Our Weekly Interview With the Streets

And a lot of it is flowing toward these two artists, no doubt, who have always shown love for the dispossessed, working class, out-of-work, marginalized “everyman” and “everywoman” with their human depictions. In these times when we are shedding jobs and waiting to see how far down the bottom is, maybe that’s why this show (one week from now) is striking a deep chord already. Instead of emailing pics to all the fans, we’re posting them here.
Chris Stain and Armsrock studiously working into the night to produce their first collaborative work for the new show they have at Ad Hoc Gallery next Friday, August 7.
In preparation for their upcoming collaboration at Ad Hoc in Bushwick next week, Armsrock and Chris Stain sailed deep into the night near Brooklyn’s massive Navy Yard, hoisting up ladders to put up a large mural stirring the contemplative inner currents of child’s play entitled “I Know There Is Love”.
Using projections of their original work as well as improvised “chalk drawings”, the storytelling includes two tadpole-aged lads and a small harbor of imaginary vessels. In it one instantly escapes to a freer time of discovery when multiple dreams were easily set afloat.
As if a reaction to the rough and salty seas of daily life in New York for many, the street artist co-captains hang a huge banner across the mast of this ship to announce that it is possible to right the bow and head toward hope.
More pics and detail of this installation to follow in the next few days.
A professor of printmaking at Brooklyn’s Pratt Institute, in the past year his own gallery work has begun to pile up and layer the incisors to great effect. Recently at the Willoughby Windows installation on the street in downtown Brooklyn, McNett pulled ahead of the feral pack with a knarly and strident geometry of line and pattern – punching some of his existing icons by multiplying them in an unexpected and beautiful way.
Sneak Peek of ‘Year of the Wolfbat’
His recent show in San Francisco at the FecalFace Gallery and a great interview

photo credit: urban_data

Street Artist Chris Stain talks about his mural last weekend in Albany, and the people who he honors with his work.
After a stint of screen printing with friends in Philadelphia, Chris Stain hopped the train this weekend up the mighty Hudson River to NY’s state capital, whereupon he put up a blue-collar mural.
The stencil-like imagery of two guys you think you know, is a style Stain has been mining since he began in the late nineties; and so it is topically. Time and again he features the very people who keep the wheels of society turning yet who are finding themselves getting pinned under those same wheels, the workers.

The warehouse had a number of setbacks and planes to negotiate to cover it’s entire side. (photo Chris Stain)
Chris Stain: Many of the images I choose have some relation to my upbringing; whether they’re working class or inner-city, it all stems from growing up in Baltimore. I find myself drawn again and again to the subject matter. I cant seem to shake it but don’t find a reason to right now.
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Now Chris is back in Brooklyn and feverishly preparing for a much-anticipated collaboration at Ad Hoc Gallery, where he is paired with a kindred soul in street art, Armsrock. The two are preparing “I Know There is Love”, based on the lyrics of a song the same name by the 70’s punk band Crass.

“A Return to the Simplicity of All Things” a very recent piece by Armsrock (image courtesy the artist)
A better pairing of styles may not happen for a while – both artists use the humanity of their subjects, unpolished and unassuming, to reflect back at us the state of our condition (or is that the condition of our state?)
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Show Info HERE
Shoot some hoops with WK Interact and if you are in the neighborhood, catch his new work at Jonathan Levine, still up until Saturday (the 25th).
This video is from a few minutes ago, but it is so hot – showing the movement and violent splashes of paint that Mr. Interact is all about. Oh, yeah, and there is that Kobe guy on it too.
I have no pigging idea what real golf is like – it seems so snoozy and upper crusty and I don’t have any polo shirts or Dockers. At a recent BBQ this guy Uly told us about Disc-golf, which he said involves frisbees, buckets, doobies and hippies/rednecks. Sounds like my family reunion. Kidding! There are no buckets at the family reunion.
Anyhoo, today we are talking about Mini-golf in industrial Bushwick, which doesn’t sound like it would be too hard to master and you don’t have to know about Bogeys or being On Par.

Walk right in!
They call it “The Putting Lot” and it’s sincerely and educationally constructed in an empty lot, and may be the first real addition of greenspace for the citizens of Bushwick since before Jay-Z was playing stickball.
The landlord of the lot is letting these people create a golf course on his property this summer because they seem like such nice earnest kids. Anyway it’s not like they’re a bunch of metal-heads or hip-hop thugs or graffiti artists or anything. Ha-HA! Just checking to see if you are still reading.

A family plays the course on 4th of July.
Little do they know, two of the most nefarious street artists, Skewville, have infiltrated their high-minded community-awareness-raising project and have constructed a pitch-perfect 3-D Skewville environment for hooligans – where else- in the back of the lot.
Gabriel Fries-Brigg, one of the Putting Lot organizers, gave us a little tour of the Green greens.
Brooklyn Street Art: What’s the big idea behind this little golf course?
Gabriel Fries-Briggs: We chose Bushwick for a range of reasons. The first being mostly selfish, many of the volunteers that started “The Putting Lot” live in Bushwick and we wanted to put recreation near our homes. Bushwick is also lacking in recreational options more than many neighborhoods, especially for kids.
Cost: Adults: $5, Children (ages 12 and under): $3
Email: info@theputtinglot.org
Store Front: The Disappearing Face of New York,
in unique collaboration with many of today’s hottest graffiti and street artists.
August 15, 2009
12 noon to 4 pm
210 Elizabeth Street, 4th Floor
Store Front: The Disappearing Face of New York is a breathtaking visual guide to New York City’s cultural heritage, with special emphasis on the historic streets and ethnic shops that have defined its many neighborhoods. Meticulously photographed, its powerful images of time-worn institutions will be printed at close to life-size scale and installed on the Gawker Media roof, becoming canvases on which select graffiti and street artists are invited to leave their indelible marks. The result will be a unique impression of a New York City that seems to be fading with each passing day. Our cultural and economic landscape will be called into question, the role of art, particularly graffiti and street art, will be subject to reinterpretation.
Curated by Billi Kid, MOM & POPism brings together graffiti and street artists to create new artworks on top of the Murray’s photographs. The collaborating graffiti and street artists represent some of the most notable artists in the street art community and the media at large. These include Blanco, Buildmore, Cake, Celso, Cern, Chris (RWK), Crome, Cycle, David Cooper, Destroy & Rebuild, Enamel Kingdom, Goldenstash, Infinity, Kngee, Lady Pink, Matt Siren, Morgan Thomas, Peru Ana Ana Peru, Plasma Slugs, Royce Bannon, Shai R. Dahan, Shiro, The Dude Company, Tikcy, Under Water Pirates, Veng (RWK), Zoltron and Billi Kid.
MOM & POPism will be open to public on Saturday, August 15th from noon to 4 p.m. Additional exhibition viewings are available by appointment throughout August.
