All posts tagged: Vlady

Vlady: “Segregation” Street Sign Campaign in Stockholm

Vlady: “Segregation” Street Sign Campaign in Stockholm

“Defeating racism, tribalism, intolerance and all forms of discrimination will liberate us all, victim and perpetrator alike.”

~Ban Ki-moon


The many shades of racism and classism in society are out in the open, but the signs are also easily, conveniently, overlooked. We do so at our peril.

Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)

“Native Residents ONLY”

A new street signage campaign in Stockholm by Street Artivist Vlady that addresses obvious segregation plays just under the radar of the everyday. That’s also the location of our subterranean feelings, opinions, and motivations – so truly he treads on a minefield in doing so.

“Stay Within the Premises”

By posting these unwritten rules in the official street nomenclature of the state, with its implied weight of authority and its underlying subtle threat of enforcement, Vlady may be poking at Sweden’s self-image as a welcoming society by drawing attention to its institutionalized demarcation of zones that are allocated to some, but not to others.

Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)

“Underclass Only”

Sweden is a competitive mixed economy that relies on export,” he says, “featuring a generous universal welfare state financed through relatively high income taxes that ensures that income is distributed across the entire society, a model sometimes called the Nordic model,” explains the artist by way of background.

He tells us that, despite what appears to have been the best and most sincere intentions of the society to open the doors of opportunity to immigrants over the previous century, newer shadings of right-wing sentiments in recent year have caused him to examine the attitudes of his neighbors.

Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)

Invisible yet perceptible borders today divide the capital: while the city center is economically off-limits for the newcomers, the ghettos are perceived as a “no-go zone” for the most of the white Swedish population,” he says. “This situation might not represent a unique case in Europe, nevertheless comes as a shocking fact for any visitor, as it’s taking place in the least expected country, like a bolt out of the blue.”

European and American racism and classism presents a very complicated history to say the least – a typical way that writers describe stories containing completely uncomfortable realities. But who better to draw our attention to social and political situations than an artist who lives amongst us, and who does installations on the street for the populous to encounter? As is the case historically, we are smart to heed such messages – as the artist on the street frequently function as a canary in the coalmine.

Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)

While so-called developed countries worldwide sometimes like to depict themselves as virtuous when encouraging immigration, economists say that demographics tell an additional aspect of the story. In the case of the US, like many “western democracies”, real GDP is increased by immigration.

“There is broad agreement among researchers and analysts that immigration raises total economic output (Borjas 2013; Congressional Budget Office [CBO] 2013),” says a report published by the Brookings Institution last fall.

Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)

Vladys says that “This country needed foreigners, but to sound sexier, it declared its motivation was to take ’em onboard for love, not because of necessity. To me it seems like it may be love, but under certain conditions: we love you as long as you stay subordinate. It’s also helping us to lower our blue-collar wages, to fill the positions that we do not wish to fill, to fill those spaces that we have left behind, where we wish no longer to be.” His subtle and revealing signage campaign may prove to be instructive to some, inflaming to others. It may also be misinterpreted.

Aside from his own status as a Street Artist in Stockholm, why does he feel this is an appropriate time for this campaign?

Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)

“I think that Sweden today is becoming the battleground for the world’s left and right-wing parties, with persons arguing that our immigration practices are an example of a successful story – or a model not to replicate.” He also says that there is a taboo in the country about discussing such things as racism or inequality and people would prefer to limit strong opinions. But he thinks that is potentially dangerous and may lead to sentiments that are more harsh in the long run.

For those who may think he is Sweden-bashing, it appears from here that the critique itself is out of concern and is motivated by a hope for solutions before there is a deepening of divisions.

Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)

“I would put it this way: Sweden forbids itself to be discriminatory, however discrimination does persist at every level. Sweden is a country where anybody is welcome, but where not everyone can afford to stay. Migrants can still have access to many things relatively easily, but they can find themselves trapped in bureaucracy and without a job or money at all. As no one can stay in the country unless they can support themselves, migrants are forced to leave.”

He says that he hopes the “Segregation” campaign can raise awareness about the topic and push for a more open dialogue, although he acknowledges that it may be a “straightforward and unpolitically-correct project” of road signs. The two areas selected are very specific as well for their audiences; the wealthy-white-western folks in the quarter of Östermalm, where all the luxury shops are, and the populous detached suburbs of Flemingsberg, Rinkeby, Kista, Tensta, Akalla, Tureberg, Helelund – “where the residents can find, at most, a supermarket and a few dodgy shops.”

Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)

It will be interesting to see if these signs are discovered quickly or slowly, if they provoke discussion, if they are allowed to stay or are removed by neighbors or officials.

“The key point of this action is to raise awareness on this topic,” Vlady says, before giving a litany of questions that he would like passersby to address together: “Can integration come out of segregation? Are we really all equal, or is someone is more equal than others? For how long can we keep the cages closed and hope that no disaster will ever hit the downtown streets? Does anybody see this division, this invisible borderline?”

“I have my own answers to that, but I don’t typically offer answers, I raise issues.”

Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Exclusivity. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)

Additional reading:

What is the link between immigration and crime in Sweden? – BBC Newsnight

Sweden: Truth, lies and manipulated narratives? – BBC Newsnight

(Un)Welcome: Sweden’s rise of the right – CBS news

The Rise Of Sweden’s Far-Left Militants – Vice news

Rinkeby and Tensta song – Guran Guran

Segregation in Stockholm’s school

Rinkeby, Sweden – Mad TV

Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)
Vlady. Ghetto. Stockholm. May 2019. (photo © Vlady/Art)
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BSA Images Of The Week: 06.12.16

BSA Images Of The Week: 06.12.16

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The annual Welling Court Community Festival in L.I.C. in Queens took place yesterday. BSA was there on Friday to photograph the completed walls while a bevy of enthusiastic artists were busy at work on their walls and getting ready for yesterday’s block party. We wanted to bring you Part I of our coverage of this year’s festival on this Sunday’s edition of BSA Images Of The Week. Sit tight, Part II will come later next week as we wait for a few artists to complete their walls.

The 7th year for this eclectic homegrown collecting of graffiti and Street Artists for communal mural-making has not diverged much from its original character. You are still entirely welcomed. There are no corporate sponsors or sales of T-Shirts or silly app-designer types striking poses or stroking beards or like, privileged like, verbally challenged, like, young professionals looking for like brunch? nearby? Er whatever.

Wellington Court still feels like real people, and hard working families, with plenty of kids and community and homemade foods. At least for now. Thanks to organizers Garrison and Alison Buxton for pulling this off once again.

Here’s our weekly interview with the street, this week featuring Billy Mode, Cern, Chris Stain, Depoe, Drsc0, FKDL, Icy & Sot, John Fekner, LMNOPI, London Kaye, Myth, OX, REPO, Skewville, Stikman, Vlady, and Voxx.

Our top image: Icy & Sot draws a direct connection between industrial pollution and the globe. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

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Skewville. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

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CERN. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

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DEPOE. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

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John Fekner. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

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Chris Stain . Billy Mode. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

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REPO. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

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REPO. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

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LMNOPI. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

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LMNOPI. Welling Court 2016. L.I.C. Queens. (photo © Jaime Rojo)

Street Artist LMNOPI lends her voice to the growing calls for stores to boycott the world’s largest supplier of berries until they treat their employees fairly after being accused of abuses, among them child labor. Learn more about the worldwide boycott of Driscoll’s here.

 

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Coloquix (photo © Jaime Rojo)

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OX and Vlady do some clever circuit-jamming of public space here with advertising signage that features images of advertising signage. Also an impossible to read larger message. Biancavilla, Italy. (photo © Vlady)

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Stikman was framed. (photo © Jaime Rojo)

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While gazing at the gams on this one earlier in the week, we found ourselves wondering if London Kaye will get a tan this summer. London Kaye (photo © Jaime Rojo)

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drscØ left a few new pieces around town this month, each appearing to be shocked in disbelief at something, maybe passersby. (photo © Jaime Rojo)

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drscØ (photo © Jaime Rojo)

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drscØ (photo © Jaime Rojo)

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Heaven knows I’m miserable now. (S)Myth takes maudlin self pity to heroic lengths. (photo © Jaime Rojo)

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Unidentified Artist’s take on The Donald. The HRC, referencing Hillary Clinton was added later for an additional bit of levity. (photo © Jaime Rojo)

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FKDL (photo © Jaime Rojo)

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VOXX (photo © Jaime Rojo)

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Untitled. Los Angeles, CA. April 2011. (photo © Jaime Rojo)

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