming works are proudly on display – by artists whose main connection to actual street culture is tenuous at best.

But imitators and replicators have existed in every genre of the plastic arts for as long as anyone reading this has been alive, so it shouldn’t be a shock when you have seen 5 Banksy-esque canvasses even before you stop at the commissary for your $14 pressed vegetable panini.

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Hueman at Mirus Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

For the actual fans and collectors of actual graffiti and Street Artists, it may be irksome to see the common tropes of colorful paint drips and ironic pop images mutated and slapped with cleverness – especially in view of the fact that there is a fleet of new kids outside in our cities and streets today whose work is regularly amazing.

Since many of the current generation of Street Artists have had a little or a lot of formal training as artists, the quality of work in the good spots is very high and we were happy to find many excellent pieces throughout the fair by folks whose name you may recognize. Here is a sampling of pieces we found during an audit of this year’s SCOPE just so you have an idea of the offerings.

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Cinta Vidal at Thinkspace Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Cyrcle at Station 16 Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Clet Abraham at Graffik Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Dotmasters at Graffik Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Sitk at Graffik Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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2501 and Cryptik at Innerstate Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Pixel Pancho at Innerstate Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Swoon at Chandran Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Logan Hicks and Joe Iurato at Station 16 Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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C215 at Next Street Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Kurar at Next Street Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Denis McNett at Paradigm Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

 

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BSA Images Of The Week: 09.27.15

BSA Images Of The Week: 09.27.15

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Thanks to everyone who came out to talk to us and listen to a conversation we had with FAILE on the stage of the Brooklyn Museum – where everybody learned facts that are fundamental to understanding this dynamic duo; Where the name came from, why they write “1986” on everything, and what role religion plays in their work, among other things.  More on this Tuesday.

In other news, Pope Francis brought the city to a standstill – especially in Manhattan where he hit the United Nations, Central Park, and held a mass at Madison Square garden with his messages about immigration, greed, climate change, and the burgeoning wars that heads of state (there were 170 in town) appear powerless to prevent and woefully inadequate at protecting the people from. Throngs of faithful and long security lines greeted him all over the city. There was some Street Art here and there to mark the occasion, and we will continue to keep our eyes open for it now that he has gone to Philadelphia to hold an enormous mass on the steps of the Philadelphia Museum.

Also, tonight is the Blood Moon! Not sure what that means but the name is sort of scary. If we all die in an apocalypse remember we love you. If not, same.

And all the while these two French guys were dragging their furniture down Broadway from 125th Street on a city-wide tour…. Full story tomorrow on BSA.

Here’s our weekly interview with the street, this week featuring 2501, City Kitty, Fanakapan, Jose Parla, JR, Mark Samsonovich, Mosher Show, Punk Me Tender, Renauld & Boijeot, Rubin415, Sandra Chevrier, Shin Shin, Stikman, and Wing.

Top image above >>> Fanakapan. Detail. The Bushwick Collective. (photo © Jaime Rojo)

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Fanakapan. The Bushwick Collective. (photo © Jaime Rojo)

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2501. #NotACrime (photo © Jaime Rojo)

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2501. #NotACrime Detail. (photo © Jaime Rojo)

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Rubin415 (photo © Jaime Rojo)

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Boijeot . Renauld. The furniture-making public space traipsers are in New York! Here in Brooklyn they are doing a test for their “Crossing” project in Manhattan. Would you like a cup of coffee? Stay tuned as BSA will bring you the “crossing of Manhattan” as it unfolds. (photo © Jaime Rojo)

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Wing is rather rain-bow themed (photo © Jaime Rojo)

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Artist Unknown with AppleOnPictures on the left. (photo © Jaime Rojo)

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Mark Samsonovich ad takeover campaign. (photo © Jaime Rojo)

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Mark Samsonovich ad takeover campaign. (photo © Jaime Rojo)

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Mosher Show (photo © Jaime Rojo)

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City Kitty (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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Shin Shin (photo © Jaime Rojo)

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Jose Parla collaboration with JR. This is almost three years old but construction on the site has altered the placement of the art and we wanted to share this with you again. (photo © Jaime Rojo)

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Punk Me Tender (photo © Jaime Rojo)

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Stikman (photo © Jaime Rojo)

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Sandra Chevrier (photo © Jaime Rojo)

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“The world we have received also belongs to those who will follow us” Pope Francis.  (photo © Jaime Rojo)

 

 

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“From Street To Art” (Italy to New York) & Hitnes on a BKLN Roof

“From Street To Art” (Italy to New York) & Hitnes on a BKLN Roof

New Gallery Show Opens at Italian Cultural Institute of New York

Ever the melting pot, New Yorkers take it almost for granted that we are going to hear 10 different accents just in the course of our day walking through streets, getting a cab, shopping in a store, going to the theater, attending an art opening. We’re always in a midst of a cultural exchange. We often may not realize that the art on our street walls, legal and otherwise, may be the work of a cultural emissary as well, created by artists who hail from almost every country in the world. Such is the magnetic power of this international cultural center that even our graffiti tour guides sometimes need to be interpreters.

One of the countries where BSA has a large and loyal following is Italy and we’re excited to be a part of a cultural exchange that opens this evening with Italian graffiti and Street Artists exhibiting for the first time together in a formal gallery show. “From Street to Art”, opening today at the Italian Cultural Institute of New York, is a survey of this moment in the twenty-teens from the streets of Italy that adds to the voices of cultural exchange in this city that sparked so much of the worldwide graffiti and street art movements over the last fifty years or so.

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Using flat color and simplistic stereotypes demarked by clothing styles and associated characteristics of social types, the work of BR1 can evoke emotions and strong opinions on the street and in the gallery. (photo © Jaime Rojo)

Organized by Public and Urban Art curator Simone Pallotta, “From Street to Art” continues the thread of sanctioned/unsanctioned artwork and continues his personal and professional route of drawing connections between contemporary art and the dozens of interventions he has overseen in his native country.

“From Street to Art” presents a good caliber of this “contemporary” scene, a collection of artists that reflects the variety one will experience on the street as well. Agostino Iacurci, Aris, BR1, Cyop&Kaf, Dem, Eron, Hitnes, Sten&Lex, Ufo5, and 2501 have each established a voice of their own during this first wave of the new global Street Art explosion.

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DEM (photo © Jaime Rojo)

BSA is honored to partner with the organizers and curator to get the word out about the nascent Italian street scene not only for its energy and talent today, but for the historical roots of a painting tradition from the middle ages to the Renaissance to contemporary times; revered for stunning and expansive installations of art upon walls inside and al fresco, private and per il pubblico.

One of the original organizers of the Festival “Memorie Urbane” in Gaeta, curator Pallotta has worked with names you are familiar with from his home country: Blu, Sten & Lex, Escif, Aryz, Agostino Iucurci. While a few of those names are represented in this show, Pallotta hopes to go a  step beyond the sizzling “Street Art” zeitgeist of this moment to re-consider the urban context of public work as interpreted by a new generation of artists whose practice is likely to develop into the future, authoring the evolving definition of public art.

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DEM (photo © Jaime Rojo)

By choosing a selection of conceptualists, muralists, illustrators, even social commentators, he presents a good cross section of experimentation and execution in a quiet gallery setting that may indicate where this art form is headed.

As you would expect, the gallery show (shown being unpacked here) is complimented by work out of doors as well and we had the opportunity to see HITNES on a roof in Brooklyn this week.

We also spoke with curator Simone Pallotta, artist BR1, and artist HITNES while he knocked out a wall on a roof in Bushwick .

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Agostino Iacursi (photo © Jaime Rojo)

BSA speaks with curator of “From Street To Art”, Simone Pallotta:

Brooklyn Street Art: What initially drew your attention to Street Art?
Simone Pallotta: In the 90s I was a graffiti artist and later on I went to university for 8 years to study Art History. I began to pay more attention to what was going on the streets and one day in 2004 I discovered the art of Italian Street Artist BLU. It made such an impression on me that at that moment I made the decision to focus my time and energies in supporting Street Artists and helping them get more exposure.

In the university I had learned about institutional Contemporary Art – and my experience seeing Street Art in situ helped me understand that the real Contemporary Art was happening before my eyes on the streets. This was a Contemporary Art that was not being taught in the classroom at the university.

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ERON (photo © Jaime Rojo)

Brooklyn Street Art: What is the attitude of the City of Rome towards Street Art?
Simone Pallotta:If by the City of Rome we mean the city as an institution, dealing with it in all matters of Street Art has become very hard to work with. Because the government changes so often there isn’t a state policy in place regarding Street Art so then we are left to work with single individuals in governmental departments that are receptive to Street Art. During the 90s many graffiti artists from all over the world came to Rome to write due to the lack of law enforcement.

From the late 90s to the early 2000s Rome didn’t have much Street Art so the laws remained as they were and weren’t enforced. In Rome it is relatively easy for Street Artists to put illegal work up but ironically, due to the intense bureaucracy, it is very hard to convince the people in power to authorize legal walls for Street Artists to put art on. Recently however the government has been more open to working with independent cultural organizations and foundations to promote art on legal walls.

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Cyop & Kaf (photo © Jaime Rojo)

Brooklyn Street Art: What would you like to communicate to viewers with this exhibition?
Simone Pallotta:I have been involved with Street Art for ten years now and when the opportunity to curate this exhibition was presented to me I wanted to select 10 artists with a strong urban background and attitude. With this exhibition I want to re-direct the focus solely on the merits of the art; the content, the style and the techniques employed to create it, without focusing too much on the street provenance.

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2501 (photo © Jaime Rojo)

 

BSA speaks with Street Artist BR1:

brooklyn-street-art-br1-jaime-rojo-06-2014-webBrooklyn Street Art: You address a number of religious themes on your work.  Can you talk about the importance of your perspective on religion in your pieces?
BR1: I’m drawn to religious themes mainly by the people who practice religion. It always interest me the lifestyle of people as a direct link with religious dogma. Institutional religions impose many demands on people – from the way they should dress to how they should behave in private and in public. The more that people associate themselves with a specific religion and become a part of that community, they may have little desire to explore life outside their religious bubble.

First I observe the people to be able to understand what are the things in their culture and life that have become religious symbols. In this case the burka is a dress but it is also a symbol. If the practice of an artist is purely social, more than political, it is important to show ideas in one’s work. With my work I would like  to question the viewer. I don’t want to create problems but I’d want to further the discussion to see if people are able to go outside their drawn lines and to engage positively and constructively with the other side.

Brooklyn Street Art: Would you call yourself a feminist?
BR1: Yes. In fact I have been invited by some feminists groups to come and talk about my work.

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BR1 (photo © Jaime Rojo)

Brooklyn Street Art: Why is it important to you to create work with issues that affect women in our society?
BR1: It is a hard question because when I began drawing I often drew women. In Italy and in many other countries women are not treated equally as men. They are discriminated against in the workplace and in society at large and I want to draw attention to this with my work. Also my work is about helping people understand that they have choices in life.

Brooklyn Street Art: Why are you attracted to put your work on the streets without permission?
BR1: The experience of Street Art is free and that’s what I liked about it. When I began doing Street Art I wanted to preserve the free spirit of it. When I first visited NYC I saw a lot of wheat pastes and some stencil work on the streets that were not legally installed. Now the trend is to go big on legal walls. For me placement is very important; art on the streets has to be in context with the surroundings.

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Hitnes (photo © Jaime Rojo)

 

During a hot day this week, BSA also got to speak with participating Street Artist HITNES as he completed a wall on a roof in Brooklyn in conjunction with the show “From Street to Art”:

Brooklyn Street Art: How do animals inspire your work?
HITNES: Animals are known forms of nature and like the alphabet you can work with them in any which way you want. I come from a family of biologists (and artists) and since an early age I was inspired by the books that were around me when I was growing up.

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Hitnes (photo © Jaime Rojo)

Brooklyn Street Art: You started as a graffiti artist. Why did you switch to Street Art?
HITNES: I switched from letters to animals because it was quicker for me to do them.

Brooklyn Street Art: You obviously love color – where does your palette derive from?
HITNES: I was exposed to color with comics and cartoons and I liked them. For me the use of color is very important, it is as important as the form. But at the same time you need to be prepared to work with what you have and to be flexible.

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

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Hitnes (photo © Jaime Rojo)

This wall was made possible with the assistance of NYstGallery

“From Street To Art” is a group exhibition of contemporary Italian Street Artists including Agostino Iacursi, Aris, BR1, Cyop & Kaf, Dem, Eron, Hitnes, Sten & Lex, UFO5 and 2501. Curated by Simone Pallotta opening today at the Italian Cultural Institute. Click HERE for further details.

 

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“MURAL” Roundup, Montreal Arts Festival Keeps The Quality for Year 2

“MURAL” Roundup, Montreal Arts Festival Keeps The Quality for Year 2

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Montreal has shown up again on our radar this summer because of the second annual MURAL festival, a large gathering of art fans, performances and live painting. The quality of the work is high and appropriately placed center stage, and the caliber of the event draws a good cross section of modern public art fans who are there to see the art and meet the artists rather than rush past it on the way to the next music performance, beer tent, or drug deal.

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Kashink. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

A majority of the 20+ artists made their mark initially by doing graffiti/street art, about a third of them are Canadian, and all of them were stunted by heavy rains the first two days of the four-day event. By the weekend the sun had cleared the way for block parties, DJs, live painting, tours, and commercial vending along the Saint-Laurent and the golden age of murals was in full effect once again.

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Bryan Beyung. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

Impossible to place into one stylistic category, many of the massive pieces this year are singular portraits, or at least figurative, appealing on the whole, and with a handful of abstract and surreal tableaus. Transgressive themes, as in many street festivals around the world, are almost disappeared or nearly imperceptible — an irony of sorts considering the rebellious street culture that many of these artists evolved from. Ultimately, it is the quality of the endowment that gives it staying power and many of these new pieces will endure into the future in Montreal.

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Seth. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

Artists for the MURAL festival include:

123 Klan, Bezt from the Etam Cru, Zilon, Alex Scaner, Inti, Vilx, Cyrcle, Zema, Alex Diaz, Seth, Fred Caron, 2501, Zoltan, Kashink, Kevin Ledo, Bryan Beyung, Miss Me, Stikki Peaches, Mathieu Connery, Alex Produkt, and Le Diamantaire.

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Rone. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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RR & DB. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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INTI. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Cyrcle. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Zoltan. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

 

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Bizt/Etam Cru. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Vilx. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Fred Caron. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Zilon. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Zema. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Kevin Ledo. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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2501. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

 

MURAL Montreal Festival: Day 1 and 2

Mural Montreal Festival: Day 3

 

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Mural Montreal Festival: Day 4

Mural Montreal Festival: Day 4

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Our final posting from Montreal’s MURAL festival gives you a sense of the the size, variety, and quality of the expanse of works on display over four days. With any luck, most of these will be up much longer.

If you are ever planning one of these ginormous parties of painting here’s a little advice: don’t plan to shoot photos of all of them during the actual festival because little things like rainstorms, supply shortages, surprising technical challenges, and artists fatigue will undoubtedly slow the progress.

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Kevin Ledo. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

Also raging parties and sudden love interests pull many a wayward heart away from the work to be done, and sometimes a parade of looky-loo new fans will ask 1,001 questions while craning their eyes up to you on the scissor lift. One or more of these eventualities always happens, nothing to be done about it.

“Some walls aren’t finished so I’ll try and get them tomorrow,” says photographer Daniel Esteban Rojas, who has been sharing these great images with BSA readers. Don’t sweat it Daniel, we understand, and these images are worth the wait!

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Kevin Ledo’s mural reflection on sunglasses. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Zema. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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2501. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Alex Scaner. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Opire. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Cyrcle. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Inti. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Alexis Diaz. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Zoitan. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Kashink. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Wzrds. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

 

MURAL Montreal Festival: Day 1 and 2

Mural Montreal Festival: Day 3

 

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Mural Montreal Festival: Day 3

Mural Montreal Festival: Day 3

Brooklyn-Street-Art-740_Mural-2014-Montreal-

Montreals’ MURAL festival wound up with a great weekend of public murals, music, food, and culture after a slow start this year. Over the next couple of days we will bring you exclusive images of the murals completed in this well organized and executed showcase for outside are. Here are some detail shots, progress shots and action shots specially made for BSA readers.

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Rone. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Fred Caron. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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RR & DB. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Bizt/Etam Cru. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Vilx. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Cyrcle. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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2501. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Alex Scanner. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Seth. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Miss Me. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Matheiu Connery. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Laurence Valliers. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

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Kashink. Mural Festival 2014. Montreal, Canada. (photo © Daniel Esteban Rojas)

MURAL Montreal Festival: Day 1 and 2

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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