Editorz

MTO and IEMZA Open “Doors of Perception” in Abandoned Building

Installation Shows That It Is All In “Le Grand Jeu” (The Big Game)

Ask your average party-hearty college student how to open the doors of perception and they’ll give you a knowing look and point you to the nearest bong. We may think that the mind-expanding explorations of art students began with the hippies in the 1960s but this new work by Street Artist MTO and IEMZA points to an art movement four decades before that in France that specifically employed “mystical” drug use to broaden one’s creative experiences.

Pictured here are exclusive new images of the multi-panel installation the two artists just finished in an abandoned building in the Reims district of Muizon in France. Appropriate in its context, this is also the birthplace of an artistic movement in the late 1920s called Le Grand Jeu, which serves as an influence for the collaborative tribute.

Le Grand Jeu: “Doors of Perception”, by MTO and IEMZA (photo © MTO)

Formed by four students in the early 1920s and published as a formal academic review as the Roaring 20s came to an abrupt end, the young writers who formed Le Grand Jeu sought a freedom of spontaneous thought through an exploration returning to childhood and the free-associating intuitive discoveries and reveries therein. While their cogitations were perhaps more theoretical than your average university frat house may be in in the early Twenty-teens, they clearly favored “extra sensory research practices”.

Le Grand Jeu: “Doors of Perception”, by MTO and IEMZA (photo © MTO)

MTO and IEMZA used a number of surfaces (doors, panels, a wall) that they found in this storehouse to symbolize the sort of freedom sought and the initiation practices of Le Grand Jeu, which encouraged members to attempt to explore the dream world through the use of mystical texts and drug use. While these guys formed their artistic movement at the same time as the surrealists and had many similar practices that were meant to access the subconscious mind and it’s creative impulses, they considered themselves autonomous and did not relish having a political position.

The new photo-realistic depiction here engages the whole space, bringing in more than two dimensions, and features a reclined figure blissfully gazing into the haze. The model for the painting, Brice Martin-Graser, is also a graphic designer and he sponsored this urban exposition with the two artists.

Le Grand Jeu: “Doors of Perception”, by MTO and IEMZA (photo © MTO)

“Le Grand Jeu est irrémédiable ; il ne se joue qu’une fois.
Nous voulons le jouer à tous les instants de notre vie.”
— Roger Gilbert-Lecomte.

Le Grand Jeu: “Doors of Perception”, by MTO and IEMZA (photo © MTO)

Le Grand Jeu: “Doors of Perception”, by MTO and IEMZA (photo © MTO)

Le Grand Jeu: “Doors of Perception”, by MTO and IEMZA (photo © MTO)

Le Grand Jeu: “Doors of Perception”, by MTO and IEMZA (photo © MTO)

 To read more about Le Grand Jeu, surrealism and it’s discontents, click here.

Brice Martin-Graser’s BMG Lab : http://www.bricemg.com/lab
IEMZA’s FB page : https://www.facebook.com/IEMZA
MTO’s FB page : https://www.facebook.com/mto.page

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

 


Read more

BSA Film Friday: 05.03.13

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Gorey & PAL Crew at Klughaus, Crack & Shine – PAL Crew Profiled, Jilly Ballistic: Wild in The Streets, and JR: INSIDE OUT

BSA Special Double Feature: About Spraying Buildings
Feature 1. Gorey & PAL Crew at Klughaus

We highlight these two videos as possible polar opposites on a spectrum that includes genuine practice, personal and public perceptions of the graffiti artist / fine artist – a dichotomy that may produce cognitive dissonance and swirling emotion, an uncomfortable grey area for one to see the wielder of the can as artist, installationist, situationist, expressionist, intellectual, political theorist, social alien and open law breaker with a mission, or not. Okay, maybe it isn’t all that grand, but we got out the dictionary this morning.

First, here is a departure from the more common depiction of the lone aerosol artist as nihilistic defacer of property to now lone painter creating on a studio wall; a splattery line illustration of buildings that hug one another, forming a closely knit imaginary community, overlaid by an intimate serenade for an appreciative audience. When you look at this promo for the new pop-up show by Klughaus called PALINGENESIS by a series of graff artists, it seems sort of romantic, mon amor.

Feature 2. Crack & Shine – PAL Crew Profiled on Streets and Roofs of Paris

Here, the buildings are the canvas, and the community is alarmed and in opposition to the painter. In strict contrast with the video above, this one features some of the Peace and Love Crew (PAL) appearing to actively deface property in Paris.  And by their self descriptions, there is still this romantic view of what they do. Here they are members of a crew – in a gallery they might be called a collective. Switch the signifier or situation and you are celebrated or vilified (as Jaime adroitly observed yesterday). And there you have it – the flood of emotions/thoughts that are evoked by two entirely different expressions that involve the spray can.

Spoiler alert, there is no tidy answer to tie it all together.

Jilly Ballistic: Wild in The Streets

And on another note, Dega Films, a young and earnest start-up in Williamburg, Brooklyn is taking on a new project to document 10 Street Artists on the scene in a series from the streets of New York City while it’s happening. This is worthwhile endeavor for two reasons; 1. Documenting Street Art and artists is important for the greater culture to understand what is happening and to place it in the evolutionary timeline as this global scene continues to expand, contract, and mutate, and 2. This project is not sponsored by a brand, it is sponsored by you, so you are ensuring a bit more of intellectual freedom in the storytelling.

And on that tip, this episode looks at Street Artist/Culture Jammer Jilly Ballistic, who focuses her work predominantly in the subway with messages calling into question any variety of core assumptions pedaled daily by commercial messages that commuters must encounter as they travel, and consumer culture in general.  Among other things.

To learn more about the Kickstarter for Wild in The Streets click here.

JR: INSIDE OUT: The People’s Art Project. A Documentary

Inside Out is the new documentary traces the phenomenon of Street Artist and photographer JR as he engages everyday people around the globe and helps them tell at least one small part of his story. Aided by the muscle of an army of committed volunteers and assistants, he is able to provide a forum for the individual to express themselves in ways that are celebrational, idiosyncratic, sometimes heart breaking, always human. Results may vary, and the reception locally is not always laudatory. Clearly JR is the name on the marquee but he makes sure that in many ways the stars are the people who get him there.

Top images are screenshots, copyright of Klughaus and OffTheWall.TV.

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Read more

DEGA Films: “Quatro de Mayo” (Brooklyn, NYC)

DEGA FILMS
The DEGA FILMS folks like your company. Please oblige them and be nice, after all they are throwing a party for you.  Not only do they make sick videos to introduce you to the work on the streets of the new crop of Street Artists they also know how to throw a party! All you have to do is show up, have fun and enjoy the art and the music.

https://www.facebook.com/events/455023007915465/?fref=ts

Read more

New Museum Presents: Idea City (Manhattan, NYC)

Ideas City

IDEAS CITY explores the future of cities around the globe with the belief that arts and culture are essential to the vitality of urban centers, making them better places to live, work, and play. Founded by the New Museum in 2011, IDEAS CITY is a major collaborative initiative between hundreds of arts, education, and civic organizations. This year’s theme is Untapped Capital, with participants focused on resources that are under recognized or underutilized in our cities.

IDEAS CITY is a four-day Festival of conferences, workshops, an innovative StreetFest around the Bowery, and more than one hundred independent projects and public events that are forums for exchanging ideas, proposing solutions, and accelerating creativity.

Visit ideas-city.org to plan your visit, and connect on Twitter @IDEASCITY.

Read more

The Schoolhouse Presents: Mata Ruda “Incurable Otherness” (Brooklyn, NYC)

Mata Ruda

The Schoolhouse is pleased to present the first solo exhibition of Bushwick-based public artist Mata Ruda,
“Incurable Otherness.” In conjunction with Bushwick Open Studios, this exhibit will be open to the public from 5pm-10pm May 31 as well as 12pm-8pm June 1 and June 2.

Located in the turn of the century site of Public School 52, “Incurable Otherness” ties New York’s immigrant past with contemporary outsider concerns. At the height of Irish immigration in the nineteenth century, Superintendent James W. Naughton’s family left home for a promising future in the United States. Through this transition, the superintendent became an influential member of the Board of Education, which led to the construction of this building, along with several others, as a means to accommodate the burgeoning borough of Brooklyn. As time has shifted, so have the immigrant populations within the city. Today, through his imagery, Mata Ruda represents the wave of travelers moving from Central and South America north. Originally from Venezuela, the emotions that the artist raises can be earnestly seen, as they are a part of his experience.

 

https://www.facebook.com/events/602981856380900/?fref=ts

Read more

Escape The Golden Cage Art Fair. (Vienna, Austria)

We look forward to welcome you very soon at Palais Kinsky in Vienna!
Grand Opening: Thursday, May 16, 19:30.

Again we selected exciting artists from all over the world
Anthony Lister, Brad Downey, Dan Witz, Ellannah Sadkin (presented by Moniker Art Fair), Faith47 (presented by Moniker Art Fair), Max Wiedemann, Mode 2, Olivier Hölzl LIVIL, Ozmo, Stephen Tompkins, Vermibus (presented by Moniker Art Fair).

http://www.escape-goldencage.com/escape2013/news/

Read more

Bryce Wolkowitz Gallery Presents: JR and José Parlá “The Wrinkles of The City, Havana, Cuba” (Manhattan, NYC)

Brooklyn Street Art

Bryce Wolkowitz Gallery is pleased to present The Wrinkles of the City, Havana, Cuba, a recent collaboration between JR and José Parlá.

The Wrinkles of the City was started by JR in Cartagena, Spain and has been reprised in Shanghai, Los Angeles, and most recently, Havana. In 2012, JR and Parlá photographed and interviewed dozens of senior citizens who lived through the Cuban revolution, flyposting colossal black-and-white portraits of their subjects on the walls of city buildings. Parlá, who is of Cuban descent, interlaces the images with palimpsestic, calligraphic writings and color. In a city devoid of commercial imagery, JR and Parlá’s enormous yet intimate portraits offer a stunningly humane contrast to the endless repetition of political icons.

This exhibition will consist of twelve large portraits from the Havana iteration of The Wrinkles of the City project along with a site-specific installation.

http://brycewolkowitz.com/h/exhibition_images.php?e=49

Read more

FKDL and His Vintage Glamour Women

New Wall Celebrates Audrey Hepburn for her May 4 birthday in the Brussells district she was born in. Liz Taylor is her special guest.

There are many references to pop culture, movies, fashion, and celebrity that have appeared in Street Art in the last decade or so, thanks to our full immersion in the National Entertainment State. We always say that the street reflects us back to ourselves, and apparently we are fixated on poised prettitude, at least in some cities. From Street Artists like DAIN to Judith Supine to Faile to The Dude Company, Tian, Aiko, TooFly and myriad anonymous stencillists, you are bound to see depictions of glamorous women and in a variety of archetypes popping up on walls and doorways no matter the year.

FKDL “Breakfast at Ixelles”. Brussels, Beligium. (photo © FKDL)

Parisian Street Artist FKDL reliably returns to his wheelhouse of the 1950s and 60s when he looks for images of idealized females.  Even his silhouettes of graceful and lithe dancing figures will remind you of the 2-D animations of opening credits of Hollywood movies from the golden age, the hip early years of television, beatniks in tight turtleneck sweaters reading poems, and swinging chicks on the cover art from long-playing jazz albums.  As a “fill” to his forms, he often pastes in an actual collage of vintage commercial illustrations that he cut from magazines and dress making pattern envelopes.  Clearly his is a romance with an image of female beauty from an earlier time and he reliably visits it again and again in his work on the streets of Europe and New York.

FKDL “Breakfast at Ixelles”. Brussels, Beligium. (photo © FKDL)

So it is no surprise that last week when FKDL was in the Ixelles district in Brussels he found a lone façade wall on an empty lot that faces the street and was compelled to paint a tribute to the cinema icon Audrey Hepburn, born there 84 years ago this Saturday. “Breakfast at Ixelles” refers to the location and her most famous movie, set in New York, Breakfast at Tiffany’s.  While doing the wall he decided to also pay tribute to another screen grand dame Elizabeth Taylor. The 30 foot wall uses his distinctive collage style and the paint colors are associated with the flag of Belgium.

FKDL “Breakfast at Ixelles”. Brussels, Beligium. (photo © FKDL)

FKDL “Breakfast at Ixelles”. Brussels, Beligium. (photo © FKDL)

FKDL in New York (photo © Jaime Rojo)

FKDL (detail) in Brooklyn (photo © Jaime Rojo)

FKDL next to DAIN in Brooklyn (photo © Jaime Rojo)

FKDL in Brooklyn (photo © Jaime Rojo)

 

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

This posting is also on Huffington Post Arts & Culture.

Read more

Krause Gallery Presents: Sheryo and The Yok “Pipe Dreams” (Manhattan, NYC)

Brooklyn Street Art

Sheryo and The Yok “Pipe Dreams”
Exhibition Dates: May 16th – June 16th 2013
Hours: Wednesday – Sunday: 12:00- 6:00pm – Monday -Tuesday by appointment.
Address: Krause Gallery, 149 Orchard Street, New York, NY 10002
Reception: Thursday, May 16th, 2013, 7:00pm – 9:00pm
Krause Gallery is pleased to present the highly anticipated exhibition of recent works by Brooklyn-based duo Sheryo and the Yok. While previously seen in group exhibitions, Pipe Dreams marks their first solo show in the United States since establishing the city as their primary residence last year.
Working with varying painting techniques, the artists have culled together collaborative pieces that represent their shared life together. From their nomadic travels the past year to in-jokes with their friends in New York, the Yok and Sheryo seamlessly combine their adventures into every detail of their work. For example, their hand painted vases combine eastern & western elements to portray the values of ideology, devotion, relationships, dharma and karma, depicting a narrative from the rich tales of their journey. From their fun filled art renderings with Chinese dragons, pipes, and geishas intermixing with the New York culture, Sheryo and the Yok put their own illustrative styles on imagery as they re-interpret the traditional folklore and fables of old Chinese times while injecting their own personal stories with their iconic styles.
Their most recent body of work for their upcoming show at Krause Gallery is full of adventure and intrigue as they departed the United States for countries like Cambodia, Vietnam and Indonesia. By traveling to their native countries as well as a few places in between, Sheryo and the Yok characterize their formative life experiences with the memories that are being made together. Another example of this can be seen in their newest body of work; after returning from warm Mexico to the rain and snow of New York they used their cartoons to reflect on the sunnier days behind them; beer, Spanish icons and surf boards began to be a part of each piece.
For their solo show at the gallery they will also be creating hand painted ceramic plates, vases, painted pieces on paper and canvases, a surprise installation downstairs along with Limited Edition one color 25” x 19” high quality screen prints. Pipe Dreams is a must see for any street art enthusiast or talent seeker of any kind.
Sheryo x The Yok video.

http://www.krausegallery.com/WP/

Read more

The Superior Bugout Presents: Tod Seelie “Bright Nights: Photographs of Another New York” (Brooklyn, NYC)

Brooklyn Street Art

The Superior Bugout is pleased to present the opening of Tod Seelie’s new collection of work entitled “BRIGHT NIGHTS: PHOTOGRAPHS OF ANOTHER NEW YORK.”
Opening Thursday May 2nd from 7 to 11pm at TENDER TRAP (245 S1st btwn Roebling and Havemeyer) in Williamsburg, Brooklyn NYC.

The images in this exhibition are excerpts from my forthcoming book from Prestel, titled “Bright Nights: Photographs of Another New York.” The book is scheduled to be released in October, and features essays by Swoon, Conrad Carlson, Joe Ahearn, Ian Vanek, Jeff Stark, Evan Pricco and Colin Moynihan among others.
Tod Seelie has photographed in over twenty five countries on five different continents. Originally from Cleveland, he relocated to Brooklyn in 1997. Tod was a founding member of The Miss Rockaway Armada, and continued on to travel with both manifestations of the Swimming Cities.
“his images at times elevate mere weirdness to a more striking realm of visual intrigue. Strange, vivid, baffling and relentlessly unexplained, they leave their viewers transfixed…” New York Times
His work has appeared in publications such as The NY Times, New York Magazine, Rolling Stone, Spin, Juxtapoz, Thrasher, Vice, and Art Forum among others. His images also appear in the feature films Perfect Sense(2011) and Empire Me (2011).

https://www.facebook.com/events/373216076117751/

Read more

Aakash Nihalini and Rion Harmon Present: Zebadiah Keneally “Your Reflection” at 17 Frost Gallery (Brooklyn, NYC)

Brooklyn Street A

rt

 

The first show in the summer series comes from Brooklyn’s own Zebadiah Keneally (http://www.somelines.com). Hailed as a “Keith Haring for the 21st Century,” Keneally brings his existential humor to the walls of 17 Frost with his first solo show entitled, “Your Reflection.” His work uses provocative, archetypal symbolism to shed light on the offbeat problems of contemporary people. 

Through a street art inspired visual style and a combination wordplay and pop culture imagery, Keneally creates a visual language of high farce, guiding viewers to meditate on the mysteries of perception, time, place and lunch.

 Opening reception is this Friday, May 3rd from 7-10pm at 17 Frost Street, Brooklyn, NY 11211.

http://www.somelines.com/

Read more

Apolo Torres From Sao Paulo To Bushwick

It’s all long limbs and long necks, bending forward to face the journey ahead.  Since last talking to the Brazilian Street Artist Apolo Torres we find that he has been studying the figure, color theory, and the love of painting in New York for a few months. “I came here to study and I didn’t paint anything on the streets until now. I was too busy focused on canvases and oil paint,” he says.

Apolo Torres (photo © Jaime Rojo)

While here he managed one wall piece too, a forward leaning dude thigh high in flood waters and checking out his reflection in a spoon.  “I think it would be a shame to spend three months here and not do a single street art public piece,” he explains about the new work, which takes on a more realistic rendering than many of his recent exaggerated people. Included here too are a couple of recent walls in Brazil featuring the languidly bending forms and exaggerated features and attenuated limbs he enjoys painting.

Apolo Torres. Detail (photo © Jaime Rojo)

Apolo Torres and one of his dudes in Sao Paulo. (photo © Apolo Torres)

Apolo Torres. Sao Paulo, Brazil. (photo © Apolo Torres)

Apolo Torres. Sao Paulo, Brazil. Parque da Juventude en Antigo presídio do Carandiru (photo © Apolo Torres)

Read more