Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening: UNO: Forever Young, JR: Blow UP, ABOVE: Blood Diamond and KYLE HUGHES-ODGERS: A Thousand Lights From a Hundred Skies
BSA Special Feature:
A walk through the neglected and crumbling grime-caked subway stations of New York City, with their epically peeling paint and the smell of smeared human feces rushing you through hallways to your next train, can be a nauseating and dispiriting. Mayors come and go, but rats and garbage remain, helping New York to “keep it real”.
Thankfully, despite continually rising Metrocard rates you are now treated to ever more advertisements on ever more walls, and the occasional ad-remixing prankster appears to keep things in focus, or disarray. You may not have money for the admission to museums, but here you can take in this publicly curated interactive aspect of the expanding commercial gallery, and even affect the conversation.
In the connecting walkway between 6th and 7th Avenue on 14th Street you can usually hear some good music because of the enclosed reverberating tunnel effect that is free of of train disruption. Right now on display are a series of promotional posters for another TV program involving attractive people judging others on their attractiveness.
In this locally targeted remix of the campaign, a blade-wielding passerby has given them a facelift. It’s a simple matter of switching selected portions of sticky vinyl, a technique that was popularized by a Street Artist/collective named Posterboy a couple of years ago. Sometimes it is effective. Other times, it fails. Either way, it catches your eye as you hold your nose.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Street Artists are just as attached to their pets as anybody else, and given their reputation for being sort of secretive loners, maybe more. It’s not common but the appearance of cats and dogs on the street without leashes happens once in a while in carefully rendered drawings, illustrations, paintings, stencils, wheatpastes and stickers.
Whether it’s the formal portrait studio quality of C215’s cat stencils, Tazz’s red-nosed glowering dog stickers, or the plump and wide eyed feline hunter wheat-pastes of QRST, these animals are an important aspect of the autobiographical nature of today’s Street Art scene. It is said that observing a pet gives you a good idea about an owners disposition. If so, what would you say about the artist who uses an animal, whether as portrait, amulet, or metaphor – to tell their story on the public thoroughfare?
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Street Artists Liqen and Nantu just finished this wall in Tosunpa, Equador on the side of a small storefront. Using primarily black paint and paint brushes, the two create a reposed nymph looking skyward, her head surrounded by rolling waves, a somewhat tumultuous adventure on the high seas with dolphins, a whale, and a troubled vessel. For a necklace she wears a short string of small heads. Liquen says it is “an aperitif; an abstract idea about the ocean, a female, and the shipwreck in her hair.”
To view more of Liqen art click here
To view more of Raul Ayala art click here
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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2 + 2 = four very talented and contrasting artists and styles. Two being stencil artists alongside two more traditional painters. Also two of the group are well known to fans of the gallery, while the other two are new. As normal, we curate our group shows to demonstrate the range of work that we show, as well as breaking down the barriers between artistic labels such as ‘Urban,’ ‘Street,’ and ‘Fine’ art. We have given the artists a free reign to produce work that is currently exciting them and the result will be a dynamic mix of ideas, techniques and approaches.
A VANDALS VALETINE
Feb 1st-Feb 16th
In a desperate move to shift product related to public holiday’s, Re-Jects Gallery attempts to employ the same strategy of more cynical corporate retailers by pushing out work related to love and affection. Or giving you a guilt trip as it’s more commonly known. Expect to see exclusive works holding you to ransom from DOT DOT DOT, Dotmasters and Dolk. (We have a thing about D’s) as well as secondary market pieces from Banksy, Josh Keyes, Jeremy Geddes, David Choe, JR and many more…
https://www.facebook.com/reedprojectsgallery
A visually compelling show formed solely from text and pattern based pieces, Write and Repeat is a modern exploration of the two much celebrated forms.
Patterns are all around us. The repetition of shapes and colours form our environment, our natural and manmade landscapes. Even the landscape of our minds are built upon patterns and repetition; the habits and rituals, the ‘rites’ that we perpetuate.
“I particularly feel graffiti beautifies blighted areas, and gives them style and dignity.” ~ Laura Schecter
Brooklyn born contemporary realist painter Laura Schecter takes cityscapes and graffiti into consideration as a formalist and you may even say with an element of romanticism. With abstract painter and “father of minimalism” Ad Rhinehardt as a teacher at Brooklyn College in the 1960s, Schecter says she evolved a philosophy of aesthetics.
In these paintings of building facades that are covered with graffiti in an urban environment, Schecter gives realist attention to the detail so accurate that at first glance most viewers will believe they are looking at the work of a graffiti or Street Art photographer who jumps fences, climbs rooftops, and follows train tracks to capture a shot. In fact, she can be equally enthusiastic about her regard for some of her finds. “I particularly feel graffiti beautifies blighted areas, and gives them style and dignity,” she says.
“Within contemporary realism, I consider myself a “perceptualist”, which I define as being more concerned with usual vision,” explains Schecter as she describes these paintings and her approach to the aerosol tattooed surfaces of the city. As most painters will tell you, it is about capturing the right moment when the sun and the ambient influences in the environment reveal character or a certain spirit.
“My cityscape paintings, which are photo-based, describe one moment of light. I have always been interested in decorative patterns and high key color. So doing cityscapes with graffiti was a natural direction for my work to take. I render each graffiti artists’ work with the same care as I would a piece of satin or a handed painted 19th century porcelain piece.”
Schecter says her work evolved during the feminist art movement and she incorporated some of its ideas, but is also influenced by northern Renaissance art, Indian Miniatures, and interacting with other contemporary realists. “I traveled around the world in the late 1960s and 70s and the experience added complexity to my art work which seems so rooted in western painting tradition, but also includes the aesthetics of the east, notably, India.”
Click here to see more of Ms. Shechter’s artwork.
”Science Fiction Archaeology”
7. feb – 2. april 2013.
Opening: Thursday february 7th. 15.00
SDU, Campusvej 55, 5230 Odense M.
”Science Fiction Archaeology” er inspireret af en forelæsning v/kemiker Kaare Lund Rasmussen. Forelæsningen omhandler forsøget på at datere et meget kraftigt meteornedslag på øen Saaremaa (tidligere Øsel) i Estland, som i lang tid har været umuligt at tidsbestemme kemisk. Projektet bringer forskeren vidt omkring: Fra kemiske målinger af strata, til lakmustest i historisk materiale, fra krateret på Saaremaa, over Tacitus Germania, Pytheas fra Massalia, Kybele – Gudernes moder, Estlands tidligere præsident Lennart Meri og den mulige oprindelse af myterne om Thule og ragnarok.
”Udstillingen er en undersøgelse af videnskabelige og mytologiske præmisser for tro, identitet og billedliggørelse, siger Asbjørn Skou”. ”Den er en form for kunstnerisk kulstof 14-prøve. Akkurat som de første kulstof 14-prøver på Saaremaa er den lige dele dokumentarisk og associativ. Den samler et sammensurium af informationer i et fluktuerende rum mellem fakta og fiktion, i et grænseland mellem kunst og videnskab.”
Udstillingen består af store collager, objekter og semifiktivt arkivmateriale. Collagerne er opbygget af udvalgt billedmateriale fra en omfattende researchproces og sammensat i overlap, udsnit og brudstykker. De enkelte collager, hvoraf den største måler 2 x 5,5 meter, er opbygget af A4-ark, der er sammensat til store vægtæpper. Objekterne tager deres udgangspunkt i det dagligdags håndgribelige. Det er materialer som flamingo, cement, isolering, træ og plastik. Objekterne er alle blevet skulpturelt modificerede, så de på en gang bekender sig til deres oprindelige materialitet, og samtidigt søger mod en anden form for stoflighed end deres oprindelse.
Arkivmaterialet består af en længere tekst, der er opsat på plancher, og som i sin form på en gang er informerende og uigennemtrængelig. De samme metoder som finder sted i opbygningen af billederne gentager sig i teksten, hvorigennem den prøver at binde det mulige og umulige sammen.”
Dint Wooer Krsna
“The Organization of Celestial Coincidences. the Art of Jason Mamarella.” New paintings and book launch “develop your natural psychic abilities. express empathy for all individuals, all species.” at 17Frost Gallery. March 9, 2013, 7pm. 17 Frost Street, Brooklyn, NY. vegan treats, and live performance by The Phonometricians on Cosmic Fire.
Here’s our weekly interview with the street, this week featuring Astrodub, Bast, Cash4, Droid, Edapt, Enzo & Nio, Hot Tea, Icy & Sot, Kram, Kremen, Pablo Mustafa, Spur, Stikman, and UFO 907.
Top image > Icy and Sot go Commando (photo © Jaime Rojo)
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BROOKLYN STREET ART LOVES YOU MORE EVERY DAY