Hello BSA family. Summer is a good time to move so we have been packing up boxes and schlepping our giant beloved site into a larger more commodius server and we’re doing some renovation on the new place so stuff will be fast and phat for you.
You will notice a couple of bumps along the route but we’ll get it all running smoothly soon!
Thank you for your patience while we’re doing it before your eyes.
Love, BSA
Danish Street Artist Don John is typically known for his fluorescent ferocious, if stylized, stencilled illustrations of beasts and bearded men (or combinations thereof) on the street and in doorways. Today we see a more reverent side of the artist as he completes a portrait of the Danish author and poet Hans Christian Anderson. The creator of Fairy Tales is best known world wide for his childrens stories including “The Tinderbox”, “The Princess and the Pea”, “Thumbelina”, “The Little Mermaid” and “The Emperor’s New Clothes“.
Not only that, he lived right around the corner from this new giant likeness. “He was born in Odense and the mural is located across from the house where he grew up, in the direction he is looking,” says the artist.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Museo de Arte Contemporáneo Oaxaca (MACO) Show Features Pedro Alonzo and Friends
Already a cultural capital of a quarter million, the city of Oaxaca itself is a World Heritage Site and sits six miles east of Monte Albán, the Zapotecs city that is traced back to 500 BC. For MACO to invite curator Pedro Alonzo to create a show inside and outside on the streets is a stroke of inspiration and the quality of the selection of artists for the exhibition only confirms the inspiration.
Today on BSA Roberto Shimizu, who owns and oparates MUJAM (Antique Toy Museum of Mexico), shares with us the images he took while checking out the installations last month on the street and in the museum. Roberto has invited a number of Street Artists to Mexico City in the past to create works and to participate in community-building projects so he was very excited to learn about this pretty remarkable event happening so near to him.
“We heard that great Street Artists from around the world were having an exhibition only two days before the opening so I made the six hour trip from Mexico City with my girlfriend and two other friends the following day. Some of the best artists in the world from México, Brazil, Germany, Italy, USA and the magical Oaxaca itself gathered in the streets of this beautiful colonial town to leave striking pieces of public art,” he says.
The list includes Date Farmers, Dr. Lakra, How & Nosm, Lapiztola, MOMO, Nunca, Retna, Saner, StenLex, Swoon, Vhils, and Yescka and represents a nice blend of local and international. “To see the How & Nosm twins painting those perfect lines and then turn your head and look into Santo Domingo´s Cathedral is something that made this adventure worth it,” Roberto tells us. “Seeing Swoon posting over top some RETNA calligraphy was also an “historic” moment.”
For further information regarding this exhibition click HERE.
With much gratitude with Roberto Shimizu, Director of Museo Del Juguete Antiguo De Mexico, MUJAM for his photos.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Here’s our weekly interview with the street, this week featuring 2Easae, Alana Dee Haynes, ASVP, Dain, DALeast, ECB, Faith47, Jason Wilder, Jeice2, Lea Rizzo, Missy, ND’A, and SKI NYC.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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New work from Alice Pasquini in Shoreditch, Sydenham, Camden, and boatside along the River Thames where mud boots are required and someone to hold your ladder is appreciated .
Jessica Stewart shares these images with BSA readers of Alice in distinctly different areas of London, where the responses to the sight of an artist painting on your street vary greatly.
In Shoreditch, Alice was taken rather as part of the expected show, says Jessica. “Shoreditch is the hub of Street Art and Alice got everything from random reporters to a guide who does street art tours walking by,” says Jessica. The fellas in the spot next door seem particularly unimpressed of the lady on the ladder as they discuss the news of the day.
In Sydenham, a neighborhood that is newly embracing art to illustrate its vibrancy, the response was welcoming. “In Camden, which funnily enough doesn’t get painted much, people were much more fresh in their observations and really excited to see something go up,” observes Stewart.
Then in the muddy moorings of a dry dock barge in Bermondsey, just up river from Tower Bridge, Alice worked alongside Miss Van, Ciro Schu, Sheryo, and The Yok painting on the side of a boat while the water raised and receded and at times the artists felt like they might get sucked into the earth and the water.
“It was a crazy few days of racing against the tides to get in painting time,” says the photographer as she recalls the hotly humid air and continuously changing conditions. In the video of the boat painting party below that was shot and edited by Ben Grubb, it’s good to see Alice alongside the others even while the water rises.
The Sydenham wall was coordinated with GlobalStreetArt.com.
The Bermondsey Boat painting was coordinated by Propa Stuff (www.propa-stuff.com)
Artists included are Alice Pasquini, Miss Van, Ciro Schu, Sheryo, and The Yok
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening: Dylan on Deitch: Reinventing the Experience of Art, and SANER MXDF .
“The best art re-invents art for the next generation, but in addition, it references the long tradition that goes before.”
Jeffrey Deitch for President! In this new video interview with the departing director of Museum of Contemporary Art, Los Angeles (MOCA), film maker Jesse Dylan (yes) creates a warm and human six minute re-iteration of Deitch’s core appreciation for the magnificence of art and its power to transform. The video, popping somewhat out of nowhere a week after his announced cordial departure, is not quite “A Town Called Hope”, but you can imagine this running over a bed of thoughtfully plinking piano keys just before soaring with the eagles and the candidate emerging onto a starkly lit stage to the swelling of applause.
A polarizing figure in the art world for people who questioned his appointment there from the beginning and the appropriateness of a commercially successful gallery owner/showman taking over the helm of such an institution, from this perspective it looks like Deitch has stayed true to one of his core interests – exposing new work to new audiences and challenging conventional wisdom on how to engage, and who with. Much of our own abiding love for Street Art and graffiti is based on the concept that traditional purveyors of wisdom or art criticism have no place in its curation whatsoever.
“Art in the Streets”, although obviously a programmed exhibition, succeeded in mowing down the protests of many who steadfastly resisted giving such formal recognition to the impact and backstory of graffiti and Street Art on the culture and accepted canons of art. Everyone knew it would be a messy endeavor, and given the entrenched classism, racism, and gatekeeping that tripped wires for months, it succeeded on many levels nonetheless. So, this marriage didn’t work out, and in this country more than half of them end. No one will deny his unique vision and given his comfort with discomfort and curiosity for how people can engage with art, only a fool would think Deitch won’t be breaking new ground for exploration in the future.
And in that same vein, prepare to be blown away by Mexican artist Saner, who embodies the true sense of inquisitive engagement and reverence for history while exploring new ways to connect. Through his own observations and study and romance with the Mexican mural art tradition, graffiti, Street Art, and his sense of magic realism, Saner shows us how to be fully engaged and question our own motivations.
In the translation here he says, “If you do not know what you are doing, or don’t have something to tell or say; a piece of yourself, a gift to the people, then what you are doing is cold, lifeless.”
Various and Gould have been hitting up billboards in Berlin this summer purely out of the love of the sport. Today take a look at the homage they are doing to a basketball legend – with a V&G twist of course.
“We are aware that Johnson is wearing the wrong team colors,” says Various while recounting the magic of their second collaboration with CHULA this season. Their inquisitive natural discovery method means they have a general idea how it might come together, and like playing with Earvin Johnson, hands can go anywhere but you just better keep your eye on the ball.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Diagnosis One: America’s deflated rustbelt cities can expect a deteriorated dust bowl demeanor until bankruptcy, followed by tumbleweeds.
Diagnosis Two: Street Art and graffiti are inextricably entwined with and contributing factors for broken windows, societal disarray, economic and moral decay of the aforementioned cities.
Both are failed and need to be re-examined.
For the record, Rochester tops lists in terms of liveability, investment in new technology sectors, and has 91% of it’s citizens covered by health insurance – before Obamacare even kicks in. It has lost jobs and population due to stumbling giants like Xerox and Eastman Kodak and recent annual budgets have had significant shortfalls, but Rochester is putting up a good fight in the healthcare sector.
Dr. Ian Wilson should know. Which brings us to the second diagnosis. Ask the former Brooklyn graff writer now radiologist at the University of Rochester Medical Center if Street Art is synonymous with crime and disorder, and he’ll tell you all about the healing power of Wall\Therapy and murals.
The just-concluded community art project he spearheaded landed local and international graffiti/urban/street artists in Rochester for 10 days of painting – bringing certain parts of the city alive with curious locals hanging out in empty lots and hanging out of slow moving car windows, watching artists with cans as they bob up and down on cherry pickers.
Co-curated this year with lead organizer Erich Lehman, Wilson has pulled off a stylistically wide-ranging collection of nearly 30 walls this year that go from aesthetically sweet to academically rooted. An apt balance, if you think of Ian.
It’s also been a balancing act to please all constituencies and manage to pull off something fresh; he’s dealt with a handful of outspoken critics who question every turn he’s made, yet the festival has been buoyed by a curious and enthusiastic under-30 youth culture whose minds explode with excitement at the thought of the global Street Art scene hitting their own city.
“Mural art can enhance the life experience – an arguable effect of the arts in general,” the doctor says only a little didactically. All week during Wall\Therapy locals and visitors were taking tours on the El Camino Trail, watching walls going up in the South Wedge, and discussing art and the ideas that the artists are working with – whether it’s a portrait of Trayvon Martin in a piece by New Jersey’s LNY, a gentlemen’s fist fight by Ireland’s Conor Harrington, or a tribute to the influence of Xerox on the city by Baltimore’s Gaia.
Add the local talents, a cadre of volunteers and photographers and some serious old-skool big graffiti names from NYC rocking styles that started it all, this year there was more action than a Saturday night ER.
Finally, Wall\Therapy is Wilson’s balancing act of bringing art to the people, and medical care to communities in need. Working with a group of colleagues, he has also embarked on a fundraising program to bring diagnostic equipment to people in the developing world who lack access – and he is now talking about cloud-based diagnoses by a pool of volunteer doctors around the world who can interpret the teleradiology scans remotely.
Can he get all the funding and the equipment and the artists and the walls all together at once? “Realistically, this will have to be done in stages or phases, like some of the procedures that I perform,” he says. If you’ve witnessed this years committed volunteers and organizers at Wall\Therapy, it is a fair assumption that these dual goals of art and healing will happen on a growing scale.
“There is no hope without inspiration. The two travel simultaneously, sharing the same bandwidth,” explains Wilson.
BSA gives a shout out for the valuable contributions to the Wall\Therapy over the last ten days by the artists, organizers, volunteers, and talented photographers. Special thanks to John Magnus Champlin, Erich Lehman, Ian Wilson, Matt DeTurck, Jason Wilder, Alex Stuart, Mark Deff, Lisa Barker, Mark Deff, and Josh Saunders. Shout out to Instagrammers @WallTherapyNY , @heliosunphoto , and @shotbywilder .
Check out excellent Wall\Therapy coverage by Rebecca Rafferty on the Rochester City Newspaper
Check out our previous posts on WALL\THERAPY:
WALL\THERAPY 2013 Starts With FREEDOM in a Tunnel
WALL\THERAPY 2013 Daily Checkup and Scan of Founder Ian Wilson
Wall\Therapy 2013 Tuesday Update 7.22.13
Sarah C. Rutherford Flies High at Wall\Therapy
Wall \ Therapy 2013 Friday Update 07.26.13
To learn more please visit:
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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As an update to our posting a few weeks ago about Urban Forms we have here some exclusive images of new work in Lodz from some local Street ETAM crew and M-City.
The ETAM crew are Przemysław Blejzyk (“Sainer”) and Matthew Gapski (“Bezt”) and are both still students at the University of Lodz but have already blown minds with their grandly eclectic characters, attention to textural nuances and their talent with color. You can see their influences from other Street Artists/illustrators with higher profiles, but their style continues to evolve into something purely theirs. ETAM haven’t yet begun to travel the circuit of cities around the world that are blooming with Street Art, but you know it’s just a matter of time.
A graphic designer, muralist and lover of architecture, M-City is also a professor in Gdansk. His distinctive monochromatic industrial age subjects and multi-functioned diagrammed machinery transform unusual spaces. He knows how to select a good context in which to unveil work that is at once simple and complex – and usually expansive. M-City has completed perhaps a couple of hundred murals around the world in the last decade so it’s great to see this work a little closer to home here in Poland.
Special thanks to Michał Bieżyński for sharing these images with us exclusively for BSA readers.
See our earlier coverage of Urban Forms HERE.
To learn more about Urban Forms go to http://www.galeriaurbanforms.org/
https://www.facebook.com/urbanforms
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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“I felt an intimacy with them…bordering on frenzy [that] must accompany my steps through life,” said the celebrated John James Audubon, the French-American naturalist and painter more than 200 years ago of his deep love for birds that began as a teenager and lead to his illustrations of the still revered book The Birds of America. By now we may consider the Belgian artist named ROA to be an Audubon of the Streets, so committed he is to documenting by hand and sharing with the public his studies of the animal world on walls, especially those that are often overlooked or dismissed as pests.
As we have tracked the aerosol orinthologist and urban naturalist for you during his travels of the last few years, his dedication to showcasing the oft-marginalized creatures of towns, cities, and regions around the world has not waned. Like Audubon, his depictions have become progressively more accurate in detail and now give a greater sense of mass, texture, and the presence of the subject.
Today we bring you new unpublished photos from some of his recent travels to Australia, Argentina, Brazil, Panama, along with some insights from ROA about some of the animals he has come in contact with. Not only do we not recognize a number of them, we also probably haven’t seen their skeletons or musculature, which the artist sometimes peels the skin off of for us to inspect.
As a body of work ROA’s mounting collection of birds and rodents must be nearing a hundred or so around the world, yet he continues to unveil more. As ROA told BSA a few years ago, “I like rodents. Birds and rodents. Without having made a choice, I feel really good painting birds and rodents.” We are very happy to bring you these newest birds and rodents for you to enjoy.
~ROA
Reminding you of the animal-as-food connection, ROA completed this partially skinned bull on the terrace of his friends place at the Post Bar and ‘Hollywood in Cambodia Gallery‘. “Maybe is is a sort of ‘Memento Mori’ in this beef and BBQ country,” he jests in a half-serious wisecrack
After Brazil, ROA visited Panama City at the invitation of the first Bienal Del Sur Panama 2013, a huge cultural festival that celebrated the 500th year of the discovery of the South Sea.
ROA would like to thank Sumo, INSANO and his other friends of Panama City for hosting him while there.
In March, 2013 ROA was one of ten Street Artists commissioned by Pinguin Books UK to create a cover for their series pairing Street Artists with contemporary authors whose modern classics novels are being re-issued.
A photo of ROA’s piece below graces the cover for the re-issue of singer, musician and author Nick Cage’s novel “And The Ass Saw The Angel”.
Other artists and authors included in these series are:
“Americana” by Don DeLillo. Art by Dr Henry Jekyll,
“Armadillo” by William Boyd. Art by YOK,
“Hawksmoor” by Peter Ackroyd. Art by BARN,
“How to Be Good” by Nick Hornby. Art by Agostino,
“Lights Out for the Territory” by Iain Sinclair. Art by ESPO,
“The Believers” by Zoe Heller. Art by Sickboy,
“The We Came to the End” by Joshua Ferris. Art by 45RPM,
“The Reluctant Fundamentalist” by Mohsin Hamid. Art by Mittenimwald and
“What a Carve Up!” by Jonathan Coe. Art by DAIN.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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The Future is Now
The Future Is Now
Opening Reception: Thursday August 1st, 2013 4-11pm
Friday August 2nd, 2013 10 am-11pm
Saturday August 3rd, 2013 10 am-11pm
Sunday August 4th, 2013 10 am-6pm
The Highline Loft
508 W. 26th Street
New York, NY 10001
We are pleased to present “The Future Is Now” at The Highline Loft, NYC’s renowned gallery located on The Highland Park in Chelsea, NYC.
This unique Invitational brings together a curated selection of prolific street and urban contemporary artists and musicians for a weekend of cutting edge art, music, technology and performance. The Future Is Now serves as the blueprint for the 21st Century’s Multimedia art experience.
Please join us while we make history together.
Roster of Artists:
Jordan Betten, John Breiner, Ross Brodar, Allison Buxton, Garrison Buxton, John Arthur Carr, Cern, Deedee Cheriel, Chip Love, Steve Cogle, Joseph Conrad- Ferm, COPE2, Spencer Keeton Cunningham, Cycle, CYRCLE, Dalek, Adam Dare, Katrina Del Mar, ELLE DEAD SEX, Brian Ermanski, John FeknerEric Foss, Mike Fitzsimmons, Ellis Gallagher, Mike Giant, Maya Hayuk, Hellbent, David Hochbaum, David Hollier, Michael Holman, Ben Horton, Kimyon Huggins, INDIE 184 , Ian Kuali, Dave Kinsey, Koralie, Kool Kid Kreyola, Nick Kuszyk, Greg LaMarche, Craig LaRotonda, Don Leicht, Chip Love, Adam Ludwig, Joe Lurato, Tara McPherson, Alice Mizrachi, Billy Mode, Morning Breath, NDA, NOBODY, OLEK, David Ortiz, William Quigley, Leon Reid, Skewville, Specter , Beau Stanton, Chris Stain, Swoon, Nick Taylor, Thundercut, , Chris Uphues, Michel Bellici, Andrea Von Bujdoss, Kennedy Yanko, Deborah Yoon.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
