BSA Film Friday 06.13.14

BSA Film Friday 06.13.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. RED VAPORZ – Russian Graffiti and Street Art
2.Last Breath III – Cambodia
3. ETNIK at Memorie Urbane Festival
4. Ernest Zacharevic at Memorie Urbane

BSA Special Feature: RED VAPORZ – Russian Graffiti and Street Art

Russia has a growing Street Art and graffiti movement – in select cities, under certain circumstances. But it is ALIVE and these mostly young animated and excited artists are eager to take the scene in a new direction.

This brand new documentary travels and interviews a variety of artists working in the public realm today, brandishing cans and balancing instincts to do illegal work versus legal work – which makes it sound rather similar to other scenes around the world.

Yes, there appears to be political repression, and content needs to steer clear of political opinions, and in the end we are really just talking about a growing muralist movement. It is also interesting to see the various western influences as interpreted and filtered through local tastes, traditions, styles.  While hip-hop culture is likely to have been the lever in the 90s, the international Street Art aesthetic is here as well as the global branding of youth culture. Pre-Internet, they wouldn’t have known about us, and we wouldn’t have known about them. When it comes to grassroots movements fed by the open exchange of culture, does it increasingly appear that there is no “us and them’?

 

Last Breath III – Cambodia

The Last Breath initiative that installs art inside condemned architecture is taking a detour through Cambodia. Is this evidence of the strengthening of “spraycations” or interactive extreme art tourism? Let’s keep an eye on this.

ETNIK at Memorie Urbane Festival in Italy by The Blind Eye Factory

 

Ernest Zacharevic at Memorie Urbane Feastival

 

It’s Friday Ya’ll – Let’s Get up and Dance!

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Industrial Makeover: East Williamsburg Breaks Out the Cans

Industrial Makeover: East Williamsburg Breaks Out the Cans

As the Borough of Brooklyn continues a rolling cultural renaissance the spotlight shifts from one neighborhood to the next as investors and cultural workers leapfrog one another in search of opportunity. Naturally, “capitalizing” on that opportunity can be interpreted in a variety of ways, and is.

 

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Gabriel Gimenez AKA GG (photo © Jaime Rojo)

The Williamsburg Industrial Park, sometimes referred to as East Williamsburg, has been known for light manufacturing industry such as food processing, furniture making, packing/shipping of dry goods, warehousing – and of course it has played host to a growing number of artists studios in the mix. Of course it has been impacted by the ballooning interest in Bushwick and Williamsburg and all-things-Brooklyn in general but for some reason this still feels fresh and unjaded. Because you don’t have to worry too much about nervous neighborhoody types it has also been a welcoming environment for musicians to rehearse and artists to experiment.

 

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Sonni for The Juicy Art Festival. (photo © Jaime Rojo)

The doors of cafes, live music venues, scattered galleries and performance spaces have opened in the last couple of years and a growing number of legal murals alongside an occasionally lively graffiti / Street Art scene has been cropping up and out. As is the case with new bohemia and a heady mix of hormones/entrepreneurship/euphoria/good weed, some of these dreams will take off and grow while others will fade into the lore of an experimenting NY scene that proudly cuts a notch with a pen knife into the cultural timeline. The best idea is always to jump in and be a part of it right now and enjoy it to its fullest. But that’s just us.

A music and mural art festival called “Juicy Art” saw its first edition this past weekend and the transformation continues with entire blocks getting smashed by a mix of independently produced work, unsanctioned guerilla pieces, and naturally, murals. Take a look at this survey of a popping scene captured by photographer Jaime Rojo in the last couple of weeks.

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Sonni for The Juicy Art Festival. (photo © Jaime Rojo)

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Sonni for The Juicy Art Festival. (photo © Jaime Rojo)

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Cruz (photo © Jaime Rojo)

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Ramiro Davaro-Comas for The Juicy Art Festival. (photo © Jaime Rojo)

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Ramiro Davaro-Comas for The Juicy Art Festival. (photo © Jaime Rojo)

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Kremen (photo © Jaime Rojo)

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Never for The Juicy Art Festival. Detail. (photo © Jaime Rojo)

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Don Rimx, Ricardo Cabret and Son for The Juicy Art Festival. (photo © Jaime Rojo)

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Matthew Reid (photo © Jaime Rojo)

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Ever for The Juicy Art Festival. (photo © Jaime Rojo)

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Ever for The Juicy Art Festival. (photo © Jaime Rojo)

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Ever in collaboration with Zio Ziegler for The Juicy Art Festival. (photo © Jaime Rojo)

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NM Salgar and Chuck Berrett (photo © Jaime Rojo)

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Nepo for The Juicy Art Festival. Piece in progress. (photo © Jaime Rojo)

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Tony Washington and Ramiro Davaro-Comas for The Juicy Art Festival. (photo © Jaime Rojo)

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Denton Burrows (photo © Jaime Rojo)

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Dasic for The Juicy Art Festival. (photo © Jaime Rojo)

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Muro, Txemy, Stinkfish and Meca for the Juicy Art Festival. (photo © Jaime Rojo)

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Exit Room Gallery current show. (photo © Jaime Rojo)

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Exit Room Gallery current show. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Another Man’s Treasure: “Art Is Trash” Creates on the Street

Another Man’s Treasure: “Art Is Trash” Creates on the Street

Converting Your Garbage Into a Fleeting Work of Art

With legal murals proliferating through the neighborhoods and cities that are embracing and inviting Street Art, it is refreshing to see that the renegade spirit of D.I.Y. is still coursing through the creative veins of the street.

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Art Is Trash (photo © Jaime Rojo)

Today we take a look at “Art is Trash” (El Arte Es Basura) the nom de street of Barcelona-based Francisco de Pajaro, who appropriates the stuff you threw away and creates art with it. Sometimes he rearranges boxes and bags and lampshades and that old headboard from your bed to create a new canvas. Other times he connects his characters with pieces that other street artists have left – creating a sort of “forced collaboration”. Most frequently he is spontaneously taking inspiration from whatever materials are at hand and creating something new with them.

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Art Is Trash (photo © Jaime Rojo)

He also is pretty successful at stand-alone comedic characters who pop up on a field of graffiti tags with their own drama and an occasional fly.

Round the corner and you may witness his contingent of horse riding warriors wielding long paint rollers and an assortment of miscreants, jesters, ruffians and scallywags with wide eyes and long-stretched arms in tow. brooklyn-street-art-art-is-trash-francisco-de-pajaro-jaime-rojo-06-14-web-10

Art Is Trash (photo © Jaime Rojo)

Catch him in action, and you see the same sort of free-style improvisation you might find at a comedy-jam; an artist working rapidly with the materials before him, unrestricted and unencumbered by contracts, provisions, conventions or censorship.

Art is Trash recently left an entertaining trail through New York streets. Here we present you with just a sample of his in-the-moment offerings… and a few flies.

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Art Is Trash (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

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Art Is Trash forced collaboration with Hiss. (photo © Jaime Rojo)

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Art Is Trash in collaboration with Balu and The Dusty Rebel. (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

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Art Is Trash (photo © Jaime Rojo)

 

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Poles in Italy: Natalia Rak and Etam Cru at Memorie Urbane 2014

Poles in Italy: Natalia Rak and Etam Cru at Memorie Urbane 2014

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The Polish duo Sainer and Betz, who together are named ETAM CRU, have just completed walls at Memorie Urbane along with their countrywoman Natalia Rak, who comes from Lodz.  Together the illustration style of their fantastic realism is characteristic of a current trend in muralism and these twenty-somethings all continue to stretch the imagination with saturated color, pleasing imagery, and a technical flair that lends itself to children’s story books.  

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Natalia Rak. Detail. Memorie Urbane 2014. Terracina, Italy. (photo © Giorgio Base/Blind Eye Factory)

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Natalia Rak. At work on her mural for Memorie Urbane 2014. Terracina, Italy. (photo © Giorgio Base/Blind Eye Factory)

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Natalia Rak. Memorie Urbane 2014. Terracina, Italy. (photo © Giorgio Base/Blind Eye Factory)

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ETAM Cru. Detail. Memorie Urbane 2014. Gaeta, Italy. (photo © Lorenzo Gallitto/Blind Eye Factory)

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ETAM Cru. Memorie Urbane 2014. Gaeta, Italy. (photo © Lorenzo Gallitto/Blind Eye Factory)

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ETAM Cru. Detail. Memorie Urbane 2014. Gaeta, Italy. (photo © Lorenzo Gallitto/Blind Eye Factory)

 

Alice Pasquini Memorie Urbane Festival 2014

Ernest Zacharevic “Toy Mafia” Memorie Urbane Festival 2014

 

Etnik and Millo Memorie Urbane Festical 2014

 

Martin Whatson, David De La Mano, Pablo Herrero and E1000 Memorie Urbane Festival 2014

 

Opiemme Memorie Urbane Festival 2014

 

Click HERE for more Memorie Urbane Information

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Tag & Buff Duet: SABER and Zes Capture the Tension in LA (VIDEO)

Tag & Buff Duet: SABER and Zes Capture the Tension in LA (VIDEO)

When you live in certain cities you are accustomed to the sort of cat and mouse game that municipalities play with graffiti taggers/writers with the cancelling out of one another’s work with paint. Today we take a look at a legal mural by Saber and Zes in Los Angeles that aims to capture the action between the untamed madness and wild markings of the writer and the blocky beige paint blobs that redact those markings from the visual cityscape, a practice many refer to as “the buff”.

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Saber . Zes . MSK collaboration in Los Angeles. (photo © Jordan Ahern)

“This particular style is an homage to this visual conflict that we see everyday on our city’s walls,” Saber tells us of this mural painted on a new art supply store that just opened in downtown LA. He says that the tension between the two forces is what gave energy to the project that used tools like a fire extinguisher, a bug sprayer, and that nice buff color, along with a fair number of fatcaps. Saber says it was a bit of an experiment.

Explaining the approach, Saber tells us they kept their state of mind loose while testing the uncontrolled quality of the substance applicators they were employing. “Usually these tools are used for bombing so the idea that we kept in mind was that there are no mistakes,” he says. “Any mark made on the wall only adds to the layers creating the tension between tagging, color and the beige of buff. Our goal was to capture samples of this conflict that takes place in the urban environment between tagging, handstyles and the relentless buff. Eventually the buffing took on a life of it’s own, almost turning into clouds that were weaving in and out of the scrawls.”

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Saber . Zes . MSK collaboration in Los Angeles. (photo © Jordan Ahern)

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Saber . Zes . MSK collaboration in Los Angeles. (photo © Jordan Ahern)

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Saber . Zes . MSK collaboration in Los Angeles. (photo © Jordan Ahern)

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Saber . Zes . MSK collaboration in Los Angeles. (photo © Jordan Ahern)

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Saber . Zes . MSK collaboration in Los Angeles. (photo © Jordan Ahern)

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Saber . Zes . MSK collaboration in Los Angeles. (photo © Jordan Ahern)

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Saber . Zes . MSK collaboration in Los Angeles. (photo © Jordan Ahern)

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Saber . Zes . MSK collaboration in Los Angeles. (photo © Jordan Ahern)

 

CREDITS:

Saber Zes MSK
Branded Arts
Photos by Jordan Ahern @dopevinyl
@theseventhLetter
Artists and Craftsman Supply LA

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images Of The Week: 06.08.14

Images Of The Week: 06.08.14

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Dude and Dudette it’s not even officially summer (June 21) but New York streets are off in the deep end of the public pool with all these new backflips and cannonballs and arched dive art in the streets. Can someone please say UNPRECEDENTED? Everybody jump in!

Here our weekly interview with the street, this week featuring Bifido, Case Ma’Claim, City Kitty, Crummy Gummy, Dain, Damien Mitchell, Dee Dee, EC13, FKDL, JAZ, Jerk Face, Lambros, Mark Samsonovich, Pixel Pancho, Pyramid Oracle, Rubin, SheWolf, Skount, Solus, UAI, and Zio Siegler.

Top Image >> Case Ma’Claim and Pixel Pancho collaboration for The Bushwick Collective. (photo © Jaime Rojo)

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A sonic POP reverberated through the streets this week when this duet happened between Case Ma’Claim and Pixel Pancho at The Bushwick Collective. Detail. (photo © Jaime Rojo)

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Lambros combined nightmares into this one hideous hybrid. (photo © Jaime Rojo)

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Dain is dressed for success. (photo © Jaime Rojo)

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Damien Mitchell pays tribute to the divine Nina Simone at The Bushwick Collective. (photo © Jaime Rojo)

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Pyramid Oracle levitates sagely. (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Mark Samsonovich. This happened to me one time when I ate an entire bag of jelly beans and then washed them down with orange soda. Same thing. (photo © Jaime Rojo)

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Mark Samsonovich. We come in peace. Would you like a banana? (photo © Jaime Rojo)

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Bifido. New conceptual piece form his series “Don’t Forget To Play” in what appears to be an abandoned and derelict public park in Naples, Italy. (photo © Bifido)

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SheWolf (photo © Jaime Rojo)

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Looks like FKDL was in town this week with his mix of 1950s nostalgia and idealized female collages. (photo © Jaime Rojo)

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Detail of FKDL wall for The Bushwick Collective. (photo © Jaime Rojo)

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Crummy Gummy features out of work actor ET looking for options on the streets of Los Angeles. (photo © Jaime Rojo)

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The Irish Solus left a love letter to BK and The Bushwick Collective. (photo © Jaime Rojo)

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Skount new street work in Barcelona, Spain. (photo © Jaime Rojo)

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Jerk Face and the Cookie Monster for The Bushwick Collective. (photo © Jaime Rojo)

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City Kitty (photo © Jaime Rojo)

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Rubin for The Bushwick Collective. (photo © Jaime Rojo)

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EC13 new piece in Huetor Vega, Spain. The artist continues to explore his non-figurative expressions with new mediums and surfaces. This placement is immaculate. (photo © Patricia Fernandez)

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Zio Siegler (photo © Jaime Rojo)

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JAZ is seen here at work in Berlin on his new mural in conjunction with his solo show currently on view at the BC Gallery.  (photo © Phillipp Barth)

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Jaz. The completed mural in Berlin.  (photo © Phillipp Barth)

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Untitled. The Empire State Building photographed from Brooklyn, NY. June 2014. Via Instagram and iPhone. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Pixel Pancho in Bushwick

Pixel Pancho in Bushwick

International Street Artists have made Bushwick a destination for legal murals for a few years because they know that if they keep it clean they are in for a whale of a wall while the neighborhood undergoes it’s metamorphosis.

Pixel Pancho doesn’t get to Brooklyn too often, but when he does he’s been making a splash and people don’t forget very soon. Not that you should let go and get big head now, Pix.

The Torino-based Pancho was on a few cherry lifts here last week and we thought you’d like to see this one on the side of a restaurant that he entitled “Dude, Where’s My Whale?” Not quite the robotic milieu he is typically seen doing, this one makes a facade a bit Rubiks cubist, and looks like someone has a geranium in the cranium.

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Pixel Pancho (photo © Jaime Rojo)

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Pixel Pancho (photo © Jaime Rojo)

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Pixel Pancho (photo © Jaime Rojo)

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Pixel Pancho (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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“The Pier” Online Premiere on BSA Film Friday 06.06.14

“The Pier” Online Premiere on BSA Film Friday 06.06.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

BSA Special Feature: World Premier
“The Pier” (Piren)

Today BSA brings you the online release of “The Pier”, by Erik Vestman and Nils Petter Löfstedt, who have presented it at packed documentary events and exhibitions around Europe but it has never been presented online until today, which we do proudly.

The half hour film tells the story of two artists discovering a hidden space under a pier near the ocean and their distinctly D.I.Y. approach to getting their hands dirty and creating something genuinely new. “We wanted to make the room perfect – like a classy room in an apartment – but in a dirty dark hole underground,” says Petter when describing the secret project that took the guys about six months of ferrying materials and tools back and forth to the spot on bicycle. Why, you might ask? “There was no obvious purpose. Otherwise all rooms have a purpose, usually – toilet, office, living room. But this was just a room, underground, for everybody to do what they wished with.”

Löfstedt and Vestman have been experimenting with the concept of public/private in some of their other conceptual works over the last few years; precisely replacing stone tiles in public areas with photographic works of friends and rats, for example, and “re-purposing” a downtown commercial kiosk into a rural field outside of the city for uses more fitting the agrarian way of life.

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“Everything can be changed. Everything can be turned into poetry,” they like to say, and with this same philosophy you can best assess many artworks works on the street – sanctioned and guerilla style – and judge how successful at writing poetry an artist has been when engaging the public.

Is it possible to find poetry in all public spaces? Petter says possibly, “Guess there is poetry everywhere. The only thing is to have time to see it.”

Documenting their project of transformation with film and photography, they also left journals for visitors to write in, collecting observations, some negative, most positive.

But the under-pavement construction wasn’t originally going to become a film. “When we found the empty, dirty space under the pier we had no plans except making something great out of it,” Erik tells us. “After quite some time when we finally started building we also started documenting what we were doing. But we had no plan of making a film or a book until far into the process.”

Brooklyn-Street-Art-copyright-Nils-Petter-Lofstedt-The_pier_2Was it all glamour? “It was horrible and fantastic to build the room. I got a nosebleed, there were these tics… I think we both had dreams about moving stones and gravel and paint that didn’t dry in the moist air of the sea. However we were totally absorbed by what we were doing.”

The “secret” spot became known because of its ingenious appropriation of a nether space – not quite public but not entirely private. The transformative effect of their carpentry and industry deliberately plumbed psychological boundaries about the built environment, as well as its purpose. By physically crossing the precipice into and out of the space a visitor pierced a veil of typical expectations, interacting with an inspired project that literally causes one to see their world differently.

Welcome to “The Pier”.

 

 

Original title: Piren
English Title: The Pier
Genre: Documentary
Director: Nils Petter Löfstedt
Production: Stavro Filmproduktion AB in coproduction with SVT and Film i Skåne
Length: 28 minutes
Photo: Nils Petter Löfstedt
Editing: Johan Löfstedt
Music: Carl Johan Lundberg / Vit Päls
Producer: Patrik Axén
Sound design: Robert Sörling
First grade: Simon Möller
Final grade: Erik & Nils Petter
Graphics: Erika Nyström

www.thepier.se

 

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Alice Pasquini e Una Donna, Memorie Urbane 2014

Alice Pasquini e Una Donna, Memorie Urbane 2014

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“I just finished my latest wall in Itri, Italy for the Memorie Urbane Festival,” says Alice Pasquini about her new piece here on BSA.  The engagement with the community is one of the fascinating aspects of public art, and sometimes an artist can be surprised by the comments and conversations sparked by their work – and who they meet on the street.

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

Inspired by the neo-realist 1960 film ‘La Ciociara’ (Two Women) directed by Vittorio De Sica, the artist creates a portrait of its star, Sophia Loren, which she painted over two days. During that time she really understood the importance of context.

“I was visited by elderly residents of the town, many of whom remember when the filming took place and shared their stories.  One woman, now in her late 80s, had a small role in the film and explained that with the fee she was paid, she was able to support her family of five children,” says Pasquini.

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

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Alice Pasquini. Itri, Italy. (Photo © Jessica Stewart)

 

Ernest Zacharevic “Toy Mafia” Memorie Urbane Festival 2014

Etnik and Millo Memorie Urbane Festical 2014

Martin Whatson, David De La Mano, Pablo Herrero and E1000 Memorie Urbane Festival 2014

Opiemme Memorie Urbane Festival 2014

 

Click HERE for more Memorie Urbane Information

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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India’s First Street Art Fest and the Largest Ghandi Portrait Ever

India’s First Street Art Fest and the Largest Ghandi Portrait Ever

“St.ART Dehli 2014” Hosts 60 Artists

As Street Art continues to go global here in the twenty-teens, today we bring you images showing that Dehli has become one of the latest cities to showcase it. In what is billed as India’s very first Street Art festival the south Delhi neighborhood of Shahpur Jat hosted a collection of international and local artists this spring to paint murals while a public who is not quite acquainted with public art asked many questions.

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Hendrik ECB Beikirch and ANPU take shots of their collaborative portrait of Mahatma Ghandi. / St.ART Delhi 2014 (photo © Akshat Nauriyal)

Working out of the newly rustic indoor venue “Social Space” in the trendy neighborhood of Hauz Khas Village (HKV), the St. ART Delhi effort was a combination of a gallery exhibition and a street art festival that invited 60 or so international and Indian artists earlier this year to create public works.

Overseen by co-founders Hanif Kureshi and Arjun Bahl and curated by Italian Giulia Ambrogi, the festival was possible with the help of a collection of artists, professionals, art school students, and friends who  joined with the Goethe-Institut and the Italian and Polish cultural institutes in Delhi. With volunteers, supplies, and a lot of community outreach, the event organizers were able to bring the artists and help get walls for them-  an effort which took about a year and a half of serious planning to bring to fruition.

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Artez. St.ART Delhi 2014 (photo © Akshat Nauriyal)

In an underdeveloped area undergoing the same gentrification found in edgy parts of large cities around the globe, the artists found that the long term residents sometimes resisted the change but eventually embraced it, if tentatively at times.

“Pondering was what we had to do for much of the day as the locals were still getting accustomed to strange folks painting their walls and generally made life a bit difficult for the artists and the crew,” writes Siddhant Mehta on the blog of the festival’s site when describing the cautious reaction of folks when seeing painters and scaffolding.

Some residents even requested images of religious iconography before any artworks were created, while some artists entertained requests for cartoon characters or children’s games to be incorporated in their murals.

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Sé Cordeiro. St.ART Delhi 2014 (photo © Akshat Nauriyal)

Co-founder and typography designer Kureshi freely admits it was an easy non-controversial choice when deciding on the portrait that went up on the police building. “After 2 months, we finished around 75 pieces around Delhi including the tallest one on the Delhi Police Headquarters,” says Mr. Bahl as he describes the tallest portrait of Mahatma Ghandi anywhere which covers a 150’ x 38’ – a collaboration between Indian painter Anpu Varkey and German street artist ECB.

Of the 60 artists who participated, many were from India, which may have contributed to a sense of cultural balance in the mural collection created in the neighborhood. Whether is was TOFU from Germany, M-City from Poland, or Alina from Denmark, many of the artists reported that small crowds gathered to watch and, with time, offered gifts such as peanuts or a cup of chai to their foreign guests.

As the global Street Art scene continues to open its arms wider it is promising to see that a new public art festival like this has begun in such a grand way in a brand new location. It is also heartening to see planners who take into account the preferences of the neighbors, and who act with a sense of goodwill when offering public art for arts sake.

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Harsh Raman. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Okuda. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Andy Yeng and Tofu. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Tofu. Detail. St.ART Delhi 2014 (photo © Jayant Parashar)

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Tona. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Foe. St.ART Delhi 2014 (photo © Enrico Fabian)

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Foe. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Mattia Lullini. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Alina Vergnano. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Alina Vergnano. St.ART Delhi 2014 (photo © Pranav Mahajan)

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Bond. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Alias. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Alias. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Tones. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Tones. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Tones. St.ART Delhi 2014 (photo © Akshat Nauriyal)

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Ranjit Dhaiya. St.ART Delhi 2014 (photo © Akshat Nauriyal)

BSA extends our thanks to Thanish Thomas for his diligence in getting these images to us and to Hanif Kureshi, Arjun Bahl, Giulia Ambrogiall, Mridula Garg, Akshat Nauriyal, and the entire team at St.ART Delhi 2014.  Click HERE to learn more about St.ART Delhi 2014.

 

 

St.ART Delhi Street Art Festival Part II

 

 The Tallest Mural of India – Mahatma Ghandi at St.ART Delhi

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This article is also published on The Huffington Post

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Opiemme X Moby Dick X Museum of Urban Art (Italy)

Opiemme X Moby Dick X Museum of Urban Art (Italy)

There has been some excited talk in the last couple of weeks here about the announcement of a new urban art museum in New Jersey associated with Mana Contemporary – some even saying that it is the first of its kind. No doubt it will be a first in many categories but when we heard the name MANA associated with an urban museum we also thought of MURo (Museo di Urban Art di Roma) and then of MAU.

The Museum of Urban Art in Turin Italy is called Museo d’Arte Urbana and it has a director and a board, has programmed and placed countless works in public spaces since the mid 1990s, and is reportedly securing a large permanent location in that city as well.  In fact, many have had this lust for combining the street with museums, and everyone does it differently.

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Opiemme. Torino, Italy 2014. (photo © Opiemme)

“It’s a really particular reality,” says Opiemme this week of the MAU program that just brought him to Torino, as the city is natively referred to. “There’s a block called Campidoglio where MAU took over beginning in 1995,” the Street Artist says about what is essentially a mural arts program that has brought public artists and artworks to the street in a curated fashion. Successfully, you might add, from the citizens point of view.

“Actually I never painted in a place where people were so happy to have me there,” he says of the new 50 square meter text based whale based on Melville’s Moby Dick. Installed over a weekend in May where Corso Tassoni meets Via Cibrario, the text comes from the book, is entitled “Ahab’s Whale”, and according to Opieme, it questions who is the bigger monster – the whale or the captain’s obsession.

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

As the street scene shape-shifts once again and we have moved into a period at the moment where there is a booming mural scene washing over us – one that many would not have predicted – it is worthwhile to speculate what form and format an “urban art” museum would/could/should take and which masters are to be served?

But before pulling our whaling boats up alongside this enterprise and harpooning it with a list of programming demands — hold your fire! Perhaps we’ll need to acknowledge that we’re going to need a number of these museums worldwide, and each can find their particular focus without presuming to be everything to every one.  That would be quite impossible.

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

As usual, we are still content with the museum of the streets, the gallery of the self-selecting, curated by will, happenstance, the elements, and the audience who determines how long it is on exhibit.

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Opiemme. Torino, Italy 2014. (photo © Opiemme)

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

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Opiemme. Torino, Italy 2014. (photo © Daniele Dantonio)

For more information on the Museo d’Arte Urbana please click HERE.

 

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Etnik in Pisa for Indoor/Outdoor, 25 Years After Haring (Italy)

Etnik in Pisa for Indoor/Outdoor, 25 Years After Haring (Italy)

Marking a quarter century since Keith Haring created his mural on the back wall of the Servi di Maria convent beside the Church of S. Antonio in 1989, the city of Pisa began Indoor Outdoor – Arte Urbana a Pisa last month with the first murals of the festival installed on the 24th and 25th of May. In June the second part of the project will be an indoor exhibition of the seven artists who participated in the outdoor murals, including Etnik, who is from Vinci, about an hours drive from Pisa.

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

Here we see Etnik on a wall not far from the entrance of the airport exploding his geometric forms across a colorful waving wash of space. The former graffiti writer has moved from the letter form to the geometric form and was at Memorie Urbane a little earlier in the year with a similar context and technique; first blocking in the colors and then tracing with aerosol the quadrilaterals and their couplings and groupings, building the isometric foundations from below, allowing them to float in space, free to interact with 3-D and 2-D forms passing by.

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

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Etnik. Indoor/Outdoor Festival. Pisa, Italy. (photo © courtesy ETNIK)

Participating in Indoor Outdoor are Francesco Barbieri, Lineapiatta (Daniel Tozzi and Massimo), Scaramucci, Aris, Etnik, Soap The Wizard, Giorgio Bartocci, and Frangisuono Cisanello. For more information please visit http://www.indooroutdoor.it/

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