September 2020

“Martha Cooper: Taking Pictures” – Sneak Peek at the Book

“Martha Cooper: Taking Pictures” – Sneak Peek at the Book

As we prepare to open the Martha Cooper: Taking Pictures exhibition this weekend, we wanted to let you know that we are publishing a handsome catalogue with UN to accompany the show.

In addition to lush photo spreads of Martha’s documentation over 6 decades, we have essays written by art critic, curator and author Carlo McCormick, UN Executive Director Jan Sauerwald, author and photographer Nika Kramer, author, curator, and Hip Hop historian Akim Walta, National Geographic chief photo editor Susan Welchman, curator of prints and photographs at the Museum of the City of New York Sean Corcoran, and the curators of this exhibition Jaime Rojo and Steven P. Harrington.

The hefty hardcover, a richly illustrated and modernly designed book, is timed for release simultaneously with the exhibition opening this Friday, October 2. In addition to the essays, we have 40 quotes about Martha from her peers, artists, authorities in photography, folklore, graffiti, and Hip Hop, along with long-time friends and her family. The cover of the book features a photograph rarely seen of graffiti writer Skeme train surfing in NYC taken by Martha in 1982. The introductory texts to each of the 10 sections are written by author and curator Christian Omodeo.

At 230 pages, the new book is published by Urban Nation Museum For Urban And Contemporary Art, Berlin, and Steven P. Harrington / Jaime Rojo (BrooklynStreetArt.com). The book will be available for sale at the museum’s gift shop and on view for you to peruse in the Martha Cooper Special Projects room.

Designed by Krimm Studios in Berlin, the project was greatly shepherded by Dr. Anne Schmedding, who edited with us along with Martha. The entire project was carefully managed by the brilliant Christiane Pietsch. Our sincere thanks to everyone who has worked studiously alongside us this year during many Covid-caused complications to produce a handsome tome we can all be proud of.

More about this project in a future posting.

Martha Cooper: Taking Pictures
Curated by Steven P. Harrington and Jaime Rojo

Opening weekend

Opening:

Friday, October 2nd, 2020: 8 – 11 pm

Extended opening hours:

Saturday, October 3, 2020: 10 am – 10 pm

Sunday, October 4, 2020: 10 am – 8 pm

URBAN NATION Museum, Bülowstrasse 7, Berlin-Schöneberg

Livestream Opening Martha Cooper: Taking Pictures

Click HERE for more details about the exhibition.

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OKUDA Finds “Puppy Love” in Oldengburg, Germany

OKUDA Finds “Puppy Love” in Oldengburg, Germany

“It’s like performance art,” says film director Michael Maxxis, as he watches street artist Okuda painting a scene from Maxxis’ new film here in Oldenburg, Germany. It’s unusual for this city to have graffiti or street art, so this commercial painting by a street artist is pretty close to the real thing.

OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)

According to the Spanish artist, he took a screenshot of one of his favorite scenes and the idea was to bring the main characters in the movie to his own world. With eye-popping color and unusual combinations of geometrics with organic forms, he succeeds in sparking your imagination into an alternative-world of play. For the director, the image that Okuda selected to paint is a representation of the paradise of childhood.

OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)

The Filmmaker and writer and director has known Okuda for a few years and loves his work – Okuda even designed the film posters for the movie. Here in Olderburg, it appears to be love at first sight.

Our sincere thanks to photographer Nika Kramer who shares this story and her photographic documentation of this painting under the stunning September skies of northern Germany.

OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
A scene from Puppy Love, the opening movie of Filmfest Oldenburg in Germany. This screen photo shows the scene that inspired Okuda’s mural. (photo © Nika Kramer)
OKUDA. Puppy Love. Oldenburg, Germany. (photo © Nika Kramer)
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SETH At La Cité des Enfants in France

SETH At La Cité des Enfants in France

Just this weekend SETH completed his mural at Urban Nation for our show opening this Friday “Martha Cooper : Taking Pictures” in Berlin. A busy street artist and muralist such as he usually has a wall to paint somewhere, so today we thought we’d show you what he had been up too earlier in the month in Grand Paris Sud.

SETH. “Il était une faille”. Wall Street Art of Grand Paris Sud 2020. Grigny, France. (photo © Galerie Mathgoth)

Famous for his paintings of young children at play, dreamily lost in a world just adjacent to this one, he was appropriately painting in Grigny, also known as “La Cité des Enfants”.

Following other muralists like Case Maclaim, Alber and Jace, this is the latest wall for the 2020 edition of a private/public improvement project called Wall Street Art festival.

SETH. “Il était une faille”. Wall Street Art of Grand Paris Sud 2020. Grigny, France. (photo © Galerie Mathgoth)
SETH. “Il était une faille”. Wall Street Art of Grand Paris Sud 2020. Grigny, France. (photo © Galerie Mathgoth)
SETH. “Il était une faille”. Wall Street Art of Grand Paris Sud 2020. Grigny, France. (photo © Galerie Mathgoth)
SETH. “Il était une faille”. Wall Street Art of Grand Paris Sud 2020. Grigny, France. (photo © Galerie Mathgoth)
SETH. “Il était une faille”. Wall Street Art of Grand Paris Sud 2020. Grigny, France. (photo © Galerie Mathgoth)
SETH. “Il était une faille”. Wall Street Art of Grand Paris Sud 2020. Grigny, France. (photo © Galerie Mathgoth)
SETH. “Il était une faille”. Wall Street Art of Grand Paris Sud 2020. Grigny, France. (photo © Galerie Mathgoth)
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BSA Images Of The Week: 09.27.20

BSA Images Of The Week: 09.27.20

They are not staying quiet. If you had doubted the inclination of street artists to join the socio-political fray in 2020, don’t. Among the cute and decorative pieces out there, we are steadily discovering that artists are using the public sphere to take risks, addressing issues that are thorny and puzzling. As ever, the streets are a reflection of our society and all its fabulous dysfunction – a refreshing take on free speech that often makes much more sense than the disinformation war raging hourly right now on corporate media.

Here’s our weekly interview with the streets, this week featuring Adam Fu, Blood and Soul, Clint Mario, Faust, Gazoo to the Moon, Jarus, Maia Lorian, Pure Genius, Raddington Falls, Sticker Maul, Stikman, TV Head ATX, Will Pay, and Winston Tseng.

RBG – RIP VOTE NYC (photo © Jaime Rojo)
Sticker Maul (photo © Jaime Rojo)
Emmanuel Jarus in collaboration with Street Art for Mankind and the United Nations on its 75th anniversary a few blocks away from the UN Headquarters hopes to raise awareness on food insecurity. They don’t have to look far to find hungry people, as reportedly 2.5 million New Yorkers were already grappling with food insecurity before the coronavirus pandemic, and a new report from City Harvest says another 800,000 have been added to that figure in just the last six months. (photo © Jaime Rojo)
Emmanuel Jarus in collaboration with Street Art for Mankind and the United Nations on its 75th anniversary. Detail. (photo © Jaime Rojo)
Will Pay (photo © Jaime Rojo)
TV Head ATX (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
Winston Tseng (photo © Jaime Rojo)
Faust (photo © Jaime Rojo)
Gazoo To The Moon (photo © Jaime Rojo)
Raddington Falls (photo © Jaime Rojo)
Raddington Falls (photo © Jaime Rojo)
Raddington Falls with friends. (photo © Jaime Rojo)
Maia Lorian (photo © Jaime Rojo)
Pure Genius (photo © Jaime Rojo)
Pure Genius (photo © Jaime Rojo)
Stikman (photo © Jaime Rojo)
Adam Fujita for The Bushwick Collective (photo © Jaime Rojo)
Blood and Soul (photo © Jaime Rojo)
Clint Mario (photo © Jaime Rojo)
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SETH Completes Indoor Mural for “Martha Cooper: Taking Pictures” at Urban Nation Berlin

SETH Completes Indoor Mural for “Martha Cooper: Taking Pictures” at Urban Nation Berlin

With less than one week to go before the opening of our exhibition MARTHA COOPER: TAKING PICTURES at Urban Nation Museum in Berlin the installation of the exhibition is well underway. Under the watchful eye and guidance of Michelle Houston and her team at YAP (Yes And Productions), the 400 printed photos, 1400 digital photos, 260 collected artifacts, 35 artists original artworks, one commissioned indoor mural, one new 24-video environmental installation, 10 black books, journals, passports, SIM cards, 8 audio voice recordings, a huge stickerboard, and a timeline covering 1943-2020 are all being installed throughout the entire museum.

Seth Globepainter. Martha Cooper: Taking Pictures. Urban Nation Museum. Berlin. (photo @Michelle Nimpsch /YAP)

A career retrospective, this one has been carefully planned with a rich offering of items for those who love photography, those who are avid fans of graffiti and street art, those who are scholars of the art forms and practices in public space, and for the families with kids who are looking to spend an afternoon being entertained and educated.

Seth Globepainter. Martha Cooper: Taking Pictures. Urban Nation Museum. Berlin. (photo @Michelle Nimpsch /YAP)

One highlight of the exhibition will be the brand new two-story high site-specific indoor mural by French artist SETH, who has created a new interpretation of one of Martha’s photographs from the 1970s, effectively bridging two of the ten sections of the exhibition entitled “Street Play” and “Martha Remixed”.

Seth’s photo of Martha Cooper when he and she collaborated on a project series in Haiti recently. © SETH

SETH understands Martha’s long time interest in photographing kids creating their own world with their imaginations, their own games, play-acting out scenarios in public space in city streets and empty lots. Photos in the exhibition from Haiti bridge several visits Martha made there, first in 1978 and recently in 2018 – this most recent visit with SETH to collaborate on a project with one another.

We wouldn’t want to spoil the surprise for you but we would like to share with you a handful of detail shots of the mural in progress. We’ll unveil the original photo and the full mural on October 2nd.

Seth Globepainter. Martha Cooper: Taking Pictures. Urban Nation Museum. Berlin. (photo @Michelle Nimpsch /YAP)

You are invited to the Official Opening of “Martha Cooper: Taking Pictures”, which will be streamed LIVE online and have all sorts of special guests and feature a tour of the exhibition, interviews, and documentary material with Martha herself – beginning at 8 pm Berlin time Friday, October 2nd.

Martha Cooper: Taking Pictures
Curated by Steven P. Harrington and Jaime Rojo

Opening weekend

Opening:

Friday, October 2nd, 2020: 8 – 11 pm

Extended opening hours:

Saturday, October 3, 2020: 10 am – 10 pm

Sunday, October 4, 2020: 10 am – 8 pm

URBAN NATION Museum, Bülowstrasse 7, Berlin-Schöneberg

https://urban-nation.com/livestream-martha-cooper-taking-pictures/

Click HERE for more details about the exhibition.

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BSA Film Friday: 09.25.20

BSA Film Friday: 09.25.20

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Doug Gillen/Fifth Wall TV: Is New Brighton a future model for the British Sea Side Town?
2. Lidia Cao. Tribute to Dolores Medio. Parees Fest 2020
3. INDECLINE: On Second Thought. A reflection on gun violence in collaboration with artist David Fay.

BSA Special Feature: Visit a Sea Side Town with Doug Gillen

You can’t really send out a gilded invitation to your cousin Gentrification to come visit and be surprised when his emotionally draining wife and video-game playing snot-nosed kids are in the car with him.  When you use words like “platform” to describe art-washing of a town, and your organization has a “brand director”, there won’t be much surprise when the moneyed professionals complain that music at the curated-bar across the street is keeping their new baby awake at night.

Doug at Fifth Wall is more surreptitiously stealthy than ever, gradually upping his stealthy-stealthitude as he lets this story basically tell itself while posing as a merely curious art-fan.

The story is literally everywhere you look right now, and apolitical, non-confrontational Street Art and murals are almost always intercedent. A small town is sucked dry after decades of neo-liberal economics and back-room political deals, leaving a godless lot feeling listless and depressed without prospects for the future. Broad strokes, but you’ve undoubtedly heard the concept proffered by real estate investors that comes next.

“Yes there’s a commercial side to it but there is also very much a community element to what we’ve been doing,” says one male voice as the camera scans some run-down architecture with good bones and historical character. They’ve been buying up properties and “introducing a new independent concept into them”.

You predict what comes in this chapter; small portions of fussy food, art galleries, street art, vinyl!, kooky cafes with drip coffee and cold brew, clever grandma-anti-fashion fashion, artisanal cheeses, greater police presence and the occasional night-time social cleansing of hardscrabble types pushed into other neighborhoods.

Next step, edgy lifestyle brands will need some quirky space to set up shop.

“We’re trying to keep the big boys out of our little part of town.”  

“2020 is a year calling out for change,” says Doug in his wrap-up, but he knows this particular model is not at all new. It’s still a reaction to the devastation, and we all seem to be trapped in it. Even so, this can be a kind of rejuvenation that many small towns would ache for and there is reason to think that the formula can be configured to be more just to those who will get displaced – if you’re dedicated to it.

And your cousin Gentrification could be cool to hang out with, even if his very classy wife gently insults your wife and the décor of your home and the food you eat and the music you listen to.

Doug Gillen/Fifth Wall TV: Is New Brighton a future model for the British Sea Side Town?

Lidia Cao. Tribute to Dolores Medio. Parees Fest 2020

Lidia Cao paints a portrait of Dolores Medio, the Spanish writer, teacher, and journalist for the Parees Festival in Spain in this short video by Titi Muñoz.

INDECLINE: On Second Thought. A reflection on gun violence in collaboration with artist David Fay.

600 decommissioned weapons were combed over and refashioned by Las Vegas based artist David Fay into this semi-kinectic sculpture that recalls Rodin’s “The Thinker”. In an America that is fascinated by weapons, at least in movies and television, this sculpture may make people think, or not.

Produced by the amorphous art-activist group INDECLINE, the work had 58 bullets embedded in the shoulders as a somber reminder of the mass shooting in Mandalay Bay three years ago in Las Vegas.

From their press release: “The piece stands just over 6 feet tall and weighs approximately 250 pounds. It took David Fay 4 months and over 750 man-hours to complete the piece.”

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Gonzalo Borondo and 36 Christ-like Apparitions Displayed in Salamanca, Spain

Gonzalo Borondo and 36 Christ-like Apparitions Displayed in Salamanca, Spain

Gorgeous and haunting images today from photographer Roberto Conte of street artist/fine artist Gonzalo Borondo’s latest installation fo “Non Plus Ultra”, this time in the Salina Palace in Salamanca, Spain.

Gonzalo Borondo. “NON PLUS ULTRA”. (photo © Roberto Conte)

Testing the qualities of glass once again, the artist screen prints 56 pieces and installs them across 80 meters of space, evoking a chorus of forms, but who are these/is this forms/form.

Christ suspended from the cross comes to mind, so does the drama of an army of models marching down the stage.

Gonzalo Borondo. “NON PLUS ULTRA”. (photo © Roberto Conte)

“Transparency and hardness; fragility and resistance; protection and danger,” he reflects as Borondon considers what draws him again and again to glass as a canvas for screen print. All of these are applicable and yet his placement in this repetitive way strikes you as the ephemera of projection of image.

Gonzalo Borondo. “NON PLUS ULTRA”. (photo © Roberto Conte)
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Urku Abstractly / One Wall Project / Urban Nation Berlin

Urku Abstractly / One Wall Project / Urban Nation Berlin

A fresh face at Urban Nation, the abstract muralist URKU has just completed the façade across the train tracks from the museum on Bulowstrasse.

Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)

Originally from Quito, Ecuador, Urku says he began his true immersion into graffiti and street art when he lived in Sydney, Australia and he hooked up with the Higher Ground crew. His first attempts were painting in abandoned places, he tells us, but the big scale walls really caught his attention.

Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)

Living in Berlin since 2015, Urku brought his girlfriend, Gamze Yalçın who is also an artist in Berlin, along for this installation on the busy thoroughfare full of noise and distractions.  He says his style has evolved more into abstraction today and he likes to think his art as a visual diary – one where he re-interprets his daily visual experiences into abstract compositions.

How did he feel elevated alongside the famous yellow trains of Berlin watching the burners fly by? “Perhaps it would have been very nice to have appreciated the scene while painting the wall with the trains running behind me,” he says, “but the fact is I had to paint all the time and to complete the project. But I was in awe that this was actually happening and seeing the trains with graffiti passing by was very cool.”

Our special thanks to BSA contributor Nika Kramer for these images and to UN.

Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
Urku. One Wall Project. Urban Nation Berlin. September 2020. (photo © Nika Kramer)
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Teo Vazquez and Mourad are Running “20 Meters”

Teo Vazquez and Mourad are Running “20 Meters”

Mourad is running! It’s 20 meters along this wall on the inner courtyard of
the Bac de Roda Housing Cooperative in Poblenou, a neighborhood of Barcelona, Spain.

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)

The new stop-action installation is meant to freeze for a moment the emotions and sensations that can occur during migration – which many people are forced today to do all over the world, whether they are escaping from hardship, fear, war, environmental extremes, or decimated economies.

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)

Artist Teo Vázquez wants us to think about the distance that people run, and how crossing a simple national boundary can be the difference between life and death. If you studied Western art history, these figures may also call to mind warriors and heroes of so-called classical antiquity.

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo was assisted on site by fellow artist Magda Cwik. September, 2020. (photo © Lluis Olive Bulbena)

Here Vázquez says he has captured “through a sequence of movements, different snapshots which reflect a mosaic of unique expressions.” This, he says, is “a figure who symbolically represents all who they have made a migratory journey risking their lives.”

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo was assisted on site by fellow artist Magda Cwik. September, 2020. (photo © Lluis Olive Bulbena)

Born in Cadiz, now living in Barcelona, Vázquez is participating in the fourth edition of MURAL / LOCAL, an artistic action that annually renews this wall. He would like to thank his subject Mourad as well as his fellow artist Magda Cwik, who assisted him in hanging the new installation. Our thanks go to photographer Lluis Olive Bulbena, who shares his photos of this new work with BSA readers.

Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo was assisted on site by fellow artist Magda Cwik. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo was assisted on site by fellow artist Magda Cwik. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. Teo and fellow artist Magda Cwik with Mourad the young man depicted in the mural. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
Teo Vázquez “20 Metros”. In collaboration with JISER. Barcelona, Spain. September, 2020. (photo © Lluis Olive Bulbena)
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Madrid Dispatch: Primo Banksy and TVBoy

Madrid Dispatch: Primo Banksy and TVBoy

These days it is the default storyline of a non-British arts journalist to deign that their local street artist is “Tel Aviv’s Banksy”, or “Wanaka’s Banksy”. Here in Madrid, this artist just calls himself Banksy’s cousin, or at least that could be one interpretation of his artistic name.

Primo Banksy. Tribute at Garcia Lorca. Madrid, Spain. (photo © Ricardo Hernandez)

Primo Banksy is a trained artistic talent and uses his carefully rendered ink and watercolor illustrations to highlight cultural figures in art, politics, literature – like John & Yoko, the girl from the Velázquez’ Las Meninas, or this portrait of Federico García Lorca, the poet, playwright, and theater director.

Primo Banksy. Tribute at Garcia Lorca. Madrid, Spain. (photo © Ricardo Hernandez)
Primo Banksy. Madrid, Spain. (photo © Ricardo Hernandez)

Meanwhile the street artist known as TVBoy is much closer in style and sentimentality to the Bristol-born street art man of mystery known around the world. The Barcelona based Italian favors the pop side of so-called “urban art” here, his filter treatments of popular figures a sure hit for passersby who relate to the subject.

TVBOY. Madrid, Spain. (photo © Ricardo Hernandez)

Our thanks to BSA reader Ricardo Hernandez who shares with us some recent shots while strolling the streets of Madrid.

TVBOY. Madrid, Spain. (photo © Ricardo Hernandez)
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BSA Images Of The Week: 09.20.20

BSA Images Of The Week: 09.20.20

Welcome to BSA Images of the Week. Shana Tova to our Jewish brothers and sisters, even as we mourn the Friday passing of one of Brooklyn’s own, Justice Ruth Bader Ginsburg. She was born here on East 9th Street in Midwood to Russian immigrant parents in 1933 and the governor says we’ll have a statue honoring her here too.

Meanwhile in our strained semi-democracy, daily anti-ICE protests continue in Times Square amidst accusations of heavy handed practices of the police, exotic animal complaints this year are up 77 percent possibly because people want to quarantine with roosters and monkeys to stay sane, and in-person school classes are again being delayed due to lack of preparedness and generalized fears of Covid-19 outbreaks among students and teachers.

Compared to all these news, the scene with Street Art appears tame. But from Red Hook to Soho to LES to Bushwick to Ridgewood, it is definitely not lame.

Here’s our weekly interview with the streets, this week featuring BK Foxx, Chris Tuorto, City Kitty, CRKSHNK, De Grupo, Downtown DaVinci, Freakotrophic, Half, Joe Iurato, Kesta, Logan Hicks, Mish, Ouch, Praxis VGZ, Sac Six, Sean Lugo 9, Stikman, and You Go Girl!

Collaboration between Sean Lugo and City Kitty. (photo © Jaime Rojo)
Freakotrophic for The Bushwick Collective (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
Half (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Sitkman (photo © Jaime Rojo)
Ouch (photo © Jaime Rojo)
You Go Girl (photo © Jaime Rojo)
You Go Girl (photo © Jaime Rojo)
Praxis (photo © Jaime Rojo)
Logan Hicks and Joe Iurato for The Bushwick Collective (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Downtown DaVinci. This piece has plexiglass protection and that makes it very hard to photograph. (photo © Jaime Rojo)
BK Foxx and Kesta collaboration for JMZ Walls. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
DE GRUPO (photo © Jaime Rojo)
Chris Tuorto (photo © Jaime Rojo)
Mish and? (photo © Jaime Rojo)
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The Notorious RBG, Rest in Peace

The Notorious RBG, Rest in Peace

Ruth Bader Ginsburg (1933-2020) A role model. A trailblazer. A pioneer. An intellectual. A woman of her time. A feminist. A mother. A wife. A daughter. A sister. A grandmother. An extraordinary human who dedicated most of her life to extending the reach of justice to all of us, and to protect us from the tyranny of others, including the state.

Her work is done and we are in deep gratitude to her for being such an amazing role model to us – even while we realize that our work will continue. Rest in Peace, Justice Ginsburg.

Captain Eyeliner (photo © Jaime Rojo)

“Dissents speak to a future age. It’s not simply to say, ‘My colleagues are wrong and I would do it this way.’ But the greatest dissents do become court opinions and gradually over time their views become the dominant view. So that’s the dissenter’s hope: that they are writing not for today, but for tomorrow.”
– Interview with NPR, 2002

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