On Friday, Jan. 15th Pandemic Gallery is proud to present “Unweaving the Rainbow”, featuring new works from Adam Payne and David Pappaceno.
Opening reception 7-11pm
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com
On Friday, Jan. 15th Pandemic Gallery is proud to present “Unweaving the Rainbow”, featuring new works from Adam Payne and David Pappaceno.
Opening reception 7-11pm
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com
Photographer Vinny Cornelli talks about an entertaining foray into decay he took last week. It’s a cool way to look at something with new eyes.
So this collection of images is about walled-off construction zones and the art that can be fostered on these temporary spaces.
When you think about it, even in this tough economy, people are still in the middle of construction projects that are walled-off by these fake plywood walls. Why not sanction these walls as public, and allow our community to color them up? They’re ugly as sin otherwise. Well, unless some crappy company illegally pastes posters of the newest Tom Cruise movie. I say forget that. Why can’t we all just have some fun, be comfortable in it’s legality, and voice our colorful contributions to the neighborhood we belong?
Street Signals
Okay, things are not always what they seem – this was a legal spot peeepull! But it is a funny sort of recognition of the place that graffiti has evolved to. I’m sure this will keep the arts and culture pundits chewing on the implications and ramifications for days. OMG!
Thanks to – and for more on this story see the Tats Cru blog – like they say “Only in New York Baby”!
Aided by Kid Acne’s small army of sword wielding vixens and EMA’s genteel mustachioed dude, Trusto Corp left some words for thought on the streets of Williamsburg.
Geez it’s great to be back home in the freezing bitter city! What have we missed?
Kid Acne, whoever that is, must also be a fashion designer or a costume designer or just fancies laddies who play dress-up – because this new fleet of pastie-ups are chic and sexified, and possibly violent. EMA rings in that old-world charm with the oval locket portraits of a guy who is probably part of a barbershop quartet. And don’t ask me about Trusto Corp – these very seriously realistic looking signs have a variety of sentiments that range from encouraging illegality to insulting me for being fat. Which I’m not!

That SO cannot be true! I am in Williamsburg! By DEFINITION I must be cool. Right? Right? (Trusto Corp) (photo © Jaime Rojo)
The country is in the grip of a COLD SNAP! Forecasters are predicting a wind chill of -50 degrees in the Dakotas tonight.
Good thing M-City has his orange pants!
Those insulated winterized dungarees kept M-City warm in December when he was doing a one-man factory-cityscape with Ad Hoc in Queens, and right now as he finishes a collaboration with Gaia in Bed Stuy, Brooklyn. Here’s some pictures and comments from both installations and both Street Artists.
This panorama shot shows the whole installation like it hasn’t been seen before. (courtesy the artist)
Brooklyn Street Art: How did you get involved with this project?
M-City: I’m on holidays in NYC. I love to travel and paint in different places, so it’s good to be here and leave my work on the streets of NYC. I asked before my trip some friend about how to get some walls to paint. They found me this space via Ad Hoc Gallery. It took me three and a half days to do this wall with snow and really bad weather.
Brooklyn Street Art: What is the inspiration behind the piece?
M-City: It’s a story about the industrial city jungle. There are some factories that look like an animal. I chose bulls and elephants. They are very strong like engines in factories. In the background it’s a city landscape and leaves. Of course as always in all my works everything is black and white.
Brooklyn Street Art: Is it hard to do this work in cold weather conditions?
M-City: Not really, of course summer is much better to paint. In my country at this time is the same weather. If you use stencils, it’s only one problem … wind. If you use one it’s easy, but I use sometimes 100-200 stencils for one piece. And if the wind is coming you must have a lots hand to catch them all.
Brooklyn Street Art: What is your wish for 2010?
M-City: Nothing special, keep all good waves from 2009, and create more good waves in the new year…

In an echo of New York’s industrial past – and 14th Street present – smoke stacks churning out pollution into the air in M-City’s mural.
Last night in Brooklyn M-City and Gaia worked together on a collaboration, a city scape of hundreds of buildings with two large screaming starling heads emerging from the clutter – a wall scored by Brooklynite Gallery just for the installation.
During the roughly 6 hours in 25 degree weather, many people walking by stopped to say hello and ask questions about what the art was, how it was created, and if it had anything to do with the Martin Scorcese film that is happening a couple blocks away. Two spritely teen-age girls wanted to know if we were shooting a video, because, if so, they would like to be in it. One woman inquired about how she could get her work up on the wall sometime. Two school boys asked about 30 questions in quick succession. The questions kept everyone entertained and distracted from the cold, which caused toes and brains to freeze. Unfortunately, the source of electricity (a beauty shop) had to go home after their last hair-do, and the artists will have to finish the mural soon.

M-City and Gaia work on their collaborative mural before the sun goes down. (photo © Steven P. Harrington)
Brooklyn Street Art: How many stencils did you use this time?
M-City: For this piece I used 3 sizes of buildings. About 50 of the small size, the medium size about 50, and the large size maybe 10 or 12. I don’t know how many stencils I have, I never count. I probably have about 200 today.
Brooklyn Street Art: Are you very cold?
M-City: No. For me, no. In Poland now it’s winter. It’s more cold than here. It’s not a perfect time, but it’s okay. This is better for stencils because if it is too hot, the paint is sticky. And it is not windy, so I don’t need 20 hands to keep hold of all my stencils.

M-City rifles through the pile of stencils to create the cacophonic cityscape (photo © Steven P. Harrington)
While M-City took a break to warm his hands on the projector light-bulb and block Gaia’s view, we asked Gaia a couple of questions:
Brooklyn Street Art: Tell me about this bird you are doing.
Gaia: I made this starling for a show in L.A. that’s opening this Friday. It’s about endangered species. So I decided it would be an interesting perspective to take a species that is, in fact, endangering other species. The starling is an invasive animal that ravages crops and out-competes. So this is a screaming starling head. I’m going to do two.

As night takes over, the lights of the projector draw more attention to Gaia’s work for passersby (photo © Steven P. Harrington)
Brooklyn Street Art: When they scream, what does that signify?
Gaia: It’s more just a frightening gesture. Especially when I put two of them together it forms a tarantula, kind of scary, kind of tough. People have told me that my most successful work is stuff that’s not effeminate. And this spot is interesting to paint because it’s totally dilapidated but with the projector, no matter how textured or dis-assembled the surface is… it works. It’s a pretty sh*tty looking building so once you cover it over with art work it looks better.

Old Skool Technology for New Skool Street Artist – Gaia’s bird on a transparency (photo © Steven P. Harrington)
Brooklyn Street Art: Well, there was a local minister that just stopped by who’s building a new church in the neighborhood, and stopped by to say “Thank you” and how happy he was that this art was going up.
Gaia: Yeah that is super dope, that is so awesome. He seemed like a very nice guy.

To be continued – the beauty shop closed and pulled the plug – so Gaia and M-City will finish the mural soon. (photo © Steven P. Harrington)
Brooklyn Street Art: This hot chocolate is not very good – they just dumped that Swiss Miss mix into this cup – it’s supposed to have half this much water.
Gaia: It’s hot, that’s all that matters. You know it’s probably all at the bottom, you have to swirl it around. (swings the cup around) Oh, yeah, that totally made a difference. Actually, not that much of a difference.
We start 2010 with a bag of sea-shells and this bounty of inspiring Street Art images from warm sunny Miami – which was a break from the bitter coldness of BK for a bit. Heartfelt gratitude to Typoe for showing us what’s up and who, together with a dude named Books, has built the one-of-a-kind Primary Flight show on the streets of Miami’s Wynwood District over the past three years during Art Basel.
With a vision that speaks to the next decade of public art, these guys have coordinated with local businesses, galleries, graff/street artists, and the City of Miami to clear the way for what is turning into a global gallery on the street. Without self-aggrandizing rhetoric, these peeps are developing a model for building an art scene while keeping the edge and encouraging experimentation. So far the “collection” doesn’t risk the blanding that can happen when bureaucrats, committees, or self-appointed art critics insert themselves, or when corporate sponsors commodify the spirit.
It’s worth mentioning that this is just one more case of artists revitalizing abandoned blighted areas of the urban landscape, of their own volition, with grit, determination, and vision.
During a whirlwind tour last week of Primary Flight sites (and many others who have jumped into the game) we witnessed a diverse, energetic mix of graff, old-school, art school, graphic design, sculpture, illustration, surrealism… all part of the developing Street Art vocabulary that we’re witnessing in Brooklyn and NYC at large. Thanks to Typoe and Giovana for their kind hospitality and insight.
We hope you enjoy the Dade County Bounty: a past and present explosion of art on the streets of Miami.
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A veteran of 10 years shooting the streets of New York, Rojo has amassed a collection of images that capture the scene with the appreciation of an artist. To celebrate the creative spirit that is alive and well on the streets of New York, this slide video gives a taste of what happened in ‘09, without pretending to present the whole scene or all the artists, known and anonymous, who add to the ongoing conversation.
Included in this collection of images (in no particular order) are pieces by Skewville, Specter, The Dude Company, Judith Supine, C215, WK Interact, Anthony Lister, Miss Bugs, Bast, Chris from Robots Will Kill (RWK), Os Gemeos, Cake, Celso, Imminent Disaster, Mark Cavalho, NohJ Coley, Elbow Toe, Feral, Poster Boy, Bishop203, Jon Burgerman, Royce Bannon, Damon Ginandes, Conor Harrington, Gaia, JC2, Logan Hicks, Chris Stain, Armsrock, Veng from Robots Will Kill (RWK), Noah Sparkes, Robots Will Kill, Heracut, Billy Mode, Revs, Skullphone, Spazmat, Mint and Serf, Roa, Aakash Nihilani, Broken Crow, Peru Ana Ana Peru, & Cern
All images © Jaime Rojo
Our wish for 2010 is an endless supply of paints, paper, glue, scissors, found objects, photos, markers, pizza boxes, pizza, poetry, tape, thumb-tacs, oak tag, foamcore, ladders, scissor lifts, extension cords, brushes, exacto blades, clamp lights, legal spots, abandoned lots, generous landlords, chalk, tacos, blue tape, pencils, charcoal, wheat-paste, acrylics, projection lights, comfortable sneakers, sketch books, black books, fabric, grease paint, rollers, and community.
TOMORROW : OUR FAVORITE IMAGES OF THE YEAR.
10 Wishes for 2010, #10, Martha Cooper
For ten days we’re presenting ten artists and their wishes for the new year, 2010, in no particular order. Together, they are a tiny snapshot of the people who are part of the giant explosion of street art in New York. Individually, each has added their expression of the creative spirit to the decade now ending.
Today’s wish comes from Martha Cooper, photographer and ethnographer, who has documented New York street life since the days when steel-wheeled galleries of graffiti rolled all-city and “rap” was something your mom did with her hand upside your head for tagging the fridge.
“I wish for a year filled with colorful, creative, sweet and reasonably priced surprises.”
10 Wishes for 2010, #9, Elbowtoe
For ten days we’re presenting ten artists and their wishes for the new year, 2010, in no particular order. Together, they are a tiny snapshot of the people who are part of the giant explosion of street art in New York. Individually, each has added their expression of the creative spirit to the decade now ending.
Today’s wish comes from ElbowToe, a poet of the streets and figurative line drawer, who conjures stories, pays homage to classics, and renders bended every-people.
“MAY YOU HAVE SPACE FOR REFLECTION.” – ELBOWTOE
10 Wishes for 2010, #8, Broken Crow
For ten days we’re presenting ten artists and their wishes for the new year, 2010, in no particular order. Together, they are a tiny snapshot of the people who are part of the giant explosion of street art in New York. Individually, each has added their expression of the creative spirit to the decade now ending.
Today’s wish for 2010 comes from Broken Crow, a duo of stencil animals whose metaphorical bears, horses, porcupines, and others from the natural world draw our attention to human’s impact and folly.
“In 2010, we wish to somehow acquire around 10,000 x-acto blades, 55 rolls of 36 inch wide butcher paper, a pallet of duct tape, a 160 foot tall cherry picker, 1000 cans of flat black spray paint, 600 gallons of exterior flat latex paint, a 2 month supply of sunblock, and funding for 5 months worth of prep work. We need all these things because for the last few months we’ve been in talks with the owner of a two-block-long abandoned industrial complex here in Minneapolis, with the intention of painting the largest site specific mural installation the Mid-West has ever known. The project has the support of the owner of the site, as well as local community organizations, and we are now in the process of securing funding and supplies.”
Broken Crow and Overunder with BrooklynStreetArt.com in NY from Maria Juranic on Vimeo.