JR Goes To The Ballet: Dancing Across the Walls

JR Goes To The Ballet: Dancing Across the Walls

Street Artist JR has joined the ballet, or at least has become a collaborator with it.

Joining a short list of artists associated with the New York City company, and an even shorter list of Street Artists, the French photographer has been spending time in rehearsals with the performers to create these huge pasted images to greet patrons.

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JR (photo © Jaime Rojo)

The scale is impressive, the placement across the interior gives the place a sense of immediacy, with an echo of the transgressive to welcome guests to George Balanchine’s JEWELS, an epic performance evening consisting of three ballets: EMERALDS, RUBIES, and DIAMONDS, with music by Gabriel Faure, Igor Stravinsky, and Pyotr Ilyich Tschaikovsky.

Here are scenes from the installation of JR’s new pieces of the New York City Ballet Art Series (Twitter @nycballet). The big opening performance? Tonight!

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JR. Installation in progress. (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

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JR (photo © Jaime Rojo)

 

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Box Trucks as Rolling Graffiti Marquees

Box Trucks as Rolling Graffiti Marquees

A ubiquitous sight throughout large cities like New York, the graffiti covered box truck has inherited the all-city art mantle from the subway train cars of thirty years ago with eye-popping collaborations and solo pieces rolling on rubber wheels and circulating through every neighborhood.

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UFO 907 Crew (photo © Jaime Rojo)

“Box trucks are like the freight trains of New York Streets,” says Bishop 203, a Street Artist and graffiti writer who has successfully managed to parse the visual languages of both into his work – which of course includes a box truck when he can get one. “It’s the best of all worlds. If I do a wall in Bushwick, that’s cool because people in Brooklyn can see it. But if I do a truck in Bushwick, it’s going to go through Brooklyn, Queens, the Bronx, Manhattan – who knows?”

Rugged, dirty, grimey, half-rusted – these trucks are rather similar to freights now that you think about it. They do the grueling thankless work of moving everything through the streets, often barreling by at high speeds and careening around corners to meet deadlines. They are carrying everything – produce, baked goods, heavy appliances, iron, steel, glass, equipment for many industries, racks full of garments, crates full of flowers, even art… and if you are passing through most business districts in the middle of the day, you will see them backing into loading docks or double parked in the street with blinking lights, the back door rolled up, and guys and gals shuttling with dollies across the sidewalk to and from restaurants and bodegas.

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GenII, Oze 907 Crew (photo © Jaime Rojo)

While painting a box truck is not exactly the same as “going all city”, if your art is literally rolling throughout the entire metropolis in the same way that tracks once carried aerosol art for 1970s/80s writers who crushed train lines, you experience a feeling that is pretty golden. “It’s like a mobile billboard for hooligans,” says Bishop, only half joking.

Wherever photographer Jaime Rojo travels throughout the city looking for new shots, he is almost guaranteed to see a box truck. What began as a casual collecting of these rolling canvasses eventually is swelling into a full-fledged gallery. He’s not sure what he’ll do with all of them, but here’s a taste of some of the trucks to whet your appetite.

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DEK (photo © Jaime Rojo)

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Cekis (photo © Jaime Rojo)

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Cern (photo © Jaime Rojo)

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ND’A (photo © Jaime Rojo)

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SeeOne, ND’A (photo © Jaime Rojo)

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VLOK Crew (photo © Jaime Rojo)

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Stem, Gano, VGL (photo © Jaime Rojo)

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Cope, Cano, JAOne (photo © Jaime Rojo)

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Staino (photo © Jaime Rojo)

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Staino, Rambo, Sevs (photo © Jaime Rojo)

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Staino, Fade AAMob (photo © Jaime Rojo)

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Ski, Optimo, Mok (photo © Jaime Rojo)

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Jelly Fish (photo © Jaime Rojo)

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Ski, 2Ease, KA  (photo © Jaime Rojo)

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Ski, 2Ease, Kepts, KA (photo © Jaime Rojo)

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Jedi, Sae, Aven, Baal (in front of a mural by Faile) (photo © Jaime Rojo)

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Ski, 2Ease, Velo, Fuk, Dred (photo © Jaime Rojo)

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Deter (photo © Jaime Rojo)

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Sevor, Ideal (photo © Jaime Rojo)

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Fame (photo © Jaime Rojo)

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Reader, Abra, Mas, Boans (in front of a wall piece by Overunder) (photo © Jaime Rojo)

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Ski, 2Ease (photo © Jaime Rojo)

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Lefty (photo © Jaime Rojo)

Sincere thanks to Bishop203 and Bato for their assistance with identifying some of these artists.

 

 

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Instantaneous Memorials on Street to “Army of One”

Instantaneous Memorials on Street to “Army of One”

As a followup to yesterday’s posting regarding the passing of Jef Campion, known as the street artist Army of One/ JC2, it is perhaps no surprise that nearly immediately there are a couple of tributes to him on the street – at least in LA.

Street Artist Free Humanity sent us these new photos of a new stencil piece by Teach_Art_One featuring Jef looking over his shoulder at you and placing his name on the wall.  According to Free Humanity these new works are on the spots that Jef had hit when visiting Melrose and Fairfax in Los Angeles.

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A brand new memorial tribute to Army of One in Los Angeles. Teach_Art_One (photo © Thrashbird)

“I was blessed to call him a brother,” says Free Humanity of Army of One. FH feels that the new stencils appeared as a way to keep him on the streets. Awash in the grief of the moment FH wanted to say “the only way to have someone live forever is to never stop loving them.”

Apart from the high emotions of this time, we wanted to remark that this act of the tribute wall is analogous to the myriad walls that have been going up for decades in cities like Los Angeles, Chicago, and New York – usually in the community mural style – to mark the passing of someone. Sometimes it is a community leader not related to art but of great standing to the people who live in the locality. Other times a tribute will commemorate a person in the context of an historical event that they were pivotal to.

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A brand new memorial tribute to Army of One in Los Angeles. Teach_Art_One (photo © Thrashbird)

Graffiti crews have been paying tributes to their fallen for many years on memorial walls. Over the last year for example we have covered a large number of walls made by the crew and friends of graffiti writer Nekst. Needless to say the act of crossing out, going over, or dissing works like those would be considered to be as close to sacrilege as the streets can imagine.

These new stencils honoring Army of One carry on this tradition and it is additionally visually remarkable because the newly sprayed stencil is a street art piece depicting a street artist who is putting up street art – It is akin to looking at a mirror’s reflection in a mirror.

 

 

Photographer Thrashbird’s Instagram is @thrashBird13

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

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Army Of One, Inspiration To Many : Jef Campion

Army Of One, Inspiration To Many : Jef Campion

New York’s Street Art and graffiti scene learned this weekend of the passing of one of its artists, Jef Campion, who went by the name of Army of One/ JC2. Jef died at his home in  Yonkers Friday night at the age of 52 and for those who knew him for his physically and personally powerful presence, the news came as a complete surprise.

A New Yorker through and through, Jef was known as a firefighter and first responder to Ground Zero after the 9/11 attacks who spent more than a month in that recovery effort, as a volunteer who gave a great deal of time and energy to working with charity organizations for children who were very ill, and for being a fine artist, a street artist, and an anti-war activist.

Speaking with many who knew him closely over the last few days, we learned that his days were not always light and he sometimes suffered from PTSD and related issues, but that he considered himself an overcomer and gave support and encouragement to his peers in the art world. We always saw him as a person who was determined to use his art and his creativity as a force for good in the world.  He also knew how to walk the talk.

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Army Of One AKA JC2 (photo © Jaime Rojo)

As a Street Artist he was perhaps best known for adapting a photograph by Diane Arbus entitled Child with Toy Hand Grenade in Central Park, New York City (1962), and converting it into a sharply graphic anti-war message that he reproduced numerous times in many sizes and mediums to put onto the street. “Army of One” was usually scrawled like a shouting slogan alongside the wheatpaste of the silhouetted image. Sometimes the text was in black and other times it was in a red that matched the dripping red grenade in the boys hand. A startling sight to encounter in a doorway or on a signpost, it was at once a protest and a warning that war is not child’s play.

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On the left, the original Child with Toy Hand Grenade in Central Park, New York City (1962), by Diane Arbus. One right, its adaptation by Street Artist Jef Campion aka Army of One/ JC2 pasted over a collage by Street Artist ShinShin (photo © Jaime Rojo)

For Jef it was an effective way to remind us that war invariably damages those who have nothing to do with the fight, some of our most vulnerable and treasured people who suffer from our unspeakable callousness and disregard for life.

When Jef put this work out on the street it wasn’t to get personal fame as much as it was to change minds and hearts. Jef hoped his art could give voice to the voiceless. In recent years his own red-painted hand became as important a symbol of the insanity and brutality of war as any of his work created for the street.

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Army Of One AKA JC2 (photo © Jaime Rojo)

Our condolences and thoughts and prayers go out to Jef’s family and friends today on Martin Luther King day and in the difficult days ahead. We also send our hopes that they can take comfort in knowing how much of a positive influence he was on many artists and peers, as well as complete strangers and passersby. Following we share with BSA readers remembrances from five people, but we easily could have presented many more.

GILF!
Street Artist and social, political, cultural advocate.

I met Jef during Art Basel Miami in 2011 at Fountain Art Fair. I had been familiar with his street work but was ultimately introduced to him by Samson Contompasis. He immediately went out of his way to include and befriend me, and with a megawatt smile on his face.

Jef reached out to me for a project about a year ago via email. We met up in person and had a lengthy discussion about war, the children at risk, and our ability to facilitate change for these young lives. He was always so focused on how he could help others. You could tell how passionate he was about the destruction of war with his work through his words and through his actions.

He never gave up, was always trying to do more to help, and feared no one. He did all of that while constantly supporting his friends and lending a hand whenever needed. His smiles and laughs were infectious and you couldn’t help but be happy around him. I will be forever grateful to have known such a righteous and honorable soul. His rebel spirit will continue to inspire me as I find ways of coping with this loss.

Of many we are all an Army of One.

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“This image was taken a day after we met. He was so welcoming and kind. We were instant friends.” (photo © Gilf)

 

Sinxero (SX)
Fine Grafstract artist, designer and gallery/mural curator based in The Bronx

I first met Jef, aka: “Army of One” at the “Street Artists Unite” exhibit at Dorian Grey Gallery where Jef was showing his art, a body of work and presence that commanded your attention. Jef and I shared a vision where artists could make a difference as “Comrades In Art”. Combining our artistic and business related goals, Jef and I formed “The Army Grows,” (TAG), with him as a resident activist. We expanded our mission to encourage both street & graffiti artists to work together and now TAG is also known as “The Art of Grafstract”.

Jef’s plethora of knowledge was priceless. His street & fine art grind was hard and direct, undiluted.

Why was Jef important to me and the Street Art / Graffiti scene? One day I remember showing up early to one of his many exhibits. Upon arriving Jef said, “let’s take a walk, its still early.” As we walked down Orchard Street, Jef took notice of a pair of gentlemen’s boots in a window display and walked in to ask the salesperson for his size. As we sat and waited for the gentleman to come back Jef and I discussed curating murals, owning your moniker and how to reach out to sponsors in order to build your name up. He told me that sometimes it is better to slow down and take notice of all that’s around you and address things one at a time – a better approach than it’s complete opposite.

I am grateful for having met Jef and having been given the opportunity to see life through his eyes. If anyone could walk a mile in Jef’s boots in the way he gave, embraced and loved as a friend, artist and compassionate human being they would be king for a day.

Jef, you were truly an “Army of One.” In your name, “The Army Grows.”

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Jef Campion (Army of One/ JC2) and Sinxero (photo © Sinxero)

Fumero
Street artist and fine artist.

I first noticed Army of One back in 2009 with his use of the Diane Arbus’ photo, ‘Grenade Boy’ and another graphic that followed, ‘The Bride of War’. As I walked the city streets after midnight, I always ‘ran into’ Jef (AoO) everywhere I went. I appreciated the image. It caught my attention because it had a gritty, NYC quality about it.

As a street artist, you usually meet others through their work first and later you actually wind up meeting the artist in person. I met Jef during the summer of 2010 at an upstate New York street art event. The moment we exchanged stickers, we already had a good sense of what the person was about. His message emphasized ‘peace’ and mine was about ‘family’.

Soon after that we met again to put some art after dark up in lower Manhattan and from that point on we became friends. In the years that followed we both participated in the same events here in NY and at Art Basel, Miami. Our greatest collaboration was for the XCIA’s Street Art Project book.

Army of One’s social commentary about needless wars that produce needless bloodshed was the central idea behind his message. I respected that notion and also that this message was everywhere. I admired his passion to spread his art and the enjoyment he received from it. Jef was a serious artist and if you knew him you understood why he was compelled to promote his idea to the public. His left a profound statement for us to never forget that each and every one of us has the freedom to be who and what we want to be and to live life accordingly and although we have different colors of our skin we are all ‘red’ inside and that makes us all the same; human.

I’m thankful to express my words about my friend. He will be missed. He was a force to be reckoned with, he was truly an army of one.

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Fumero and Jef Campion, Army of One/ JC2 (photo © Fumero)

OCMC (Oh Captain My Captain)
Street artist and fine artist.

Jef was an important figure to me personally in the scene, as he was the first street artist I ever met. I had been doing it a while and saw his work everywhere. By a fluke the first art show I appeared in was a benefit show he was also in and we met there. It was exciting to meet someone who did what I did, and even more so because Jef was incredibly gracious and encouraging. It wound up we were from the same neighborhood so we shared a bond over that. From then on we were friends.

For the scene itself, I feel Jef was a very important voice. There is naturally a lot of ego in street art and graffiti. Jef’s art was about the meaning, not the advertising. He felt deeply for his cause and it was loud and clear in his artwork. Loud like that grenade of his.

Many of the posts I have seen since his passing describe him as a “great guy”, and how kind he was… And it’s very much the truth. Jef was a truly great man. His job involved saving peoples lives, his spare time involved helping kids with cancer, and his art involved his deep belief that war is never the answer. He wasn’t just a great voice out in the streets, his was a great voice for the world.

There’s a show coming we were both going to be in, and I am going to miss the way he would light up when he’d see me with an “OCMC!” and the hug that would follow… It always felt great to stand in the light Jef shined on you. But I am hardly unique there, because he made everyone feel like that light. That’s what I’ll remember most.

 

Samson Contompasis
Former gallery owner and artist

I worked with Jef at a few different points to help his studio work reach more people. I found Jef the same way many other people did, by his relentless coverage of the streets. When I met him for the first time the scope of this man expanded exponentially. Upon inviting me to his studio it was apparent that this street artist was much more then that; he was a fine artist of extraordinary measure. Whether it was his handwritten accounts of his life scrawled on vellum, his giant assemblages of nails, raw wood, and pieces of the city strewn about them, or his neon accompanied statements of original sin on charred wood that he tore out of a fire with his bare hands, I felt that his studio was a doorway into his soul and everything was brimming with emotion from the life he led.

One of the most important parts of Jef’s street work was that he had a message. He wasn’t just writing his name on a wall for himself or a crew…he was writing it for a greater purpose. To spread a message of peace. His intention was for that of a better world . There was a moment during a show where a woman was offended by a piece of his…. and I remember that at one point he simply stated, “Walk a mile in my shoes” We can never pretend to know the weight of someone’s soul….but if I was a betting man he would be giving the sun a run for its money.

He spoke to us with full lungs and a determined spirit in everything he did. He did not have the easiest life, having dealt with hard addictions growing up and PTSD later in life but it never kept this man from smiling. He was one of the only people that could effectively hug me back.

Jef, my sorrow is deep, but I know you’ve already been through hell and you will be shaking Gods hand with red paint. You will be always there and forever missed.

 

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“It is my tribute letting him know he is in our hearts and minds, says Samson of this new self portrait.” (photo © Samson Contompasis)

Samson also shares with us a poem that Jef wrote, from an installation named “Sanctuary”.

Atrophy

I’m awake now

I believe in fate
I believe suicide would not have been the answer.
I believe the drugs were not a deterrent but a lesson
a task
a journey

I believe Central Park in late May
Sitting on the bench in East Hampton and watching the ocean

Solitude

Chet Baker on a rainy Sunday afternoon
Beat cultures
Bohemian lifestyles

I believe Miles Davis
And Coltrane
Tom Waits will never die

The human form Vine charcoal and a large canvas
Jose Guadalupe Posada Francis Bacon
Brie

The Hudson River right outside Irvington NY
Baja Mexico Ice cold beer, In the shade of a palm tree
Laguna Beach at 11am Venice beach at 6pm New York City 24/7

Rene’s trust
Mimma’s eyes
Joanne’s soul
My grandparents who without I never survive this mess

I believe in a partner who can love you with every cell in their body.

Self inflicted pain is not the answer my friend

You’re going to suffer You’re going to bleed You’re going to fall

You’re going to die

I’m awake

Now.

~ Jef Campion

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Army Of One AKA JC2 (photo © Jaime Rojo)

Correction: An earlier posting listed Campion’s home as the Bronx. It was changed to Yonkers.

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Images of The Week: 01.19.14

Images of The Week: 01.19.14

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New York’s Street Art/graffiti/public/urban art scene is poppin’ baby – new shows, new spaces opening up or rumored to be, a new fleet of artists going out to the street doing sanctioned and unsanctioned work, and new debates about what it all means to the scene and who should rush to take credit for each phase or element of it. Answer: all of us, none of us.

Also a renewed and flawed discussion has erupted again, as it periodically does, around the need to have a “critique” around street art. We know that critical observation can be useful for those who are unsure about forming their own opinions, it’s just that we advocate widening that circle of who gets to offer the critique to include, um, everybody.

We also usually trust people on the street to make their own judgements about an art piece and its value or importance in that context. The inner world and material world of art is vastly larger than we can usually imagine and our rush to measure it often hilariously misses the point or the intention of the artist, so let’s take this impulse to judge it with some humility.

In the case of graffiti and Street Art, we all have seen examples over the last half-century where educational or cultural institutions implicitly or explicitly dismiss work on the street until it has been validated by market forces. The caustic undertone of this habitual and snide dismissal can be tied directly to classism, racism, or fear of the unknown. This is a generalization of course, so take it as such, but the neo-liberal cycle of “critical thought” has been too often reserved for the dominant culture or class, and that paradigm is really of no service to any of us anymore.

The folks who put missives on the street do so with a wide variety of motivations, needs, desires, and expectations. They are perfectly happy to have their work judged by the average passerby, and in New Yawk there is never a shortage of opinions, regardless of what school you went to. In the case of art in the streets, those are the opinions that still matter the most.

Here’s our weekly interview with the street, this week featuring Ainac, AwerOne, Bluedog 10003, Joan Tarrago, Judith Supine, Kalen Hollomon, Maki Carvalho, Pastel, REVS, Wolftits, and ZAH

Top Image >> Judith Supine is really piling on the winter layers. (photo © Jaime Rojo)

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Wolftits unveiled an astounding sculpture on this unused pedestal in Brooklyn this week – a three dimensional interpretation of the multi-mammaried aerosol character that normally  carries the name. (photo © Jaime Rojo)

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Wolftits (photo © Jaime Rojo)

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Barcelona’s Joan Tarrago (photo © Jaime Rojo)

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ZAH (photo © Jaime Rojo)

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REVS (photo © Jaime Rojo)

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This is an update from a previous piece that was comprised of a framed empty pack of cigarettes. It is unclear if this is a diss or an update. Also, the word is bills. Artist Unknown (photo © Jaime Rojo)

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A new campaign of unsanctioned pseudo ads appeared on the NYC Subway recently and have gone undetected for days and days. With subtle replacements of limbs, Kalen likes to reassign gender or simply take peoples pants off. (photo © Jaime Rojo)

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Kalen Hollomon (photo © Jaime Rojo)

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Pastel has a new wall in Buenos Aires (photo © Pastel)

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Maki Carvalho suddenly appeared like magic in BK. (photo © Jaime Rojo)

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This stencil wasn’t signed and while we see resemblances in style and technique from various artists we can’t with certainty establish authorship. Can you help? (photo © Jaime Rojo)

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AwerOne in Italy showing a heavy influence by Never2501 . (photo © AwerOne)

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Bluedog 10003 (photo © Jaime Rojo)

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Banksy… is still on New York’s mind (photo © Jaime Rojo)

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AINAC (photo © Jaime Rojo)

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Untitled. New York City. January 2014 (photo © Jaime Rojo)

 

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Street Artist Olek Goes To Jail in Poland

Street Artist Olek Goes To Jail in Poland

Street Artist Olek went to jail this week. We’re pleased to report that she made quick friends and crocheted a 65 foot long wall hanging.

“Pocaluj Przyszlosc” (Kiss the Future) is inscribed in a handwritten style crochet font across the corridor banner that leads the inmates to the outside world, should they ever be granted freedom again. “Inmates also pass it when they first enter the cold confines of their brick environment, picking their mattresses and clothes from the jail’s stockroom,” she says as she describes the prison in Katowice, Poland that she visited for a few days this week.

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Olek. Katowice, Poland. January 2014. (photo © Olek)

An artist who relishes collaboration as much as the solo aspect of creation, Olek took this project into the prison as a way to share her work and to further examine freedom, a concept she has been giving much thought to over the last year.

Under house arrest herself in London as 2013 began, Olek’s own freedom was curtailed for a few months after a bar skirmish where a drunk fella, she quotes the judge as saying, “called her a whore, prostitute and slut.” The judge had recounted Olek’s reaction at her sentencing to home curfew the previous November, “she dumped the content of her glass over his head”.

Completing her sentence just a year ago, freedom has been on her mind ever since.

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Olek. Katowice, Poland. January 2014. (photo © Davido Wojtek)

“No one knows what freedoms means until it is taken away,” she says, “I started 2013 with one foot in and the other out,” she observes of the experience that frankly pushed her spirit to very low depths, “That was the moment I pulled myself from the bottom,” she says, “but not everyone has this kind of strength.”

As she moved into 2014 Olek marked her experiences with a street installation in Vancouver in a neighborhood that has largely been abandoned by city planners and where many people who have lost hope languish on the sidewalks, sometimes turning to prostitution or the drug trade to get their basic needs met, or to just get awy. On a grey cold rainsoaked December 31st a multicolored crocheted piece rose on the street with her message “kiss the future” in what she describes as a “5 block of hell in Vancouver.”

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Olek. Katowice, Poland. January 2014. (photo © Davido Wojtek)

Here in prison, she created the piece and translated the sentiment with the help of people who live there. “I taught the women how to crochet and the men installed the frame for my crocheted piece. It was truly a collaborative effort,” she says of the new work in this public prison.

“The beauty of public art is that it can speak, inspire and change anyone, even those not educated in art. Prison is definitely a public space. The inmates can’t come and see my art on the street, so I came to them with my colors and brightness.”

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Olek. Katowice, Poland. January 2014. (photo © Olek)

Another crochet banner that she installed the previous week on the street in New York’s Little Italy had recently been stolen. The still unsolved theft of that one, which also carried a message about freedom, was still a source of sadness and anger so here in jail Olek celebrated the fact that this installation was likely to be more secure.

“The best way to insure that your work won’t be stolen is to install it inside a prison, ” she says hopefully, although most people familiar with the penal system might amend that statement. But yes, the new collaborative piece will bring a dynamic and colorful element to an otherwise restricted body and mind space.

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Olek. Katowice, Poland. January 2014. (photo © Davido Wojtek)

 

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BSA Film Friday: 01.17.14

BSA Film Friday: 01.17.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Artful Ad Busting: Vermibus Melt Ads and Minds Across Europe
2. HotTea is an MN Original: Bares Soul for Public Television

BSA Special Feature: Vermibus Replaces Lightbox Ads with Art

“Dissolving Europe”

Ad Busting work on the streets just doesn’t happen enough these days, does it?  Seems like we are slammed from every angle by ads on every surface in every social and professional situation, music video, televison show, and movie. They are so insidiously well designed to take up space in our minds that we can’t flush them out with Liquid Plumbr or even Drano.  See?

So how remarkable this campaign by Vermibus is, who tells us of his rather artful brandalism with a scenic video trip  – whereby he replaces ads with remade versions of themselves. Traveling by train, he dons an orange vest and carries official looking customized tools to hijack these slick ad blocks that guild the tonier neighborhoods in Europe. “It was around 6 Countries over 18 days,” he tells BSA, “and I made 100 Interventions.”

Like a Francis Bacon with swirling brush strokes of turpentine carving into skin and tracing eye sockets and cheek bones in circular motion, Vermibus melts the flesh and reallocates adipose like a plastic surgeon of the grotesquerie. Occasionally he smears away the entire face, leaving a quiet storm in its place. While the transformations of the unspeakably beautiful into a cabinet of curiosity does undoubtedly trouble an onlooker, the glow from behind blows the mind in one swoop while you hurriedly look for a logo or a tagline or explanation that makes it all okay.

Other pieces are more impressionist than disfigured, meant to be blurred pleasantly in the minds eye, emblematic of an ideal.  But usually it is an ideal that has run amuck, and thanks to great video by Xar Lee and a sound track entitle “A Painter’s Journey” by
music composer Marcello De Francisci, you may reconsider the effect of ubiquitous advertising in our built environment and our minds.

 

HotTea is an MN Original

Minneapolis based Street Artist HOTTEA gets the documentary treatment here from PBS/TPT and MNoriginal. A very thoughtful and informative background look at how he does his work, how he thinks about it, conceptualizes it, sees it.

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AND you will find out where that name came from courtesy of a dramatic re-enactment!  Without spoiling the end, he gets tasered. Oh dang I think I just blew it.

Two thumbs up for frank vulnerability and long live HOTTEA!

 

 

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Opiemme Bus Stops with Memorie Urbane and “In Attesa”

Opiemme Bus Stops with Memorie Urbane and “In Attesa”

Italian Street Artist and text-loving wordsmith Opiemme hit bus stops last month in the cities of Gaeta and Terracina  – about 75 miles from Rome.  While he has done a number of freelance customizations of public space in the past with his text pieces, this one is part of a project by Memorie Urbane called “In Attesa – Art at the bus stop”.  As you can see, Opiemme’s hand cut stencils are pure poetry – deliberately arranged.

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Terracina, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Terracina, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Terracina, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Terracina, Italy. December 2013. (photo © Arianna Barone)

 

 

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A Sudden Secret Street Art House Party in Manhattan

A Sudden Secret Street Art House Party in Manhattan

It’s a House Party Y’all!

With studio apartments in Manhattan now hitting nearly 3K a month the closest thing most Milennials will ever get to a house party in Gotham will be snagging a VCR tape of the Kid ‘n Play danceoff movie at their parents stoop sale.  Last week during the “polar vortex” cold freeze some lucky invitees did get access to a secret house party in a dilapidated building on the Lower East Side for 2 hours however. There wasn’t much heat, no DJ, and your flask of Jack Daniels substituted as the bar, but if you made it in you scored a free condensed Street Artist show that is as rare as a New Jack Swing hit these days.

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A subtle beam of light from Heaven (or Kevin) above Hanksy. (photo © Jaime Rojo)

A little more than 40 (mostly) Street Artists brought the four floor former tenement building to life one last time before it will be destroyed – and they did it almost entirely in secret over the course of a week.  Just how secret this event was is debatable considering the multitude of blog posts and photos of it that appeared in the days following but in the Internet age, news about stuff like this goes viral no matter what.

All tolled, the varied collection of participants was a cross-section; a blurry screenshot of Street Artists on the New York scene along with a few graff writers, taggers, sticker slappers, painters, illustrators, aerosol experts, installationists, art school students, and visitors to the big city who happened to be around at the right time.  Also, a couple of pyros.

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A collaborative wall for “Surplus Candy” (photo © Jaime Rojo)

While this sort of artist takeover of an abandoned house or building is increasingly occurring in bankrupt cities and neighborhoods in America and Europe where no one wants to live except the creative types, you don’t find this unruly and freewheeling expression much in the increasingly scrubbed and mall-like playground for the rich in Manhattan.

Similarly, producers of large Street Art/Urban Art events in global cities can deliver murals that make you salivate and on a scale that dwarfs this “event” thanks to corporate underwriters and shills for sneakers/sodas/urban-themed tampons these days, but few can truthfully rival the unpolished impromptu spirit of a semi-secret House Party jam session. For one week during installations and on opening night it was like the ghost of New York’s downtown 1970s-80s Bohemia was coming back to the island in all it’s imperfectness to remind everyone of Manhattan’s former greatness as a petri dish for experimentation and discovery.

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Icy & Sot (photo © Jaime Rojo)

Considering the huge increase in sanctioned walls over the last two years in New York, this work looks surprisingly alive, and is just the sort of balm needed for the raw nerves of anarchists everywhere who have bemoaned the polished soul-deadening mural painting of late. Even if some of this looks sort of slap-dash and ragged in spots, and it does, it also gives off an air of being authentic and in-the-moment.

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Icy & Sot (photo © Jaime Rojo)

Notably, the ratio of penis, breast, and defacation-related themes was higher than your average art show but as you know, there is an audience for every artist, even the ones gravitating to bathroom humor as creative wellspring.  Judging by the few hundred images floating around on Flickr and elsewhere, this pop-up was a hit for the people.

Given the growing number of artists communities that have blossomed outside of Manhattan, this could have been one of its last jams for Street Art.  Yo! That’s my jam!

And now please step aside as we build another luxury condo.

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Icy & Sot (photo © Jaime Rojo)

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Icy & Sot (photo © Jaime Rojo)

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Gilf! (photo © Jaime Rojo)

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Gilf! (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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Alice Mizrachi (photo © Jaime Rojo)

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Trap (photo © Jaime Rojo)

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ASVP (photo © Jaime Rojo)

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Tony DePew (photo © Jaime Rojo)

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Tone Tank (photo © Jaime Rojo)

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Tone Tank (photo © Jaime Rojo)

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Sonni (photo © Jaime Rojo)

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Royce Bannon at work on his installation. (photo © Jaime Rojo)

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Royce Bannon (photo © Jaime Rojo)

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LNY (photo © Jaime Rojo)

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ELLE (photo © Jaime Rojo)

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ELLE (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Foxx Face (photo © Jaime Rojo)

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Foxx Face (photo © Jaime Rojo)

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Rusell King (photo © Jaime Rojo)

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CB23 (photo © Jaime Rojo)

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Col Wallnuts (photo © Jaime Rojo)

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Cosbe (photo © Jaime Rojo)

 

This show, “Surplus Candy” was organized by Hanksy, and is now closed.

A near complete artist list includes:

Alice Mizrachi/AM, ASVP, BD White, Bishop203, CB23, Cernesto, Col Wallnuts, Cosbe, Dee Dee, Dick Mama, Drippings, Edapt,   EKG, El Sol 25, Elizabeth Glaessner, Elle, Enzo and Nio, Foxxface, GILF!, Hanksy, Icy and Sot, Left Handed Wave, Lunar New Year, Magda Love, Martha Cooper,  Mata Ruda, Moustache Man, Mr. Toll, Mr. Two Three, Mrs. Big Stuff, NDA, Never, Nicolas Holiber, Royce Bannon, Russell King, Sonni, Tako, Tone Tank, Tony Depew, Trap, UR New York, Vulpes Vulpes, Wizard Skull, and Wretched Beast.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Spaik Goes Seaside in Quintana Roo

Spaik Goes Seaside in Quintana Roo

Mexican Street Artist Spaik continues to combine his love of urban art with the historic mural art of his country, mixing folk elements and cultural symbols to tell stories both real and imagined. Here he is combining the indigenous maritime life with references to the traditions of the region, as shown through a fluorescent prism of the modern global age. Last month in Quintana Roo on the Yucatán Peninsula in Mexico, Spaik created this mural for a festival celebrating Caribbean culture, Festival de Cultura del Caribe or FECUCA.

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Spaik Spaik. Caribbean Cultural Festival. Holbox Island. Quintana Roo, Mexico. (photo © Spaik)

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Spaik Spaik. Caribbean Cultural Festival. Holbox Island. Quintana Roo, Mexico. (photo © Spaik)

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Spaik Spaik. Caribbean Cultural Festival. Holbox Island. Quintana Roo, Mexico. (photo © Spaik)

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Spaik Spaik. Caribbean Cultural Festival. Holbox Island. Quintana Roo, Mexico. (photo © Spaik)

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Spaik Spaik. Caribbean Cultural Festival. Holbox Island. Quintana Roo, Mexico. (photo © Spaik)

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Skount Reveals “Inner Colour” in Amsterdam

Skount Reveals “Inner Colour” in Amsterdam

After a year that included painting walls and exhibiting canvasses and giving talks about his mythologically inspired painted universe in Australia, US, France, Spain, and the Netherlands in 2013, Street Artist Skount ended 2013 with a big wall back in Amsterdam called “Inner Colour”

He says that he was motivated by an observation that most people create a mask to hide their real emotions and he thinks it creates a kind of identity disorder and loss of the inner self. He describes the colorful mural as a “metaphorical representation of an imaginary colorful soul, a capture of that special moment when she or he removes the fake mask and starts to enjoy the moments in life as a child in a playground would, sharing and transmitting all that we are, colour, imagination, positivity, energy and good vibes with all the people around, and with the rest of the world.”

Here are some images of that work as it progressed in December.

 

 

 

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Skount. Amsterdam, December 2013. (photo © courtesy Skount)

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Skount. Amsterdam, December 2013. (photo © courtesy Skount)

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Skount. Amsterdam, December 2013. (photo © courtesy Skount)

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Skount. Amsterdam, December 2013. (photo © courtesy Skount)

 

 

 

 

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Images Of The Week: 01.12.14

Images Of The Week: 01.12.14

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Great week in NYC with the new mayor shaking hands for hours in the cold outside City Hall with all New Yorkers last Sunday, then we got smacked with the devastating cold, then sleet, then high winds. Next up, ice locusts! Also, if your Christmas tree is still up, don’t plug it in because that puppy will go up in 25 seconds of flaming glory. Wait until it is safely on the street before igniting.

This week we also featured not one but two yarn artists, which has gotta be a first for us – London Kaye and the Olek. Yarn on the street isn’t exactly a trend, but it is sort of a trend.

– In a related story, Olek is now reporting that the piece we documented her installing in 4 degree temperatures has mysteriously disappeared. Street Art vanishes all the time but the size of this piece was gargantuan and it was a complicated install and it was hung in a very heavily traversed part of Little Italy. Says Olek in her FB/Twitter all-points-bulletin “Alert: 376 square feet of #crochet art stolen.” Keep your eye on Grandma, also Aunt Betty. ‘Cause you know, knitters sometimes get competitive, that’s all I’m saying.

And here we are with our weekly interview with the street, this week featuring Beau Stanton, EC13, Etnik, Haculla, Icy & Sot, Miron Milic, Olek, Pyramid Oracle, Rene Gagnon, Seville, Sexer, Steep, Swoon, Team Low Brow, Team Mishka, and Zimad.

Top Image >> Haculla. We are happy to see this veteran Street Artist on this old spot in Manhattan and of course back on the streets of NYC. Nice stash. (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Swoon’s collaboration with Groundswell was tagged very heavily during the most recent snow storm in the city. Luckily, the color palette of the new graffiti work complements the overall scheme. (photo © Jaime Rojo)

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Miron Milic’s sketch for his most recent work in Croatia. (photo © Miron Milic)

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The finished piece by Miron Milic. When translated, we still didn’t understand the meaning but here it is: “We played at war because it was healthy that were as much in the air.”  (photo © Jaime Rojo)

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Steep at The Bushwick Collective. (photo © Jaime Rojo)

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Icy and Sot depict a feeling of impotence fighting the war machine and the ubiquity of guns and violence. What’s your interpretation? (photo © Jaime Rojo)

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Beau Stanton for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

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A new piece in Turin, Italy by Etnik, who is preparing for his first solo show at Square23. Dude’s got skillz. (photo © Etnik)

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Zimad at The Bushwick Collective. Detail. (photo © Jaime Rojo)

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RIPO for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

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EC13 new installation in Spain. (photo © EC13)

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Team Mishka vs Team Low Brow for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

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Sexer at The Bushwick Collective. (photo © Jaime Rojo)

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“There is no such thing as part freedom”. Olek for The L.I.S.A. Project NYC. (photo © Jaime Rojo)

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Rene Gagnon opened with an extensive solo show at the new Mecka Gallery last night. Heavily attended. Read more about the venue, the show, and an interview with the artist HERE. (photo © Jaime Rojo)

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Untitled. The Golden Hour becomes the Manhattan skyline. January 2014. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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