BSA Film Friday: 11.28.14

BSA Film Friday: 11.28.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Ziggy and Sonni and the Spiders from Mars

BSA Special Feature: Street Artist Sonni Animates Into a Rock God

His mural work on the street is unflappably sunny, so it makes sense that this animated version of a glammed up character has the same Sonni disposition that he displays throughout his work.  Extra points to his team (especially Matias Fernandez) who help to turn this simple Brooklyn studio visit into a suddenly surprising and funny one. Well made!

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And for you Bowie fans who memorized the album years ago, you know what comes next.

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Happy Thanksgiving 2014

Happy Thanksgiving 2014

Happy Thanksgiving to You from BSA.

If you have something to be thankful for, hope you find it today. For our part, we are thankful for you and we send our very best wishes.

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 Photo © Jaime Rojo

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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FRA Biancoshock Re-Purposes Street Bollard for Pleasure (VIDEO)

FRA Biancoshock Re-Purposes Street Bollard for Pleasure (VIDEO)

Yes you do have a subconscious. It travels with you throughout your adventures in the city.

Often it is evolving and devolving on the path to sexual aspirations, and somehow the shapes and the curves of our built environment all seem to know this, evoking more of those stirrings. Hungry? Thirsty? Perhaps you are thinking of food and drink and suddenly everything reminds you of it. Cities and these inanimate objects are downright carnal, if you think of it. The city itself could alternately bring you to orgasm or help you squeeze fresh oranges. Or both.

Fra. Biancoshock, an experimenting public artist from Italy, discovered recently in Krakow that the decorative crown on those steel bollards that poke straight up from the pavement can also be employed for more pleasurable purposes than directing traffic.

It’s one of those things that makes you say,”why didn’t I think of that?”. Perhaps you did.

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Fra Biancoshock begins his installation in Krakow Poland with the help of the municipality… (photo © Fra Biancoshock)

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Fra Biancoshock. “Street Squeezer” Krakow, Poland. Nov. 2014. (photo © Fra Biancoshock)

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Fra Biancoshock. “Street Squeezer” Krakow, Poland. Nov. 2014. (photo © Fra Biancoshock)

 

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Opiemme in Thailand and the Centrifugal Force of Flying Text

Opiemme in Thailand and the Centrifugal Force of Flying Text

Did you see that movie Words and Pictures? A bit sappy and chock-full of 1st world problems, but some good acting and an underlying premise that has been argued for centuries; The battle between the power of words and the power of visual art.

With the proverbial “a picture is worth a thousand words” sending writers into nose bleeds and apoplexy to the delight of painters who insist they illustrate a greater universe, we need to ask what happens when someone uses words to paint pictures? Street Artist Opiemme makes work that embodies the battle, celebrating both.

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Opiemme with Kanaet on the right. (photo © Opiemme)

Here we have recent images of text and letters flying apart and magnetically clinking back together into shapes. These are lyrics, poems, prose. All are written across walls, like their cousin graffiti, but using the technique associated with Street Art – the stencil, sometimes the brush.

It is no surprise that Opiemme is poetic when describing these various new installations while travelling in Thailand. It’s all theoretical, theatrical, mythological, philosophical. He even quotes Italian biologist/geneticist Giuseppe Sermonti.

“We are discovering that we are made of stars,” Opiemme says, “stars born in nebula by materials from the Big Bang. Thanks to gravity, the elements are in a whirlwind-vortex.” As you look at the forms coming together and splitting apart with spiral movements in outer space, clearly the words and the paintings are both fundamental for Opiemme.

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Opiemme with Kanaet on the right and Sanchai on the left. (photo © Opiemme)

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Opiemme. Vortex. Detail. (photo © Opiemme)

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Here is a tribute to Kurt Cobain in the 20th anniversary of his death, featuring a left handed Fender guitar comprised of lyrics from “Even in His Youth”, by Nirvana. Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Overunder: Key In Search Of A Home

Overunder: Key In Search Of A Home

Heading out to Nevada today to check out a mural on the plains that honors a cattle rancher and a freight-jumping graff legend cowboy as well. You may not think they have much in common but have you ever considered a cattle brand is essentially the same as a graffiti tag? Or corporate logo?

The connection Overunder draws here is the key. Literally.

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Overunder and Derek Yost. Work in progress. Nevada. Fall 2014. (photo © Overunder)

“This mural is called ‘Key in Search of a Home’,” he says, “and it is a tribute to John Key, an Elko, Nevada cattle rancher.” Commissioned as a memorial to Mr. Key’s passion, you can see the family ranch house in the horse shoe and the great sky in the masked silhouettes. Over the door to the house you can see the family brand; the shape of an old key.brooklyn-street-art-overunder-derek-yost-nevada-11-14-web-2

Overunder and Derek Yost. Work in progress. Nevada. Fall 2014. (photo © Overunder)

A decade ago Overunder and Derek Yost road bikes from Reno to Gurden, Arkansas and met Colossus (aka buZ blurr), who began putting his mark on the sides of freights in 1971. “buZ took us out to his ranch where he had two beat up Ford’s that he had been filling with keys mailed to him from every part of the globe,” says Overunder about the key association in his mind. “Since our visit I have mailed him countless keys and always think of him when I come across a key in search of a home.” So it only seemed natural to put buZ’s brand on this long cowboy themed mural, and the integration is a compliment to both.

The two painting friends re-banded to create this mural, so that may also be the key to the connection. “Derek now lives in Portland but it seemed only appropriate to involve him in this mural. Along with his awesome overall assistance he painted the cowboy silhouette composed of a golden eagle.”

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Overunder and Derek Yost. Work in progress. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Detail. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Detail. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Detail. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Detail. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Detail. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost and an electrified tribute to the prolific train writer buZ blurr. Detail. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Detail. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Detail. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Detail. Nevada. Fall 2014. (photo © Overunder)

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Overunder and Derek Yost. Nevada. Fall 2014. (photo © Overunder)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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BSA Images Of The Week: 11.23.14

BSA Images Of The Week: 11.23.14

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Starting to think about what we are thankful for this week as we approach Thanksgiving. So many of our neighbors here in New York are going to be truly thankful that immigration reform, the first in about 28 years, will begin to protect many families and workers from the threat of arrest and being torn apart. For those doing the math, we are talking about probably hundreds of thousands of our neighbors who are sleeping tonight a little better, even if the economy is still pressing people down. “It’s fair to say that we have never seen anything quite like this before in terms of the scale,” said Peter J. Spiro, a Temple University law professor in a Times piece.

Meanwhile, we’re seeing new artists pop up on the Street Art scene, and witnessing some voices getting stronger. Honestly, with the everchanging feast on the streets, you can never get bored in New York. Actually that is still against the law as far as we know – getting bored in NYC.

Here’s our weekly interview with the street, this week featuring 2 Face, Icy & Sot, JB Rock, Jerk Face, L’Atlas, LUC, Madame Moustache, Nénão, Nerr, Rita MacDonald, Specter, SPQR, Stikman, Trap, Zed1.

Top Image >> Nénão (photo © Jaime Rojo)

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Zed1. Detail. (photo © Jaime Rojo)

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Zed1 (photo © Jaime Rojo)

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Icy & Sot created a memorial/tribute to their friends who fell victims to gun violence a year ago. The Buschwick Collective. (photo © Jaime Rojo)

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Rita MacDonald for Domino Walls 2014. Detail/Reflection. (photo © Jaime Rojo)

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Rita MacDonald (photo © Jaime Rojo)

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Specter. Ad/phone booth take over. (photo © Jaime Rojo)

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JB Rock/SPQR stirring up the pot in Sicily, Italy with this image by Shepard Fairey and signature from Banksy. (photo © JB Rock)

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JB Rock new work in Sicily, Italy. (photo © JB Rock)

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LUC. Talkin’ ’bout nuns. (photo © Jaime Rojo)

 

Speaking of nuns, have you seen this remake of Like a Virgin by Sister Christina in Rome?  Indeed!


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The French Street Artist Madame Moustache left some of her quirky collage drawings wheatpasted around town. (photo © Jaime Rojo)

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Madame Moustache (photo © Jaime Rojo)

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2 Face. The faux fence was done by an unknown artist. (photo © Jaime Rojo)

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Trap (photo © Jaime Rojo)

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Nerr . WUFC Crew (photo © Jaime Rojo)

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This piece is a collage made with yarn and shredded fabric depicting a winged creature by an unknown artist. (photo © Jaime Rojo)

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Stikman (photo © Jaime Rojo)

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L’Atlas at work on his new mural in Rome, Italy in collaboration with Wunderkammern Gallery for his solo exhibition. (photo © Giorgio Coen Cagli)

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L’Atlas at work on his new mural in Rome, Italy in collaboration with Wunderkammern Gallery and his solo exhibition. (photo © Giorgio Coen Cagli)

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Jerk Face (photo © Jaime Rojo)

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Untitled. From the series American Playground. NYC. 2014. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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BSA BLACK FRIDAY Giveaway Contest!!

BSA BLACK FRIDAY Giveaway Contest!!

The New HARDCOVER EDITION With BSA Introduction

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BSA BLACK FRIDAY Giveaway Contest!!

Win the brand new hardcover edition of “Banksy In New York” by Ray Mock with introduction by Steven P. Harrington and Jaime Rojo, co-founders of BrooklynStreetArt.com.

To enter the contest simply tag a photo that you took of a Banksy on Instagram with #BSABlackFriday @BKstreetart @CarnageNYC #Banksy

Contest ends Wednesday 11/26 at 1pm (1300 EST) New York time and 5 winners will be announced Black Friday 11/28/14 on BrooklynStreetArt.com, along with the photo, which you agree to let us publish.

5 winners will be chosen at random by BSA.

Good Luck!!

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“Banksy pieces get shot by fanboys, buffed by graffiti writers, and chain-sawed by speculators. Closely surveilled by Instagram followers and breathlessly reported on Twitter with more detailed missives emanating from the home-base of Banksy’s website, every utterance was pounced upon by fans, including an ardent team of photographers, art-bloggers, grand standers and entrepreneurs. Competitive instincts were fueled by an adrenaline rush of mystery merged with a waspy storm of crowd-sourcing and social-media-monitoring, and the crisp air of autumn in New York.

Like an electronic Pied Piper, this entertaining humorist issued a high-alert signal enacted by the artist himself, sending fans and others scrambling through parts of New York they had never heard of let alone visited. For all its liberal patting of itself on the back NYC is still very segregated by race, income, class, and culture – but somehow many didn’t really know that until Banksy compelled them to venture into another neighborhood. With one uneven and at times quizzical program, the piper/jester was successful on many levels, to the thrill and chagrin of many.”

~From the introduction to “Banksy In New York” by Steven P. Harrington and Jaime Rojo

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@BKstreetart #BSABlackFriday #BanksyInNY @CarnageNYC #Banksy

Learn more about the hardcover book checkout the Carnage website HERE.

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Searching For Stikman: An Interview With The Elusive Artist

Searching For Stikman: An Interview With The Elusive Artist

Startling Revelations With Him in the Back Yard

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Stikman (photo © Jaime Rojo)

When the D.I.Y. movement met graffiti in the early 2000s in cities like New York, LA, Paris, Berlin, and London, it also brought with it the art school students and the in-laws from back home. Hip Hop culture had made graffiti cool for many in the millennial generation and Street Art was the next step — including all manner of art-making that is mounted mostly illegally in the public sphere. This art “by any means necessary” approach has included sculpture, markers, aerosol, brush painting, photography, illustration, collage, wheat pasting, stencils, linotype and screen printing, even knitting and crochet.

Stikman was just ahead of this modern curve when he began stretching people’s definition of art in the streets in the early 1990s, and along with a handful of cross-disciplinary artists in cities throughout that decade he helped stretch and redefine our expectations for freewill un-commissioned street art installations…Click HERE to continue reading this article on The Blue Grass Situation.

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BSA Film Friday: 11.21.14

BSA Film Friday: 11.21.14

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. We Don’t Need More Rats: The Clandestine White-washing of 5Pointz
2. DISTORT by Element Tree and Art Primo
3. HOT TEA “UUGGHH”

BSA Special Feature: We Don’t Need More Rats: The Clandestine White-washing of 5Pointz

Hard to believe it has been a year since 5Pointz was buffed, and yet the shock to many has gradually sunk in. Almost a year to the day, we give you this personal remembrance through the eyes of a hometown filmmaker named P. J. Monsanto. With interviews with a few of the artists who had a close association with the graffiti holy place and some helpful backgrounding detail, Monsanto gives you a sense of the shock many felt the morning after the white-wash. Big Ups to P.J. for putting together this piece of New York’s collective history.

 

DISTORT by Element Tree and Art Primo

Distort takes his time on this roof burner captured on a sunny afternoon in New Jersey by Element Tree and Art Primo.

 

HOT TEA “UUGGHH”

You saw it first here! Hot Tea shares with BSA his latest installation and his commentary on the loss of an iconic building for that renegade brand of painting that New York is known for. This family owned building on Bowery and Spring in Soho that is one of the last spots in Manhattan for graff and Street Artists to hit up has been sold – for millions. For most Street Artists the allure of Manhattan has long since died, but every last bite of the Gentrification Monster has been a moment to pause, to consider the mall-ification of a vibrant downtown culture and a city once full of wild wonder and to say, “UUGGHH”.

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Fighting Prohibition with MTO In Lexington, KY

Fighting Prohibition with MTO In Lexington, KY

“The Bluegrass State” is probably one of the first things you think of when you hear about Kentucky. Also bourbon, horse racing, and college basketball.  And Mitch McConnell and Rand Paul.

Nope, street art and graffiti don’t spring to mind.

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MTO “My Name Is MO” For PRHBTN 2014. Street Art Festival in Lexington, KY. (photo © MTO)

Well gird your loins; How & Nosm, ROA, and Kobra all have big pieces here in Lexington. So does Phlegm, Gaia, and now MTO (though barely, we’ll get to that in a minute). The point is, these are well known and regarded artists from the street art scene globally, and each is still on the rise professionally.

Spearheaded by John and Jessica Winters, gallerists and the co-founders of a mural and cultural program called PRHBTN, about a dozen international artists and a number of local ones have been putting up work on walls here since 2011. While it’s not the free-range illegal sort of graffitti and is mostly comprised of legal murals, the room for expression is great and the program undeniably brings a lot of life to the city, engendering a lot of discussion between neighbors and people on the street.

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MTO “My Name Is MO” For PRHBTN 2014. Street Art Festival in Lexington, KY. (photo © MTO)

“We don’t necessarily have a particular vision aside from the idea of continuing to bringing amazing artists to Lexington, for them to create art on our walls,” say John and Jessica in a recent interview with Christine Huskisson in a local cultural arts website named UM (Under Main). In fact their desire to not intrude on the creative vision of the artist may have spurred some neighborhood conflict with the newest addition by MTO.

The enormous piece MTO did upset some of the neighbors and community leaders because the hands and fingers of the figure reminded them of something they might have seen on TV dramas. Before you knew it, there was a “controversy” about gang signs and discussions about whether it would draw unsavory types to the area.

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MTO “My Name Is MO” For PRHBTN 2014. Street Art Festival in Lexington, KY. (photo © MTO)

You know – gangs! Here! Soon! According to the folks at PRHBTN, the majority of the businesses and community responses they had were supportive, but a few vocal concerns lead the narrative for awhile. They also say they sought all the necessary permissions to put the art up on private property. Some say the criticisms are about personal tastes, but it may also reek of deeper prejudices.

MTO has triggered this sort of response in the past, and we’ve published a piece about a Floridian community response to his work that was startlingly similar. Here again it looks like he has provoked a subconscious reaction that is very telling about the “discomfort” that perfectly nice folks can’t quite put their finger on.

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MTO “My Name Is MO” For PRHBTN 2014. Street Art Festival in Lexington, KY. (photo © MTO)

In reality, MTO is just spelling out his initials, silly. Of course he is poking the monkey by putting himself (or someone) behind bars – and the aspirator ads to the scary mask effect.”I finished the biggest mural I ever did in Kentucky,” he says, “The controversy started when I was just starting to sketch on the wall.” He explains the particulars and doesn’t really mind the discussions his art has started, and is pleased with his wall overall.

Along with a video he has just released, the back story is now told – or at least a colorful fictional version of it. Taking his tip from the Winter’s program name, he tells an winding tale about Prohibition that drunkenly mixes real life and metaphor. The guy makes interesting film/videos too, by the way.

Its guaranteed that you will not predict the end of this tale – and it probably isn’t over.

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MTO “My Name Is MO” For PRHBTN 2014. Street Art Festival in Lexington, KY. (photo © MTO)

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MTO “My Name Is MO” For PRHBTN 2014. Street Art Festival in Lexington, KY. (photo © MTO)

 

 

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Additional stories about the issues that some took, and some rode, with this new mural by MTO.
http://www.wtvq.com/story/d/story/new-lexington-mural-draws-complaints/12600/BmTuJfXCxE-TS6y7UXajLw
http://www.kentucky.com/2014/10/24/3498530_manchester-street-mural-raises.html?sp=/99/322/&rh=1
https://www.facebook.com/video.php?v=547713198705900
http://www.lexingtonprosecutor.com/this-mural-painted-on-the-james-pepper-warehouse-on-manchester-street-appears-to-be-someone-in-jail-flashing-hand-signs/
http://www.billwarnerpi.com/2012/01/fast-life-gang-sign-mural-on-tube-dude.html

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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As Street Art Turns to Public Art in Barcelona

As Street Art Turns to Public Art in Barcelona

Spain’s Second Largest City Hosts “Open Walls”

A popular city for Street Art in the early-2000s that attracted artists from across Europe and elsewhere to its intimate doorways and darkened small streets, Barcelona has become less inviting to illegal painting in recent years due to an organized campaign to contain the freewheeling art and convert it into a respectable city to shop in. Like many cities now engaging the talent if not the transgression of this generation of renegade artists, there are other ways now appearing to help artists get up on walls. 

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Madsteez. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

In October Difusor, a non-profit cultural association that works with the city, businesses, and the artists mounted Open Walls, a conference and mural program for four days that included installations/interventions, workshops and lectures from an international roster.

Included among the speakers were Todd W. Bressi from City of Philadelphia Mural Arts Program, artist Jorge Rodriguez-Gerada, mural conservator Will Shank and Leon Cullinane from Nuart. Artist represented were people like Escif, Alexis Diaz, Pastel, Joao Lelo, 310 / Stepan Krasnov, M-City and Madsteez.

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Madsteez. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

The resulting mix is wide reaching and good quality, and just when the palette is becoming too subdued and the geometry possibly municipal the wild acid royal canine court by Madsteez parries forth in a line kicking formation. Not everything is rainbows and butterflies; of note are the swarming drones by the Polish M-City, their insect-like bodies clustered madly together in a cloud of all-seeing killers in the sky.

For an “approved” roster of works the variety of styles represents what is happening as modern and contemporary art movements gain currency in the public art eye. Also, you can still check out plenty of illegal spots nearby and Barcelona still is popping with possibility if you know where to look for one of Miss Van’s ladies, or maybe even an old C215 or Faile one-color stencil.

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Madsteez. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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Escif. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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Escif. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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SPOGO. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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SPOGO. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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SPOGO. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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M-City. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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M-City. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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M-City. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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M-City. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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Alexis Diaz . Pastel. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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Alexis Diaz . Pastel. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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Alexis Diaz . Pastel. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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Alexis Diaz . Pastel. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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Joao Lelo. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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Joao Lelo.,Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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310/Stepan Krasnov. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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310/Stepan Krasnov. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

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310/Stepan Krasnov. Open Walls Conference 2014. Barcelona, Spain. (photo © Fernando Alcalá)

For more information on Open Walls in Barcelona, please click HERE.

Our special thanks to Nerea Rubio from Difusor for her expert help.

 

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ROA and An Orphaned Bear in Rome

ROA and An Orphaned Bear in Rome

Entirely within the character of Street Artist ROA, his new piece in Rome addresses the underlying rift between man and nature. The urban naturalist is known for his depictions and portraits of creatures who share the earth with us, often endangered or otherwise misused at the hand of man. In town for his solo show, “Suovetaurilla”, at the Dorothy Circus Gallery, ROA painted this particular bear kid who was famously orphaned this summer.

The case of his mother attacking a human hunting mushrooms in the forests of Trentino and open public deliberations about the ethics of killing or capturing her was openly discussed and debated in grocery stores, beauty parlors, and halls of government. It even sparked an online petition drive that gathered more than 120,000 signatures to protect her from being punished while behaving like a bear.

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ROA at work on his new mural in Rome. (photo © Lorenzo Gallitto/BlindEyeFactory.com)

Sadly Daniza was accidentally killed by too much anesthesia in the process of subduing her, effectively ending the debate about her fate. ROA paints here a timid orphan baby bear holding a dart similar to the one used for anesthesia.  Using his work to advocate awareness is not the first thing that comes to most people’s mind, but ROA once again subtly shows his own method of activism is very effective.

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ROA at work on his new mural in Rome. (photo © Giorgio Base/BlindEyeFactory.com)

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ROA. Rome, Italy. (photo © Lorenzo Gallito/BlindEyeFactory.com)

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ROA. Rome, Italy. (photo © Lorenzo Gallito/BlindEyeFactory.com)

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ROA. Rome, Italy. (photo © Lorenzo Gallito/BlindEyeFactory.com)

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For more on the story of Daniza the bear:

The Guardian August 22
The Guardian September 11

The Online Petition

The Daily Mail

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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