13 from 2013 : Bob Anderson “Watching the Process Unfold with Phlegm”

13 from 2013 : Bob Anderson “Watching the Process Unfold with Phlegm”

13shots-from-2013-v7

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

December-27

Brooklyn-Street-Art-Bob-Anderson-December--2013-photogs-names

Today we go to New York State’s capital Albany to hear from photographer and occasional BSA contributor Bob Anderson whose intense love for photography is usually expressed through natural beauty and  domestic scenes but occasionally he can indulge in a true passion; street art photography. In 2013 Bob had the opportunity to meet the illustrator and street artist Phlegm who was visiting from Sheffield, a city in South Yorkshire, England. While he caught some excellent shots for BSA readers during that marathon of painting, this one stood out as his favorite of 2013.

brooklyn-street-art-phlegm-bob-anderson-albany-ny-2013-web

Phlegm. Albany, NY 2013. (photo © Bob Anderson)

Watching the Process Unfold with Phlegm

~ Bob Anderson

Whether it’s a sticker, a tag, or a mural, the streets are the judge of what will stand the test of time. Sometimes it is the aesthetic or the message, or simply the placement that weighs in an efforts favor. The end result will garner a cover, a buff, or appreciation.

Not to distract from the work itself, but I find more appreciation in both the process and the artist. Yes, I want to see new work, but viewed from a computer or in real life after it’s completed, it does not carry the intensity as watching it unfold. Maybe in a completely selfish way, it’s to learn the process. Everyone has their own technique. It’s not something one is willing to share in an email or to a passer by. But if you’re willing to lug paint & ladders, stay out all night, hop fences, or sit in a dirt lot all day – you will learn something.

As for the photos. It’s easy to walk up to a finished wall and frame a nice photo – but it can still feel empty. Photos of the actual process show the evolution and effort behind the work. Creativity comes by working with whatever gear you may be able to pack in, the time and lighting given (which will never be ideal) and shooting around faces that can not be shown.

Lastly, the most important part is the people.

Well known names with no associated faces come together with random strangers.

During those countless hours late at night or under the sun in a dirty parking lot, drinks are shared, hilarious stories are told, and friendships are made.

And a wall is left standing.

Photos document the party that only a few were privileged to attend.

Get out, and get up!

Thanks to all!

 

Artist: Phlegm

Location: Albany, NY. 2013

 
#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 from 2013 : Jim Kiernan “Snowden – Eyes Are Watching”

13 from 2013 : Jim Kiernan “Snowden – Eyes Are Watching”

13shots-from-2013-v7

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

December-26

Brooklyn-Street-Art-Jim-Kiernam-December--2013-photogs-names

The intersection with culture and politics and the street is not always evident in Street Art in an explicit way, but photographer Jim Kiernan will be glad to show you more than just a pretty mural or happy face if it means there is a dialogue to be had. 2013 was the year that some of the veil regarding domestic spying by our leaders fell from American eyes, and of course that theme was visited by art on the street. In his choice for image of the year Jim shares one he shot in ’13 that he values because it raises awareness, takes a position, and transcends aesthetics in the service of a larger message.

brooklyn-street-art-bamn-Jamie-Kiernan-NYC-2013-web

BAMN. Queens, NYC 2013 (Photo © Jim Kiernan)

Snowden – Eyes Are Watching

~ Jim Kiernan

“Being called a traitor by Dick Cheney is the highest honor you can give an American… If they had taught a class on how to be the kind of citizen Dick Cheney worries about, I would have finished high school.” – Edward Snowden

There are a number of reasons why I like this image. The composition is straight forward and self-explanatory which is something I typically like. I enjoy simple things that appear clear on the surface.

Beyond that there are several levels to this image for me. The first and most obvious is the political message. I am personally appalled by the surveillance state which has been exposed that are we are living under and even more so by the nearly complete apathy from the American public and the lack of outrage.

Another level for me is that this piece was part of the inspiring Welling Court project that Garrison & Alison Buxton put on every year. They’re friends of mine and I love what they’ve been doing, dating back to the Ad Hoc days.

Finally, the coolest thing was seeing the beginning of this mural. The artist showed up towards the end of one of the final days to begin working on it. When I first saw this work, the pulldown was just being whitewashed/prepped for the piece. I had no idea what was going up here but when I returned the next day to see the finished piece I loved it.

A huge motivation for me & my photography is to highlight social justice issues and to shine a light on places, people, ideas and events that otherwise might go unnoticed. This pieces hits all of these marks for me.

Artist: Bamn

Location: New York City, 2013.

 

 

 
#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 from 2013 : Jessica Stewart “The Roman Nun and the Spray Can”

13 from 2013 : Jessica Stewart “The Roman Nun and the Spray Can”

13shots-from-2013-v7

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.
December-25Brooklyn-Street-Art-Jessica-Stewart-December--2013-photogs-names

If anyone knows Rome’s Street Art scene, it is photographer Jessica Stewart, who has been capturing a side of the city not typically seen since 2008, publishing Street Art, urban decay and more from the Eternal City on her RomePhotoBlog.

With a love of Renaissance and Baroque art as a baseline her eye is trained to see lighting and angles like a painter, and in this heart of Roman Catholicism, she is familiar with the iconic. In 2013, Jessica says she knew the exact moment when she had captured just such an image with her camera.

brooklyn-street-art-skeme-jessica-stewart-rome-italy-2013-web

Skeme. Rome, Italy 2013. (photo © Jessica Stewart)

The Roman Nun and the Spraycan

~Jessica Stewart

So it’s of course incredibly difficult to think of just one photo, but when it really comes down to it, this image is the one that for me was a stand out moment of 2013.  It’s one of those times that as it’s happening, you are internally jumping for joy at the fact that you’re on hand to capture it.

Plus, I really think to myself “in no place but Rome could this happen.”

I think with the whole street art and graffiti movement becoming more commercialized and organized, you can almost forget some of the original joy behind what made you get involved in the first place.  In this case, GraffDream, one of two graffiti shops in the city, was holding it’s 6th anniversary jam in May.  Skeme was in town from NYC for the occasion and already they day was special seeing him get swarmed by young Roman kids dying for an autograph.

As is the norm here, many of the wall spaces are owned by the church and in this case, the wall used for the jam was the side of a Catholic school who agreed for the usage in exchange for a lesson in graffiti for its young students.  We were getting toward the end of the day when two of the sisters came out to collect the ladders and lock up items in the school.

I’m not sure if they were just swept up in the congenial atmosphere of the day or what, but before I know it one of the sisters takes a can and starts to pretend to work on Skeme’s piece!  The look on everyone’s faces was priceless and Skeme lit up like a Christmas tree at the sight of it all.

To capture that moment was priceless and I love this shot for how happy the sister looks with her spray paint.  Only in Rome! You don’t know how many people have asked me, “Is this photo for real?”

Yes, it is, and it is a time like this that makes you fall in love with photographing all over again.

 

Artist: Skeme

Location: Rome, Italy. 2013

 

 

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 from 2013 : Geoff Hargadon “Girl on a Skateboard”

13 from 2013 : Geoff Hargadon “Girl on a Skateboard”

13shots-from-2013-v7

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

December-24

Brooklyn-Street-Art-Geoff-Hargadon-December--2013-photogs-names

Geoff Hargadon is a photographer and periodic contributor to BSA who takes his shots from the perspective of an artist, collector, and unabashed fan of the Street Art scene.  Affable and engaged with his surroundings, Hargadon’s wizened perspective is often looking for something that says more than what it appears to and in the process can be revelatory.

brooklyn-street-art-geoff-hargadon-miami-basel-2013-web

Wynwood Arts District/Art Basel. Miami 2013. (photo © Geoff Hargadon)

Girl on a Skateboard, An Avatar in Wynwood 2013

~Geoff Hargadon

 

With 400 million photos a day being uploaded to Facebook and Instagram alone, it gets harder and harder to shoot photos that stand above the crowd. I think this is no different in the street art world – maybe it’s even harder. This year I shot fewer street art photos than in years past because I don’t see much sense in capturing work that’s already been captured well by others. There is little to add. Instead I’ve been patiently waiting to document moments that come to me – it could be a random person entering the frame, a shift in the light, a changing composition. In this digital world, where others rush to be the first to capture and post something new, and where time is their enemy, I try to put time on my side.

Let me start with what I think is wrong about this photograph, shot in Miami on December 6, 2013, at 1:20am on NW 2nd Ave, between 24th and 25th: it’s dark, out of focus, the subject is not facing the camera, and, perhaps to the great disappointment of BSA readers, there is no art in the frame.

This is what I think is right about this photograph: it’s dark, out of focus, the subject is not facing the camera, and there is art happening all around the frame, very much responsible for creating the scene itself.

There are only a few of nights out of the year when Wynwood is this chaotic, and at this time of the year it’s because of the massive art scene happening around the art fairs. All of this helped to create the moment when I spotted this girl weaving her skateboard freely between taxis that were hopelessly motionless. She seems carefree, risky, happy, ethereal – many of the things that have drawn me to street art in the first place. She is an Art Basel Miami avatar.

(Further, taxis are so scarce in Miami that I challenge anyone to come up with a photo of four of them in a single frame.)

 

 

Location: Wynwood District, Miami. 2013

 

 

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 from 2013 : Luna Park “A Closet Rail Nerd in New Orleans”

13 from 2013 : Luna Park “A Closet Rail Nerd in New Orleans”

13shots-from-2013-v7

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

December-23

Brooklyn-Street-Art-Luna-Park-December--2013-photogs-names

Well known and regarded photographer and documentarian of the graffiti and Street Art scene, Luna Park has a voracious appetite for combing the bushy overgrown abandoned areas in the margins of our urban landscape in search of a perfect tag, throwie, burner. An enthusiastic and knowledgeable expert on the graffiti scene, her thousands of images made her a lot of Internet friends and fans when Flickr blew up and she now authors The Street Spot with Becki Fuller. Today Luna tells us about a spring ’13 adventure she had that included a trip to the rail yards in New Orleans.

brooklyn-street-art-read-luna-park-new-orleans-2013-web

Read. New Orleans 2013. (photo © Luna Park)

READ in New Orleans

~Luna Park
 

In early spring of 2013, I made a pilgrimage to New Orleans. The trip marked the end of a year of personal hardship and it was important to celebrate this milestone by escaping from New York. New Orleans had been on my mind since my last visit in 1993.

I was eager to reconnect with this special place in American history, to finally meet in person kindred spirits I’d previously only known online, and to hunt down as much graffiti as possible within a short timeframe. New Orleans was eye opening, a contradiction in terms, at once deeply ravaged and depressed, yet at the same time vibrant and full of life.

The rail lines which make up the backbone of the city are visually and also very much audibly omnipresent. Standing on an overpass overlooking this massive freight yard was a strangely euphoric experience. There were unfettered sight lines to several (!) entirely new-to-me Read pieces. And as a student of graffiti history and a closet rail nerd, the proximity to so many freight trains – the modern day successors to the painted NYC subways – filled me with tremendous awe and respect. Watching these steel behemoths come and go was a beautiful and for me very necessary reminder that life carries on – cherish it and embrace the beauty around you.

A very heartfelt thank you to Steve and Jaime for their ongoing friendship and support!

Artist: Read

Location: New Orleans, 2013.

 

 

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 from 2013 : Martha Cooper “A Train Runs Through Mandela’s Kliptown”

13 from 2013 : Martha Cooper “A Train Runs Through Mandela’s Kliptown”

13shots-from-2013-v7

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

December-22

Brooklyn-Street-Art-Martha-Cooper-December--2013-photogs-names

No matter how far she strays in the world photographer Martha Cooper is never far from the work that made her famous in the graffiti and Street Art world. An avid globetrotter, Ms. Cooper is always observing and shooting in new cities.  In recent years she has been pursuing a project entirely unrelated to her “Subway Art” days, an ethnographic study and cultural photographic comparison of two similarly named spots half a world away from one another: Sowebo (in Baltimore, MD) and Soweto in South Africa. This fall while shooting for her Sowebo/Soweto project, Cooper’s past suddenly came rumbling across the tracks above her, and she new she had one of her favorite shots of 2013.

brooklyn-street-art-martha-cooper-kliptown-soweto-south-africa-2013-web

Kliptown. Soweto, South Africa 2013. (photo © Martha Cooper)

A Train Runs Through Mandela’s Kliptown

I took this photo in September in Kliptown, an historic district in Soweto, South Africa. Although pursuing a project that had nothing to do with street art, I couldn’t take my eyes off the commuter trains with graffiti passing through. One evening I waited in the heart of Kliptown hoping to catch a shot of a painted train. This was exactly how I had photographed subway graffiti in the early ’80s in the Bronx. Back then I could never have imagined that 30 years later I would be attempting a similar shot on the other side of the globe.

By great good fortune a train passed by with graffiti in colors complimentary to my pre-selected foreground. The tiny child at the door of the typical corrugated iron Soweto shack was a poignant touch I could not have anticipated.

Kliptown is famous for its Freedom Charter signed in 1955 in an early protest against apartheid. Graffiti represents a different kind of freedom. Here’s to freedoms of all kinds, to the memory of Nelson Mandela who lived in Soweto and to a better life for the children of Kliptown and beyond.

~ Martha Cooper

Location: Kliptown, Soweto, South Africa, 2013.

 

 

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 from 2013 : Brock Brake “Being In the Middle of Creativity”

13 from 2013 : Brock Brake “Being In the Middle of Creativity”

13shots-from-2013-v7

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

December-21

Brooklyn-Street-Art-Brock-Brake-December--2013-photogs-names

Photographer and periodic contributor to BSA, Brock Brake moved from Chicago to San Francisco to discover a new world a couple of years ago and he has been working with gallerists, art, and Street Artists of many kinds since then.

Brock looks at his photography as one part of a greater holistic practice that includes interacting with people and art and the scene itself. The image he captures is as much about the situation as it is the subject.

brooklyn-street-art-spencer-keeton-cunningham-brock-brake-miami-2013-web

Spencer Keeton Cunningham at work. Miami 2013. (photo © Brock Brake)

Being In the Middle of Creativity

~Brock Brake

Doing what I do as a photographer living in San Francisco and as an art handler at White Walls Gallery, I build a relationship with artists while documenting and helping with the development of their exhibitions.  It’s always a great feeling to start a new relationship and to revisit old ones with some of the most creative people in the world. It’s kind of a crazy thing to think about; I’ve placed myself right in the middle of the creative process and I enjoy sharing it with BSA.

My pictures are usually focused around the process of work being created.  Sometimes I find the process more interesting than the final piece itself.  I’m a photojournalist by experience so I take a large amount of images and try to select the best ones as if they were going out for print.  I enjoy all of the minor details, the problem solving that occurs, and the long conversations that are made in such a creative situation.  It’s therapeutic in a way.

There is more to it, more involvement, than just showing up with a camera and pressing the button.  I try to develop a sense of comfort between myself and the artist. Once you have the awkward first impressions out of the way and you start conversing, then everything becomes golden.  Sometimes I help paint walls or hang work.  The best is closely assisting in the creation of installations for their show, a lot of times working late into the night and taking photos along the way.

I have a unique perspective on how things are done and wanted to share these moments with you.  So thanks to everyone at Brooklyn Street Art and all the artist out there that have let me lend a hand and take some pictures.

 

Artist: Spencer Keeton Cunningham
Location: San Francisco, CA. 2013

 

 

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 from 2013 : Ray Mock “Kuma by the Water”

13 from 2013 : Ray Mock “Kuma by the Water”

13shots-from-2013-v7

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

December-20

Brooklyn-Street-Art-Ray-Mock-December--2013-photogs-names

Today Ray Mock, photographer, writer and publisher of the Carnage graffiti zine, shares an image he shot in 2013 of Kuma, whose piece is stylized to reflect the movement of the water it is near.

brooklyn-street-art-kuma-ray-mock-nyc-2013-web

Kuma. New York City 2013 (Photo © Ray Mock)

Kuma is one of Mock’s favorite subjects to shoot as he travels continuously through New York catching shots of graffiti that he loves.

“I am obviously a little biased,” he says, “but to me this piece in particular represents the best of what graffiti can be. It’s inventive and original, yet respectful of graffiti tradition, contextually relevant, cleanly executed, and done entirely without permission.”

 

 

Artist: Kuma
Location: New York. 2013

 

 

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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13 from 2013 : Yoav Litvin “Jury Duty”

13 from 2013 : Yoav Litvin “Jury Duty”

13shots-from-2013-v7

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

December-19

Brooklyn-Street-Art-Yoav-Litvin-December--2013-photogs-names

Today Yoav Litvin shares a New York moment he caught in 2013 that can happen to you sometimes in this Street Art and fashion capital, and tells us what he was thinking when he caught it.

brooklyn-street-art-dain-yoav-litvin-jury-duty-nyc-2013-web

Dain in Tribeca, Manhattan, NYC 2013. (photo © Yoav Litvin)

“Jury Duty”

I was on jury duty in downtown Manhattan. It was lunch break but I wasn’t hungry, so I decided to walk around and hunt for art. I knew I was in prime street art territory and like some bloodhound, I trusted my street art “nose” to lead me in the direction of some cool pieces.

After crisscrossing several blocks with no luck, I ducked through an alley and noticed in the corner of my eye a speck of color on the base of a streetlamp that seemed out of place. Shifting my gaze, I immediately recognized that it was a wheatpaste by Dain, an artist I’d grown to admire.

Upon approaching the paste I saw in the distance an ongoing model shoot. Camera in hand, a photographer was standing, crouching, sitting, and lying on the street, continuously taking pictures, obviously searching for the best shot. Directly facing him a model was skipping around, laughing, swinging her handbag, moving to the left, then to the right and occasionally stopping dramatically to face him. Their movements were smooth, natural and flirtatious and I marveled at the site: it was beautiful, charming and intimate. Smiling, I redirected my attention back to Dain’s piece. I felt a new kinship toward the beautifully collaged lady and realized we shared a very intimate moment. Right then and there, she was my model, muse and inspiration and I had to find the shot that reflected her in all her beauty.

I kneeled, took the shot and with a big smile headed back to jury duty.

~Yoav Litvin

 

Artist: DAIN
Location: Manhattan, New York. 2013

 

 

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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The 2013 BSA Year in Images (VIDEO)

The 2013 BSA Year in Images (VIDEO)

Here it is! Our 2013 wrap up featuring favorite images of the year by Brooklyn Street Art’s Jaime Rojo.

Brooklyn-Street-Art-2013-Year-In-Images-Jaime-Rojo

Before our video roundup below here is the Street Art photographer’s favorite of the year, snapped one second before he was singled out of a New York crowd, handcuffed, and stuffed into a police car – sort of like the Banksy balloons he was capturing.

“Among all the thousands of photos I took this year there’s one that encapsulates the importance of Street Art in the art world and some of the hysteria that can build up around it,” he says of his final shot on the final day of the one month Better Out Than In artist ‘residency’ in NYC this October. It was a cool day to be a Street Art photographer – but sadly Rojo was camera-less in a case of mistaken identity, if only for a short time.

Released two hours later after the actual car-jumping trespasser was charged, Rojo was happy to hear the Chief Lieutenant tell his officer “you’ve got the wrong man”, to get his shoelaces back, and to discover this photo was still on his camera. He also gets to tell people at parties that he spent some time in the holding cell with the two guys whom New York watched tugging down the B-A-N-K-S-Y.

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What’s everybody looking at? Jaime Rojo’s favorite image of the year at the very end of the Banksy brouhaha. (photo © Jaime Rojo)

Now, for the Video

When it came to choosing the 112 images for the video that capture the spirit of the Street Art scene in ’13, we were as usual sort of overwhelmed to comb through about ten thousand images and to debate just how many ‘legal’ versus ‘illegal’ pieces made it into the mix. Should we include only images that went up under the cover of the night, unsanctioned, uncensored, uncompromised, unsolicited and uncommissioned? Isn’t that what Street Art is?

Right now there are a growing number of legal pieces going up in cities thanks to a growing fascination with Street Art and artists and it is causing us to reevaluate what the nature of the Street Art scene is, and what it may augur for the future. You can even say that from a content and speech perspective, a sizeable amount of the new stuff is playing it safe – which detracts from the badass rebel quality once associated with the practice.

These works are typically called by their more traditional description – murals. With all the Street Art / graffiti festivals now happening worldwide and the growing willingness of landlords to actually invite ‘vandals’ to paint their buildings to add cache to a neighborhood and not surprisingly benefit from the concomitant increase in real estate values, many fans and watchers have been feeling conflicted in 2013 about the mainstreaming that appears to be taking place before our eyes. But for the purposes of this roundup we decided to skip the debate and let everybody mix and mingle freely.

This is just a year-end rollicking Street Art round-up; A document of the moment that we hope you like.

Ultimately for BSA it has always been about what is fresh and what is celebrating the creative spirit – and what is coming next. “We felt that the pieces in this collection expressed the current vitality of the movement – at least on the streets of New York City,” says photographer and BSA co-founder Rojo. It’s a fusillade of the moment, complete with examples of large murals, small wheat pastes, intricate stencils, simple words made with recycled materials or sprayed on to walls, clay installations, three dimensional sculptures, hand painted canvases, crocheted installations, yarn installations etc… they somehow captured our imaginations, inspired us, made us smile, made us think, gave us impetus to continue doing what we are doing and above all made us love this city even more and the art and the artists who produce it.

Brooklyn Street Art 2013 Images of the Year by Jaime Rojo includes the following artists;

A Dying Breed, Aakash Nihalini, Agostino Iacursi, Amanda Marie, Apolo Torres, Axel Void, Bagman, Bamn, Pixote, Banksy, B.D. White, Betsy, Bishop203, NDA, Blek le Rat, br1, Case Maclaim, Cash For Your Warhol, Cholo, Chris RWK, Chris Stain, Billy Mode, Christian Nagel, Cost, ENX, Invader, Crush, Dal East, Damien Mitchell, Dase, Dasic, Keely, Deeker, Don’t Fret, The Droid, ECB, el Seed, El Sol 25, Elbow Toe, Faile, Faith 47, Five Pointz, Free Humanity, Greg LaMarche, Hot Tea, How & Nosm, Icy & Sot, Inti, Jilly Ballistic, John Hall, JR, Jose Parla, Judith Supine, Kremen, Kuma, LMNOPI, London Kaye, Love Me, Martha Cooper, Matt Siren, Elle, Mika, Miss Me, Missy, MOMO, Mr. Toll, Nychos, Okuda, Alice Mizrachi, OLEK, Owen Dippie, Paolo Cirio, Paul Insect, Phetus, Phlegm, Revok, Pose, QRST, Rambo, Ramiro Davaro, Reka, Rene Gagnon, ROA, RONES, Rubin, bunny M, Square, Stikki Peaches, Stikman, Swoon, Tristan Eaton, The Lisa Project 2013, UFO 907, Willow, Swill, Zed1, and Zimer.

Read more about Banksy’s last day in New York here and our overview of his residency in the essay “Banksy’s Final Trick” on The Huffington Post.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Alice Pasquini on the Streets of Madrid

Alice Pasquini on the Streets of Madrid

As December rolls into a slow coast toward the New Year, street artist Alice Pasquini met some new fans in the small and quiet neighborhoods and in one commercial district of this Spanish city last week. No festivals, no curated installations, no gallery openings – just the opportunity to bring to life a wall that you previously walked by without notice.

“I was just in Madrid these past few days to visit with old friends and paint,” she says. Somehow she managed to not be distracted the 6,000 Santa Claus runners in the street Saturday.

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A couple of local dogs keep an eye out for disturbances in this run-down lot where Alice painted one of her girls. Alice Pasquini in Madrid (photo © Alice Pasquini)

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Confidants. Alice Pasquini in Madrid (photo © Alice Pasquini)

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A local business owner talks with Alice while she finishes her new portrait. Alice Pasquini in Madrid (photo © Alice Pasquini) Brooklyn-Street-Art-copyright-AlicePasquini_Madrid3

Her girl on a skateboard is easily integrated with the existing aerosol missive above it. Alice Pasquini in Madrid (photo © Alice Pasquini) Brooklyn-Street-Art-copyright-AlicePasquini_Madrid7

This panel creates a frame for a multilayered stencil. Alice Pasquini in Madrid (photo © Alice Pasquini)

 

 

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Marilyn as Missy “Works It” in Miami: New Shots from Art Basel 2013

Marilyn as Missy “Works It” in Miami: New Shots from Art Basel 2013

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Pete Kirill process shot of his work on Marilyn Monroe / Missy Elliot tribute. (photo © Matt Fox-Tucker)

Miami and the just-ended Art Basel 2013 is a holy magnet, a veritable showcase for big murals and pieces (and a few taggers here and there naturally) and we thought you’d like to see a few walls we missed before all the Miami excitement fades with the intense sun.  If you get a chance to tour the works in Miami in the next few months we recommend the trip – and a skateboard.

New stuff here from Peter Kirill, Bezt, Jaz, Entes y Pesimo, and Nychos. Dang!

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Show me how you work it. A Pete Kirill process shot of his work on Marilyn Monroe tribute depicts her in a seriously fly hoodie and style channelling Hip Hop Star Missy Elliot. (photo © Cesar Mieses)

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Bezt. Process shot. (photo courtesy © Inoperable Gallery)

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Bezt. Process shot. (photo courtesy © Inoperable Gallery)

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Bezt. Process shot. (photo courtesy © Inoperable Gallery)

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Bezt (photo courtesy © Inoperable Gallery)

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Bezt (photo courtesy © Inoperable Gallery)

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Entes  y Pesimo (photo © Entes y Pesimo)

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Entes  y Pesimo (photo © Entes y Pesimo)

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Entes  y Pesimo (photo © Entes y Pesimo)

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Jaz (photo courtesy © Inoperable Gallery)

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Nychos. Process shot (photo courtesy © Inoperable Gallery)

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Nychos. Process shot (photo courtesy © Inoperable Gallery)

 

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