Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening from the cities we’re featuring all week as part of Spencer Elzey’s residency on BSA. It’s a short European tour from professionals and amateurs with video:
1. STREET ART: VITRY SUR SEINE
2. STREET ART: PARIS
3. LA TOUR PARIS 13
4. STREET ART: BERLIN
5. STREET ART: LONDON
Berliners are hard to crack, they say, but probably not for New Yorkers. We “get” them because of their no-nonsense frankness, sometimes sharp tongues, and because their “creative types” are unhinged in a way that New Yorkers have been historically.
When it comes to the volume and variety of art that is being loosed in Berlin these days, they are setting some standards that many are still catching up with. Right now when you look at the freewheeling expression that bolted out from a broken wall more than 20 years ago and never looked back, you realize that Street Artists in Berlin are not hard to crack, they may simply be a little bit cracked.
In the third city of our series this week for Spencer Elzey’s residency on BSA, we visit Berlin, which some argue is the preeminent scene for urban art right now. It does appear to have a perfect mix for vibrant arts growth – a creatively permissive atmosphere and affordable lifestyle prevails in this city of design. And while uncommissioned public art is not legal, it is also not verboten.
The kids may come for the music and the art collectives and the dance parties, but they stay for the aerosol and the expressive faces and figures that accompany you while you walk. So far, people seem happy to let this arts scene continue to evolve and not surprisingly, tourists are magnetically drawn to it.
As you walk through certain neighborhoods you may prepare to have your pre-conventions subverted and inverted. Awash with a decade plus of unbridled art, the scale, style, influences, and techniques of pop, illustration, and graffiti are all truly playing with each other.
Where a large spate of legal mural work has monopolized creative energies of many Street Artists in New York recently, some players have commented that the content is being tamed and neutered and the resulting scene is less risk-oriented stylistically. As you look at the work Elzey found in Berlin, you are reminded what it looks like when art laborers don’t have to self-censor or look over their shoulder. Also, it is still affordable for artists. Oh, wait, did we already mention that?
“Out of the cities I visited the one that contrasted the most with NY was Berlin. It felt like a beautiful lawlessness with graffiti and rollers everywhere,” says Elzey as he tries to put his finger on the attitude of exploration and discovery that floods large areas of the city.
“Berlin by far had the most graffiti and Street Art in its most raw and authentic form, which is how I think it should really be experienced. It felt more free and genuine. Besides RAW and Urban Spree, which are commissioned areas, Berlin felt like a giant playground. There was graffiti and rollers everywhere and lots of abandoned factories to explore and have fun in.”
Berlin has been an international draw for artists and arts institutions for the last decade at least and many of the Street Art world make sure to head here at least once, sometimes staying months and couch surfing and partying an staying out all night. Since the graffiti scene and the Street Art scene are not so polarized in the minds of people here there is also a freedom to experiment without fear of upsetting your peer group.
Luckily for BSA, local Street Artists Various & Gould were very hospitable and more than helpful and willing to tour Spencer around some of the hot spots and to give him some background on the Berlin streets. “Meeting someone you admire, be it an artist, musician, or actor, is always a special experience,” he says about being with V&G, “It feels a little different when that person is a Street Artist, or at least it does to me. The fact that part of their job means that they do illegal things, being trusted enough to be welcomed into their inner circle has deeper meaning.”
So he was in good hands with these two who have deep roots with the artist community and who frequently challenge themselves to look at their own work with new eyes – and to find new ways to engage with passersby with their art and a bit of theater. “In the case of Various & Gould in Berlin and C215 in Vitry I was able to meet these artists on their own turf. They showed me some of their new work in their studios and then toured me around the neighborhoods that they know best,” he recalls with some delight.
“While seeing art on the streets is one thing, getting the first hand history behind it makes it more meaningful,” he says. “You get more history and depth that way.”
How long Berlin will continue to be a petrie dish for experimentation and discovery? Forever. Just kidding. But for the moment this ephemeral art movement is fiercely alive and more independent than many cities. Artists have always made life a bit of a moveable feast. Today its Berlin, tomorrow it could be Mexico City, or Lima, who knows?
“I think I would recommend it if you were a younger artist who was trying to break into the game and establish a name for yourself,” says Elzey.
Our sincere thanks to Various & Gould for their hospitality and time.
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The numbers are astounding; 105 artists, 9 floors, 36 apartments, 30,000 visitors.
One hour.
That is how much time Street Art enthusiast Spencer Elzey had to himself inside the largest gallery of Street Artists and graffiti artists ever assembled specifically to transform a building for a public show. As he looked out a window to see the snaking lines of Parisians and tourists restlessly waiting to get in, he couldn’t believe his luck to be able to walk through the exhibit by himself and get off some clear shots before the throng hit.
“The La Tour Paris 13 experience was something that I’ll never forget,” Elzey recounts as he thinks of himself nearly running from apartment to apartment with camera in hand, each room a new discovery, many of them inspiring awe.
“I was on an adrenaline rush while I was inside since I only had an hour by myself before it opened to the public. It wasn’t until later in the morning when I looked back at all of my pictures that I was able to fully understand exactly how much art I just witnessed,” he says.
Mehdi Ben Cheikh from Galerie Itinerrance, who curated the project La Tour Paris 13 gave permission to Elzey to get these shots for BSA before the crowds arrived and now he was snapping as many as possible.
Over the course of the year artists have devised specific paintings, sculptures, and installations inside the housing tower knowing that it would be exhibited for a month before being demolished. “The number of artists and the amount of space dedicated to this one exhibit is something that I don’t think will ever again be replicated,” he says.
While touring former living rooms, bathrooms, and kitchens Elzey quickly discovered that aerosol and markers were not the only materials used by this global pool of street/graffiti/urban artists who came from far places like Brazil, Iran, US, Tunisia, and even Saudi Arabia in addition to many European countries.
Some artists had staged new perspectives and environments by combining sculptural elements that married into their wall pieces, others like C215 cut into the floorboards to create a relief, still others worked in and around the decaying, partially destroyed infrastructure to create venues that slid into the fantasies of subconscious. “It was a free-for-all in a sense that once inside the apartment the artist had free reign to transform it however they wanted,” he says.
“What isn’t apparent in the pictures is how dark a lot of the rooms were. There were at least three rooms that were essentially dark with the exception of a little black light, while others were dimly lit by a solo lamp or fluorescent bulb. Sometimes you had to walk through holes in the walls to access further rooms.”
In his images here you can see the variety of styles and influences that the artists brought to the game, each accepting that it was a one-time-only installation. Maybe this group wasn’t so hard to convince, since the very nature of art on the streets is ephemeral.
“Street Art on the street has an expiration date, but the exact amount of time in which it will stay up isn’t known,” says Elzey, “It can either be covered up by graffiti or another wheat-paste, it can be removed by the building owner, or it can just wither away from being exposed to the elements.”
La Tour Paris 13 brings to mind the multitude of urban explorers who regularly trek into abandoned and neglected places all over the world and leave their mark, activating previously moribund spaces with art, but no one has ever launched a show like this with such genuine quality or with this scope.
“The closest thing that I can compare it to is 5 Pointz,” Elzey says of the grouping of buildings in New Yorks’ Long Island City that provided what was perhaps the original group show venue for urban art from the 1990s until yesterday. In an ironic mirroring of events, 5 Pointz and its multitude of external paintings underwent “the buff” the night before last after running an every-changing show for about three decades.
The 5 Pointz factory buildings themselves are also slated for demolition and will make way for new condos. “We all knew that its days were extremely numbered,” he says sadly of what had become a New York cultural heritage icon to some and a holy place for graffiti writers and Street Artists and fans from around the world.
The true impact from the La Tour Paris 13 project and 5 Pointz may happen in the mind and heart of the artist and the art fan; perhaps the beauty of this exercise, however short lived, is that the public is being encouraged to re-imagine old buildings for new uses, to consider what else we can do with private and public space.
When that conversation takes place we often realize how the limits of creativity are determined in no small part by imagination.
While we keep tracking the routes and machinations of this first global people’s art movement that has evolved into Street Art, we fully expect that we will continue to be surprised and inspired by the creative spirit and by artists.
For Spencer, this Tour was a lot more personal. “Having experienced something like this on such an immense scale and with a definitive end date made me feel like I was part of something special.”
Visit La Tour Paris 13 site for a full set of photographs, details and a full experience of the project.
This article is also published on The Huffington Post.
Artists participating include: 108 ( Italy) – 2mil (Brazil) – Add Fuel ( Portugal) – AGL ( France ) – Lacurci Agostino (Italy) – Alexone ( France ) – A1one (Iran) – Amin ( France ) – Aous (Saudi Arabia) – awer (Italy) – Azooz (Saudi Arabia) – Belem (Portugal) – BOM.K ( France ) – Btoy (Spain) – C215 ( France ) – Celeste Java ( France ) – Cope2 (USA) – Corleone (Portugal ) – Dabro (Tunisia) – Dado (Italy) – Dan23 ( France ) – David Walker (UK) – Eime (Portugal) – eL Seed ( Tunisia) – Ethos (Brazil) – Etnik (Italy) – Fenx ( France ) – Flip (Brazil) – Gael ( France ) – Gilbert ( France ) – Guy Denning (UK) – Herbert Baglione (Brazil) – Hogre (Italy) – Hopnn (Italy) – Indie 184 (USA) – Inti Ansa ( France ) – Inti Castro (Chile) – Jaz (Argentina) – JB Rock ( Italy) – Jimmy C ( Australia) – Samina Joao (Portugal) – Jonone (USA) – Joys (Italy) – Julien Colombier ( France ) – Kan ( France ) – Katre ( France ) – Kruella (Portugal) – Legz ( France ) – Lek ( France ) – Liliwenn ( France ) – Loyola (Brazil) – Ludo ( France ) – Mrs. Sanbor ( France ) – March (Portugal) – Marko93 ( France ) , Mario Belem (Portugal) – Maryam (Saudi Arabia) – Mateo Garcia Leon ( France ) – Maz (Saudi Arabia) – moneyless (Italy) – Mosko ( France ) – Mp5 (Italy) – Myra ( France ) – Nano (Chile) – Nebay ( France ) – Nemi Uhu ( France ) – Nilko ( France ) – Orticanoodles (Italy) – PANTONIO (Portugal) – Paulo Arraiano (Portugal) – Peeta (Italy) – Philippe Baudelocque ( France ) – Rapto (Brazil) – Rea 1 ( France ) – Rodolphe Cintorino ( France ) – Roti ( France ) – Sambre ( France ) – Sean Hart ( France ) – Sebastien Preschoux ( France ) – Senso (Italy) – Seth ( France ) – Shaka ( France ) – Shoof (Tunisia) – Shuck2 ( France ) – Sowat ( France ) – Spazm ( France ) – Speto (Brazil) – Stew ( France ) – Stinkfish (Mexico) – Sumo (Luxembourg) – Tellas (Italy) – Tinho (Brazil) – Tore ( France ) -Uno ( France ) – Uriginal (Spain) – Vexta (Australia) – Vhils (Portugal) – / Maismenos (Portugal).
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks! <<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
As we continue our one week residency on BSA for Street Art fan Spencey Elzey, he takes you to Paris to see what is happening on the street there right now. If you were to try to characterize the nature of the work, you may say that it favors illustration, a clean defined line, and a purposeful classical aesthetic.
For years we have associated the romantic city and it’s historical culture and architecture with Street Artists like the stencil pioneers Blek Le Rat and Jef Aerosol, along with Miss Tic, Invader, FKDL, Fred Chevaliar, C215, and Alice Pasquini, to name just a few. Spencer finds some of those artists’ work and and he shares some others here with you too. Naturally, because we don’t cover this city regularly, locals will surely tell you that some of these pieces are a couple of years old, but for an American tourist in Paris, it all looks new from here!
“It did feel like there was some form of respect for the older architecture, especially in Paris,” says Spencer when comparing his observations of Paris, Berlin, and London. “While all three cities are old (especially compared to NYC), Paris feels the oldest and there seems to be certain buildings or doors that remained untouched.” Maybe that’s why we always think Paris is romantic. Also, Edith Piaf.
Speaking of romance we begin the image survey with two current giants on the Paris scene Jana und JS, who are a collaborating Street Art couple who basically bonded over their mutual love for shooting images. Advocates of photography on the street, you will find they’ve also an affinity for spray paint and stencils and their subject often is themselves. It’s rather a marriage made for the street. You can read a full interview with them here on Street Art Paris.
“Walking around Paris I also found myself looking up a lot more as compared to other cities; while this was mostly due to the fact that I was looking out for the 100’s of Space Invader pieces, there were lots of other pieces stuck to the walls up high. I thought it was also notable that the walls within the metro tunnels between stations were covered with graffiti in Paris.”
“Paris has street art defined to a few areas specifically,” explains Elzey, “including some of the murals in the 13th arrondissement that were put together by Galerie Itinerrance, a few areas up around Belleville, and areas throughout Le Marais, which includes sections of the 3rd and 4th arrondissements.”
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks! <<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
BSA is lucky to be a clearinghouse for many people who participate in and celebrate the Street Art scene – artists, curators, designers, collectors, galleries, museums, researchers, academics, historians and fans. Because we have never taken advertising readers tend to trust our platform and people in the community give us great behind-the-scenes opportunities to learn and share freely with others about the creative process and the culture on the street. It also gives us the freedom to do whatever we want when planning editorial or content.
Recently we had this idea about giving our site out to artists or art-lovers a week at a time so they could also fully share their personal experiences of the Street Art/public art/graffiti/ scene. So this week before Thanksgiving we’re giving the whole week to one person as a “residency”, our way of sharing this valuable platform and inviting you to have a greater voice in this conversation.
Spencer Elzey loves art in general and is an avid Street Art fan in particular and he likes to take trips that include shooting images on the street in whatever city he visits. He also supports artists by buying their art, regularly attending art exhibitions, reading and studying about them and following their evolution. Over the last couple of years we have seen that he is also a dedicated Street Art hunter with camera in hand on the streets of New York City when he isn’t at his regular job – and he loves to share what he finds with others on social media and as an occasional contributor to BSA.
When we heard that Spencer was planning a trip to Europe this fall we proposed to him the idea of him keeping a photo journal to be shared exclusively with BSA readers and we offered to help connect him with some friendly guides on his trip so he could get some splendid and exclusive photos. He enthusiastically accepted the offer and here is the first day of Spencer’s one-week residency on BSA, an edited treasure trove of images and insights from the guy himself. We know you’re going to dig it.
Here’s this weeks schedule:
Of all four cities Spencer visited over a two week trip, this one seemed to really embrace the value of street art to the culture, he says. “In terms of which city was the most welcoming of street art I’d have to say Vitry-sur-Seine was because this is really a grassroots campaign kickstarted by C215,” he says of this city of 83,000 that is called a commune and lies on the outskirts of Paris.
It’s not hard to believe that the scene is attributed in large part to the influence of the well-regarded stencil artist C215 as this is a guy who considers his work to be community service and who regularly features people from the city he is in as subjects of his portraits. That’s why he was the perfect guide for Spencer, who says he learned a huge amount of information in a short time.
“I have to say that C215 is one of the more interesting, opinionated and knowledgeable artists that I have come across. We started the morning at his local café with a coffee. I explored around a little by myself while he was attending to some prior engagements with his gallery and then he caught up with me out on the streets. We eventually had lunch and then went back to his house. Topics ranged from his opinion on the scene in general, on other artists, on galleries and it even touched on street art websites and documenters.
“I hadn’t realized that he has only been doing stenciling for seven years but it was easy to see how far his pieces have come from the few monochrome stencils that still remain around Williamsburg (Brooklyn) from around 2008,” remarks Elzey.
“What C215 has done in Vitry-sur-Seine is much bigger than I expected it to be, both in terms of quantity of work in the area as well as the impact on the community. The first piece that he put up there was about five year ago and within that time there have appeared at least 150 different pieces from him and other artists throughout the area,” says Spencer.
Naturally, Elzey was shooting whatever odd or curious or thrilling piece he found on his travels through this city that celebrates artists, in addition to the work done by his host. “I was definitely surprised with how much Street Art there was in Vitry-sur-Seine. I took around 200 pictures of different pieces while there and I’m still seeing pictures on Instagram of things that I had missed,” he says.
One piece in particular by C215 impressed him a lot – because of it’s impact visually and its perfectly contextual placement. Additionally, Elzey felt that it illustrated the regard that the residents have for the artists work and the fact that people didn’t appear to think of it as illegal or vandalism, per se. “While I was exploring and taking pictures, various residents pointed with excitement about pieces just around the corner that I should go look at,” he says.
“There was one older gentleman, probably in his 70s, who just simply said “La porte” and smiled while pointing in a certain direction. I rounded the corner to see a stencil of the Virgin Mary on the back door of the main church,” he says of one of the few religious themed pieces that the artist has created. “C215 had indicated that this was one of his favorite pieces in the area and it was nice to see that residents appreciated it as well. Had it not been for this project there really would be no other reason for me to have travelled down to Vitry-sur-Seine but it was definitely worth it.”
We hope you enjoy this one week residency on Brooklyn Street Art and we congratulate Spencer for his dedication, professionalism and enthusiasm.
Our sincere thanks also go to those who offered their hospitality and agreed to give Spencer a tour on our behalf; to the stencil artist C215, who graciously took him around Vitry and who shared with him a history and background on the scene there, to Maroune and Mehdi at Itinerrance Gallery for providing Spencer with special solo access to Le Tour Paris 13 while hundreds were queing outside, and to the dynamic German duo Various & Gould who welcomed him into their studio and showed Spencer some really cool spots around Berlin. This open and generous community spirit really makes the work that we do feel so inspiring to us, and we thank each of you for playing host to Spencer and for sharing your knowledge with the BSA family.
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks! <<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
A beautiful week weather-wise in New York – a brisk and sunny week that was great for discovering your city without sweating like a hog. Before we all get clobbered by the holidays and start piling on pounds it has been stupendous just to wind through the streets and burn off the calories and see lots of good new pieces popping up.
Also, we see a lot of street related movies and videos pretty regularly and were fortunate to attend the NY premiere this week of a documentary by Cheryl Dunn that you’ll probably dig too. It’s called “Everybody Street” and it floods you with decades of NY street photography by so many great shooters in this every-changing weird and wooly city we all love. Photographers include Bruce Davidson, Elliott Erwitt, Jill Freedman, Bruce Gilden, Joel Meyerowitz, Rebecca Lepkoff, Mary Ellen Mark, Jeff Mermelstein, Clayton Patterson, Ricky Powell, Jamel Shabazz, Martha Cooper, and Boogie, and also featured are historians Max Kozloff and Luc Sante. Yes, this is a short list of all the great photographers who have been capturing the NY scene, but its a cool collection. Look it up while it is here and if you aren’t living here it’s also on paid Vimeo too.
So here is our weekly interview with the street, this week featuring Axel Void, Bunny M, Danielle Mastrion, Don Rimx, Icy & Sot, Invader, Kitty Kitty, Labrona, LMNOP, Mr. Toll, Nepo, Pixel Pancho, Reka, and Robert Janz.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Witches are burned at the stake. Or hanged, drowned, beheaded. Ask the American Puritans.
Of course, demonizing and ostracizing and terrorizing never quite went out of style since those formative years of the US, and the global history of the race is rife with this inclination. From Salem to today, ignorance and fear can be stirred rapidly into hysteria, usually by an invisible hand. In a tumultuous period of finger pointing and fear mongering that is often laced with latent prejudice, it is possible to whip people into a fevered frenzy of sanctimonious vigilante vitriol to purge that evil that resides amongst us, and within us.
A riveting interactive witch hunt, complete with matches, candles, smart phones and QR codes, has just begun on the streets of Berlin – the creation of conceptual Street Artists Various & Gould. Better yet, you know many of the 13 ‘witches’, as they are people from modern times who have suffered fates of being accused and depicted as evil.
“That these people might have been persecuted and burned as witches in earlier times is a mere speculation here,” say the two artists, whose project encourages you to strike a match across the face of their screen printed posters and light a candle at the base of it. But whether or not these people would have been called witches in earlier days, there are other similarities V&G want to draw attention to. “They still have to fight for their ideas, their freedom, their dignity or in some cases even their lives today,” they say.
Who are you talking about, you ask? Edward Snowden is one – currently a polarizing figure for revealing the extent of spying the US is doing on world citizens and governments – is alternately spoken of as a folk hero and an evil traitor.
Yoko Ono is another – once vilified, now celebrated, for the very same violations in art and cultural orthodoxy. Also she broke up the Beatles singlehandedly for Christs sake. Also she’s a peace activist, so that is upsetting. Now widely considered to have been ahead of her time, Ms. Ono once felt the firey public disdain for her so adamantly that she wrote and performed a song in the 1970s entitled “Yes, I’m a Witch”.
V&G even had a little luck reaching out to some of their witches for the project and got some responses. “Yoko Ono said that she was touched by our mail, but was having an important event elsewhere, which was no surprise,” says Various.
Also, performance artist Marina Abramović is a witch, as well as Antony Johnson and a Pussy Rioter. The reasons for selecting the witches who include journalists, rappers, human rights activists, artists…. may be obvious to some, perplexing for others. Their controversial status is the space of the public mind in which they each hang.
Various explains, “In this respect, the witches series can be understood as a homage to the portrayed people and a reference to the intolerance of today’s apparently enlightened times.” Gould agrees, “Different-minded people are being scape-goated and demonized in the public just as they once were.”
Of the 13 witches you will see a variety of names and if you don’t recognize them you can use the QR code beneath it or go to the special website to read and hear audio giving biographical information in German and English.
Anne Wizorek, a feminist blogger and one of the portrayed witches will even be on hand to introduce the gallery show entitled “Witches Wanted – Wanted Witches” at Open Walls this evening.
Speaking of the installation and the reactions they have received to the witch hunt that spreads across the city, Various says they had been afraid of negative reactions but thus far there have been none. “Somehow we were afraid someone would maybe get our intention wrong or be mad … but so far reactions are good.”
In an increasingly polarized political atmosphere throughout the western world due to many factors, Gould says their imaginative project and execution of it hasn’t touched off controversy and has been really well received. “It was also very fulfilling for us to return to one of the portraits that we have in the street and to find some of the candles still burning!”
This witch-hunt in Berlin-Kreuzberg is not to be understood as a chase, but rather as an interactive scavenger hunt they say on www.witchhunt.eu/, where you can see the map locations and follow the hunt.
You can also follow the hashtag #WitchHuntBerlin on Twitter.
The full list of people portrayed as witches includes Marina Abramović, Mae Azango, Ameneh Bahrami, Antony Hegarty, Le1f, Yoko Ono, Nawal El Saadawi, Edward Snowden, Aung San Suu Kyi, Nadezhda Tolokonnikova, Anne Wizorek, Lana Wachowski, and Malala Yousafzai.
Various & Gould “Witches Wanted – Wanted Witches” exhibition opens today in Berlin. Click HERE for more information.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening:
1. David Choe/Aryz PREMIERE on BSA: Medvin Sobio’s “L. A. Nights”
2. Niels “Shoe” Meulman Calligraffit
3. Tom Herck aka Atek84 2012-2013
4. The End Of The Line Pt 2; NYC Train Lines by Janosch Delcker.
5. NUART 2013: Showtime
6. M-City in Norway. Time lapse.
7. Alex Yanes: Woven Into Me
Director-film maker Medvin Sobio takes another unconventional spin on the now somewhat conventional mural-painting subgenre by playing with time signatures, hitting straight up wrong angles, and stirring in a thick sinuous sucrose veneer that makes us begin asking existential questions by the time the droll closing credits roll by.
It’s all here directly from the perfectly banal and brutal life on the street, with little clusters of gadflies and homies swimming around sort of drunkly – aided by a soundtrack heavy with Spanish-language 45s that were left sitting on the radiator. Just as you get the groove, prepare for Sobio to switch it, and for David Choe to glide by the screen like a ninja/Vader/suburban lawncare specialist from San Antonio with leaf blower in hand. The new film captures just a little bit of the LA street insanity of summer where almost everyone is baked — and its debut is here for BSA readers today exclusively.
YOU MUST ENTER THE PASSWORD TO WATCH THE VIDEO: Here it is>>>>> bang
Shot and edited by Colin M. Day
“I guess it all started with me as a little kid being into looking at signs and letters,” says Niels in an understated way as he traces his evolution into an amalgam of graffiti and calligraphy that he has fashioned. Follow him as he narrates through the studio environment into a number of venues, all the while rhythmically marking walls, floors, cars with his signature U and N characters.
A sizzle reel of sorts by artist Tom Herck that hits upon his tangling with the meaning of selling ideas and beliefs and the paranoiac behaviors bred by surveillance. At least, that’s what we think. Guy has some good ideas and a knack for dramatic symbols, but some may be jarring – like the burning cross at the beginning, for example.
Journalist and documentary filmmaker Jonosch Delker offers the companion piece to his “End of the Line” film that explored the final stops on the train lines in Berlin two years ago; Today he brings us the final stations of the NYC subway system. He likes to say they are “non-places” because tourists rarely see them but just the glimpses of human interaction that he captures tell you that these are full of life and possess an urban poetry of their own. It’s true, a rare tourist will ever see these termination stations, as the major hubs of visitor activity are smack in the middle of many train lines. An adventurous or dozing visitor can find these places, though most probably won’t. With his choice of Moby to accompany you on your trip to the ends of the lines, you won’t need to do it either – but you may be encouraged to.
Time for a victory lap on the 2013 installment of Nuart.
Quietly he works. M-City in Norway.
“Every artist that I ever met that is successful has paid dues,” says visual artist Alex Yanes in this tight video shot and edited by Duffy Higgins that traces the process Yanes followed to create and mount his first New York show – a show we caught at Low Brow Artique for its opening. It captures the energy and enthusiasm of the artist who had some trepidation about bringing his Miami style to Bushwick and the ready to rumble every day life of New York.
Spain’s Sr. X has a good knack for placement with his realistic figures incorporated into the streetscape, whether peering out from a broken façade or up from the edges of a pothole. 
A guy who carries the weight of the world on his shoulders thematically, whether addressing fears of terror or the New World Order, Sr. X often mixes retro-looking sci-fi creatures or clean-cut idealized folks with apocalyptic themes in a winking ironic way. Here is a new piece that creates the missing bricks in a London wall to facilitate an escape, hopefully to a better world.
Whether satire, slogan, or soliloquy, the anonymous street scribe shapes our experience while we walk through the city.
Boffo or blustery, a piece of poetry can sling or sting your unsuspecting heart as you round the corner or look above your head and a rallying cry will bring color to your cheeks or dread into your head. A well-crafted counterpoint can clearly confound and a cleverly flipped script will turn up your lips, but no-one can crack some cryptic confessionals or meandering non sequitors that pop and squirm under your quizzical gaze.
Whether cute or contentious, the hand-rendered words that we daily see on walls throughout the city are all speaking to us in a cooly comforting lo-fi handwritten way across the bricks and mortar, but somehow they often obey a 140 character limit too. Mercifully brief, as if targeted to our hurried pace and tightly tailored for the twitter-brained among us, these textual communications are looking for a more general audience, but an audience nonetheless.
And here we are.
Today we look at a kaleidoscopic collection caught by photographer Jaime Rojo, cobbled together here for you.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Urban and fine artist Alice Pasquini just finished a three week trip through Southeast Asian which took her to Singapore, Yogyakarta, and Ho Chi Minh City and where she called forth her aquamarine palette of thoughtful women to walls in new environments while getting to know the local urban art scene and meeting local artists.
“Sometimes we’re forced to adapt: for instance painting with horrible local spray paints or letting go of our daily habits,” she says as she describes challenging herself to work with new materials and create effects that she liked. “You can create some interesting effects using old spray paint meant for cars.” More challenging for an Italian perhaps was foregoing her habit of daily espresso.
After a week of teaching a mural workshop at LaSalle College of Arts in Singapore, which was organized by the Italian Culture Institute of Singapore, she and photographer Jessica Stewart traveled around Indonesia and Vietnam, “to get some new inspiration and escape a bit to a totally new environment,” says Stewart.
They say it was a very different from their experiences in Europe and North America and yet Pasquini says her search for subcultures that resemble the Street Art and Urban Art environment of the more Western variety. “I was in need of new inspiration,” says Alice, and “what I saw was amazement and admiration for urban art and I was able to encounter growing subcultures”.
Special thanks to Ms. Stewart for sharing these exclusive images of the trip with BSA readers.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Jaime Rojo Untitled. Coney Island. 2002 8 x 10 Gelatin Silver Print 3 of 4 Note: This piece is framed with archival materials and UV Plexiglas.
