Opening

Factory Fresh Presents: Bushwick Art Park During BOS 2011 (Brooklyn, NY)

Factory Fresh

brooklyn-street-art-factory-fresh-gallery-bushwick-Art-Park- bushwick-open-studios-2011Specter at The Festival of Ideas for the Bushwick Art Park 2011

BUSHWICK ART PARK

A one day community event June 4th, 1-7pm
Located at the proposed Bushwick Art Park on Vandervoort Place
Ribbon Cutting Ceremony with Council Member Diana Reyna at 2:30pm

The Bushwick Art Park hosted by Trust Art, Norte Maar and Factory Fresh, featuring works previously showcased at
the
Festival of Ideas in May 2011, expands into a Sculpture Garden at the proposed Bushwick Art Park site on
Vandevoort Place. We invite guests to enjoy the fresh air and local views surrounded by outdoor sculptures.

Sculptures by Bast, Leon Reid IV, Specter, Skewville,
Ben Godward, Infinity, Garry Nichols and El Celso.

Political Podium by Seth Aylmer.

New Bushwick Art Park mural by Veng.

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Factory Fresh Presents: “Surrealism” A Group Show For BOS 2011 (Brooklyn, NY)

Factory Fresh

brooklyn-street-art-factory-fresh-gallery-bushwick-open-studios-2011RYAN MICHAEL FORD “Me VS Myself,” 2011 (image courtesy of the gallery)

SURREALISM:
twenty artists from the neighborhood wrestle their unconscious.

An exhibition at Factory Fresh for Bushwick Open Studios curated by Jason Andrew and Ali Ha.

Jim Avignon, Kevin Curran, Ryan Michael Ford, Paul D’Agostino, Ben Godward, Tamara Gonzales, Andrew Hurst,
Rebecca Litt, Francesco Longnecker, Norman Jabaut, J.P. Marin, Brooke Moyse, Garry Nichols, Patricia Satterlee,
Pufferella, Skewville, John Sunderland, Sweet Toof, Marjorie Van Cura
& Veng

Show runs from June 4-26.
Factory Fresh is located at 1053 Flushing Avenue between Morgan and Knickerbocker, off the L train Morgan Stop
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Andipa Gallery Presents: Banksy/War Boutique (London, UK)

Banksy

brooklyn-street-art-banksy-andipa-galleryWar Boutique “Metropolitan Peace” (image courtesy of the gallery)


BANKSY | GROUND FLOOR GALLERY
It has been an eventful 6 months for renowned street artist Banksy. His highly contentious opening sequence for popular TV series The Simpsons an Oscar nomination for his documentary film Exit Through The Gift Shop – an event accompanied by the artist’s own unofficial awards campaign where his works mysteriously appeared on billboards and walls across Los Angeles. As well as the ever-present threats to expose his carefully guarded identity.   Banksy’s continuing high profile has brought with it an explosion in international demand for his work. In response Andipa Gallery is pleased to announce BANKSY | WAR BOUTIQUE, an exhibition showcasing an un-paralleled collection of iconic and sought after paintings by Banksy, from the collection of Andipa Gallery, one of the largest in the UK.     Original works on display will include Banksy’s Laugh Now, a unique painting depicting one of the artist’s emblematic monkeys, scaled-up to human size, set upon the panels of a wooden door. A rare work that succeeds in projecting all of the character and raw charisma of a street piece despite being a fully authenticated studio work. Girl with Balloon, one of Banksy’s most iconic images, which infamously appeared on the Palestinian side of the West Bank Barrier, and Custardised Oil, a work of satirical humour distorting traditional aristocratic imagery.   Acoris Andipa, Director of Andipa Gallery, comments:   “As the first gallery to put on a major exhibition of Banksy’s work on the secondary market, which attracted 25,000 visitors, we have witnessed the market for urban art continuing to expand and integrate into the mainstream. Works by urban artists are now beginning to be included in the collections of the most respected museums and public galleries worldwide, including MOCA, LA, who plan to put on the first major survey of street art to be shown in the US later this year. BANKSY | WAR BOUTIQUE will present an exciting opportunity for collectors to acquire original works by two mavericks of urban art – one just emerging onto the international stage, choosing to put on his first commercial exhibition at Andipa, and one already recognised as amongst the biggest names in contemporary art today.”   Showing at Andipa Gallery from 9 June to Saturday 9 July 2011, in parallel with an exhibition of works by urban artist War Boutique, the exhibition BANKSY | WAR BOUTIQUE follows Andipa Gallery’s, recent exhibition of original works by Banksy in Gstaad, Switzerland. An annual show which attracted the highest number of attendees to date, from Geneva, Zurich and beyond, further illustrating Banksy’s internationally acclaimed position.   WAR BOUTIQUE | LOWER GROUND FLOOR GALLERY
From a rebellious youth growing up in Glasgow to the fractious student captured in the BBC 4 documentary: Goldsmiths: But Is It Art? to a ballistics expert with government security clearance but most importantly an artist, War Boutique’s work is as much about transformation as his life. Re-modeling the fabrics of war into installations for peace, the artist’s passion for textiles took him beyond his everyday work and into the realms of wearable art… with a cause. War Boutique’s textiles of choice are Kevlar and Dyneema designed to resist bullets; his form is the flak jacket emblazoned with Metropolitan Peace or the fully armoured chalk-stripe suit for the City Gent Soldier.   The artist known as War Boutique has provided his work for photo-shoots with the late Alexander McQueen CBE as well as collaborating with the royal and military tailor, Gieves & Hawkes, to create City Gent Soldier. He has also provided artwork for some of the most renowned contemporary artists including the infamous street artist Banksy for his controversial Banksy Versus Bristol Museum show and YBA Sarah Lucas.   Working for a body armour company on obtaining his degree in Textiles and Fashion Design, he has designed armour and uniforms from fabrics specially formulated for military use or the British, Egyptian, Indian, Pakistani and Algerian armies, as well as the Metropolitan Police, Italian Carabinieri and Mexico City Police.   The arresting symbolic potential of these textiles led War Boutique to requisition and recycle uniforms, military and ballistic materials and use them in his art, to alert us to the creeping militarisation of our society, encourage us to work towards peace and remind us of our duty to realise this.
The Peace Pods, which have hung from trees and rafters from Tate Modern, Tate Britain, British Museum and Regent’s Park are places of respite for people to enter and feel and make peace. Designed so that its essential for the individuals inside to cooperate peacefully to avoid the destabilisation of the pod and inspired by the form of crinoline (a skirt stiffened with hoops used by courtly ladies) these works provoke us to question the necessity of war and to explore ways of experiencing peace. Commissioned by Gieves & Hawkes, City Gent Soldier (2005) wears a perfectly tailored suit using the finest Gieves & Hawkes cloth cut and sewn by their finest military tailors which functions as a fully protective bullet proof garment. It is the contemporary embodiment of the metaphorical ‘armour of God’ needed to stand firm against the villainous violence of today’s world. The City Gent’s accouterments are the breastplate of righteousness: a ballistic chest plate; the shield of faith: a ballistic briefcase; the sword of the spirit: an umbrella sword and the shoes for the gospel of peace: Special Forces boots.   He has also produced child sized stab vests, for the Bak 2 Skool project – a reaction to child stabbings in Peckam – that when displayed in his carefully created mock-up of a Peckham shop front attracted swarms of parents from the local area requesting anti-stab vests to protect their children for the new school term. A sign of the times.   Using textiles bullet proof ceramics, shells and bomb blankets as the conduit to express his ideas, “War Boutique symbolically transforms instruments of war and destruction into constructive items embodying creativity, peace and critical social commentary.” Society for Contemporary Craft.

Exhibition information

Exhibition Dates: 9 June to 9 July 2011
Private View 6.00pm to 9.00pm 8 June 2011


Opening Times: Monday to Friday 9:30am – 6.00pm, Saturday 11.00am – 6.00pm
Andipa Gallery, 162 Walton Street, London, SW3 2JL Tel: 020 7589 2371 /
www.andipa.com
Closest tube stations: Knightsbridge and South Kensington
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Throw Away Art At Curbs & Stoops’ Active Space Presents: “Stay Gold” Group Show During BOS 2011 (Brooklyn, NY)

Stay Gold

brooklyn-street-art-stay-gold-QRST-curbsandstoopsQRST (image courtesy of the gallery)

The Active Space will be pre­sent­ing “Stay Gold” dur­ing Bush­wick Open Stu­dios. The group exhi­bi­tion fea­tures Bush­wick artists Don Pablo Pedro, Nathan Pick­ett, QRST, Quel Beast and Vahge.

Stay Gold is a show­case of five exem­plary artists who are based in Bush­wick. The expres­sion “stay gold” derives from a Robert Frost poem but became widely known in pop cul­ture because its two short words deliver a sim­ple but pow­er­ful direc­tive: be true to your­self and your own char­ac­ter. The works in this show embody these local artists’ com­mit­ment to this prin­ci­ple. Each artist has devel­oped their own visual lan­guage to com­mu­ni­cate their ideas, and when the works are con­sid­ered together, a motif emerges that reflects the com­plex­i­ties of human expe­ri­ence. The work com­prises oil paint­ings, acrylic por­traits, nar­ra­tive mixed-​media works and collage.

Par­tic­i­pat­ing artists:

Don Pablo Pedro

There once was a beau­ti­ful nymph, an amaz­ing crea­ture with five heads and three vagi­nas. She was seduced by a mag­nif­i­cent satyr, a satyr who was revered as the great­est painter in the small port town in which both beings hid. The nymph bore two sons from this union, although both were extremely unusual. The first son was born with a lav­ish beard that reached down to the tips of his toes, and had a mys­te­ri­ous eye which resided on his sin­gle tes­ti­cle. The sec­ond son was born with a pussy for a face, and had an arm in place of his penis. In an epic bat­tle not long after birth, the long bearded boy killed and raped his muti­lated brother. This bearded son lives on today, as Don Pablo Pedro.

Nathan Pick­ett

Nathan Pickett’s non­lin­ear nar­ra­tives explore human expe­ri­ence and its inher­ent ten­sion and con­tra­dic­tions. In won­der­ing where our cul­ture is headed tomor­row, Pick­ett looks from present to ancient past in his exam­i­na­tion of the individual’s strug­gle to under­stand its self and its place in soci­ety. Pickett’s work includes sym­bol­ism that ref­er­ences uni­ver­sal truths embed­ded within arche­types that tran­scend the bound­aries of lan­guage, time and form. Through fine-​art paint­ing tech­niques, intri­cate paper-​cutting, sten­cils, pat­terns and line, and spray paint­ing, Pick­ett depicts our myths, fan­tasies and fears. His com­po­si­tions offer a per­spec­tive from which the viewer can con­sider the mul­ti­di­men­sional aspects of his work as a reflec­tion of the com­plex­ity and dichotomies of their own life experience.

QRST

The mys­te­ri­ous Brooklyn-​based QRST, for­merly the mys­te­ri­ous San Francisco-​based QRST, some­times makes paint­ings for inside and some­times makes paint­ings for out­side. QRST often paints ani­mals, but describes paint­ing a human as “sim­ply one more strange crea­ture with ques­tion­able moti­va­tions inhabiting…strange and bent places.” The artist says his paint­ings often focus on “the inter­sec­tion of mem­ory, wool-​gathering and dreaming.”

Quel Beast

Quel Beast cre­ates fig­u­ra­tive paint­ings which bal­ance emo­tion and ges­ture in a self-​created style that blends fine-​art and graf­fiti sen­si­bil­i­ties. His work toys with the dual moti­vat­ing forces that dis­tract us from ulti­mate death, while simul­ta­ne­ously cel­e­brat­ing these vulnerabilities.

Vahge

Vahge grew up in too-​quiet sub­urbs where neigh­bors with watch­ful eyes kept too-​perfect lawns. An iso­lated child with few friends, she with­drew to her imag­i­na­tion and began mak­ing col­lages that con­trast whim­si­cal and roman­tic with unset­tling aspects of real­ity. She incor­po­rates ele­ments of dreams, lit­er­a­ture, music, the­ater and clas­sic por­trai­ture, and draws heav­ily from Ger­man expres­sion­ism and Vic­to­rian cul­ture. Vahge often crafts her highly detailed works on a small scale, using lay­ers of paper to con­struct char­ac­ters and scenes with pre­cise pro­por­tion and depth. She often makes females her cen­tral char­ac­ters, expos­ing all their faults and unique beauty. In all her work, Vahge cel­e­brates odd­ity with elegance.

Open­ing party Sat­ur­day, June 4th, 7 – 10 PM

Open to the pub­lic dur­ing Bush­wick Open Stu­dios (June 3 – 5) and through July 5, 2011, by appoint­ment. Curbs & Stoops, 566 John­son Ave., Brook­lyn, NY

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Opera Gallery Presents: Logan Hicks “Pretty Ugly” (Manhattan, NY)

Logan Hicks

brooklyn-street-art-logan-hicks-opera-gallery-06-11Logan Hicks “Downward Spiral” (image courtesy of the gallery)

Opera Gallery New York presents Logan Hicks’ Pretty Ugly. Hicks is a New York-based stencil artist whose work explores the ever changing nature of the urban environment in which he lives. Through his imagery and masterful etching technique, Hicks’ goal is to create a perfect dichotomy whereby the granular nature of the spray paint expresses the deterioration of the city. Using layers of laser-cut, hand-sprayed stencils on board, acrylic and anodized aluminum, Hicks creates works that capture the sometimes mundane cycle of city life in a haunting, yet controlled aesthetic manner. In the past year, Hicks has participated in several notable projects including creating a forty foot mural for Art Basel Miami 2010 Wynwood Walls as well as contributing new artwork to the Martha Cooper: Remix exhibition at Carmichael Gallery in California. Opera Gallery is proud to present over thirty new works by Logan Hicks.
Logan Hicks’ Pretty Ugly.
June 3rd – June 24th
Free admission: 10:30 – 7:00 daily
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Arts in Bushwick Presents: Bushwick Open Studios 2011 (Brooklyn, NY)

brooklyn-street-art-bushwick-open-studios-06-11

Bushwick Open Studios 2011

Happy BOS ’11: June 3-5, 2011 — it’s our 5th birthday!

We’re creating an open and inclusive event that benefits the neighborhood by sharing artistic projects and encouraging community interaction and dialogue. BOS brings the neighborhood’s thousands of artists and performers out into the streets and in view of each other, other community residents, and the general public.

About Arts in Bushwick

Our Mission

Arts in Bushwick is an all volunteer organization that serves and engages artists and other neighborhood residents through creative accessibility and community organizing. It is our goal to create an integrated and sustainable neighborhood, and to bring together all Bushwick residents and stakeholders to counter development-driven displacement.

Our History

Arts In Bushwick was founded in the fall of 2007, as a result of grassroots efforts to produce the 2007 Bushwick Open Studios festival.  The organization was founded by a group of roughly fifteen local artists and community organizers, most of whom were involved in planning the 2007 Bushwick Open Studios, and has continued to operate on an all-volunteer, non-hierarchical, break-even basis to today, the fifth annual Bushwick Open Studios we have produced.  Arts In Bushwick maintains a completely open structure, inviting all community members to bring their ideas and to participate in collaboratively producing the organization and its activities.

To learn more about all the events, participating artists and venues for BOS 2011 please click on the link below:

http://artsinbushwick.org/bos2011/

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Over Under “Building on Building” at XY and Z Gallery (PLUS NEW VIDEO)

Brooklyn based Street Artist Over Under opens his first solo show in “Building on Building” opening at XYandZ Gallery in Minneapolis, transporting his architectural fever dreams to Minnesota for a hot minute.  It’s all about relationships.

brooklyn-street-art-overunder-xyandz-gallery-3-webOver Under (detail of a piece for “Building on Building”) (photo © courtesy of the artist)

Artists who run in the streets of dense cities have a special relationship with buildings, seeing them as potential canvas, laboratory, love affair, and sometimes their perdition. In Over Under’s case, the very structures he was painting and pasting upon got recycled through his mind as worthy of caricature and portrait.

Approximately a year ago when the artist’s prolific output was hard to miss, his fascination with our built environment went on a full REM cycle with a continual metamorphose of architectural elements bending and bundled together with lyrically disembodied limbs. During his nearly two weeks in Minneapolis making work with his buddies Broken Crow, the arms and legs continue to poke into and out of roofs, windows and walls like so many orifices and protuberances entangled in one stately mass.

brooklyn-street-art-overunder-xyandz-gallery-2-web

Over Under (detail of a piece for “Building on Building”) features a painting of a figure spraying across the door way, clearly under a watchful eye. (photo © courtesy of the artist)

Passersby here are sometimes astonished, and filled with questions. Is he exploring the relationship between space and personal relationships or is he examining the construct/construction that creates inside and outside, or is he reacting to the ongoing overtaking of Williamsburg and Bushwick real estate by dullard developers? Or is he just in love?

And what about this iconic flying plane with a stream-of-consciousness line of haiku diary entry arching over it? Is it a bird? Is it graffiti, a tag, Street Art or vandalism? Maybe these questions are at play because Over Under is still playing with them, or maybe because there are not clear answers.  To us it’s all part of the conversation on the street, which never stops. Tonight, however, the conversation goes in through the doors as Over Under brings the buildings and bridges and foundations and superstructures and rolldown gates and lithe limbs inside for the night. We’ll see what sticks out.

Brooklyn-street-art-overunder-jaime-rojo-05-11-13-web

A recently completed large scale wall in Bushwick, Brooklyn by Over Under (photo © Jaime Rojo)

Brooklyn-street-art-overunder-jaime-rojo-05-11-web-15

Over Under (photo © Jaime Rojo)

Brooklyn-street-art-overunder-jaime-rojo-05-11-web-14

Over Under (photo © Jaime Rojo)

Brooklyn-street-art-overunder-jaime-rojo-05-11-web-16

Over Under (photo © Jaime Rojo)

A Video Completed Yesterday by Over Under

“BUILDING ON BUILDING”

Opening Reception Saturday May 28th 6p-10p
Runs through June 18th

XYandZ Gallery
3258 Minnehaha Ave South
Minneapolis, MN 55406

http://thexyandz.com/#/gallery

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Jonathan Levine Gallery Presents: Miss Van “Bailarinas” and Gaia “Succession” (Manhattan, NY)

JLG

brooklyn-street-art-Miss-Van_Bailarinas-jonathan-levine-galleryMiss Van “Bailarinas 5” (image courtesy of the Gallery)

brooklyn-street-art-gaia_jonathan-levine-gallery

Gaia “Incredulity of Redevelopment” (image courtesy of the Gallery

Miss Van
Bailarinas

Gallery I
Solo Exhibition

May 26, 2011 through June 25, 2011

NEW YORK, NY (May 3, 2011) — Jonathan LeVine Gallery is pleased to announce Bailarinas, new works by French-born, Barcelona-based artist Miss Van, in what will be her second solo exhibition at the gallery and first solo show in New York in six years.

Miss Van’s signature aesthetic revolves around sultry female subjects, which she refers to as poupées (or dolls, in French), alluding to elements of fantasy and narrative in her work. Their direct gaze, pouty lips, voluptuous curves and erotic gestures have a provocative appeal—some playful, others dark—emotionally charged and empowered by uninhibited sexuality. ?Miss Van began painting these alluring figures in the streets of Toulouse, France, as a teenager nearly twenty years ago. The characters have since matured along with the artist who now works mainly in the studio, allowing time to refine her imagery through delicate pencil renderings on paper and loose brush strokes on canvas and wood. Recently, Miss Van was invited to participate in Art in the Streets, a major group exhibition currently on view at the Museum of Contemporary Art (MOCA) in Los Angeles, California.

Along with her ultra-feminine figures, Miss Van has been known to incorporate animal familiars such as deer, rabbits and foxes. These creatures have a pet-like relationship with the mysterious temptresses who wear doll-like princess dresses or ballerina-tulle skirts with hints of lingerie textures such as corsets, ruffles, lace and fishnet. The women frequently appear topless and often wear masquerade-style masks, as well. Recently, the masks have become less decorative and increasingly more animal-like, adding significance to the dialogue created by the character’s human-animal relationships by amplifying themes of identity, role-play, fetish, and freedom to express the wild (animalistic) side of natural human instinct.

The joie de vivre pleasure principle, innate in French culture, informs much of Miss Van’s body of work. In Bailarinas, a series of pastel works on paper portray isolated figures in nostalgic poses inspired by vintage erotic portraiture. Additional acrylic and mixed media works on canvas and wood panel feature subjects inspired by dancers, driven by the sensually liberating experience of self-expression through physical control and movement of the body. The performance aspect of dance and the act of putting on a seductive show for a viewer or audience reinforces themes of fantasy and desire while also offering an interesting parallel to the artist’s craft, as both are forms of visual storytelling.

Miss Van was born in 1973 in Toulouse, France and is currently based in Barcelona, Spain. In 1991, at the age of 18, the artist started painting the streets of Toulouse as one of the first female artists in the European street art scene. In 1993, Miss Van began to include poupée (doll) figures in her work, her own stylized interpretation of pin-up posed Manga-inspired characters, which would become her signature imagery. In 2003, she left France, re-locating to her current home in Barcelona, Spain. In the years since, her work has been widely published and exhibited in galleries and museums, worldwide.

Gaia
Succession

Project Room
Solo Exhibition

May 26, 2011 through June 25, 2011

NEW YORK, NY (May 9, 2011) — Jonathan LeVine Gallery is pleased to present Succession, new works by Gaia, in what will be the artist’s first solo exhibition at the gallery. ?Works in Succession—comprised of drawing, painting and various relief-cut printmaking techniques—will be incorporated into a site-specific installation in the gallery’s project room. Re-creating street scenes as a background setting for his work, Gaia will transform the space, bringing the texture and energy of his urban interventions into the white box environment.

The artist’s chosen pseudonym, Gaia, is a name taken from the primordial Greek goddess personifying the Earth, more universally referred to as Mother Earth or Mother Nature. While he has been known to create portraits of human faces, Gaia’s ambiguous imagery most often depicts totemic creatures with animal heads and human bodies as well as expressive hand gestures. He occasionally fuses the features of different animals together, forming imagined, amalgamated hybrids. These chimeric subjects are filled with Art History references, inspired by various sources including biblical figures, ancient mythology and mystical folklore.

Additional layers of symbolism and interpretation emerge as Gaia’s works are encountered within the context of the urban landscape. Like apparitions, they confront the viewer as oracles with a powerful capacity to address contemporary social and environmental issues concerning consumer culture, consumption and sustainability. The juxtaposition of wild animal imagery pasted onto man-made architecture was a significant choice for the artist because, in his own words: “Having lived most of my life in New York City, I personally felt like I never had a connection to nature; it was so distant and idealistic.”

ABOUT THE ARTIST
Born in 1988 in New York City, Gaia currently divides his time between Brooklyn, New York and Baltimore, Maryland. In 2007, as a senior in High School, Gaia became interested in the growing global street art movement. Drawing influence from contemporary artists such as Swoon and Elbow-toe, he began to paste his artwork on the streets of his native New York. After experimenting locally, it was only a few years before he would expand his imagery to urban spaces in other U.S. cities as well as International locations. In May 2011, Gaia received a BFA from Maryland Institute College of Art in Baltimore, Maryland, with a concentration in printmaking and sculpture. With sophistication beyond his years, the promising young artist’s studio work has been exhibited in galleries in New York, Los Angeles, San Francisco, and Washington, DC. His street art has been documented, followed widely online and published in a number of recent publications including Beyond the Street: The 100 Leading Figures in Urban Art.

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Vladimir Restoin Roitfeld and Andy Valmorbida Present: RETNA: The Hallelujah World Tour at the Old Dairy (London, UK)

RETNA

brooklyn-street-art-retna-jaime-rojo-02-11-web-6RETNA (photo © Jaime Rojo)

RETNA: The Hallelujah World Tour

The Old Dairy, 7 Wakefield St, London, WC1N 1PB

9 June – 27 June 2011

Preview: Wednesday 8 June 2011, 6-9pm

An exhibition of new works by Los Angeles based artist RETNA will be presented by Vladimir Restoin Roitfeld and Andy Valmorbida at the Old Dairy, London, from 9 June until 27 June 2011. The Hallelujah World Tour represents RETNA’s first solo UK exhibition.

RETNA’s work draws on an array of influences including Asian calligraphy, Incan and Egyptian hieroglyphics, Hebrew and Arabic script, traditional UK gang style graffiti writings and the tagging and graffiti seen in Los Angeles since the 1970’s . Within these traditions he has created a distinct and innovative style. RETNA presents 30 new works fusing a variety of different mediums including drawing, painting and poetry.

Yielding an unmistakable aesthetic, he has emerged as one of the most prolific graffiti artists in the contemporary art world.  Since the mid-1990s RETNA has participated in over 30 international exhibitions, and his work was recently selected to feature in ‘Art in the Streets’, a major retrospective of street art at the Museum of Contemporary Art in LA. Gallery Director Jeffrey Deitch commented, ‘The approach to his work is so internalized that Retna doesn’t have to agonize, and think, what do I do next? He just starts in the upper left corner and moves across a surface. The only other artist that I know who was able to do that was Keith Haring.’

Retna was introduced to L.A.’s mural culture from an early age, and whilst still at school led one of the largest and most innovative graffiti art collectives in the city. He is best known for appropriating fashion advertisements and amplifying them with his unique layering, intricate line work, text-based style and incandescent color palette reflecting an eclectic artistic tradition.

Recent projects have included a solo exhibition, ‘Silver Lining’, during Art Basel Miami Beach at Primary Projects (2010); the world’s largest street level mural Installation, ‘Primary Flight’ (2010); a solo exhibition, ‘Desaturated’, at New Image Art Gallery, Los Angeles (2010); a mural for the Margulies Collection at the Warehouse in Miami, Florida (2009); and ‘Vagos y Reinas’ at Robert Berman Gallery (2009).

This exhibition represents the second part of a three stop world tour of RETNA’s work, in collaboration with Bombardier Business Aircraft and VistaJet. As part of the project, RETNA will create a unique work on the tail of one of VistaJet’s Global Express XRS aircraft. The tour began in New York in February 2011 and will conclude with an exhibition in Hong Kong later this year.

Andy Valmorbida comments, ‘At the age of 31, Retna is able to identify himself as a rising star within the international contemporary art world, and is one of the very few artists I have seen who is able to stand next to such artists as Keith Haring and Jean Michel-Basquiat in terms of identity, stroke and gesture and will hold a key place as one of the major forces in the new movement of fine Street Artists.’

The Old Dairy is open Tuesday to Saturday, 11am to 6pm. Admission is free.

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