All posts tagged: WK Interact

BSA Images Of The Week: 10.06.19

BSA Images Of The Week: 10.06.19

Welcome to BSA Images of the Week! Welcome to October – the time when the leaves turn yellow and orange and when your local pharmacy is selling Halloween candy and Christmas decorations because why the hell not? We’ve got The Actual Joker in the White House ready to shred all pretense of civility and rule of law before a terrified nation, not that he was holding that down at all.

Makes us think of the sentiment of this new Street Art piece below by Sara Lynne-Leo. “Why are you still holding on?”

But we know the answer — Because the grand finale of this burning dumpster fire will be huge! – friggin’ ratings will be off the charts for this one, dawg. Plus the Demopublicans have already lined up the Warren White House so we know what’s coming on TV next on DNC.

** chomps popcorn, smacks lips

Here’s our weekly interview with the street, this time featuring DAK, Dede Bandaid, Dee Dee, Demure, Dirk, Don Rimx, Insurgo, Invader, Jeff Henriquez, Jona, Muebon, Neckface, Nite Owl, Nitzan Mintz, No Sleep, Panda Bear, Salami Doggy, Sara Lynne Leo, Seemerch, Unify Art, and WK Interact.

Sara Lynne-Leo for East Village Walls. (photo © Jaime Rojo)
No Sleep (photo © Jaime Rojo)
Jeff Henriquez (photo © Jaime Rojo)
Dee Dee (photo © Jaime Rojo)
Sinclair (photo © Jaime Rojo)
Demure…speaking about The Joker…this one is even more frightening than the one currently spooking audiences at the cineplex… (photo © Jaime Rojo)
Demure (photo © Jaime Rojo)
Demure (photo © Jaime Rojo)
Dak Was Here…look closer… (photo © Jaime Rojo)
Unify Art for East Village Walls. (photo © Jaime Rojo)
Neckface (photo © Jaime Rojo)
Invader (photo © Jaime Rojo)
Nite Owl (photo © Jaime Rojo) (photo © Jaime Rojo)
Don Rimx (photo © Jaime Rojo)
Insurgo . Dirk (photo © Jaime Rojo)
Muebon for East Village Walls. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Panda Bear (photo © Jaime Rojo)
Salami Doggy (photo © Jaime Rojo)
Jona. There’s so much to decipher here. The cosmonaut with all the symbols and the shout outs… (photo © Jaime Rojo)
Matzu’s piece has been tagged…this one didn’t ride long unperturbed… (photo © Jaime Rojo)
Seemerch for The Bushwick Collective. (photo © Jaime Rojo)
Dede Bandaid with Nitzan Mintz (photo © Jaime Rojo)
WK Interact for (RED). (photo © Jaime Rojo)
WK Interact for (RED). (photo © Jaime Rojo)
WK Interact for (RED). (photo © Jaime Rojo)
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BSA Images Of The Week: 09.29.19

BSA Images Of The Week: 09.29.19

Gorgeous, tremulous days and nights in New York as we march with determination into fall – Tomokazu Matsuyama and his 12 assistants finished his epic contribution to the Houston Wall, a huge crowd overflowed the Bronx Museum to celebrate the photographer/filmmaker Henry Chalfant and his pivotal work that brought fame to graffiti writers, and Kehinde Wiley stunned Times Square with a new monument entitled “Rumors of War”, which the artist says “attempts to use the language of equestrian portraiture to both embrace and subsume the fetishization of state violence.”

Meanwhile, the highest office in the land lies in disgrace, under a cloud of increasing impeachment odds even as the state exports multiple wars and the Feds are quietly pumping 75 billion dollars into financial markets with more planned over multiple days to stave off the coming crash.

Here’s our weekly interview with the street, this time featuring Bunny M, Diana Garcia, Matzu, Muck Rock, RED, Sunflower Soulz, and WK Interact.

Matzu. Houston/Bowery Wall. Goldman Global Arts. (photo © Jaime Rojo)
Matzu. Houston/Bowery Wall. Goldman Global Arts. (photo © Jaime Rojo)
Matzu. Houston/Bowery Wall. Goldman Global Arts. (photo © Jaime Rojo)
Matzu. Houston/Bowery Wall. Goldman Global Arts. (photo © Jaime Rojo)
Sunflower Soulz (photo © Jaime Rojo)
Diana Garcia (photo © Jaime Rojo)
Diana Garcia (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Muck Rock (photo © Jaime Rojo)
Muck Rock (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
bunny M (photo © Jaime Rojo)
WK Interact for RED (photo © Jaime Rojo)
WK Interact for RED (photo © Jaime Rojo)
WK Interact for RED (photo © Jaime Rojo)
WK Interact for RED (photo © Jaime Rojo)
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BSA Film Friday: 07.19.19

BSA Film Friday: 07.19.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. WK Interact in NYC by Fifth Wall
2. Rub Kandy & Biancoshock: “All the Lights”
3. Not Rented To Humans: Grip Face
4. Elrow’art: Kaos Garden with Okuda San Miguel and Paco Osuna

BSA Special Feature: WK Interact in NYC by Fifth Wall

“It was some sort of freedom,” says WK in this retrospective of NYC locations that he tries to recall with original photo in hand overlaying the original city spot. For some of us, the memories of all of these spots are sufficient, as the city was different then – perhaps more wild and dirty. For WK, the stories and the memories continue to evolve.

Well shot and edited, its a mature way to let the artist speak and evocative of his current manner.

Rub Kandy & Biancoshock: “All the Lights”

In the face of sexy new machine-learning and Artificial Intelligence – and the auxiliary tales related to art-making, perhaps this video is a way of preserving the authentic feeling of human discovery in its unglamorous basicness. Not to overplay this, but this conceptual piece is a meditation on the underwhelming mechanized aspects of industry, a blatant taunt of banality in the midst of high gloss unrealness.

Ladies and gentlemen, the conceptual mundanity of the Italian urban artists Rub Kandy and Biancoshock, who here demonstrate how to create electricity with a generator in an abandoned industrial space. It’s a marvelously underwhelming demonstration of the means of production. To “jazz” things up they throw in intermittent blasts of pop-star banality as well, sprinkled with blinky graphics.

…Turn up the lights in here baby
Extra bright, I want y’all to see this
Turn up the lights in here, baby
You know what I need
Want you to see everything

Not Rented To Humans: Grip Face

First, they look like run down sheds, these new wooden structures in high weeds – possibly stopped mid-construction, perhaps during the last economic downturn. Here the missed opportunity of housing, suddenly coupled with the found opportunity of art exhibition!

“There’s something both bizarre and magical in abandoned places,” writes Grip Face in the description of this video. “The course of time invades them, colonizes them, makes it into its own. The invisible imprints impregnate the walls and the experiential trace of past inhabitants slips through the cracks like winter would through a badly insulated window.”

Elrow’art: Kaos Garden with Okuda San Miguel and Paco Osuna

A warmup video for multi-disciplinary artist Okuda San Miguel and dj/producer Paco Osuna and their creative intermingling of avant-garde aesthetics with electronic music to create their vision of ‘The Garden of Delights’. The premiere of the artistic partnership of Ink and Movement and elrow will be on September 28 at Amnesia Ibiza. Here’s a taste of things to come! 

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BSA Film Friday 05.17.19

BSA Film Friday 05.17.19

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Evan Roth “Since You Were Born”
2. “Island” Hamburg Max Mortal and Robert Lobel
3. Isaac Cordal In-Studio Visit. Bilbao, Spain.
4. ARTRIUM in Moscow

BSA Special Feature: Evan Roth “Since You Were Born”

Graffiti Research Lab co-founder Evan Roth has been hacking his way through life and art practice for the mid-2000s when he was a student at Brooklyn’s Parsons, where he was valedictorian. Now an older wiser daddy of two, he turns his attention to the saturated everyday data pileup generated from Internet browsing. The accumulated images, logos, maps, banner ads in the cache is like so much DNA of the person behind the mouse, and when it is printed to display, one becomes engulfed.

Our favorite term from his new exhibit? “An alternate form of art-making, memory-making, and storytelling”.

Project Atrium: Evan Roth

“Island” Hamburg Max Mortal and Robert Lobel

From Hamburg an animated short video by Max Mörtl & Robert Löbel explores the irresistible desire to communicate with this stop motion & 2D animation piece. Adorable exotic creatures come alive during the day to explore and seek kindred spirits.

Isaac Cordal In-Studio Visit. Bilbao, Spain.

From our visit to his studio comes this silent overview of how to turn a pig into a pig-man. “Here is where you see the craftsman at work; carefully attentive, problem-solving industry in play, possibly more at peace while he is creating than when he is left to think too much. He picks up a pink pig figurine and begins the plastic surgery, the fine reconstruction; a gentle whirring, a whittling away of snout and a defining of chin-line.”

See our full interview HERE:

ARTRIUM in Moscow

When we were in Moscow last summer as curators at Artmossphere, we had the opportunity to meet the director of the new program to bring international Street Artists to paint a shopping mall.  The magnetizing force that drew artists to hit these walls is pretty strong; just ask Shepard Fairey, Felipe Pantone, Tristan Eaton, Ben Eine, PichiAvo, Okuda San Miguel, Pokras Lampas, Faith47, WK Interact, Faust, and Haculla.


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WK Interact Makes Some Noise in Tokyo

WK Interact Makes Some Noise in Tokyo

French New Yorker and Street Artist WK Interact has just finished a new gig on a massive wall in Japan and he is about to help make some noise about it, so to speak. The Japanese band Noisemaker has a substantive following for their nu metal sound recalling the glossy punk stylings of 1990s and bands like Massive Attack, Green Day, and Rage Against the Machine and WK has created work to help them promote their new mini-album and tour kickoff next month.

WK Interact. Noisemaker. Shibuya, Japan. (photo courtesy of the artist)

The 12 meter wall in Shibuya features WK’s signature black and white urban military police-state nomenclature with an attractive female figure bossing in the foreground while holding a vintage recording device familiar to security and law enforcement. The Bands name is splashed in blood red behind her.

It took three days and a night to complete and WK tells us he had a very good time with the bands and the fans. Given that WK’s work on the street has nearly often contained elements of blurring chaotically chopped action, you smile when he tells you “the band was jumping on a trampoline in motion near the wall for their album cover.”

WK and the boys in the band celebrating the finished wall on social media.


BSA: What does the model’s pose and clothing signify to you?
WK Interact: The model is supposed to be one their fans who goes to many different concerts. She has a recording device that dates back to 1980 called a NAGRA. Many people these days carry their own listening device on their SMART phone. The idea is that she’s recording and transmitting to many other people. She is in her own world and listening and recording events is a passion for her – like buying clothes or surfing or traveling.

WK Interact. Noisemaker. Shibuya, Japan. (photo courtesy of the artist)

BSA: How is this wall significant to people in Japanese culture?
WK Interact: This specific place will be destroyed in the next two months and new construction will take over. It’s located four blocks from the Shibuya station and it is in the heart of a district with many different cool bars and shops. Many Japanese are sad to see spots like this vanish.

WK Interact. Noisemaker. Shibuya, Japan. (photo courtesy of the artist)

BSA: How would you describe the scene on the street in Shibuya?
WK Interact: The last time I visited Japan was 17 years ago and at that time I did an amazing opening at PARCO Museum. At the time JAPAN was the most advanced in terms of street wear and a prime environment for street art and graffiti. Tokyo has changed terribly as you almost see nothing in terms of expression from the street. None is visible. All the small little stores have vanished, the economy is not as good, and most of the big brands have taken over.

WK Interact likes to capture the severe men in uniform wherever he goes. Noisemaker. Shibuya, Japan. (photo courtesy of the artist)

WK Interact. Noisemaker. Shibuya, Japan. (photo courtesy of the artist)

WK Interact. Noisemaker. Shibuya, Japan. (photo courtesy of the artist)

WK Interact. Noisemaker. Shibuya, Japan. (photo courtesy of the artist)

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BSA Images Of The Week: 08.26.18 / Moscow Special

BSA Images Of The Week: 08.26.18 / Moscow Special

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It’s part of the fascinating world that you inhabit when you follow street art – you have no idea what you will discover in any city at any time because of it’s LIVE daily evolutionary personality. Here in Moscow we don’t see so much of the improvisational extra-legal type of works that characterize cities like Rio or Berlin or Paris, but we have been seeing a bunch of familiar international names in the last few days. Here are some shots of stuff we’ve found – much of it that you will also recognize – along with some great local Moscow stuff.

We’ll bring you more of the scene at the Artmossphere Biennale this week as artists and curators like us are arriving right now at the Winzavod Center for Contemporary Art.  We’ve already seen Faith XLVII, FAUST, Adele, Martha Cooper, CaneMorto, Cedar Lewisohn … As the lounge singers say, “We’ll be here all week folks”. Don’t forget to tip your waitress.

Here’s our weekly interview with the streets, this week featuring 0331c, Ben Eine, C215, Felipe Pantone, Haculla, Interenzni Kazki, Jan & JS, Losaer, N888K, Neue, Stasdobry, The RUS Crew, Theo Lopez, Tristan Eaton, Vasya, and WK Interact.

Our top image: Interezni Kazki (photo © Jaime Rojo)

C215 (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Jana & JS (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

WK Interact (photo © Jaime Rojo)

 

The RUS Crew (photo © Jaime Rojo)

The RUS Crew (photo © Jaime Rojo)

N888K (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

Haculla (photo © Jaime Rojo)

Theo Lopez (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

NEUE (photo © Jaime Rojo)

Stasdobry (photo © Jaime Rojo)

Stasdobry (photo © Jaime Rojo)

0331c (photo © Jaime Rojo)

Vasya (photo © Jaime Rojo)

Felipe Pantone (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

LOSER (photo © Jaime Rojo)

Tristan Eaton (photo © Jaime Rojo)

Unidentified artist (photo © Jaime Rojo)

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WK Interact Leaping From Rooftops In Moscow

WK Interact Leaping From Rooftops In Moscow


BSA is in Moscow as curators of 50+ international artists in the Artmossphere Biennale 2018 for its 3rd edition called Street Art Wave. Till the end of the month we’ll working with a stellar cross section of people involved with Urban Art/Street Art/Graffiti at curious and fascinating intersections. We’re meeting with Street Artists, academics, collectors, gallerists, museum curators, organizers, and thoughtful pontificators of all sorts in studio, on the street, behind the scenes, and on display. Come with us!


Last week we featured several photographs from Martha Cooper of WK Interact while they were both participating at the 20x21EUG Mural Project in Eugene, Oregon. So naturally we were surprised to see him jumping from rooftops here in Moscow – or more appropriately maybe he was para-troopering down from the sky, having been dropped by a plane. As he does.

No surprise here, Martha is on her way to Moscow as well!

WK Interact. Moscow, Russia. August 2018. (photo © Jaime Rojo)

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Scenes from Eugene: Murals of the 20x21EUG Festival in Oregon

Scenes from Eugene: Murals of the 20x21EUG Festival in Oregon

The city of Eugene in Oregon is preparing for the 2021 IAAF World Athletics Championships and like many cities these days it is transforming itself with murals.

With a goal of 20 new murals by ’21 (20x21EUG), the city began in 2016 to invite a slew of international Street Artists, some locally known ones, and a famous graffiti/Street Art photographer to participate in their ongoing visual festival.

WK Interact. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

A lively city that is bustling with the newly blooming marijuana industry and finding an endless array of ways to celebrate it, Eugene has been so welcoming that many artists will report that feeling quite at home painting in this permissively bohemian and chill atmosphere.

With a goal of global diversity a selection artists have included a variety of Street Art names from around the world including Blek le Rat, AIKO, Dan Witz, HUSH, Martha Cooper, WK Interact, Hyuro, Jaz, Alexis Diaz, Telmo Miel, Hua Tunan, Beau Stanton, Matt Small and local talents like Bayne Gardner and Ila Rose. With some luck organizers say they hope this year to also include artists H11235 from Nepal and Shamsia Hassani from Afghanistan.

Today you can see a lot of the painting action thanks to 2018 “20x21EUG” participant and famed photographer Martha Cooper, who had an opportunity to meet the artists this year and catch up on some of the work from previous years. We’re proud to be able to show these new images with BSA readers and we thank Ms. Cooper for sharing them.

WK Interact. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)


We spoke with two important pillars of 20x21EUG, Debbie Williamson-Smith, Director of Communications and Paul Godin, Director of Artist Relations, to get a little background on the festival and to see what makes it unique.

BSA: Can you speak about the genesis of 20x21EUG? Why did you decide to start an Urban Art Festival?
Debbie Williamson-Smith: The concept of a large-scale public art project such came from Isaac Marquez, Cultural Services Director for the City of Eugene, and is rooted in Eugene’s rich history of public art, dating back to the Oregon International Sculpture Symposium in 1974.  Mr. Marquez gathered a committee of arts organizations and community members passionate about the project and street art to bring the concept to fruition.

WK Interact. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

Paul Godin: We wanted to invite the very best street artists from around the country and around the globe, to create a living outdoor art gallery in Eugene for the world to see when they came. We have curated a mix of street art legends, rising stars and local heroes, all with very different artistic styles and strong voices. Street art is a global movement, of increasingly high profile, and it was a shared passion that united our committee members.

If you want to take it way back, the origin may well have been a trip to the east end of London ten years ago, on a failed quest in search of a Banksy that led instead to the discovery of the wonders of Brick Lane.

WK Interact. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

BSA: How is a project of such quality as this funded?
Debbie Williamson-Smith: Funding for the project comes from the City of Eugene Cultural Services transient room tax revenue, sponsorship with City of Eugene Parking Services and contributions from wall owners and local businesses through donations of goods and services. We have had over 50 businesses support this project since it started and volunteers have donated hundreds of hours of time. It takes a village to make a mural and a full list of partners can be found on our website.

WK Interact. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

BSA: Is it difficult to get landlords’ permission to paint on their properties in Eugene?
Paul Godin: Heck no. We have found many landlords very open to the idea of putting street art murals on their walls. Civic pride in our project, and the high quality of the work here has made it very easy to sell more wall owners on involvement.  Now they are coming to us. Our biggest problem in Eugene with walls is that we do not have as many big blank walls as larger cities do. Our kingdom for a blank 12 story wall!

Eugenians are generally thrilled by the transformation that 20x21EUG has wrought. Just last week, a city police officer brought a woman to her favorite piece, a group of elderly women were seen admiring Matt Small’s piece and chatting.

WK Interact. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

Debbie Williamson-Smith: It is so electric that we have coined the phrase “mural magic”. This project has ignited the civic pride in our community and has already inspired another mural project, Urban Canvas. This initiative of the City of Eugene’s Cultural Services department matches local walls with local artists and three murals have been added to the cultural landscape since it launched in 2018. People are making mural watching a regular activity, taking children to watch artists in action and bringing visitors to see the murals.

WK Interact. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

BSA: What are you personal observations regarding the experience as a whole? What would you do different for next year?
Paul Godin: One thing that became clear about our festival this year is that we have created a family, uniting our committee, our volunteers, our artists in a unique and inspiring way. We have bonded through our shared experience, the long nights, the controlled chaos days, the communal dinners, and the stains of primer on all of our clothes.

AIKO. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

Debbie Williamson-Smith: This has been one of the most rewarding experiences of my life. As an arts advocate, I am so inspired by the changes art is making in my community and this is one of the reasons why public art and street art are so important. It gives immediate access to art for the public. We are also in a time of political upheaval and for some people, including myself, this has been a difficult time for our country. To welcome people to my part of the world is my form of resistance. We can unite each other through art and as anyone who has studied art history knows, the arts have gotten us through some dark times.

AIKO. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

If I could do anything differently, it would be to make certain all the artists travel here at the same time. When we had Dan Witz here last summer, he talked about what he called artist equity, meaning that festivals for him provide an opportunity to work with artists that he has not worked together before and that always influences his decision to attend. One of my highlights from last summer was watching him and Blek le Rat work on separate installations on the same building.

I was almost as giddy as Dan was. Almost.

Martha Cooper standing with windows full of her images at the Rising Moon makers store. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon.

Bayne Gardner. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

Bayne Gardner. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

Bayne Gardner. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

Matt Small. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

Alexis Diaz. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

Alexis Diaz. WIP. 20x21EUG Mural Project / 2018 Edition. Eugene, Oregon. (photo © Martha Cooper)

Blek Le Rat. 20x21EUG Mural Project / 2017 Edition. Eugene, Oregon. (photo © Martha Cooper)

Blek Le Rat. 20x21EUG Mural Project / 2017 Edition. Eugene, Oregon. (photo © Martha Cooper)

Blek Le Rat. 20x21EUG Mural Project / 2017 Edition. Eugene, Oregon. (photo © Martha Cooper)

Dan Witz. 20x21EUG Mural Project / 2017 Edition. Eugene, Oregon. (photo © Martha Cooper)

Dan Witz. 20x21EUG Mural Project / 2017 Edition. Eugene, Oregon. (photo © Martha Cooper)

Hyuro. 20x21EUG Mural Project / 2017 Edition. Eugene, Oregon. (photo © Martha Cooper)

Ila Rose. 20x21EUG Mural Project / 2017 Edition. Eugene, Oregon. (photo © Martha Cooper)

Telmo & Miel. 20x21EUG Mural Project / 2017 Edition. Eugene, Oregon. (photo © Martha Cooper)

Telmo & Miel. 20x21EUG Mural Project / 2017 Edition. Eugene, Oregon. (photo © Martha Cooper)

Stefan Ways was in Eugene assisting Aiko with her mural this year. He wasn’t in the official line-up of artists but didn’t stop him from getting up. (photo © Martha Cooper)

And of course there are tracks and trains in Eugene, Oregon ready to painted…(photo © Martha Cooper)

There are bargains everywhere in Eugene, Oregon… (photo © Martha Cooper)

As well as consciously aware and decent residents. Eugene, Oregon. (photo © Martha Cooper)


For more information about 20x21EUG in Eugene, Oregon, please CLICK HERE.


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BSA Images Of The Week: 01.07.18

BSA Images Of The Week: 01.07.18

BSA-Images-Week-Jan2015

Welcome back! This is our first Images of the Week in weeks! So much has changed since last year!

For example we had a Bomb Cyclone this week, which no one had ever heard of before. It sounded like it was made up for ratings on the Weather Channel which is still trying to give storms individual names and is still thought of as very dumb for doing so.

The winter bomb cyclone closed all the schools, chased cars and people off the streets. Jaime took the snowstorm opportunity to go to Central Park and shoot video till his battery died. Once the temperature dipped to 3 degrees farenheit (-14 celcius) with strong winds, seeing Street Art in New York was sort of something to do as you stumbled and slipped passed it in a hurry to the deli or laundromat or job if you work in medical services or drive a snow plow.

Luckily for us all, that was the only bomb we have had to deal with, but with the Very Stable Genius we have misleading the country, no one can say for sure for how long .

Here’s our weekly interview with the streets, this week featuring Ai Wei Wei, Baron Von Fancy, Bäst, Basto, Havoc Hendricks, Jimmy C, Juce Boks, Li-Hill, Otto Schade, Tinta Crua, Tomadee, Wane, Wk Interact, and Zola.

Top Image: Zola (photo © Jaime Rojo)

Tomadee (photo © Jaime Rojo)

Skewville (photo © Jaime Rojo)

Li-Hill for St Art Now in the LES. (photo © Jaime Rojo)

Li-Hill for St Art Now in the LES. (photo © Jaime Rojo)

Li-Hill for St Art Now in the LES. (photo © Jaime Rojo)

Juce Boks phone booth ad takeover. This one was hand painted one of a kind…boom! (photo © Jaime Rojo)

WK Interact (photo © Jaime Rojo)

Baston (photo © Jaime Rojo)

Otto Schade for East Village Walls. (photo © Jaime Rojo)

Wane (photo © Jaime Rojo)

Ai Weiwei. “Good Fences Make Good Neighbors”. Detail. NYC wide multimedia/multi site exhibition for Public Art Fund. Central Park, NYC. (photo © Jaime Rojo)

Ai Weiwei. “Good Fences Make Good Neighbors”. Detail. NYC wide multimedia/multi site exhibition for Public Art Fund. Central Park, NYC. (photo © Jaime Rojo)

Havoc Hendricks (photo © Jaime Rojo)

Fanakapan for East Village Walls. (photo © Jaime Rojo)

Tinta Crua in Lisbon. (photo © Jaime Rojo)

Baron Von Fancy (photo © Jaime Rojo)

Unidentified artists in Lisbon. (photo © Jaime Rojo)

CEBEP (photo © Jaime Rojo)

Jimmy C for The Bushwick Collective. (photo © Jaime Rojo)

Untitled. Bomb Cyclone of 2018. Central Park, NYC. January 2018. (photo © Jaime Rojo)

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BSA Images Of The Week: 09.18.16

BSA Images Of The Week: 09.18.16

brooklyn-street-art-lmnopi-jaime-rojo-09-18-2016-web-1

BSA-Images-Week-Jan2015

We debated whether or not to open today’s edition of BSA Images Of The Week on a political note with new Donald Trump related art or with an uplifting image of an almost universally recognized sweet little bird: The Sparrow.

The Sparrow won.

Who hasn’t seen them enjoying a good old dust bath or just happily munching on whatever crumbs fall from the public while eating al fresco. They have natural predators in the city and country and have been featured in songs, poems, books for centuries. More recently Chairman Mao Zedong ordered them to be killed The Kill a Sparrow Campaign in 1958 – where millions of them were killed by citizens, unleashing an environmental disaster of locusts destroying food crops, and people starving.

We prefer to think of these little birds in terms of the gospel hymn “His Eye Is On the Sparrow”

“I sing because I’m happy
I sing because I’m free
For His eye is on the sparrow,
And I know He watches over me.”

This week two street pieces we discovered feature this finely feathered friend by LMNOPI and Elbow-Toe aka Brian Adam Douglas.

So, here’s our weekly interview with the street, this week featuring Brian Adam Douglas, Dirty Bandits, Indecline, Joe Caslin, Leon Keer, LMNOPI, MSK, SacSix, Swoon, The Flying Dutchman, Vexta, and WK Interact.

Our top image: LMNOPI.  (photo © Jaime Rojo)

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Brian Adams Douglas. Detail. Speaking of sparrows. They make and appearance on this portrait. (photo © Jaime Rojo)

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Brian Adams Douglas (photo © Jaime Rojo)

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SWOON. Detail. (photo © Jaime Rojo)

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SWOON (photo © Jaime Rojo)

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Indecline. Mana Urban Arts Project (photo © Jaime Rojo)

In New Jersey on a rooftop the passing car traffic is now able to catch a glimpse of a nude statue of Donald Trump. The anonymous artists collective Indecline has done of number of recent installations addressing political topics in the New York area. This one has garnered national coverage in the media. There’s not much that we can say that hasn’t already been addressed elsewhere.

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Indecline . Mana Urban Arts Project. Detail. (photo © Jaime Rojo)

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Indecline . Mana Urban Arts Project (photo © Jaime Rojo)

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Indecline . Mana Urban Arts Project (photo © Jaime Rojo)

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Indecline. MSK . Mana Urban Arts Project (photo © Jaime Rojo)

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Indecline . Mana Urban Arts Project (photo © Jaime Rojo)

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SacSix (photo © Jaime Rojo)

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Leon Keer. Aruba Art Fair. Aruba. (photo © Leon Keer)

Title: ‘Niets aan te geven / Nothing to declare’. The 3D painting depicts the story on the crisis of critical shortages of food and medicine in Venezuela and the effect it has on the nearby island of Aruba. The location were the painting was made is behind the former customs office in San Nicolas. -LK
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VEXTA . Dirty Bandits (photo © Jaime Rojo)

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Joe Caslin. Waterford Walls International Street Art Festival (photo © Joe Caslin)

A new mural in Waterford, Ireland by artist Joe Caslin speaks to the topic of mental health and our awareness of it. On the façade of an abandoned hotel that overlooks the city, Caslin created this figure, quiet and troubled, as part of a mural festival there. The wheatpasted drawing by Caslin is entitled ‘Ar scáth a chéile a mhaireann na daoine’, which translates as ‘we live protected under each other’s shadow’.

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WK Interact (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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The Flying Dutch Man (photo © Jaime Rojo)

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The Flying Dutch Man (photo © Jaime Rojo)

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Untitled. Jersey City, New Jersey. September 2016. (photo © Jaime Rojo)

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BSA Images Of The Week: 07.03.16

BSA Images Of The Week: 07.03.16

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Heading into the 4th of July we reflect upon patriotism, our declaration of independence from England, and Britain’s new declaration of independence from the EU. Are there similarities?

Now, we’re all off the park for a barbecue! Where is the frisbee? Where are those hotdog buns?

And here’s our weekly interview with the street, this week featuring Agostino Iacurci, Alaniz, Aron Belka, Buttsup, Float Art, Gilf!, King, London Kaye, Pixel Pancho, QRST, Reed B More, Sipros, and WK Interact.

Our top image: London Kaye. Peace, please!! (Photo © Jaime Rojo)

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QRST (Photo © Jaime Rojo)

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Agostino Iacurci (Photo © Jaime Rojo)

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Pixel Pancho. The Italian artist was in NYC early in June to participate in a group show and painted this mural in Chelsea in NYC. While the mural appears unfinished by the blotch of white paint on the bottom that is not the case. The artist’s completed piece was tagged and as per the artist’s request the gallery removed the tag with the white paint. (Photo © Jaime Rojo)

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Float Art (Photo © Jaime Rojo)

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WK Interact (Photo © Jaime Rojo)

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Reed B. More has been leaving these translucent pieces suspended about the fray. (Photo © Jaime Rojo)

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Reed B. More (Photo © Jaime Rojo)

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Reed B. More tagging the sky. (Photo © Jaime Rojo)

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Reed B. More (Photo © Jaime Rojo)

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Sipros for the Buschwick Collective. (Photo © Jaime Rojo)

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Gilf! did this piece to honor the victims of the mass shooting in Orlando and debuted it in time for the LGBT Pride weekend in NYC. (Photo © Jaime Rojo)

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Aron Belka did this portrait of jazz pianist and composer Allen Toussaint, who passed away last autumn, for The L.I.S.A. Project NYC in Little Italy/China Town. (Photo © Jaime Rojo)


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Alaniz pointing in every direction at the abandoned NSA spy compound in Teufelsberg Hill in Berlin. Berlin, 2016. (photo © Jaime Rojo)

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Buttsup (Photo © Jaime Rojo)

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King (Photo © Jaime Rojo)

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Untitled. Brooklyn, NY. June 2016. (Photo © Jaime Rojo)

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BSA Images Of The Week: 04.10.16

BSA Images Of The Week: 04.10.16

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Our weekly interview with the street, this week featuring 3rd World Pirate, A Pill NYC, Anglo, Augustine Kofie, Balu, CB23, City Kitty, Icy & Sot, Jerk Face, Jetski, LX One, Solus, Swiz, and WK Interact

Our top image: A warring door by WK Interact. Detail. (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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This dude lived in Williamsburg before all this happened. Balú (photo © Jaime Rojo)

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And this dude lived in Williamsburg only two summers ago. The wifi still has his name on it. Balú (photo © Jaime Rojo)

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Artist Unknown. Subway ad take over. (photo © Jaime Rojo)

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That’s one way to shine his buttons. 3rd World Pirate (photo © Jaime Rojo)

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Augustine Kofie in Marrakech, Morocco. (photo © Jaime Rojo)

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Solus looking up for guidance. (photo © Jaime Rojo)

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LX ONE in Marrakech, Morocco. (photo © Jaime Rojo)

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CB23 (photo © Jaime Rojo)

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Swiz in Marrakech, Morocco. (photo © Jaime Rojo)

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Swiz in Marrakech, Morocco. (photo © Jaime Rojo)

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Swiz in Marrakech, Morocco. (photo © Jaime Rojo)

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Swiz in Marrakech, Morocco. (photo © Jaime Rojo)

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Icy & Sot offers some words of comfort to Stikman. (photo © Jaime Rojo)

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City Kitty and friends. (photo © Jaime Rojo)

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Anglo . Jetski (photo © Jaime Rojo)

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A Pill NYC is just frothing at the mouth to see the consumers move in. (photo © Jaime Rojo)

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Jerk Face (photo © Jaime Rojo)

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Untitled. SOHO, NYC. April 2016. (photo © Jaime Rojo)

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