2017

BSA Images Of The Week: 02.05.17

BSA Images Of The Week: 02.05.17


BSA-Images-Week-Jan2015

It’s surreal to be on the south side of the US border when Trump has just signed an executive order to build a wall, decides to try to pick a fight with the President of Mexico and drops a travel ban. Gosh, between giving away everything to his ultra-rich friends, loosening regulations on their companies, bringing Frederick Douglass back to life, skipping the Jews, and insulting some key strategic-historic allies it’s just a wonder that he has time to attack the press and say that everyone is lying except him.

As we looked for murals and graffiti in the warm winter sun on main street and back street walls and along rails and on freight trains, we got a taste for the clever wit and aerosol talents of Mexican Street Artists. It may help that they have the amazing muralist history of Mexico to call upon.

We start this week with a huge mural in downtown Chihuahua with their namesake dog who appears to have a peyote blossom on his mind, perhaps looking for an alternate reality to help process all the alternative facts coming from up north. Is surreality here to stay?

Here’s our weekly interview with the streets, this week featuring: Antonio Leon, ASET, DAOR, Daniel Montes, Disko, Nino Fidencio, Rick, SPK FUK, Sebastian Gallegos, SOER and Vera Primavera.

Daniel Montes, Nino Fidencio and Antonio Leon. Chihuahua Dog with Peyote blossom. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Sebastian Gallegos. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Rick. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

SPK FUK. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

ECK. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Paket and ?. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Aset . Daor. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Soer . ? Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist . Mes . Rest. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Wide . Ger . Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artists. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Vandals in the background. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Disko. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Disko. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Vera Primavera. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unidentified artist. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

Unititled. Chihuahua, Mexico. January 2017. (photo © Jaime Rojo)

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Said Dokins & Lapiztola : Gentrification in Mexico City’s La Merced Market

Said Dokins & Lapiztola : Gentrification in Mexico City’s La Merced Market

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

The writing is on the wall. Can you read what it says?

 

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

“Social Cleansing” is a term used by Said Dokins and Lapiztola when describing the process of a gentrifying neighborhood in Mexico City where the enormous and historical public market called La Merced Market is now gradually disappearing, taking the people who made it possible with it.

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

Their new piece looks at the destroying of a native culture by the forces of development that feed on its unique energy and character to sell real estate and investment opportunity but in the process negate its very authorship, its right to its formidable historical place in community.

Their new wall contains the messages from Said Dokins within his particular calligraffiti style that is both communication and ornamentation. The composition also features a stencil from Lapiztola of the face of a girl, perhaps from Oaxaca, where her dress would be typical.

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

The states of Oaxaca and Chiapis have provided the life of La Merced for many decades – the market itself a jewel and historical institution in this neighborhood that has hosted commercial activities for more than five centuries.

“This mural was made within the project called WallDialogue2, which took place in a parking lot where several vendors from La Merced Market pass through everyday,” say the organizers of the program that took place January 20-22.

“The intentions of this project were to generate a discussion site focused on the relation between urban art and gentrification processes.”

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

Appropriately, we have a poem written by Natalia Saucedo when she was 12 and a girl from this community of the market.

My MERCED (Fragment)

Alert in my heart the market that saw me grow up
Cruelly falls little by little
My life runs here
I can’t let it go.

From here I hear the noise of machines
Little by little
My market destroyed

Ladies and gentlemen, without a job have been left

Be strong
Those who love the market crying inside,
Smiling outside

Withered heart
Traveling hope.

~ Natalia Saucedo

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

Lapiztola & Said Dokins. Del Barrio / Mi Merced Mexico City. 2017. (photo © Leonardo Luna)

 

WALL DIALOGUE 2 – Nuestro Barrio Wall Painting Jam
ATEA Topacio 25, Centro Histórico, Mexico City
January 20 – 22
Featured Artists: Billy, Blo, Johannes Mundinger, La Piztola, Libre, Mernywernz, Nelio, Pao Delfin, Said Dokins 

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BSA Film Friday: 02.03.17

BSA Film Friday: 02.03.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. NEMCO, Three Stages: Primaticcio. Part I
2. NEMCO, Three Stages: Salento. Part II
3. NEMCO, Three Stages: Tetto. Part III
4. Run AKA Giacomo Bufarini: Time Traveller Artist Man
5. Saving Banksy
6. Berlin Kidz and Grifters Code 6: Über Freaks (Trailer)


bsa-film-friday-special-feature

BSA Special Feature: Three Walls by Nemco in Italy

Taking a break from the hype, here are three in a row straight up graffiti painting videos, each intriguing in their own way, from Italian writer Nemco. Unpretentious style, clean lettering, flexible concepts, and a bit of retro flavor that lets you know this is a way of life, not a pose to strike. Enjoy all three.

NEMCO, Three Stages: Primaticcio. Part I

 

NEMCO, Three Stages: Salento. Part II

 

NEMCO, Three Stages: Tetto. Part III

 

Run AKA Giacomo Bufarini: Time Traveller Artist Man

London based Italian Street Artist RUN has completed his first book of his work, a labor that he has been talking about since we met him a year ago in Morocco.

Tristan Manco describes it as “Part travelling diary, part monograph, Time Traveller Artist Man charts the triumphs and tribulations of an imaginative soul with a passion for travel, whose worldwide voyages have become a catalyst to create art that is elemental and playful, with the ultimate goal of engaging with people from all walks of life.”

We’ll show it to you once we get a copy! It is sure to be a fine work by a fine artist.

Opening in New York Tonight February 3rd

Saving Banksy

“We paint in the streets. That’s where it belongs”, says Street Artist Ben Eine in the new “Saving Banksy” film, and that’s where the debate originates. Of course that’s never where it ends.

For this weekend’s showtimes go to Cinepolis 

260 W 23rd St, New York, NY 10011
(212) 691-5519

Berlin Kidz and Grifters Code 6: Über Freaks (Trailer)

Good Guy Boris tells us that his new film Über Freaks is going to streamed live on Facebook February 8th! Of course you need to check your local times so you make sure you don’t show up to your computer with popcorn and its already over!

08 February 2017

20p.m. (GMT+1) [ Belgium / France / Germany / Italy / Netherlands / Spain timezones ]
US (EST – New York) – Wednesday 14p.m.
AUSTRALIA (AEDT – Sydney) – Thursday 06a.m.
Check your city timezone here.

Über Freaks takes place deep in the heart of Berlin, and chronicles what it’s like to be part of a close knit group, who get their kicks by roping down buildings with the barest of safety precautions, climbing buildings by way of their exteriors, and lock-picking their way through the whole of the city and its Metro stations. The film can be considered a joyride for the viewer, as they are finally granted a backstage pass to the exclusive and hectic lifestyle of the Berlin Kidz, being privy to a whole world of adrenaline and thrill seeking that occurs just outside their apartment windows.”

Also a new book release from The Grifters!

Find out more at grifterscode.thegrifters.org

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A Wall a Month : Contorno Urbano Launches “12+1” for 2017

A Wall a Month : Contorno Urbano Launches “12+1” for 2017

Walls get buffed all the time in many cities as the municipal anti-graffiti campaigns scour the streetscape for unapproved aerosol missives and get out the bucket paint or bring by the power washer.

Irene López León. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Fernando Alcalá Losa)

In one Spanish city they are doing it once a month, regardless of what’s up there. At least on one wall.

The second edition of “12 +1” by a small nonprofit organization named Contorno Urbano has planned for one new artist every month to paint this wall. The nonprofit says they are composed of local artists, a social worker and an architect – all in the city of L’Hospitalet de Llobregat, a municipality of a quarter million people to the immediate southwest of Barcelona in Catalonia, Spain – has been planning and executing murals for over a decade.

Irene López León. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Fernando Alcalá Losa)

With a rotating roster beginning this month, the organization says it is “in an open-air art gallery” in a commercial district of the city. In a description of the event they say it “seeks to question the way we exhibit street art, and the place of these artworks in the city.”

January brought Irene López León and today we show you her new piece that incorporates elements of geometry, playing with perspective, organic elements, and a certain hypnotic quality.

Planned artists for 2017 are Iker Muro, Hosh, Miedo 12, Miquel Wert, Pati Baztán, Elbi Elem, Fernando León, Edjinn, BYG and Laura González Llaneli.

 

Irene López León. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Fernando Alcalá Losa)

Irene López León. Contorno Urbano “12 x 1” 2017. Barcelona. (photo © Clara Anton)

 

For more information about Contorno Urbano please click HERE.

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“Shoe” is His Middle Name: New Book by Niels Shoe Meulman

“Shoe” is His Middle Name: New Book by Niels Shoe Meulman

“They both see words as images,” says Shoe about graffiti writers and Medieval scribes in a 2013 interview with the BBC. His latest tome extrapolates this reverence for the letterform, an obsessive repetitive family of gestures, now often abstracted, that the artist first stumbled upon as a pre-teen in the late 1970s.  Since those days he became known as graffiti artist, painter, designer, writer, calligrapher. Here is where it comes together.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

“Shoe is My Middle Name” is the fourth publication by Niels Shoe Meulman and one that expands, amalgamates, solidifies his influences, mistakes, discoveries; forging a unique voice that is his own. Sometimes identified with Calligraffiti, but there is so much more to it; now the smudge and the smoke and the splatter has lead him in other directions, from supple and savvy wrist turning small scale to full-body massively immersive gestural painting.

Whether it is a push broom on a roof or a brush on mottled papyrus or the masterful swoop and turn of the squeegee, Shoe knows that there are no half steps once the liquefied pigment hits the surface. A commitment has been made.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

A large coffee table book with a unifying cerulean wash / black two-tone pointillist screen motif throughout, the story of his many exploits is moderated with poetry and outtakes of reviews by or observations by the artist. In one descriptive passage about his work “The Secret Ingredient”, the Amsterdam lifer who has traveled the world says it required “a perfect mix of intuition, imagination, courage and madness.”

Carlo McCormick writes in his essay, “We honor Shoe as the great cross-pollinator who came to New York City as a kid to meet the graffiti master Dondi and brought Wild Style back to Europe, but his strength remains just how far he can still can carry this immoderate load.” Based on his path and his evolution, we’ll consider this beautiful monster to be in a mid-career retrospective and some of his most masterful work is yet to come.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

“DID TUNNELS IN PARIS
THAT WALL IN BERLIN
DID ACID IN BROOKLYN
ALL WITHOUT SIN

DID ROOFTOPS IN LONDON
IN MUNICH SOME TIME
DID TRAMLINES AND STATIONS
NO LIFE WITHOUT CRIME

DID TRAINS IN THE BRONX
TAGS ON A PLANE
DID MURALS IN DELHI
ALL WITHOUT SHAME

DID LECTURES IN DUBLIN
GOT CHASED BY CHINESE
DID EXHIBITS DOWN UNDER
AND IN LOS ANGELES”

From “A Writer’s Song” by Niels Shoe Meulman

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

Niels Shoe Meulman Shoe Is My Middle Name Lebowski Publishers, Amsterdam 2016.

 

All photos of the book’s plates © Jaime Rojo


Niels Shoe Meulman “Shoe Is My Middle Name” is published by Lebowski Publishers / Overamstel. Amsterdam, 2016. Click HERE for more information.

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“Stars and Bricks” Go Up on a Berlin Wall from Various & Gould

“Stars and Bricks” Go Up on a Berlin Wall from Various & Gould

“Men build too many walls and not enough bridges.”

― Joseph Fort Newton, Southern Baptist minister from Texas (1876–1950)


And yet, talk again turns to the building of a contiguous wall along the southern border of the US.

Even though the wall is part of an Executive Order from President Trump, some say that in reality it is unlikely to happen because we still have in effect those complicating features of democracy where citizens actually disagree with one another and we are forced to reach a consensus. Not to mention the damage to relations with our 3nd largest trading partner with which goods and services traded totaled an estimated $583.6 billion in 2015.

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

It’s complete irony that the current Republican president is demanding a wall to be built when the nearly sainted architect of trickle-down small-government hands-off-the-corporations revolution, Ronald Reagan, is famous for having said to the then Russian president “Mr. Gorbachev: Tear down this wall” nearly 30 years. Likely Gorbachev has different opinions about the current president.

Berliners will tell you that their wall was incredibly damaging to the economies and more importantly, the people and the cultures who lived on both sides of it from 1961 to 1989. In fact the mayor of Berlin, Michael Müller said in a statement Friday, according to a translation by the Washington Post.

“We cannot simply accept that all our historic experiences are being thrown into disarray by the ones we have to thank most for our freedom: the Americans. I call on the U.S. President to not go down this wrong track of isolation and exclusion.”

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Which leads us to this new piece from Berlin based Street Artist duo Various & Gould, who have just wheatpasted a re-designed American flag with the red strips as bricks, partially eating into the stars.

“We made it straight from the guts after reading about Trump’s press conference on Jan. 11th. Among other things he was talking again about building the wall,” V&G tells BSA of the genesis for the new piece made in their studio and taken to the street.

“At first our design was just meant as sort of a visual web comment, but in the days following we decided to make a big poster of it and bring it to the streets,” they say.

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Anytime a nations flag is redesigned or reconfigured some may infer it is a sign of disrespect, but V&G say they are just extremely worried. “Needless to say – it’s not in any way anti-American. In the contrary we fear for the America we know and think of our friends in the US! Trump’s Twitter politics will have an impact on the whole world.”

The Israeli Prime Minister Netanyahu disagrees entirely and used Twitter to say so. “President Trump is right. I built a wall along Israel’s southern border. It stopped all illegal immigration. Great success. Great idea,” he tweeted. Freelance writer, author, film maker William Parry says in his opinion piece in Al Jazeera “Israel’s separation wall as an example of a valid security measure is based on gross ignorance, at best.”

So there will likely be ongoing disagreement. Certainly the world is watching and reacting.

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

Various & Gould Stars and Bricks Berlin, January 2017. (photo @ Various & Gould)

V&G have created a downloadable version for you of their new design below. Just click on #StarsAndBricks.


This article was also published on The Huffington Post.

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Trump Street Art – Instantly There’s a Global Critique

Trump Street Art – Instantly There’s a Global Critique

Any US president can expect cartoons and visual commentary critiquing their performance and policies and persona and fashion and idiosyncrasies. This one has created a flood of it worldwide.

Teo_Vasquez photo ©Sameworld_project in Barcelona, Spain

The chaos that is the first ten days of this administration has only confirmed some peoples worst projections, yet its been filled with surprises as well – including in the street.

Thanks to the popularity of murals and the multitude of techniques artists use on the street today, critique of political/social matters on public walls has joined those of political cartoons in magazines and newspapers. Of course Trump and his spokespeople would probably call these “fake murals” or something.

Bailer ID in Melbourne, Australia photo© Gavin McLaughlin

The point is, you don’t have to like or agree with all of these expressions from “A Tremendous Roundup Of Street Art Ridiculing Donald Trump” – they range from witty and clever to childish and catty to horribly offensive and uncalled for – but that’s the nature of satire and free speech and it is also some measure of public sentiment.

We find it interesting because the pieces appear to be coming from all manner of people and the topics are spread wide. The one above from Melbourne includes a tag critical of more than Trump – “F*ck Clinton” for example.

Here are a just a few images of 40 from the article posted by Lee Moran of The Huffington Post, who says “from England and Austria to New York and Los Angeles, the writing is on the wall.” See the complete article HERE.

A painted electrical box in London. Photo ©littlewisehen 

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BSA Images Of The Week: 01.29.17

BSA Images Of The Week: 01.29.17

BSA-Images-Week-Jan2015

Here’s our weekly interview with the streets, this week featuring Able, Alexis Diaz, Bruno Smoky, Case Ma’Claim, Crash, Dan Flavin, Ernest Zacharevic, Inti, Jose Mertz, Kryptick, Logan Hicks, Maya Hayuk, Miro, Pichi & Avo, Santiago Rubino, Shalakattak, and Sipros.

First image above: Alexis Diaz. Wynwood, Miami. (photo © Jaime Rojo)

Able. Wynwood, Miami. (photo © Jaime Rojo)

Jose Mertz. Wynwood, Miami. (photo © Jaime Rojo)

Sipros. Wynwood, Miami. (photo © Jaime Rojo)

Miro. Wynwood, Miami. (photo © Jaime Rojo)

Santiago Rubino. Wynwood Walls, Miami. (photo © Jaime Rojo)

Kryptik. Wynwood Walls, Miami. (photo © Jaime Rojo)

Ernest Zacharevic in collaboration with Martha Cooper. Wynwood Walls, Miami. (photo © Jaime Rojo)

Inti. Wynwood Walls, Miami. (photo © Jaime Rojo)

Crash. Wynwood Walls, Miami. (photo © Jaime Rojo)

Maya Hayuk. Wynwood Walls, Miami. (photo © Jaime Rojo)

Case Maclaim. Wynwood Walls, Miami. (photo © Jaime Rojo)

Pichi  & Avo. Wynwood Walls, Miami. (photo © Jaime Rojo)

Logan Hicks. Wynwood Walls, Miami. (photo © Jaime Rojo)

Bruno Smoky and Shalakattak. Wynwood, Miami. (photo © Jaime Rojo)

Bruno Smoky and Shalakattak. Wynwood, Miami. (photo © Jaime Rojo)

Untitled. Dan Flavin. Chelsea, NYC. January 2017 (photo © Jaime Rojo)

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Alison Young Examines and Presents the “Street Art World”

Alison Young Examines and Presents the “Street Art World”

Contested space is a term accurately describing the Street Artists’ relationship with the world outside your door; a place where the aesthetics are up for grabs, autonomously determined, willfully exploited.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Drawing upon twenty years of empirical observation, scholarly study, and interviews with artists and experts throughout a constellation of cities where this art-making has flourished, “Street Art World” by Alison Young examines this contested space from every angle to present a balanced assessment for understanding our moment.

A professor of criminology at University of Melbourne, Young delivers her fourth volume on the topic of Street Art with a confidence and unique perspective that few can claim thanks to extensive travel and periodic, repeated and ongoing tracking of an evolving family of practices.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

With many points of departure, Young makes sure to ground the current movement in enough history and storytelling and informed analysis to allow even the casual reader many entry points for understanding what can at times be an enigmatic populist art subculture.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

That the movement is awkwardly gaining mainstream acceptance (sometimes against its will) is undisputed, and Young makes sure to examine its role in the gentrification of cities, its difficult relationship with its siblings graffiti and murals, its immigration into fine art and contemporary art, the dance with commercial galleries/interests, and the minx-like tacit embrace of large institutions. She even examines the difficulties that artist have in categorizing their own work and their ambivalence with labels – just one indicator of Young’s adept sensitivity to the finer shadings of a complex “scene”.

In our blurb for the book we wrote, “Alison Young understands the street art world as few people do.” Here’s the evidence.

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

Alison Young. Street Art World Reaktion Books Ltd. London, 2016

 

Alison Young Street Art World was published by Reaktion Books Ltd. London, UK. 2016

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BSA Film Friday: 01.27.17

BSA Film Friday: 01.27.17

bsa-film-friday-JAN-2015

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Dripped on The Road/ Episode One
2. Dripped on The Road/ Episode Two
3. RURALES
4. D*Face at “Unexpected” in Northwest Arkansas


bsa-film-friday-special-feature

BSA Special Feature: Dripped on The Road/ Episode One: Jamaica Moon.

Following closely on the heels of our story yesterday of graffiti in rural Morocco by city-based originators of aerosol sprayed tags and pieces in the US and Europe (some of whose first mark-making began in the 1970s), here we have a new video series about a traveling artist residency of formally educated twenty-something creators whose temporary home base is an RV taking their street practice across country. The routes, eras, and participants are different, but there are many overlapping themes.

While you are crafting definitions for urban art and Street Art, here are newer practitioners endeavoring to observe and define according to their background and experiences – all in a sort of self-observing therapeutic environment. While remarkably different from the originators of the graffiti/Street Art scene in many ways, each is looking to explore and embrace the possibility and freedoms afforded.

It’s good to see artists pushing beyond their personal comfort zones and studying their process for accessing the creative spirit to share. For some it’s a long way from “getting up” in traditional street parlance but it is still fundamentally about “getting up”.

 

Dripped on The Road/ Episode Two: The Stand Back. From Elixir Motion Picture

 

RURALES

Now to the Polish pig farms! Another Street Art/Mural road trip movie, this time across Poland with JAYPOP, Seikon, Krik KONG and filmmaker Cuba Goździewicz. See the discoveries, the relationships, the reactions to the work from a warm and considered human perspective.

The beauty of randomness and the randomness of beauty. These guys are fully engaged with their surroundings, the opportunity, the myriad people they befriend or portend to make allies. It’s an uncharted trip where permissions are sought and often refused, but they never stop painting somehow.

Seeing the work here on barns and sheds and even a small car, these are paintings they still call graffiti. With cats and cows and chickens and horses nearby, the new murals and illustrations still feel integral, like a continuation of a conversation.

 

D*Face at Unexpected in Northwest Arkansas

“I guess this year it’s like a two part mural/installation”, says London Street Artist D*Face of his second annual project with the JustKids organization.

“It feels like you can make a change here. Like you could really make an impact,” says D*Face of his enormous immersed arrows the size of telephone poles in Fort Smith, Arkansas.

A well known international artist, curator, gallery owner, D*Face nonetheless is drawn by something stronger than fame in the city “They are much more appreciative of people coming here and trying to do something positive.”

 

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Where Graffiti Art Is The Rose of The Desert : Spraying Outside the Jardin

Where Graffiti Art Is The Rose of The Desert : Spraying Outside the Jardin

When you are a renowned graffiti writer living 25 minutes outside of Marrakech at an artists compound and painting in your studio to prepare for an upcoming exhibition on canvas, sometimes you still are activated by wanderlust to go out and catch a tag. Or something more elaborate.

Ceet . Tilt . Clone. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Jardin Rouge has hosted some of best known American and European graffiti writers such as members of Tats Cru, Daze, Ceet, Jace and Tilt as well as Street/Mural Artists like Kashink, Mad C and Hendrick Beikirch (ECB) over the past few years, inviting them to paint and sculpt new works in roomy quiet studios and on the buildings of the property itself.

As you leave the compound and take a long walk or motorcycle ride up the lonely and narrow dusty roads and gaze through ruddy fields past lines of olive trees you’ll discover bubbled and colorful aerosol works on dilapidated structures, half walls, and cratered remnants of buildings that rise just above the rich red soil.

Ceet . Tilt. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Suddenly the visual language of the inner city overflows the margins into agrarian areas, this time by way of a fervent patronage of this painting practice as art form. The distinction happens more often these days with festivals, galleries, museums, brands, collectors, fans inviting urban artists to suburban or ex-urban oasis to create their signature work very far removed from its original context.

Until now most of the fiery debates about graffiti and Street Art moving into the mainstream have focused on whether it belongs in institutions, or needs to be studied in academia, or if it ceases to be graffiti or street art when it is made for the gallery canvas or brought into the gallery directly from the street. Here, it is going anywhere but mainstream.

Clone. Jardin Rouge, Morocco. (photo © Jaime Rojo)

What do we call graffiti writing or characters from one city when it is introduced to another city, as has happened for decades thanks to the nomadic nature of couch-surfing artists and the adventurous practices of the graffiti tribe. And what happens when it goes for a hike further afield?

What do you call it when artists like Yok & Sheryo are on perpetual spraycation in places like Ethiopia or Mexico or when ROA is spraying his monochromatic animals in fields of Latin America or when New York graffiti icons are providing a backdrop to livestock that are chewing their cud and flipping their tales at flies?

310. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Is the graffiti and Street Art practice intrinsically tied to location or citizenship or local identity? Is is somehow made new by its audience?

There is much concern expressed today about graffiti and Street Artists losing their “street cred” (ibility) or authenticity by painting permissioned murals in their home cities or at festivals they have been invited to.

310. Jardin Rouge, Morocco. (photo © Jaime Rojo)

In many countries and regions there are no norms regarding aerosol art, so none are violated when an artist decides to spray a multicolored bubble tag on an old milk house next to a collapsed dairy barn.

One wonders how to contemplate the work of artists whose culture has often been marginalized when the work itself keeps appearing in unexplored margins.

As usual, the movement of these art forms and their various practices are in flux, continuously on the morph. At the very least the new context draws the work into strong relief, allowing a new way to regard its aesthetics.

310 .  Ceet . Tilt. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo

Reso . Goddog. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Goddog. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Goddog. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Unidentified artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Tilt . Poes. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Unidentified Artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Jace. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Jace . Bio Tats Crew . 123 Klan . Klor.  Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Bio Tats Crew . 123 Klan . Klor. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Bio Tats Crew . 123 Klan . Klor. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Tats Crew BG183. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Ceet . Bio Tats Crew. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Reso. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Rezo . Rolk.  Jardin Rouge, Morocco. (photo © Jaime Rojo)

Basila . Unidentified artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

DE. Jardin Rouge, Morocco. (photo © Jaime Rojo)

Unidentified artist. Jardin Rouge, Morocco. (photo © Jaime Rojo)

 

 

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Signs of a New Movement: From the Women’s March On Washington

Signs of a New Movement: From the Women’s March On Washington

First conceptualizing and then actually hand-making a sign to take to a march is a variant of Street Art – part of the theatrical, political, personal, contentious activation of public space that you individually can take entirely with your own act of creativity. For pros and amateurs alike it can seem enthralling, liberating, even risky to put your artistic skill and opinions out there for others to gaze upon and analyze.

Still a protected form of speech (so far), the results of your industry can be thrilling, humorous, confusing, absolutely enraging. Depends.

King of beauty shows grips the arm of Miss Handled. Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

On the occasion of Donald Trump’s first day as president, January 21st brought an enormous flood of defiant and celebratory art, performance, and chanting to Washington. Also, thousands of pink crocheted ‘pussy’ hats.

We follow Street Art wherever we go around the world and we are always on the lookout for new, effective, poetic, strident, abstract, in-context messages and techniques. This march met and exceeded expectations.

 Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

With three times as many attendees as the actual inauguration, the Women’s March in Washington D.C. on Saturday may have been the biggest in US history. Reportedly there were hundreds of “sister marches” which it spawned across the world. Just in terms of math that means an unprecedented number of aesthetically inclined people were challenging themselves to make signs, props and all manner of theatrical costumery to get their point across.

 Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

“I’m from Columbus, Indiana – home of Mike Pence and that is very discouraging for me because I do not support Mike Pence’s views on LGBTQ rights at all. I am here to protect my daughters, and my granddaughter. I am here to protect Women’s Rights. I am here to protect the immigrants in this country, who have made this country strong. I believe this is a nation of immigrants. I believe our country has been hijacked by a narcissistic, self-centered, very very sick human being. And I think we all must stand up against this and fight back now. And that’s why I’m here!”

Themes addressed often spoke to subtle and overt misogyny and women’s empowerment and dominion over their health, bodies, intelligence, families; all in direct response to Trump’s cavalier disparagement and violence toward women on the record and alleged in courts.

Other topics of signs for this least favorite new president skewered Russian involvement in the election, a cabinet of mostly white male billionaires from banking and oil, his mocking of a person with disabilities, racism toward anyone not white, a mocking disregard for all environmental matters, and cats.

You undoubtedly agree that cats are appropriate for nearly any march, as long as you don’t expect any actual cats to actually march, because that would be beneath them.

 Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

“We will not go away! Welcome to your first day!” was one of many chants that the New York photographer named The Dusty Rebel heard during his two day survey of the streets of the capital.

A dedicated eagle eye on the streets capturing buskers, beauties, prosletizers, preachers, politicos, and flim-flammers, Dusty says that this visit to DC was an overwhelming experience and sometimes challenging to capture. We’re thankful that he did and that he shares some of his favorite shots with BSA readers today.

 Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

In fact, this momentous series of marches across the world looks like it may have launched a new political movement, possibly sparking an increased level of engagement of citizenry with the wheels of government. It’s hard to tell but at least for now it’s brought more handmade art to the street.

“Sounds like it’s already time to start coming up with new sign ideas!,” says Becki F. on her Facebook page when it has been announced that the next march is being planned for April 15th – tax day. One possible outcome will be that the President admits that yes, people do care about his tax returns.

Plush female symbol made from a recycled vintage quilt by Jewelry designer Cat Luck. Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

Someone is not feeling Tindr. America Swipes Left sign by Steve Dean. Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

One of Shepard Fairey’s newest posters proved inspirational to many in the Muslim community as well as many supporters, some of whom donned US flags as hijabs.  Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

Many signs featured images of Star Wars character Princess Leia as a tribute to the actress who played her and who recently passed away, Carrie Fisher stars as the princess leads The Resistance. Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

Musician Stevie Nicks was quoted on this sign by Panhandle Slim from Savannah, GA, while Madonna blathered curse words at the mic. Music released in response to Trump/Pence’s election/inauguration include new songs by A Tribe Called Quest, John Mellencamp, Tori Amos, Arcade Fire with Mavis Staples, Green Day, Gorillaz, Coco Rosie, and a growing list. March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

 Mad Pussy sign by Taramarie Mitravich. Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

Using a Trump quote from a video tape released in October, this sign features the Statue of Liberty. Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

Here the Statue of Liberty is portrayed as silenced. Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

 Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

 Women’s March On Washington, DC. January 21, 2017.  (photo © The Dusty Rebel)

 

To learn more about the Women’s March On Washington or to get involved click HERE

 

 

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